The national fabric: fashion, Britishness, globalization
British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford
Berg
2005
|
Schriftenreihe: | Dress, body, culture
|
Schlagworte: | |
Online-Zugang: | DE-523 Volltext |
Zusammenfassung: | British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy British'? Through an examination of iconic fashion companies Paul Smith and Mulberry, The National Fabric provides telling insights into the culture of contemporary fashion and the dilemmas of 'going global'. Goodrum argues that 'Britishness' is characterized less through a particular look than through its ambiguities. She shows how the apparently straightforward and economically-driven process of globalizing British fashion is, in fact, far more culturally nuanced and locally embedded than has previously been suggested. In examining the interplay between fashion and Britishness, Goodrum redresses a longstanding omission in fashion theory, which has been preoccupied with class, gender and race rather than with national identity |
Beschreibung: | Online-Ausgabe erschienen bei Bloomsbury Fashion Central: 2021 |
Beschreibung: | 1 Online-Ressource Illustrationen |
ISBN: | 9781847880185 9781474263597 |
DOI: | 10.2752/9781847880185 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV049601894 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 240307s2005 |||| o||u| ||||||eng d | ||
020 | |a 9781847880185 |c online |9 978-1-84788-018-5 | ||
020 | |a 9781474263597 |c epdf |9 978-1-4742-6359-7 | ||
035 | |a (ZDB-83-BFL)10.2752/9781847880185 | ||
035 | |a (OCoLC)1427316610 | ||
035 | |a (DE-599)BVBBV049601894 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-523 | ||
082 | 0 | |a 391.00941 | |
100 | 1 | |a Goodrum, Alison L. |e Verfasser |4 aut | |
245 | 1 | 0 | |a The national fabric |b fashion, Britishness, globalization |c Alison L. Goodrum |
264 | 1 | |a Oxford |b Berg |c 2005 | |
300 | |a 1 Online-Ressource |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Dress, body, culture | |
500 | |a Online-Ausgabe erschienen bei Bloomsbury Fashion Central: 2021 | ||
520 | |a British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy British'? Through an examination of iconic fashion companies Paul Smith and Mulberry, The National Fabric provides telling insights into the culture of contemporary fashion and the dilemmas of 'going global'. Goodrum argues that 'Britishness' is characterized less through a particular look than through its ambiguities. She shows how the apparently straightforward and economically-driven process of globalizing British fashion is, in fact, far more culturally nuanced and locally embedded than has previously been suggested. In examining the interplay between fashion and Britishness, Goodrum redresses a longstanding omission in fashion theory, which has been preoccupied with class, gender and race rather than with national identity | ||
648 | 7 | |a Geschichte 1940-2000 |2 gnd |9 rswk-swf | |
650 | 4 | |a Clothing trade |x Great Britain | |
650 | 4 | |a Fashion |x Great Britain | |
650 | 0 | 7 | |a Mode |0 (DE-588)4039792-0 |2 gnd |9 rswk-swf |
651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
689 | 0 | 1 | |a Mode |0 (DE-588)4039792-0 |D s |
689 | 0 | 2 | |a Geschichte 1940-2000 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-8452-0186-9 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-84520-187-6 |
856 | 4 | 0 | |u https://doi.org/10.2752/9781847880185?locatt=label:secondary_bloomsburyFashionCentral |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-83-BFL | ||
966 | e | |u https://doi.org/10.2752/9781847880185?locatt=label:secondary_bloomsburyFashionCentral |l DE-523 |p ZDB-83-BFL |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1805069697459159040 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Goodrum, Alison L. |
author_facet | Goodrum, Alison L. |
author_role | aut |
author_sort | Goodrum, Alison L. |
author_variant | a l g al alg |
building | Verbundindex |
bvnumber | BV049601894 |
collection | ZDB-83-BFL |
ctrlnum | (ZDB-83-BFL)10.2752/9781847880185 (OCoLC)1427316610 (DE-599)BVBBV049601894 |
dewey-full | 391.00941 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 391 - Costume and personal appearance |
dewey-raw | 391.00941 |
dewey-search | 391.00941 |
dewey-sort | 3391.00941 |
dewey-tens | 390 - Customs, etiquette, folklore |
discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
discipline_str_mv | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
doi_str_mv | 10.2752/9781847880185 |
era | Geschichte 1940-2000 gnd |
era_facet | Geschichte 1940-2000 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049601894</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240307s2005 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781847880185</subfield><subfield code="c">online</subfield><subfield code="9">978-1-84788-018-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474263597</subfield><subfield code="c">epdf</subfield><subfield code="9">978-1-4742-6359-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-83-BFL)10.2752/9781847880185</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1427316610</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049601894</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-523</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">391.00941</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Goodrum, Alison L.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The national fabric</subfield><subfield code="b">fashion, Britishness, globalization</subfield><subfield code="c">Alison L. Goodrum</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Berg</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Dress, body, culture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online-Ausgabe erschienen bei Bloomsbury Fashion Central: 2021</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy British'? Through an examination of iconic fashion companies Paul Smith and Mulberry, The National Fabric provides telling insights into the culture of contemporary fashion and the dilemmas of 'going global'. Goodrum argues that 'Britishness' is characterized less through a particular look than through its ambiguities. She shows how the apparently straightforward and economically-driven process of globalizing British fashion is, in fact, far more culturally nuanced and locally embedded than has previously been suggested. In examining the interplay between fashion and Britishness, Goodrum redresses a longstanding omission in fashion theory, which has been preoccupied with class, gender and race rather than with national identity</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1940-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Clothing trade</subfield><subfield code="x">Great Britain</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fashion</subfield><subfield code="x">Great Britain</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mode</subfield><subfield code="0">(DE-588)4039792-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Mode</subfield><subfield code="0">(DE-588)4039792-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1940-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-8452-0186-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-84520-187-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.2752/9781847880185?locatt=label:secondary_bloomsburyFashionCentral</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-83-BFL</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.2752/9781847880185?locatt=label:secondary_bloomsburyFashionCentral</subfield><subfield code="l">DE-523</subfield><subfield code="p">ZDB-83-BFL</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Großbritannien (DE-588)4022153-2 gnd |
geographic_facet | Großbritannien |
id | DE-604.BV049601894 |
illustrated | Not Illustrated |
index_date | 2024-07-03T23:34:52Z |
indexdate | 2024-07-20T04:10:09Z |
institution | BVB |
isbn | 9781847880185 9781474263597 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034946290 |
oclc_num | 1427316610 |
open_access_boolean | |
owner | DE-523 |
owner_facet | DE-523 |
physical | 1 Online-Ressource Illustrationen |
psigel | ZDB-83-BFL |
publishDate | 2005 |
publishDateSearch | 2005 |
publishDateSort | 2005 |
publisher | Berg |
record_format | marc |
series2 | Dress, body, culture |
spelling | Goodrum, Alison L. Verfasser aut The national fabric fashion, Britishness, globalization Alison L. Goodrum Oxford Berg 2005 1 Online-Ressource Illustrationen txt rdacontent c rdamedia cr rdacarrier Dress, body, culture Online-Ausgabe erschienen bei Bloomsbury Fashion Central: 2021 British fashion is characterized by oppositions: punk versus pageantry, anarchy versus monarchy, Cool Britannia versus Rule Britannia. Why has British fashion come to be so contradictory? How are these contradictions employed to 'sell British'? What do they mean for consumers who 'buy British'? Through an examination of iconic fashion companies Paul Smith and Mulberry, The National Fabric provides telling insights into the culture of contemporary fashion and the dilemmas of 'going global'. Goodrum argues that 'Britishness' is characterized less through a particular look than through its ambiguities. She shows how the apparently straightforward and economically-driven process of globalizing British fashion is, in fact, far more culturally nuanced and locally embedded than has previously been suggested. In examining the interplay between fashion and Britishness, Goodrum redresses a longstanding omission in fashion theory, which has been preoccupied with class, gender and race rather than with national identity Geschichte 1940-2000 gnd rswk-swf Clothing trade Great Britain Fashion Great Britain Mode (DE-588)4039792-0 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Mode (DE-588)4039792-0 s Geschichte 1940-2000 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-8452-0186-9 Erscheint auch als Druck-Ausgabe, Paperback 978-1-84520-187-6 https://doi.org/10.2752/9781847880185?locatt=label:secondary_bloomsburyFashionCentral Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Goodrum, Alison L. The national fabric fashion, Britishness, globalization Clothing trade Great Britain Fashion Great Britain Mode (DE-588)4039792-0 gnd |
subject_GND | (DE-588)4039792-0 (DE-588)4022153-2 |
title | The national fabric fashion, Britishness, globalization |
title_auth | The national fabric fashion, Britishness, globalization |
title_exact_search | The national fabric fashion, Britishness, globalization |
title_exact_search_txtP | The national fabric fashion, Britishness, globalization |
title_full | The national fabric fashion, Britishness, globalization Alison L. Goodrum |
title_fullStr | The national fabric fashion, Britishness, globalization Alison L. Goodrum |
title_full_unstemmed | The national fabric fashion, Britishness, globalization Alison L. Goodrum |
title_short | The national fabric |
title_sort | the national fabric fashion britishness globalization |
title_sub | fashion, Britishness, globalization |
topic | Clothing trade Great Britain Fashion Great Britain Mode (DE-588)4039792-0 gnd |
topic_facet | Clothing trade Great Britain Fashion Great Britain Mode Großbritannien |
url | https://doi.org/10.2752/9781847880185?locatt=label:secondary_bloomsburyFashionCentral |
work_keys_str_mv | AT goodrumalisonl thenationalfabricfashionbritishnessglobalization |