Soundworks: race, sound, and poetry in production
"Soundworks takes the many recorded collaborations between African American poets and musicians associated with the long Black Arts era (late-1950s through mid-1970s) as the occasion to reframe the object of black sound studies as the product of material, technical, sensual, and ideological for...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Durham ; London
Duke University Press
2021
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Schriftenreihe: | Refiguring American music
|
Schlagworte: | |
Zusammenfassung: | "Soundworks takes the many recorded collaborations between African American poets and musicians associated with the long Black Arts era (late-1950s through mid-1970s) as the occasion to reframe the object of black sound studies as the product of material, technical, sensual, and ideological forces. Through new interpretations of Langston Hughes, Charles Mingus, Amiri Baraka, and the disparate experimental modes of "free jazz" practiced by Archie Shepp, Matana Roberts, Cecil Taylor, Jeanne Lee, and Jayne Cortez, Soundworks recovers the visionary world-making impulses encoded in the poetics of experimental practice and the alternative forms of communal and individual being to which those practices correspond"-- |
Beschreibung: | xii, 268 pages 23 cm |
Internformat
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264 | 1 | |a Durham ; London |b Duke University Press |c 2021 | |
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337 | |b n |2 rdamedia | ||
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490 | 0 | |a Refiguring American music | |
505 | 8 | |a Introduction: Black: Sonic: Textuality -- One: Voice Prints: Toward a Black Media Concept -- Two: Communities in Transition: A Poetics of Black Communism -- Three: Tomorrow Is the Question! Amiri Baraka's Poetics for a Post-Revolutionary Age -- Four: Body/Language: The Semiotics and Poetics of Improvisation and Black Embodiment -- Coda: No Simple Explanations | |
520 | |a "Soundworks takes the many recorded collaborations between African American poets and musicians associated with the long Black Arts era (late-1950s through mid-1970s) as the occasion to reframe the object of black sound studies as the product of material, technical, sensual, and ideological forces. Through new interpretations of Langston Hughes, Charles Mingus, Amiri Baraka, and the disparate experimental modes of "free jazz" practiced by Archie Shepp, Matana Roberts, Cecil Taylor, Jeanne Lee, and Jayne Cortez, Soundworks recovers the visionary world-making impulses encoded in the poetics of experimental practice and the alternative forms of communal and individual being to which those practices correspond"-- | ||
650 | 4 | |a Music and literature / United States / History / 20th century | |
650 | 4 | |a American poetry / United States / African American authors / History / 20th century | |
650 | 4 | |a African Americans / United States / Music / History / 20th century | |
650 | 4 | |a Jazz / 20th century / History and criticism | |
650 | 7 | |a African Americans |2 fast | |
650 | 7 | |a American poetry / African American authors |2 fast | |
650 | 7 | |a Jazz |2 fast | |
650 | 7 | |a Music and literature |2 fast | |
651 | 7 | |a United States |2 fast | |
776 | 0 | 8 | |i Online version |a Reed, Anthony, 1978- |t Soundworks |d Durham : Duke University Press, 2020 |
999 | |a oai:aleph.bib-bvb.de:BVB01-033213881 |
Datensatz im Suchindex
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contents | Introduction: Black: Sonic: Textuality -- One: Voice Prints: Toward a Black Media Concept -- Two: Communities in Transition: A Poetics of Black Communism -- Three: Tomorrow Is the Question! Amiri Baraka's Poetics for a Post-Revolutionary Age -- Four: Body/Language: The Semiotics and Poetics of Improvisation and Black Embodiment -- Coda: No Simple Explanations |
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id | DE-604.BV047830639 |
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index_date | 2024-07-03T19:09:16Z |
indexdate | 2024-07-10T09:22:30Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033213881 |
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physical | xii, 268 pages 23 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Duke University Press |
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series2 | Refiguring American music |
spelling | Reed, Anthony 1978- (DE-588)1065344244 aut Soundworks race, sound, and poetry in production Anthony Reed Durham ; London Duke University Press 2021 xii, 268 pages 23 cm txt rdacontent n rdamedia nc rdacarrier Refiguring American music Introduction: Black: Sonic: Textuality -- One: Voice Prints: Toward a Black Media Concept -- Two: Communities in Transition: A Poetics of Black Communism -- Three: Tomorrow Is the Question! Amiri Baraka's Poetics for a Post-Revolutionary Age -- Four: Body/Language: The Semiotics and Poetics of Improvisation and Black Embodiment -- Coda: No Simple Explanations "Soundworks takes the many recorded collaborations between African American poets and musicians associated with the long Black Arts era (late-1950s through mid-1970s) as the occasion to reframe the object of black sound studies as the product of material, technical, sensual, and ideological forces. Through new interpretations of Langston Hughes, Charles Mingus, Amiri Baraka, and the disparate experimental modes of "free jazz" practiced by Archie Shepp, Matana Roberts, Cecil Taylor, Jeanne Lee, and Jayne Cortez, Soundworks recovers the visionary world-making impulses encoded in the poetics of experimental practice and the alternative forms of communal and individual being to which those practices correspond"-- Music and literature / United States / History / 20th century American poetry / United States / African American authors / History / 20th century African Americans / United States / Music / History / 20th century Jazz / 20th century / History and criticism African Americans fast American poetry / African American authors fast Jazz fast Music and literature fast United States fast Online version Reed, Anthony, 1978- Soundworks Durham : Duke University Press, 2020 |
spellingShingle | Reed, Anthony 1978- Soundworks race, sound, and poetry in production Introduction: Black: Sonic: Textuality -- One: Voice Prints: Toward a Black Media Concept -- Two: Communities in Transition: A Poetics of Black Communism -- Three: Tomorrow Is the Question! Amiri Baraka's Poetics for a Post-Revolutionary Age -- Four: Body/Language: The Semiotics and Poetics of Improvisation and Black Embodiment -- Coda: No Simple Explanations Music and literature / United States / History / 20th century American poetry / United States / African American authors / History / 20th century African Americans / United States / Music / History / 20th century Jazz / 20th century / History and criticism African Americans fast American poetry / African American authors fast Jazz fast Music and literature fast |
title | Soundworks race, sound, and poetry in production |
title_auth | Soundworks race, sound, and poetry in production |
title_exact_search | Soundworks race, sound, and poetry in production |
title_exact_search_txtP | Soundworks race, sound, and poetry in production |
title_full | Soundworks race, sound, and poetry in production Anthony Reed |
title_fullStr | Soundworks race, sound, and poetry in production Anthony Reed |
title_full_unstemmed | Soundworks race, sound, and poetry in production Anthony Reed |
title_short | Soundworks |
title_sort | soundworks race sound and poetry in production |
title_sub | race, sound, and poetry in production |
topic | Music and literature / United States / History / 20th century American poetry / United States / African American authors / History / 20th century African Americans / United States / Music / History / 20th century Jazz / 20th century / History and criticism African Americans fast American poetry / African American authors fast Jazz fast Music and literature fast |
topic_facet | Music and literature / United States / History / 20th century American poetry / United States / African American authors / History / 20th century African Americans / United States / Music / History / 20th century Jazz / 20th century / History and criticism African Americans American poetry / African American authors Jazz Music and literature United States |
work_keys_str_mv | AT reedanthony soundworksracesoundandpoetryinproduction |