Soundworks: race, sound, and poetry in production
In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompa...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2021
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| Schriftenreihe: | Refiguring American music
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| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 FUBA1 UBG01 UBT01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes |
| Beschreibung: | 1 Online-Ressource (xii, 268 Seiten) |
| ISBN: | 9781478012795 |
| DOI: | 10.1515/9781478012795 |
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Datensatz im Suchindex
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| dewey-ones | 811 - American poetry in English |
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| discipline | Kunstgeschichte Anglistik / Amerikanistik |
| discipline_str_mv | Kunstgeschichte Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781478012795 |
| format | Electronic eBook |
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| index_date | 2024-07-03T16:37:16Z |
| indexdate | 2024-07-10T09:03:57Z |
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| record_format | marc |
| series2 | Refiguring American music |
| spelling | Reed, Anthony 1978- Verfasser (DE-588)1065344244 aut Soundworks race, sound, and poetry in production Anthony Reed Durham ; London Duke University Press 2021 1 Online-Ressource (xii, 268 Seiten) txt rdacontent c rdamedia cr rdacarrier Refiguring American music In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes MUSIC / Genres & Styles / Jazz bisacsh African Americans United States Music History 20th century American poetry United States African American authors History 20th century Jazz 20th century History and criticism Music and literature United States History 20th century Klang (DE-588)4030933-2 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Musiker (DE-588)4040841-3 s Klang (DE-588)4030933-2 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-1021-0 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-1127-9 https://doi.org/10.1515/9781478012795 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Reed, Anthony 1978- Soundworks race, sound, and poetry in production MUSIC / Genres & Styles / Jazz bisacsh African Americans United States Music History 20th century American poetry United States African American authors History 20th century Jazz 20th century History and criticism Music and literature United States History 20th century Klang (DE-588)4030933-2 gnd Schwarze (DE-588)4116433-7 gnd Musiker (DE-588)4040841-3 gnd |
| subject_GND | (DE-588)4030933-2 (DE-588)4116433-7 (DE-588)4040841-3 (DE-588)4078704-7 |
| title | Soundworks race, sound, and poetry in production |
| title_auth | Soundworks race, sound, and poetry in production |
| title_exact_search | Soundworks race, sound, and poetry in production |
| title_exact_search_txtP | Soundworks race, sound, and poetry in production |
| title_full | Soundworks race, sound, and poetry in production Anthony Reed |
| title_fullStr | Soundworks race, sound, and poetry in production Anthony Reed |
| title_full_unstemmed | Soundworks race, sound, and poetry in production Anthony Reed |
| title_short | Soundworks |
| title_sort | soundworks race sound and poetry in production |
| title_sub | race, sound, and poetry in production |
| topic | MUSIC / Genres & Styles / Jazz bisacsh African Americans United States Music History 20th century American poetry United States African American authors History 20th century Jazz 20th century History and criticism Music and literature United States History 20th century Klang (DE-588)4030933-2 gnd Schwarze (DE-588)4116433-7 gnd Musiker (DE-588)4040841-3 gnd |
| topic_facet | MUSIC / Genres & Styles / Jazz African Americans United States Music History 20th century American poetry United States African American authors History 20th century Jazz 20th century History and criticism Music and literature United States History 20th century Klang Schwarze Musiker USA |
| url | https://doi.org/10.1515/9781478012795 |
| work_keys_str_mv | AT reedanthony soundworksracesoundandpoetryinproduction |