The Female Secession Art and the Decorative at the Viennese Women's Academy
The Female Secession: Art and the Decorative at the Viennese Women's Academy

Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna's "female Secession" created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian M...

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Bibliographic Details
Main Author: Brandow-Faller, Megan (Author)
Format: Electronic eBook
Language:English
Published: University Park, PA Penn State University Press [2021]
Subjects:
ART / History / Modern (late 19th Century to 1945)
Art, Austrian > 19th century
Art, Austrian > 20th century
Decorative arts > Austria > Vienna > History > 19th century
Decorative arts > Austria > Vienna > History > 20th century
Women artists > Education > Austria > Vienna > History > 19th century
Women artists > Education > Austria > Vienna > History > 20th century
Women artists > Austria > Vienna > History > 19th century
Women artists > Austria > Vienna > History > 20th century
Online Access:DE-1043
DE-1046
DE-858
DE-859
DE-860
DE-739
DE-473
Volltext
Summary:Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna's "female Secession" created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between "art" and "craft," "decorative" and "profound," and "masculine" and "feminine" in art.Tracing the history of the women's art movement in Secessionist Vienna-from its origins in 1897, at the Women's Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst-Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women's art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria's women's art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group's ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as "works from women's hands." It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history
Item Description:Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)
Physical Description:1 Online-Ressource (304 Seiten) 27 color/60 b&w illustrations
ISBN:9780271086507
DOI:10.1515/9780271086507

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