The Female Secession: Art and the Decorative at the Viennese Women's Academy
Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna's "female Secession" created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian M...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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University Park, PA
Penn State University Press
[2021]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna's "female Secession" created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between "art" and "craft," "decorative" and "profound," and "masculine" and "feminine" in art.Tracing the history of the women's art movement in Secessionist Vienna-from its origins in 1897, at the Women's Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst-Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women's art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria's women's art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group's ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as "works from women's hands." It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) |
| Beschreibung: | 1 Online-Ressource (304 Seiten) 27 color/60 b&w illustrations |
| ISBN: | 9780271086507 |
| DOI: | 10.1515/9780271086507 |
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| 520 | |a Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna's "female Secession" created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between "art" and "craft," "decorative" and "profound," and "masculine" and "feminine" in art.Tracing the history of the women's art movement in Secessionist Vienna-from its origins in 1897, at the Women's Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst-Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women's art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria's women's art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group's ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as "works from women's hands." It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history | ||
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| index_date | 2024-07-03T17:25:42Z |
| indexdate | 2024-07-10T09:08:28Z |
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| isbn | 9780271086507 |
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| spelling | Brandow-Faller, Megan Verfasser aut The Female Secession Art and the Decorative at the Viennese Women's Academy Megan Brandow-Faller University Park, PA Penn State University Press [2021] © 2020 1 Online-Ressource (304 Seiten) 27 color/60 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna's "female Secession" created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between "art" and "craft," "decorative" and "profound," and "masculine" and "feminine" in art.Tracing the history of the women's art movement in Secessionist Vienna-from its origins in 1897, at the Women's Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst-Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women's art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria's women's art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group's ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as "works from women's hands." It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history In English ART / History / Modern (late 19th Century to 1945) bisacsh Art, Austrian 19th century Art, Austrian 20th century Decorative arts Austria Vienna History 19th century Decorative arts Austria Vienna History 20th century Women artists Education Austria Vienna History 19th century Women artists Education Austria Vienna History 20th century Women artists Austria Vienna History 19th century Women artists Austria Vienna History 20th century https://doi.org/10.1515/9780271086507 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brandow-Faller, Megan The Female Secession Art and the Decorative at the Viennese Women's Academy ART / History / Modern (late 19th Century to 1945) bisacsh Art, Austrian 19th century Art, Austrian 20th century Decorative arts Austria Vienna History 19th century Decorative arts Austria Vienna History 20th century Women artists Education Austria Vienna History 19th century Women artists Education Austria Vienna History 20th century Women artists Austria Vienna History 19th century Women artists Austria Vienna History 20th century |
| title | The Female Secession Art and the Decorative at the Viennese Women's Academy |
| title_auth | The Female Secession Art and the Decorative at the Viennese Women's Academy |
| title_exact_search | The Female Secession Art and the Decorative at the Viennese Women's Academy |
| title_exact_search_txtP | The Female Secession Art and the Decorative at the Viennese Women's Academy |
| title_full | The Female Secession Art and the Decorative at the Viennese Women's Academy Megan Brandow-Faller |
| title_fullStr | The Female Secession Art and the Decorative at the Viennese Women's Academy Megan Brandow-Faller |
| title_full_unstemmed | The Female Secession Art and the Decorative at the Viennese Women's Academy Megan Brandow-Faller |
| title_short | The Female Secession |
| title_sort | the female secession art and the decorative at the viennese women s academy |
| title_sub | Art and the Decorative at the Viennese Women's Academy |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh Art, Austrian 19th century Art, Austrian 20th century Decorative arts Austria Vienna History 19th century Decorative arts Austria Vienna History 20th century Women artists Education Austria Vienna History 19th century Women artists Education Austria Vienna History 20th century Women artists Austria Vienna History 19th century Women artists Austria Vienna History 20th century |
| topic_facet | ART / History / Modern (late 19th Century to 1945) Art, Austrian 19th century Art, Austrian 20th century Decorative arts Austria Vienna History 19th century Decorative arts Austria Vienna History 20th century Women artists Education Austria Vienna History 19th century Women artists Education Austria Vienna History 20th century Women artists Austria Vienna History 19th century Women artists Austria Vienna History 20th century |
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