Key ideas in museums and heritage (1949-2004):
Saved in:
| Other Authors: | |
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| Format: | Book |
| Language: | English |
| Published: |
Paris
ICOM
[2015]
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| Series: | Museum international
no 261/264 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 184 Seiten Illustrationen |
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IC M ЮТЕ8ЛЛ ІК(\ЛІ. COIWOII. ОГ lU -iri MS COKSEU. IVrEBN.ATTOiV«. UES Ml .-SKES museon 261-264 INTERNATIONAL CONSEJO INTERNACIONAL DE MESEOS I KEY IDEAS IN MUSEUMS AND HERITAGE (1949-2004) 3 I EDITORIAL I Tereza Scheiner | з ¿ I ORIGINAL ARTICLE I A Note on the Article Selection François Mairesse ļ 6 Tereza Schemer Editor in Chief 7 I INTRODUCTION Aedin Mac Devitt I Museums are Wonderful Places: an Introduction Gary Edson | 7 Managing Editor Melanie Foehn Editorial Assistant EDITORIAL BOARD 19 I ORIGINAL ARTICLES Rosmarie Beier de Haan I Museums Today and Tomorrow Grace L. McCann Morley | 19 I Man in a Science Museum of the Future Bruno Gebhard | 26 ļ Museums as Community Centres Janet R. MacFarlane | 31 I The Functions of Natural History Museums J. W Evans ) 35 I Museums, Systems and Computers Duncan F. Cameron | 39 Head of Collections and ExhibitionCurator, Berlin Historical Museum, Germany Marie-Paule Jungblut Director of the Basel Historical Museum, Switzerland Richard Kurin Director of the Smithsonian Institution, U.S.A François Mairesse Professor of Museology, Université Sorbonne Nouvelle - Paris 3, France Christian Manhart Chief of Museums and Cultural Objects Section, Division of Cultural RATES FOR 2015. INFORMATION FOR SUBSCRIBERS. Objects and Intangible Heritage, UNESCO EUR RotW AMERICAS Institutions* €422 $646 $555 Deputy Director of the Museum of Individuals €110 £74 $123 European Cultures, Berlin, Germany Institutions in the developing world Leontīne Meijer van Mensch Eiji Mizushima Professor of Museum Studies, University of Tsukuba, Japan Lourdes Monjes-
Santos Chair of ICOM Mexico; Director of the Museo Casa de las Bolas Bernice L Murphy Editor, Museums Australia Magazine Richard Sandell Professor of Museum Studies, University of Leicester, UK $154 ‘Prices are exclusive of tax. Asia-Pacific GST. Canadian GST and European VAT will be applied at the appropriate rates. For more information on current tax rates, please go to www.wileyonlinelibrary. com/tax-vat. The price includes online access to the current and all onli ne back files to January 1 ^ 2007, where available. For other pricing options, including access information and terms and conditions, please visit www.wileyonlinelibrary.com/access Journal Customer Services: For ordering information, claims and any enquiry concerning your journal subscription please go to www.wileycustomerhelp.com/ask or contact your nearest office: Americas: Email; cs-joumals@wiley.com; Tel: +1 781 388 8598 or 1 800 835 6770 (Toll free in the USA Canada). Europe. Middle East and Africa: Email: cs-joumals@wiley.com: Tel: +44 (0) 1865 778315 Asia Pacific: Email.· cs-journals@wiley.com; Tel: +65 6511 8000 Japan: For Japanese speaking support. Email: cs-japan@wiley. com; Tel: +65 6511 8010 or Tel (toll-free); 005 316 50 480. Visit our Online Customer Get-Help available in 6 languages at www.wileycustomerhelp.com Delivery Terms and Legal Title՛. Where the subscription price includes print issues and delivery is to the recipient's address, delivery terms are Delivered Duty Unpaid (DDU): the recipient is responsible for paying any import duty or taxes. Title to all issues transfers FOB our shipping
point, freight prepaid. We will endeavour to fulfil claims for missing or damaged copies within six months of publication, within our reasonable discretion and subject to availability. Samuel Sidibé Chair of ICOM Mali; Director of the National Museum of-Mali - musam issn i 350-0775, њ. 201 ֊204 о ком 2015 Published by ICOM and Blackwell Publishing Ltd.
I Museums and the Natural Heritage Tomislav Sola Director of the Best in Heritage Sidney Dillon Ripley | 45 An Laishun Museological Activity, its Role and Purpose in African Countries Vice President and Secretary Generat,·; Chinese Museums Association; Member of (COM Executive Council; Abdoulaye Sokhna Guèye Diop 149 The Modern. Living Museum EX-OFFICIO Hans-Martin Hinz, President of ICOM ; Jan Jelinek I 58 Anne-Catherine Robert Haugtustaine,: Problems and Possibilities in Recovering Dispersed Cultural Heritages Director General of ICOM Copyright © ICOM 2015 Luis Monreal | 62 Published by the International Councit of Museums (ICOM) and Museums and Multidisciplinary Universal Education in the U.S.S.R. Blackwell Publishing. Authors are responsible for the choice and the presentation of the A. M. Razgon I 70 The Modern Museum: Requirements and Problems of a New Approach facts contained in signed articles and for the opinions expressed therein, which are not necessarily Hugues de Varìne-Bohan \ 76 those of ICOM and do noi commit the Organisation. The designations employed and the presentation of material in MUSEUM International do not imply the expression of any opi nion whatsoever on the part of ICOM Museum Development and Cultural Policy: Aims, Prospects and Challenges Marta Arjona, Frances Kay Brìnkley, Fernanda de Camargo-Moro, Roderick C. Ebanks, Manuel Espinoza, Felipe Lacouture, Luis G. Lumbreras, Aloisio Magalhaes and Grete Mostny | 88 concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimi De-schooling the
Museum: a Proposal to Increase Public Access to Museums and their Resources tation of its frontiers or boundaries. Michael M. Ames | 98 Cover design by Justine Navarro. Science Museums beyond Their Four Walls Fombori Image Bank. Fombori. Mali ©Hugues de Varine; Rijskmuseum Saroj Chose 1107 Gallery of Honour ©René den Engelsman; Grace McCann Morley ©ICOM: © Samp Intercontinental The New Museology Proclaimed E Mayrand 1115 Museum Network. Photo Kersti Olophsdotter Hansson. Sweden; Science Exhibition Bus, Kolkata. India ©Biswarup Ganguly; Museo Nacional de Chile ©fftemingl; Towards a New Type of 'Ethnographic' Museum in Africa Alpha Oumar Konaré 1119 Museums and Genden an Australian Critique dancers ©Museos del Banco Central de Costa Rica; ICOM General Conference. Mexico. 1980 ©ICOM; Kyrgyz Museum Of Fine Arts ©Gaspar Aitiev, National Museum of Greenland in Nuuk ©Greenland National Museum Archives: Margaret Anderson and Kylie Winkworth 1127 What Price Success? Vera Zolberg | 132 The Museum Refuses to Stand Still Kenneth Hudson 1136 Louvre Grand Gallery ©R.M.N; Georges Henri Rivière ©ICOM: but Museums and Change: Some Thoughts on Creativity. Destruction and Self-organization terflies ©CAS; George Henri Rivière in Baia, 1953 ©ICOM: Kyrgyz Museum Of Fine Arts 2 ©Gaspar Aitiev; Musée des Confluences. Lyon ©Quentin Lafont 2015: Restitution of stolen cultural goods. Madagascar 1986 ©ICOM; ©Margarida Ascenso: Xiao Liwu at San Diego Zoo ©Johann Balleis: Centre for Robert R. Janes 1144 United States: A Science in the Making C. G. Screven 1151 Digital Heritage in Digital Museums Cary
Karp 1157 Museum Studies. Jos. Nigeria ©ICOM: EFI ©ICOM: Rijksmuseum © René den Engelsman Intangible Heritage as Metacultural Production Barbara Kirshenblatt-Gimblett Į163 Basic Principles of the Integral Museum 1175 List of Original Citations! 183 Editors՛ Note In assembling the original published texts for the present volume, certain editorial decisions were called for. The varying editorial choices over time required that small amendments be made to ensure consistency in this new volume in terms of typography, spelling and punctuation. In addition, syntactic corrections are indicated in square brackets and notes have occasionally been added to contextualise the argument. The reproduction of illustrations accompanying the original texts was unfeasible, due to poor image quality and, sometimes, relevance. Where possible, the original images have been replaced in an effort to contextualise the argument for the modern-day reader. Some articles therefore include contemporary photographs of the institutions cited, while others contain recent images chosen by the authors themselves. Every effort has been made to contact the living authors of the texts re-published in this volume with a view to informing them of the reproduction of their respective articles and to allow them the opportunity to suggest contemporary visual content. |
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