Holdings: The semantic turn :: THWS Bibkatalog

The semantic turn: a new foundation for design

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Bibliographic Details
Main Author:	Krippendorff, Klaus 1932-2022 (Author)
Format:	Book
Language:	English
Published:	Boca Raton, Fla. <<[u.a.]>> CRC Taylor & Francis 2006
Subjects:	Vormgeving Gesellschaft Philosophie Design > Philosophy Industrial design > Social aspects Ästhetik Design Semantik Theorie Produktgestaltung
Online Access:	Inhaltsverzeichnis
Physical Description:	349 S. Ill., graph. Darst.
ISBN:	0415322200 9780415322201

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Record in the Search Index

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adam_text	Table of Contents Foreword ..............................................................................................................xiii Introduction and Overview ................................................................................xv Chapter 1 History and aim ..............................................................................1 1.1 Brief history of product semantics ..............................................................1 1.2 Trajectory of artificiality ................................................................................5 1.2.1 Products ..............................................................................................6 1.2.2 Goods, services, and identities .......................................................7 1.2.3 Interfaces .............................................................................................8 1.2.4 Multiuser systems and networks ...................................................9 1.2.5 Projects ..............................................................................................10 1.2.6 Discourses .........................................................................................11 1.3 The changing environment of design .......................................................13 1.3.1 Society ...............................................................................................13 1.3.2 Technology .......................................................................................15 1.3.3 Manufacture .....................................................................................16 1.3.4 Computer aided design (CAD) .....................................................17 1.3.5 Design management .......................................................................18 1.3.6 Market research ...............................................................................19 1.3.7 Philosophy s linguistic turn ..........................................................20 1.4 Redesigning design (discourse) .................................................................23 1.4.1 Discourse ..........................................................................................23 1.4.2 Design ...............................................................................................25 1.4.3 Design discourse .............................................................................32 Chapter 2 Basic concepts of human-centered design ..............................39 2.1 Predecessors ..................................................................................................40 2.2 The axiomaticity of meaning .....................................................................47 2.3 Sense, meaning, and context ......................................................................50 2.3.1 Sense ..................................................................................................50 2.3.2 Meaning ............................................................................................52 2.3.3 Context ..............................................................................................59 2.4 Stakeholders in design ................................................................................63 2.5 Second-order understanding ......................................................................65 2.6 Ethics in a design culture ...........................................................................70 Chapter 3 Meaning of artifacts in use ........................................................77 3.1 Interfaces .......................................................................................................78 3.2 Disruptions and usability ...........................................................................84 3.3 Recognition ...................................................................................................91 3.3.1 Categories .........................................................................................91 3.3.2 Visual metaphors .............................................................................95 3.3.3 Attractiveness .................................................................................102 3.4 Explorations ................................................................................................104 3.4.1 User conceptual models ...............................................................105 3.4.2 Constraints .....................................................................................108 3.4.3 Affordances .................................................................................... Ill 3.4.4 Metonyms .......................................................................................114 3.4.5 Informatives...................................................................................117 3.4.6 Semantic layers ..............................................................................129 3.5 Reliance ........................................................................................................132 3.5.1 Scenarios .........................................................................................133 3.5.2 Intrinsic motivation .......................................................................136 3.6 Principles for designing usability ...........................................................140 3.6.1 Human-centeredness ....................................................................141 3.6.2 Meaningful interfaces ...................................................................141 3.6.3 Second-order understanding .......................................................141 3.6.4 Affordances ....................................................................................142 3.6.5 Constraints .....................................................................................142 3.6.6 Feedback .........................................................................................142 3.6.7 Coherence .......................................................................................142 3.6.8 Learnability ....................................................................................143 3.6.9 Multisensory redundancy ............................................................143 3.6.10 Variability — diversity .................................................................144 3.6.11 Robustness ......................................................................................144 3.6.12 Delegation of design .....................................................................145 Chapter 4 Meaning of artifacts in language ............................................147 4.1 Language .....................................................................................................150 4.2 Categories ....................................................................................................152 4.3 Characters ....................................................................................................155 4.4 Identities ......................................................................................................162 4.5 Verbal metaphors .......................................................................................166 4.6 Narratives ....................................................................................................169 4.7 Culture .........................................................................................................175 Chapter 5 Meaning in the lives of artifacts .............................................177 5.1 Life cycles ....................................................................................................179 5.2 Stakeholder networks ................................................................................180 5.3 Projects .........................................................................................................183 5.4 Genetic meanings .......................................................................................184 5.5 Critical sizes of supportive communities ..............................................187 5.6 Whole life cycle accounting .....................................................................189 Chapter 6 Meaning in an ecology of artifacts .........................................193 6.1 Ecology ........................................................................................................193 6.2 Ecology of artifacts ....................................................................................194 6.3 Ecological meanings ..................................................................................198 6.4 Technological cooperatives .......................................................................202 6.5 Mythology ...................................................................................................203 Chapter 7 Design methods, research, and a science for design ..........207 7.1 A new science for design ..........................................................................209 7.2 Methods for creating spaces of possible futures ..................................213 7.2.1 Brainstorming ................................................................................213 7.2.2 Refraining .......................................................................................214 7.2.3 Combinatorics ................................................................................217 7.3 Methods for inquiring into stakeholders concepts and motivations ..................................................................................................221 7.3.1 Narratives of ideal futures ...........................................................222 7.3.2 Surveys and structured interviews ............................................223 7.3.3 Unstructured interviews ..............................................................223 7.3.4 Focus groups ..................................................................................224 7.3.5 Observational methods ................................................................225 7.3.6 Protocol analysis ............................................................................226 7.3.7 Ethnography ...................................................................................226 7.3.8 Triangulation of methods .............................................................227 7.3.9 Stakeholder participation in the design process ......................228 7.4 Human-centered design methods ...........................................................230 7.4.1 (Re)designing the characters of artifacts ...................................232 7.4.2 Designing artifacts that are informative (expressive) of their workings ...........................................................................240 7.4.3 Designing original artifacts, guided by narratives and metaphors .......................................................................................245 7.4.4 Designing human-centered design strategies ..........................254 7.4.5 Dialogical ways to design ............................................................258 7.5 Validating semantic claims .......................................................................260 7.6 Advancing design discourse ....................................................................267 7.6.1 Postdesign research .......................................................................269 7.6.2 Design literature ............................................................................269 7.6.3 Institutionalizations ......................................................................270 7.6.4 Self-reflection ..................................................................................270 Chapter 8 Distantiations ..............................................................................273 8.1 Semiotics ......................................................................................................273 8.2 Cognitivism .................................................................................................278 8.3 Ergonomics ..................................................................................................279 8.4 Aesthetics ....................................................................................................283 8.5 Functionalism .............................................................................................285 8.6 Marketing ....................................................................................................288 8.7 Textualism ...................................................................................................291 Chapter 9 Roots in the Ulm School of Design? ......................................297 9.1 Bill s functionalism ....................................................................................298 9.2 Bense s information philosophy ..............................................................303 9.3 Maldonado s semiotics ..............................................................................305 9.4 Chernyshevsky s political economy of aesthetics ................................308 9.5 Rittel s methodology .................................................................................310 9.6 Barriers to considerations of meaning and some exceptions .............313 References ............................................................................................................323 Credits ..................................................................................................................335 Index .....................................................................................................................337 About the Author ...............................................................................................349
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author	Krippendorff, Klaus 1932-2022
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dewey-tens	740 - Graphic arts and decorative arts
discipline	Kunstgeschichte Kunst Sprachwissenschaft Literaturwissenschaft
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spelling	Krippendorff, Klaus 1932-2022 Verfasser (DE-588)136072429 aut The semantic turn a new foundation for design Klaus Krippendorff Boca Raton, Fla. <<[u.a.]>> CRC Taylor & Francis 2006 349 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Vormgeving gtt Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik (DE-588)4000626-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Design (DE-588)4011510-0 gnd rswk-swf Semantik (DE-588)4054490-4 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf Produktgestaltung (DE-588)4047340-5 gnd rswk-swf Design (DE-588)4011510-0 s Produktgestaltung (DE-588)4047340-5 s Semantik (DE-588)4054490-4 s Theorie (DE-588)4059787-8 s 1\p DE-604 Philosophie (DE-588)4045791-6 s Ästhetik (DE-588)4000626-8 s 2\p DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018587538&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Krippendorff, Klaus 1932-2022 The semantic turn a new foundation for design Vormgeving gtt Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd Design (DE-588)4011510-0 gnd Semantik (DE-588)4054490-4 gnd Theorie (DE-588)4059787-8 gnd Produktgestaltung (DE-588)4047340-5 gnd
subject_GND	(DE-588)4000626-8 (DE-588)4045791-6 (DE-588)4011510-0 (DE-588)4054490-4 (DE-588)4059787-8 (DE-588)4047340-5
title	The semantic turn a new foundation for design
title_auth	The semantic turn a new foundation for design
title_exact_search	The semantic turn a new foundation for design
title_full	The semantic turn a new foundation for design Klaus Krippendorff
title_fullStr	The semantic turn a new foundation for design Klaus Krippendorff
title_full_unstemmed	The semantic turn a new foundation for design Klaus Krippendorff
title_short	The semantic turn
title_sort	the semantic turn a new foundation for design
title_sub	a new foundation for design
topic	Vormgeving gtt Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd Design (DE-588)4011510-0 gnd Semantik (DE-588)4054490-4 gnd Theorie (DE-588)4059787-8 gnd Produktgestaltung (DE-588)4047340-5 gnd
topic_facet	Vormgeving Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik Design Semantik Theorie Produktgestaltung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018587538&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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