The semantic turn: a new foundation for design
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boca Raton, Fla. <<[u.a.]>>
CRC Taylor & Francis
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 349 S. Ill., graph. Darst. |
| ISBN: | 0415322200 9780415322201 |
Internformat
MARC
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| 245 | 1 | 0 | |a The semantic turn |b a new foundation for design |c Klaus Krippendorff |
| 264 | 1 | |a Boca Raton, Fla. <<[u.a.]>> |b CRC Taylor & Francis |c 2006 | |
| 300 | |a 349 S. |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 650 | 7 | |a Vormgeving |2 gtt | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Philosophie | |
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Datensatz im Suchindex
| _version_ | 1804140633358598144 |
|---|---|
| adam_text | Table
of Contents
Foreword
..............................................................................................................xiii
Introduction and Overview
................................................................................xv
Chapter
1
History and aim
..............................................................................1
1.1
Brief history of product semantics
..............................................................1
1.2
Trajectory of artificiality
................................................................................5
1.2.1
Products
..............................................................................................6
1.2.2
Goods, services, and identities
.......................................................7
1.2.3
Interfaces
.............................................................................................8
1.2.4
Multiuser systems and networks
...................................................9
1.2.5
Projects
..............................................................................................10
1.2.6
Discourses
.........................................................................................11
1.3
The changing environment of design
.......................................................13
1.3.1
Society
...............................................................................................13
1.3.2
Technology
.......................................................................................15
1.3.3
Manufacture
.....................................................................................16
1.3.4
Computer aided design (CAD)
.....................................................17
1.3.5
Design management
.......................................................................18
1.3.6
Market research
...............................................................................19
1.3.7
Philosophy s linguistic turn
..........................................................20
1.4
Redesigning design (discourse)
.................................................................23
1.4.1
Discourse
..........................................................................................23
1.4.2
Design
...............................................................................................25
1.4.3
Design discourse
.............................................................................32
Chapter
2
Basic concepts of human-centered design
..............................39
2.1
Predecessors
..................................................................................................40
2.2
The axiomaticity of meaning
.....................................................................47
2.3
Sense, meaning, and context
......................................................................50
2.3.1
Sense
..................................................................................................50
2.3.2
Meaning
............................................................................................52
2.3.3
Context
..............................................................................................59
2.4
Stakeholders in design
................................................................................63
2.5
Second-order understanding
......................................................................65
2.6
Ethics in a design culture
...........................................................................70
Chapter
3
Meaning of artifacts in use
........................................................77
3.1
Interfaces
.......................................................................................................78
3.2
Disruptions and usability
...........................................................................84
3.3
Recognition
...................................................................................................91
3.3.1
Categories
.........................................................................................91
3.3.2
Visual metaphors
.............................................................................95
3.3.3
Attractiveness
.................................................................................102
3.4
Explorations
................................................................................................104
3.4.1
User conceptual models
...............................................................105
3.4.2
Constraints
.....................................................................................108
3.4.3
Affordances
....................................................................................
Ill
3.4.4
Metonyms
.......................................................................................114
3.4.5 Informatives...................................................................................117
3.4.6
Semantic layers
..............................................................................129
3.5
Reliance
........................................................................................................132
3.5.1
Scenarios
.........................................................................................133
3.5.2
Intrinsic motivation
.......................................................................136
3.6
Principles for designing usability
...........................................................140
3.6.1
Human-centeredness
....................................................................141
3.6.2
Meaningful interfaces
...................................................................141
3.6.3
Second-order understanding
.......................................................141
3.6.4
Affordances
....................................................................................142
3.6.5
Constraints
.....................................................................................142
3.6.6
Feedback
.........................................................................................142
3.6.7
Coherence
.......................................................................................142
3.6.8
Learnability
....................................................................................143
3.6.9
Multisensory redundancy
............................................................143
3.6.10
Variability
—
diversity
.................................................................144
3.6.11
Robustness
......................................................................................144
3.6.12
Delegation of design
.....................................................................145
Chapter
4
Meaning of artifacts in language
............................................147
4.1
Language
.....................................................................................................150
4.2
Categories
....................................................................................................152
4.3
Characters
....................................................................................................155
4.4
Identities
......................................................................................................162
4.5
Verbal metaphors
.......................................................................................166
4.6
Narratives
....................................................................................................169
4.7
Culture
.........................................................................................................175
Chapter
5
Meaning in the lives of artifacts
.............................................177
5.1
Life cycles
....................................................................................................179
5.2
Stakeholder networks
................................................................................180
5.3
Projects
.........................................................................................................183
5.4
Genetic
meanings
.......................................................................................184
5.5
Critical sizes of supportive communities
..............................................187
5.6
Whole life cycle accounting
.....................................................................189
Chapter
6
Meaning in an ecology of artifacts
.........................................193
6.1
Ecology
........................................................................................................193
6.2
Ecology of artifacts
....................................................................................194
6.3
Ecological meanings
..................................................................................198
6.4
Technological cooperatives
.......................................................................202
6.5
Mythology
...................................................................................................203
Chapter
7
Design methods, research, and a science for design
..........207
7.1
A new science for design
..........................................................................209
7.2
Methods for creating spaces of possible futures
..................................213
7.2.1
Brainstorming
................................................................................213
7.2.2
Refraining
.......................................................................................214
7.2.3
Combinatorics
................................................................................217
7.3
Methods for inquiring into stakeholders concepts and
motivations
..................................................................................................221
7.3.1
Narratives of ideal futures
...........................................................222
7.3.2
Surveys and structured interviews
............................................223
7.3.3
Unstructured interviews
..............................................................223
7.3.4
Focus groups
..................................................................................224
7.3.5
Observational methods
................................................................225
7.3.6
Protocol analysis
............................................................................226
7.3.7
Ethnography
...................................................................................226
7.3.8 Triangulation
of methods
.............................................................227
7.3.9
Stakeholder participation in the design process
......................228
7.4
Human-centered design methods
...........................................................230
7.4.1
(Re)designing the characters of artifacts
...................................232
7.4.2
Designing artifacts that are informative (expressive)
of their workings
...........................................................................240
7.4.3
Designing original artifacts, guided by narratives and
metaphors
.......................................................................................245
7.4.4
Designing human-centered design strategies
..........................254
7.4.5
Dialogical ways to design
............................................................258
7.5
Validating semantic claims
.......................................................................260
7.6
Advancing design discourse
....................................................................267
7.6.1
Postdesign
research
.......................................................................269
7.6.2
Design literature
............................................................................269
7.6.3
Institutionalizations
......................................................................270
7.6.4
Self-reflection
..................................................................................270
Chapter
8
Distantiations
..............................................................................273
8.1
Semiotics
......................................................................................................273
8.2
Cognitivism
.................................................................................................278
8.3
Ergonomics
..................................................................................................279
8.4
Aesthetics
....................................................................................................283
8.5
Functionalism
.............................................................................................285
8.6
Marketing
....................................................................................................288
8.7
Textualism
...................................................................................................291
Chapter
9
Roots in the
Ulm
School of Design?
......................................297
9.1
Bill s functionalism
....................................................................................298
9.2
Bense s information philosophy
..............................................................303
9.3
Maldonado s semiotics
..............................................................................305
9.4
Chernyshevsky s political economy of aesthetics
................................308
9.5
Rittel s methodology
.................................................................................310
9.6
Barriers to considerations of meaning and some exceptions
.............313
References
............................................................................................................323
Credits
..................................................................................................................335
Index
.....................................................................................................................337
About the Author
...............................................................................................349
|
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| author | Krippendorff, Klaus 1932-2022 |
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| discipline | Kunstgeschichte Kunst Sprachwissenschaft Literaturwissenschaft |
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| id | DE-604.BV024615138 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:03:05Z |
| institution | BVB |
| isbn | 0415322200 9780415322201 |
| language | English |
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| physical | 349 S. Ill., graph. Darst. |
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| spelling | Krippendorff, Klaus 1932-2022 Verfasser (DE-588)136072429 aut The semantic turn a new foundation for design Klaus Krippendorff Boca Raton, Fla. <<[u.a.]>> CRC Taylor & Francis 2006 349 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Vormgeving gtt Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik (DE-588)4000626-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Design (DE-588)4011510-0 gnd rswk-swf Semantik (DE-588)4054490-4 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf Produktgestaltung (DE-588)4047340-5 gnd rswk-swf Design (DE-588)4011510-0 s Produktgestaltung (DE-588)4047340-5 s Semantik (DE-588)4054490-4 s Theorie (DE-588)4059787-8 s 1\p DE-604 Philosophie (DE-588)4045791-6 s Ästhetik (DE-588)4000626-8 s 2\p DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018587538&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Krippendorff, Klaus 1932-2022 The semantic turn a new foundation for design Vormgeving gtt Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd Design (DE-588)4011510-0 gnd Semantik (DE-588)4054490-4 gnd Theorie (DE-588)4059787-8 gnd Produktgestaltung (DE-588)4047340-5 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4045791-6 (DE-588)4011510-0 (DE-588)4054490-4 (DE-588)4059787-8 (DE-588)4047340-5 |
| title | The semantic turn a new foundation for design |
| title_auth | The semantic turn a new foundation for design |
| title_exact_search | The semantic turn a new foundation for design |
| title_full | The semantic turn a new foundation for design Klaus Krippendorff |
| title_fullStr | The semantic turn a new foundation for design Klaus Krippendorff |
| title_full_unstemmed | The semantic turn a new foundation for design Klaus Krippendorff |
| title_short | The semantic turn |
| title_sort | the semantic turn a new foundation for design |
| title_sub | a new foundation for design |
| topic | Vormgeving gtt Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd Design (DE-588)4011510-0 gnd Semantik (DE-588)4054490-4 gnd Theorie (DE-588)4059787-8 gnd Produktgestaltung (DE-588)4047340-5 gnd |
| topic_facet | Vormgeving Gesellschaft Philosophie Design Philosophy Industrial design Social aspects Ästhetik Design Semantik Theorie Produktgestaltung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018587538&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT krippendorffklaus thesemanticturnanewfoundationfordesign |