Harmony & voice leading:
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Australia
Thomson/Schirmer
2003
|
Ausgabe: | 3. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes indexes. |
Beschreibung: | XIV, 656 S. graph. Darst., Notenbeisp. |
ISBN: | 0155062425 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
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245 | 1 | 0 | |a Harmony & voice leading |c Edward Aldwell ; Carl Schachter |
246 | 1 | 3 | |a Harmony and voice leading |
250 | |a 3. ed. | ||
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300 | |a XIV, 656 S. |b graph. Darst., Notenbeisp. | ||
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Datensatz im Suchindex
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adam_text | TABLE
PREFACE
PART
THE
1
Tonal Relationships; Major Keys
Minor Keys; Modes; Tonality
Exercises
2
Recognizing and Constructing Intervals
The Overtone Series
Consonance and Dissonance
Intervals in a Key
Exercises
3
Rhythmic Organization
Rhythm and Dissonance Treatment
Exercises
Ш
iv
Triads and Seventh Chords
Triads
Seventh Chords
Texture and Structure
Exercises
Procedures of Four-Part Writing
Chord Construction
Voice Leading
Points for Review
Exercises
PART II
I-V-I AND ITS ELABORATIONS
6
Tonic and Dominant
I-V-I in Four Parts
The Dominant Seventh
Points for Review
Exercises
7
Іб
VII6
Points for Review
Exercises
8
V%Vţ
Contrapuntal Expansions of Tonic and Dominant
Points for Review
Exercises
9
Intermediate Harmonies
IV and II in Contrapuntal Progressions
Expansions of II and IV
Table of
Harmonic Syntax; Rhythmic Implications
Points for Review
Exercises
10
An Intensification of V
Points for Review
Exercises
Π
Uses of VI
UsesofIVô
Points for Review
Exercises
12
Supertonic Seventh Chords
Subdominant
Points for Review
Exercises
13
IV and IV6
VI
Summary of Cadences
Points for Review
Exercises
14
Tonicization and Modulation
Applications to Written Work
Points for Review
Exercises
15
Uses of III
Uses of
Points for Review
Exercises
vi
PART HI
f
16
Progressions by 5ths and 3rds
Contrapuntal Chord Functions
V as a Minor Triad
Points for Review
Exercises
17
Compositional Functions
Sequences with Descending 5ths
Sequences with Ascending 5ths
Sequences Using the Ascending
Sequences Falling in 3rds (Descending
Less Frequent Sequential Patterns
Sequences Leading to Tonicized V
Sequences in Minor
Points for Review
Exercises
18
Chords in Parallel Motion
Other Uses of Chords
Points for Review
Exercises
19
Dissonant Chords
Special Treatment of Cadential Chords
Consonant Chords
Some Special Cases
Points for Review
Exercises
Table of Contents
PART IV
ELEMENTS OF FIGURATION
20
Chordal Skips (Arpeggios)
Passing and Neighboring Tones
Points for Review
Exercises
21
Suspensions
Anticipations
The Pedal Point
Points for Review
Exercises
PART V
DISSONANCE AND CHROMATICISM I
22
The Diminished Seventh Chord
The Half-Diminished Seventh Chord
Points for Review
Exercises
23
Combining Modes
Points for Review
Exercises
24
Seventh Chords in Sequence
Expanded Treatment of Seventh Chords
Apparent Seventh Chords
Points for Review
Exercises
viii Table of
25
Applied Chords
Chords Applied to V
Other Applied Chords
Applied Chords in Sequence
Points for Review
Exercises
26
Modulatory
Modulation, Large-Scale Motion, and Form
Points for Review
Exercises
PART VI
DISSONANCE AND CHROMATICISM II
27
Ninths
Elevenths and Thirteenths
Points for Review
Exercises
28
A Chord Leading to V
Other Uses of
Chromatic Notation
Points for Review
Exercises
29
A Chromatic Preparation for V
Approaching Augmented Sixth Chords
Details of Voice Leading
Augmented Sixths and Modulation
Inversions of Augmented Sixth Chords
Motion to Applied Dominants and
German Sixth and Dominant Seventh
Table of Contents
Points for Review
Exercises
30
Advanced Uses of Mixture
Augmented Triads
Altered Dominant Seventh Chords
Common-Tone Diminished Seventh Chords
Other Chromatic Embellishing Chords
Points for Review
Exercises
31
Chromaticism Based on Parallel Motion
Chromaticism Based on Contrary Motion
Equal Divisions of the Octave
Points for Review
Exercises
32
New
Chromatic Tonal Areas
Points for Review
Exercises
APPENDIX I: KEYBOARD PROGRESSIONS
APPENDIX II: SCORE REDUCTION
INDEX OF MUSICAL EXAMPLES
SUBJECT INDEX
|
any_adam_object | 1 |
author | Aldwell, Edward Schachter, Carl |
author_facet | Aldwell, Edward Schachter, Carl |
author_role | aut aut |
author_sort | Aldwell, Edward |
author_variant | e a ea c s cs |
building | Verbundindex |
bvnumber | BV016439957 |
callnumber-first | M - Music |
callnumber-label | MT50 |
callnumber-raw | MT50 |
callnumber-search | MT50 |
callnumber-sort | MT 250 |
callnumber-subject | MT - Instruction and Study |
ctrlnum | (OCoLC)50473510 (DE-599)BVBBV016439957 |
dewey-full | 781.2/5 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.2/5 |
dewey-search | 781.2/5 |
dewey-sort | 3781.2 15 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | 3. ed. |
format | Book |
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id | DE-604.BV016439957 |
illustrated | Illustrated |
indexdate | 2024-07-09T19:10:29Z |
institution | BVB |
isbn | 0155062425 |
language | English |
lccn | 2002537209 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-010164425 |
oclc_num | 50473510 |
open_access_boolean | |
owner | DE-12 DE-83 |
owner_facet | DE-12 DE-83 |
physical | XIV, 656 S. graph. Darst., Notenbeisp. |
publishDate | 2003 |
publishDateSearch | 2003 |
publishDateSort | 2003 |
publisher | Thomson/Schirmer |
record_format | marc |
spelling | Aldwell, Edward Verfasser aut Harmony & voice leading Edward Aldwell ; Carl Schachter Harmony and voice leading 3. ed. Australia Thomson/Schirmer 2003 XIV, 656 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes indexes. Harmonie Harmony Tonsatz (DE-588)4185693-4 gnd rswk-swf Harmonielehre (DE-588)4129028-8 gnd rswk-swf Harmonielehre (DE-588)4129028-8 s Tonsatz (DE-588)4185693-4 s DE-604 Schachter, Carl Verfasser aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010164425&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Aldwell, Edward Schachter, Carl Harmony & voice leading Harmonie Harmony Tonsatz (DE-588)4185693-4 gnd Harmonielehre (DE-588)4129028-8 gnd |
subject_GND | (DE-588)4185693-4 (DE-588)4129028-8 |
title | Harmony & voice leading |
title_alt | Harmony and voice leading |
title_auth | Harmony & voice leading |
title_exact_search | Harmony & voice leading |
title_full | Harmony & voice leading Edward Aldwell ; Carl Schachter |
title_fullStr | Harmony & voice leading Edward Aldwell ; Carl Schachter |
title_full_unstemmed | Harmony & voice leading Edward Aldwell ; Carl Schachter |
title_short | Harmony & voice leading |
title_sort | harmony voice leading |
topic | Harmonie Harmony Tonsatz (DE-588)4185693-4 gnd Harmonielehre (DE-588)4129028-8 gnd |
topic_facet | Harmonie Harmony Tonsatz Harmonielehre |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010164425&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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