Harmony & voice leading:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston, MA
Schirmer/Cengage Learning
2011
|
| Ausgabe: | 4. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes indexes. |
| Beschreibung: | XVI, 720 S. Notenbeisp. |
| ISBN: | 9780495189756 0495189758 |
Internformat
MARC
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|---|---|---|---|
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| 010 | |a 2009942240 | ||
| 020 | |a 9780495189756 |c hbk. |9 978-0-495-18975-6 | ||
| 020 | |a 0495189758 |c hbk. |9 0-495-18975-8 | ||
| 035 | |a (OCoLC)705913582 | ||
| 035 | |a (DE-599)BVBBV036728160 | ||
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| 100 | 1 | |a Aldwell, Edward |e Verfasser |0 (DE-588)13505835X |4 aut | |
| 245 | 1 | 0 | |a Harmony & voice leading |c Edward Aldwell ; Carl Schachter ; Allen Cadwallader |
| 246 | 1 | 3 | |a Harmony and voice leading |
| 250 | |a 4. ed. | ||
| 264 | 1 | |a Boston, MA |b Schirmer/Cengage Learning |c 2011 | |
| 300 | |a XVI, 720 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes indexes. | ||
| 650 | 4 | |a Harmony | |
| 650 | 0 | 7 | |a Harmonielehre |0 (DE-588)4129028-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tonsatz |0 (DE-588)4185693-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Harmonielehre |0 (DE-588)4129028-8 |D s |
| 689 | 0 | 1 | |a Tonsatz |0 (DE-588)4185693-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Schachter, Carl |d ca. 20./21. Jh. |e Sonstige |0 (DE-588)132344580 |4 oth | |
| 700 | 1 | |a Cadwallader, Allen |e Sonstige |0 (DE-588)132313235 |4 oth | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020645884&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-020645884 | ||
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Datensatz im Suchindex
| _version_ | 1804143379993329664 |
|---|---|
| adam_text | Contents
Preface
to the Fourth Edition
xi
Preface to the Third Edition
xiii
PARTI
The Primary Materials and Procedures
1
Key, scales, and Modes
3
Tonal Relationships; Major Keys
Minor Keys; Modes; Tonality
14
intervals
21
Recognizing and Constructing Intervals
The Overtone Series
24
Consonance and Dissonance
26
Intervals in a Key
30
21
3
Rhythm and Meter
35
Rhythmic Organization
35
Rhythm and Dissonance Treatment
43
4
Triads and Seventh Chords
46
Triads
47
Seventh Chords
56
Texture and Structure
59
Introduction to Counterpoint
Species Counterpoint
62
Cantus Firmus
64
First Species
65
Second Species
69
Third Species
74
Fourth Species
78
Fifth Species
85
Exercises
91
61
VI
Contents
Procedures of Four-Part writing
93
Chord Construction
93
Counterpoint in Chorale Textures: Voice Leading
103
Points for Review
Exercises 111
110
PART II
l-V-l and Its Elaborations
7
I, V, and V7
115
Tonic and Dominant
116
I-V-I in Four Parts
118
The Dominant Seventh
122
Points for Review
128
Exercises
129
8
I6, V6, and
VII6
^6
132
131
VII6
(Leading-Tone Triad)
138
Points for Review
Exercises
143
142
9
Inversions of
v7
147
^,
147
Contrapuntal Expansions of Tonic and Dominant
Points for Review
159
Exercises
159
154
10
Leading to V: IV, II, and II6
161
Intermediate Harmonies
162
IV
and II in Contrapuntal Progressions
Expansions of II and IV
172
Harmonic Syntax; Rhythmic Implications
Points for Review
178
Exercises
179
169
175
11
The cadential
6Ą
181
An Intensification of V
Points for Review
191
Exercises
191
181
Bayerische
Staatsbibliothek
München
Contents
VII
12
VI and
iv6 194
Uses of
VI
195
Uses of
IV6
200
Points for Review
Exercises
205
205
13
Supertonic and
Subdominant
Seventh Chords
Supertonic Seventh Chords
209
208
Subdominant
Seventh Chords
Points for Review
224
Exercises
225
221
14
Other uses of
iv,
IV6, and VI
IV
and
IV6 230
VI
236
Summary of Cadences
242
Points for Review
243
Exercises
243
229
15
v
asa
Key Area
245
Tonicization and Modulation
Applications to Written Work
Points for Review
263
Exercises
263
246
260
16
III and
VII
265
Uses of III
266
Uses of
VII
275
Points for Review
280
Exercises
280
PART III
|, J, and I Techniques
17
Ş-Chord
Techniques
285
Progressions by 5ths and 3rds
285
Contrapuntal Chord Functions
290
V as a Minor Triad
296
Points for Review
299
Exercises
299
VIII Contents
18
Diatonic Sequences
301
Compositional Functions
302
Sequences with Descending 5ths
306
Sequences with Ascending 5ths
310
Sequences Using the Ascending
5-6
Technique
312
Sequences Using the Descending
5-6
Technique (Falling in 3rds)
316
Less Frequent Sequential Patterns
319
Sequences Moving to Tonicized V
321
Sequences in Minor
323
Points for Review
326
Exercises
328
19
^-Chord Techniques
330
^ Chords in Parallel Motion
331
Other Uses of
%
Chords
337
Points for Review
343
Exercises
343
20
^-Chord Techniques
346
Dissonant
§
Chords
348
Special Treatment of Cadential | Chords
356
Consonant ^ Chords
361
Some Special Cases
363
Points for Review
365
Exercises
365
PART IV Elements of Figuration
21
Melodic Figuration
371
Chordal Skips (Arpeggios)
373
Passing and Neighboring Tones
376
Points for Review
388
Exercises
388
22
Rhythmic Figuration
392
Suspensions
392
Anticipations
410
The Pedal Point
414
Points for Review
416
Exercises
417
Contents
IX
PART V
Dissonance and Chromaticism I
23
Leading-Tone Seventh chords
421
The Diminished Seventh Chord
422
The Half-Diminished Seventh Chord
429
Points for Review
432
Exercises
433
24
Mixture
435
Combining Modes
436
Points for Review
447
Exercises
447
25
Remaining Uses of Seventh Chords
449
Seventh Chords in Sequence
450
Expanded Treatment of Seventh Chords
456
Apparent Seventh Chords
460
Points for Review
465
Exercises
465
26
Applied
vand
VII
467
Applied Chords
468
Chords Applied to V
472
Other Applied Chords
477
Applied Chords in Sequence
483
Points for Review
492
Exercises
492
27
Diatonic
M
odu
lation
494
Modulatory
Techniques
495
Modulation, Large-Scale Motion,
and Form
501
Points
for Review
509
Exercises
509
PART
VI
Dissonance
and Chromaticism
il
28
Seventh chords with Added
Dissonance
517
Ninths
517
Elevenths and Thirteenths
528
Points for Review
533
Exercises
533
Contents
29
The Phrygian
il
(Neapolitan)
A Chord Leading to V
537
Other Uses of HI
549
Chromatic Notation
552
Points for Review
556
Exercises
556
536
30
Augmented Sixth Chords
559
A Chromatic Preparation for V
560
Approaching Augmented Sixth Chords
565
Details of Voice Leading
572
Augmented Sixths and Modulation
575
Inversions of Augmented Sixth Chords
577
Motion to Applied Dominants and Nondominant Chords
German Sixth and Dominant Seventh
583
Points for Review
585
Exercises
586
580
31
Other Chromatic chords
589
Advanced Uses of Mixture
590
Augmented Triads
596
Altered Dominant Seventh Chords
601
Common-Tone Diminished Seventh Chords
602
Other Chromatic Embellishing Chords
606
Points for Review
Exercises
608
607
32
Chromatic Voice-Leading Techniques
610
Chromaticism Based on Parallel Motion
611
Chromaticism Based on Contrary Motion
623
Equal Divisions of the Octave
631
Points for Review
641
Exercises
642
33
Chromaticism in Larger Contexts
645
New
Modulatory
Techniques
646
Chromatic Tonal Areas
655
Points for Review
666
Exercises
667
Appendix I Keyboard Progressions
670
Appendix
n
Score Reduction
692
Appendix ill Roman
Numerais
and Registers; Explanatory Tables and Charts
696
Index of Musical Examples
Subject Index
712
709
|
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| id | DE-604.BV036728160 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:46:44Z |
| institution | BVB |
| isbn | 9780495189756 0495189758 |
| language | English |
| lccn | 2009942240 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020645884 |
| oclc_num | 705913582 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XVI, 720 S. Notenbeisp. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Schirmer/Cengage Learning |
| record_format | marc |
| spelling | Aldwell, Edward Verfasser (DE-588)13505835X aut Harmony & voice leading Edward Aldwell ; Carl Schachter ; Allen Cadwallader Harmony and voice leading 4. ed. Boston, MA Schirmer/Cengage Learning 2011 XVI, 720 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes indexes. Harmony Harmonielehre (DE-588)4129028-8 gnd rswk-swf Tonsatz (DE-588)4185693-4 gnd rswk-swf Harmonielehre (DE-588)4129028-8 s Tonsatz (DE-588)4185693-4 s DE-604 Schachter, Carl ca. 20./21. Jh. Sonstige (DE-588)132344580 oth Cadwallader, Allen Sonstige (DE-588)132313235 oth Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020645884&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Aldwell, Edward Harmony & voice leading Harmony Harmonielehre (DE-588)4129028-8 gnd Tonsatz (DE-588)4185693-4 gnd |
| subject_GND | (DE-588)4129028-8 (DE-588)4185693-4 |
| title | Harmony & voice leading |
| title_alt | Harmony and voice leading |
| title_auth | Harmony & voice leading |
| title_exact_search | Harmony & voice leading |
| title_full | Harmony & voice leading Edward Aldwell ; Carl Schachter ; Allen Cadwallader |
| title_fullStr | Harmony & voice leading Edward Aldwell ; Carl Schachter ; Allen Cadwallader |
| title_full_unstemmed | Harmony & voice leading Edward Aldwell ; Carl Schachter ; Allen Cadwallader |
| title_short | Harmony & voice leading |
| title_sort | harmony voice leading |
| topic | Harmony Harmonielehre (DE-588)4129028-8 gnd Tonsatz (DE-588)4185693-4 gnd |
| topic_facet | Harmony Harmonielehre Tonsatz |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020645884&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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