Handbook of research on contemporary approaches to Orientalism in media and beyond:
"This book is intended to provide a snapshot of the current state of orientalism and media, show how orientalism is handled in cinema, series, painting, art, news, photography, writing, and advertising"--
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hershey, Pennsylvania (701 E. Chocolate Avenue, Hershey, Pennsylvania, 17033, USA) :
IGI Global,
[2021]
|
| Schriftenreihe: | Advances in media, entertainment, and the arts (AMEA) book series.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This book is intended to provide a snapshot of the current state of orientalism and media, show how orientalism is handled in cinema, series, painting, art, news, photography, writing, and advertising"-- |
| Beschreibung: | 65 PDFs (2 volumes (990 pages)) Also available in print. |
| Format: | Mode of access: World Wide Web. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1799871827 9781799871828 |
| Zugangseinschränkungen: | Restricted to subscribers or individual electronic text purchasers. |
Internformat
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| 245 | 0 | 0 | |a Handbook of research on contemporary approaches to Orientalism in media and beyond |c Ișil Tombul and Gülsah Sari, [editors]. |
| 264 | 1 | |a Hershey, Pennsylvania (701 E. Chocolate Avenue, Hershey, Pennsylvania, 17033, USA) : |b IGI Global, |c [2021] | |
| 300 | |a 65 PDFs (2 volumes (990 pages)) | ||
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| 490 | 1 | |a Advances in media, entertainment, and the arts (AMEA) book series | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Volume I. Chapter 1. Orientalism from past to present, traditional to digital -- Chapter 2. The construction of orientalist discourse in the documentary series on the digital broadcasting platform netflix -- Chapter 3. Orientalism as caliphator cognitive warfare: consequences of Edward Sa©¯d's defense of the Orient -- Chapter 4. Virtual orientalism/imagined dualism (VO/ID) expansion: examining the mechanisms behind the objectification of Zen as an aesthetic style -- Chapter 5. Analyzing Jordan Peele's get out with fanonism: tracing postcolonialism in Hollywood representations -- Chapter 6. Constructing and reconstructing orientalism: depicting orientalist imagery in contemporary art in the quest of self-identity -- Chapter 7. New portrayals of the Arab world in TV series -- Chapter 8. Engendering orientalism: Fatih Akin's head-on and the edge of heaven -- Chapter 9. The difference between the western reflections of disaster news and orientalist perspectives: positioning women in the case of Titanic -- Chapter 10. Aguirre, cach©♭, and creating anti-colonialist puzzles: a normative perspective -- Chapter 11. Harem and woman from orientalist pictures to the cinema: Harem Suare -- Chapter 12. Techno fantasies of East and West: ghost in the shell -- Chapter 13. Orientalism revisited: orientalism as fashion -- Chapter 14. The others of Babel in the context of orientalism -- Chapter 15. Orientalism and hollywood: reflection of India on western cinema -- Chapter 16. Eastern male image in contemporary oriental media: the novel and movie of the lustful Turk -- Chapter 17. Orientalist museum exhibitions in UK as a new media at the turn of the 21st century: re-orientalism of orientalism -- Chapter 18. Spatial and architectural representations of the East in selected western films and games -- Chapter 19. Orientalism, colonialism, and Bouchareb's indig©·nes -- Chapter 20. Fantasies of returning to nature as an escape from culture: the case of the beach (2000) -- Chapter 21. Representations of masculinities in Gaya Jiji's film named my favorite fabric -- Chapter 22. Neo-orientalist approaches in XR (extended reality) applications -- Chapter 23. Post-orientalist comments by contemporary women photographers -- Chapter 24. French orientalism representations of Ottoman in caricatures in Le petit journal -- Chapter 25. Reconsidering gender stereotypes through Bollywood cinema: reconsidering Bollywood movie dangal -- Chapter 26. Representing and othering oriental women after 9/11: an analysis of body of lies -- Chapter 27. Tracing orientalism in the image of the country reflected by the media -- Chapter 28. Orientalism in Turkish political election campaigns -- Volume II. Chapter 29. Diversity or uniformity: existing demands and representation problems in emoji as a visual language -- Chapter 30. Projection of orientalist elements: White man's burden -- Chapter 31. Reflections of orientalism and modernism in the film hamam by ferzan ŠOzpetek -- Chapter 32. Reiterative presentation of the East in western-produced video games: a Foucauldian discourse analysis -- Chapter 33. The creation of sustainable orientalism in cinema -- Chapter 34. The discursive representation of Islam and Muslims in movies -- Chapter 35. A comparative study oriented tourism advertisements in Turkey: the internality of the oriental-self -- Chapter 36. Country in the East and west claw: winter sleep -- Chapter 37. Searching for the East in the shadow of the west: Layla M as the portrait of an oriental woman in modern orientalist discourse -- Chapter 38. The trial of traditional Turkish culture with the Auto-orientalist cultural industry -- Chapter 39. Women's images in Turkish cinema in the context of orientalism: the samples of tight dress -- Chapter 40. An orientalist "journey" to Istanbul from the super bowl final: the shifting of classical orientalist discourse -- Chapter 41. Digital games and orientalism: a look at Arab and muslim representation in popular digital games -- Chapter 42. Orientalism, Islamophobia, and the concept of otherization through civil conflict, digital platform netflix: the example of the Messiah series -- Chapter 43. Orientalism and humour: marginalization of the turks in 9GAG -- Chapter 44. Evaluation of women's perspectives in the East societies on new media news -- Chapter 45. The otherization of Turkey in the orientalist discourse: Turkey and orientalism -- Chapter 46. Transmedia storytelling in advertising: the mediator between Orientalism and Occidentalism -- Chapter 47. Orientalist representations of Antakya (Antioch-on-the-orontes) in digital media narrations -- Chapter 48. The west-East from two children's points of view: the example of BBC-TRT -- Chapter 49. The transformation of ion perdicaris to Eden perdicaris as a retro scenario and orientalist codes in art: woman and East "to be saved" from eastern -- Chapter 50. Analysis of poster designs of Turkish TV series on ottoman history: resurrection Ertugrul and magnificent century examples -- Chapter 51. Orientalist discourse in communication and media: analysis of researches in the field of media and communication in terms of Orientalism -- Chapter 52. From theory to discussion orientalism and history from past to present -- Chapter 53. Reflection of orientalist discourse on Netflix Turkey: the protector -- Chapter 54. Reproducing orientalism with cinema: Aladdin (2019) -- Chapter 55. Orientalist approaches in advertising: sample advertising with Nike's "what will they say about you?" slogan. | |
| 506 | |a Restricted to subscribers or individual electronic text purchasers. | ||
| 520 | 3 | |a "This book is intended to provide a snapshot of the current state of orientalism and media, show how orientalism is handled in cinema, series, painting, art, news, photography, writing, and advertising"-- |c Provided by publisher. | |
| 530 | |a Also available in print. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 588 | |a Description based on title screen (IGI Global, viewed 04/11/2021). | ||
| 650 | 0 | |a Orientalism in art. | |
| 650 | 0 | |a Orientalism in mass media. | |
| 650 | 7 | |a Orientalism in art. |2 fast | |
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| contents | Volume I. Chapter 1. Orientalism from past to present, traditional to digital -- Chapter 2. The construction of orientalist discourse in the documentary series on the digital broadcasting platform netflix -- Chapter 3. Orientalism as caliphator cognitive warfare: consequences of Edward Sa©¯d's defense of the Orient -- Chapter 4. Virtual orientalism/imagined dualism (VO/ID) expansion: examining the mechanisms behind the objectification of Zen as an aesthetic style -- Chapter 5. Analyzing Jordan Peele's get out with fanonism: tracing postcolonialism in Hollywood representations -- Chapter 6. Constructing and reconstructing orientalism: depicting orientalist imagery in contemporary art in the quest of self-identity -- Chapter 7. New portrayals of the Arab world in TV series -- Chapter 8. Engendering orientalism: Fatih Akin's head-on and the edge of heaven -- Chapter 9. The difference between the western reflections of disaster news and orientalist perspectives: positioning women in the case of Titanic -- Chapter 10. Aguirre, cach©♭, and creating anti-colonialist puzzles: a normative perspective -- Chapter 11. Harem and woman from orientalist pictures to the cinema: Harem Suare -- Chapter 12. Techno fantasies of East and West: ghost in the shell -- Chapter 13. Orientalism revisited: orientalism as fashion -- Chapter 14. The others of Babel in the context of orientalism -- Chapter 15. Orientalism and hollywood: reflection of India on western cinema -- Chapter 16. Eastern male image in contemporary oriental media: the novel and movie of the lustful Turk -- Chapter 17. Orientalist museum exhibitions in UK as a new media at the turn of the 21st century: re-orientalism of orientalism -- Chapter 18. Spatial and architectural representations of the East in selected western films and games -- Chapter 19. Orientalism, colonialism, and Bouchareb's indig©·nes -- Chapter 20. Fantasies of returning to nature as an escape from culture: the case of the beach (2000) -- Chapter 21. Representations of masculinities in Gaya Jiji's film named my favorite fabric -- Chapter 22. Neo-orientalist approaches in XR (extended reality) applications -- Chapter 23. Post-orientalist comments by contemporary women photographers -- Chapter 24. French orientalism representations of Ottoman in caricatures in Le petit journal -- Chapter 25. Reconsidering gender stereotypes through Bollywood cinema: reconsidering Bollywood movie dangal -- Chapter 26. Representing and othering oriental women after 9/11: an analysis of body of lies -- Chapter 27. Tracing orientalism in the image of the country reflected by the media -- Chapter 28. Orientalism in Turkish political election campaigns -- Volume II. Chapter 29. Diversity or uniformity: existing demands and representation problems in emoji as a visual language -- Chapter 30. Projection of orientalist elements: White man's burden -- Chapter 31. Reflections of orientalism and modernism in the film hamam by ferzan ŠOzpetek -- Chapter 32. Reiterative presentation of the East in western-produced video games: a Foucauldian discourse analysis -- Chapter 33. The creation of sustainable orientalism in cinema -- Chapter 34. The discursive representation of Islam and Muslims in movies -- Chapter 35. A comparative study oriented tourism advertisements in Turkey: the internality of the oriental-self -- Chapter 36. Country in the East and west claw: winter sleep -- Chapter 37. Searching for the East in the shadow of the west: Layla M as the portrait of an oriental woman in modern orientalist discourse -- Chapter 38. The trial of traditional Turkish culture with the Auto-orientalist cultural industry -- Chapter 39. Women's images in Turkish cinema in the context of orientalism: the samples of tight dress -- Chapter 40. An orientalist "journey" to Istanbul from the super bowl final: the shifting of classical orientalist discourse -- Chapter 41. Digital games and orientalism: a look at Arab and muslim representation in popular digital games -- Chapter 42. Orientalism, Islamophobia, and the concept of otherization through civil conflict, digital platform netflix: the example of the Messiah series -- Chapter 43. Orientalism and humour: marginalization of the turks in 9GAG -- Chapter 44. Evaluation of women's perspectives in the East societies on new media news -- Chapter 45. The otherization of Turkey in the orientalist discourse: Turkey and orientalism -- Chapter 46. Transmedia storytelling in advertising: the mediator between Orientalism and Occidentalism -- Chapter 47. Orientalist representations of Antakya (Antioch-on-the-orontes) in digital media narrations -- Chapter 48. The west-East from two children's points of view: the example of BBC-TRT -- Chapter 49. The transformation of ion perdicaris to Eden perdicaris as a retro scenario and orientalist codes in art: woman and East "to be saved" from eastern -- Chapter 50. Analysis of poster designs of Turkish TV series on ottoman history: resurrection Ertugrul and magnificent century examples -- Chapter 51. Orientalist discourse in communication and media: analysis of researches in the field of media and communication in terms of Orientalism -- Chapter 52. From theory to discussion orientalism and history from past to present -- Chapter 53. Reflection of orientalist discourse on Netflix Turkey: the protector -- Chapter 54. Reproducing orientalism with cinema: Aladdin (2019) -- Chapter 55. Orientalist approaches in advertising: sample advertising with Nike's "what will they say about you?" slogan. |
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| discipline | Kunstgeschichte |
| format | Electronic eBook |
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The difference between the western reflections of disaster news and orientalist perspectives: positioning women in the case of Titanic -- Chapter 10. Aguirre, cach©♭, and creating anti-colonialist puzzles: a normative perspective -- Chapter 11. Harem and woman from orientalist pictures to the cinema: Harem Suare -- Chapter 12. Techno fantasies of East and West: ghost in the shell -- Chapter 13. Orientalism revisited: orientalism as fashion -- Chapter 14. The others of Babel in the context of orientalism -- Chapter 15. Orientalism and hollywood: reflection of India on western cinema -- Chapter 16. Eastern male image in contemporary oriental media: the novel and movie of the lustful Turk -- Chapter 17. Orientalist museum exhibitions in UK as a new media at the turn of the 21st century: re-orientalism of orientalism -- Chapter 18. Spatial and architectural representations of the East in selected western films and games -- Chapter 19. Orientalism, colonialism, and Bouchareb's indig©·nes -- Chapter 20. Fantasies of returning to nature as an escape from culture: the case of the beach (2000) -- Chapter 21. Representations of masculinities in Gaya Jiji's film named my favorite fabric -- Chapter 22. Neo-orientalist approaches in XR (extended reality) applications -- Chapter 23. Post-orientalist comments by contemporary women photographers -- Chapter 24. French orientalism representations of Ottoman in caricatures in Le petit journal -- Chapter 25. Reconsidering gender stereotypes through Bollywood cinema: reconsidering Bollywood movie dangal -- Chapter 26. Representing and othering oriental women after 9/11: an analysis of body of lies -- Chapter 27. Tracing orientalism in the image of the country reflected by the media -- Chapter 28. Orientalism in Turkish political election campaigns -- Volume II. Chapter 29. Diversity or uniformity: existing demands and representation problems in emoji as a visual language -- Chapter 30. Projection of orientalist elements: White man's burden -- Chapter 31. Reflections of orientalism and modernism in the film hamam by ferzan ŠOzpetek -- Chapter 32. Reiterative presentation of the East in western-produced video games: a Foucauldian discourse analysis -- Chapter 33. The creation of sustainable orientalism in cinema -- Chapter 34. The discursive representation of Islam and Muslims in movies -- Chapter 35. A comparative study oriented tourism advertisements in Turkey: the internality of the oriental-self -- Chapter 36. Country in the East and west claw: winter sleep -- Chapter 37. Searching for the East in the shadow of the west: Layla M as the portrait of an oriental woman in modern orientalist discourse -- Chapter 38. The trial of traditional Turkish culture with the Auto-orientalist cultural industry -- Chapter 39. Women's images in Turkish cinema in the context of orientalism: the samples of tight dress -- Chapter 40. An orientalist "journey" to Istanbul from the super bowl final: the shifting of classical orientalist discourse -- Chapter 41. Digital games and orientalism: a look at Arab and muslim representation in popular digital games -- Chapter 42. Orientalism, Islamophobia, and the concept of otherization through civil conflict, digital platform netflix: the example of the Messiah series -- Chapter 43. Orientalism and humour: marginalization of the turks in 9GAG -- Chapter 44. Evaluation of women's perspectives in the East societies on new media news -- Chapter 45. The otherization of Turkey in the orientalist discourse: Turkey and orientalism -- Chapter 46. Transmedia storytelling in advertising: the mediator between Orientalism and Occidentalism -- Chapter 47. Orientalist representations of Antakya (Antioch-on-the-orontes) in digital media narrations -- Chapter 48. 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| id | ZDB-98-IGB-00261125 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-26T14:51:58Z |
| institution | BVB |
| isbn | 1799871827 9781799871828 |
| language | English |
| oclc_num | 1228190410 |
| open_access_boolean | |
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| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | IGI Global, |
| record_format | marc |
| series | Advances in media, entertainment, and the arts (AMEA) book series. |
| series2 | Advances in media, entertainment, and the arts (AMEA) book series |
| spelling | Handbook of research on contemporary approaches to Orientalism in media and beyond Ișil Tombul and Gülsah Sari, [editors]. Hershey, Pennsylvania (701 E. Chocolate Avenue, Hershey, Pennsylvania, 17033, USA) : IGI Global, [2021] 65 PDFs (2 volumes (990 pages)) text rdacontent electronic isbdmedia online resource rdacarrier Advances in media, entertainment, and the arts (AMEA) book series Includes bibliographical references and index. Volume I. Chapter 1. Orientalism from past to present, traditional to digital -- Chapter 2. The construction of orientalist discourse in the documentary series on the digital broadcasting platform netflix -- Chapter 3. Orientalism as caliphator cognitive warfare: consequences of Edward Sa©¯d's defense of the Orient -- Chapter 4. Virtual orientalism/imagined dualism (VO/ID) expansion: examining the mechanisms behind the objectification of Zen as an aesthetic style -- Chapter 5. Analyzing Jordan Peele's get out with fanonism: tracing postcolonialism in Hollywood representations -- Chapter 6. Constructing and reconstructing orientalism: depicting orientalist imagery in contemporary art in the quest of self-identity -- Chapter 7. New portrayals of the Arab world in TV series -- Chapter 8. Engendering orientalism: Fatih Akin's head-on and the edge of heaven -- Chapter 9. The difference between the western reflections of disaster news and orientalist perspectives: positioning women in the case of Titanic -- Chapter 10. Aguirre, cach©♭, and creating anti-colonialist puzzles: a normative perspective -- Chapter 11. Harem and woman from orientalist pictures to the cinema: Harem Suare -- Chapter 12. Techno fantasies of East and West: ghost in the shell -- Chapter 13. Orientalism revisited: orientalism as fashion -- Chapter 14. The others of Babel in the context of orientalism -- Chapter 15. Orientalism and hollywood: reflection of India on western cinema -- Chapter 16. Eastern male image in contemporary oriental media: the novel and movie of the lustful Turk -- Chapter 17. Orientalist museum exhibitions in UK as a new media at the turn of the 21st century: re-orientalism of orientalism -- Chapter 18. Spatial and architectural representations of the East in selected western films and games -- Chapter 19. Orientalism, colonialism, and Bouchareb's indig©·nes -- Chapter 20. Fantasies of returning to nature as an escape from culture: the case of the beach (2000) -- Chapter 21. Representations of masculinities in Gaya Jiji's film named my favorite fabric -- Chapter 22. Neo-orientalist approaches in XR (extended reality) applications -- Chapter 23. Post-orientalist comments by contemporary women photographers -- Chapter 24. French orientalism representations of Ottoman in caricatures in Le petit journal -- Chapter 25. Reconsidering gender stereotypes through Bollywood cinema: reconsidering Bollywood movie dangal -- Chapter 26. Representing and othering oriental women after 9/11: an analysis of body of lies -- Chapter 27. Tracing orientalism in the image of the country reflected by the media -- Chapter 28. Orientalism in Turkish political election campaigns -- Volume II. Chapter 29. Diversity or uniformity: existing demands and representation problems in emoji as a visual language -- Chapter 30. Projection of orientalist elements: White man's burden -- Chapter 31. Reflections of orientalism and modernism in the film hamam by ferzan ŠOzpetek -- Chapter 32. Reiterative presentation of the East in western-produced video games: a Foucauldian discourse analysis -- Chapter 33. The creation of sustainable orientalism in cinema -- Chapter 34. The discursive representation of Islam and Muslims in movies -- Chapter 35. A comparative study oriented tourism advertisements in Turkey: the internality of the oriental-self -- Chapter 36. Country in the East and west claw: winter sleep -- Chapter 37. Searching for the East in the shadow of the west: Layla M as the portrait of an oriental woman in modern orientalist discourse -- Chapter 38. The trial of traditional Turkish culture with the Auto-orientalist cultural industry -- Chapter 39. Women's images in Turkish cinema in the context of orientalism: the samples of tight dress -- Chapter 40. An orientalist "journey" to Istanbul from the super bowl final: the shifting of classical orientalist discourse -- Chapter 41. Digital games and orientalism: a look at Arab and muslim representation in popular digital games -- Chapter 42. Orientalism, Islamophobia, and the concept of otherization through civil conflict, digital platform netflix: the example of the Messiah series -- Chapter 43. Orientalism and humour: marginalization of the turks in 9GAG -- Chapter 44. Evaluation of women's perspectives in the East societies on new media news -- Chapter 45. The otherization of Turkey in the orientalist discourse: Turkey and orientalism -- Chapter 46. Transmedia storytelling in advertising: the mediator between Orientalism and Occidentalism -- Chapter 47. Orientalist representations of Antakya (Antioch-on-the-orontes) in digital media narrations -- Chapter 48. The west-East from two children's points of view: the example of BBC-TRT -- Chapter 49. The transformation of ion perdicaris to Eden perdicaris as a retro scenario and orientalist codes in art: woman and East "to be saved" from eastern -- Chapter 50. Analysis of poster designs of Turkish TV series on ottoman history: resurrection Ertugrul and magnificent century examples -- Chapter 51. Orientalist discourse in communication and media: analysis of researches in the field of media and communication in terms of Orientalism -- Chapter 52. From theory to discussion orientalism and history from past to present -- Chapter 53. Reflection of orientalist discourse on Netflix Turkey: the protector -- Chapter 54. Reproducing orientalism with cinema: Aladdin (2019) -- Chapter 55. Orientalist approaches in advertising: sample advertising with Nike's "what will they say about you?" slogan. Restricted to subscribers or individual electronic text purchasers. "This book is intended to provide a snapshot of the current state of orientalism and media, show how orientalism is handled in cinema, series, painting, art, news, photography, writing, and advertising"-- Provided by publisher. Also available in print. Mode of access: World Wide Web. Description based on title screen (IGI Global, viewed 04/11/2021). Orientalism in art. Orientalism in mass media. Orientalism in art. fast Sari, Gulsah 1984- editor. Tombul, Isil 1980- editor. IGI Global, publisher. (Original) (DLC)2020049339 Print version: 1799871800 9781799871804 (DLC) 2020049339 Advances in media, entertainment, and the arts (AMEA) book series. FWS01 ZDB-98-IGB FWS_PDA_IGB http://services.igi-global.com/resolvedoi/resolve.aspx?doi=10.4018/978-1-7998-7180-4 Volltext |
| spellingShingle | Handbook of research on contemporary approaches to Orientalism in media and beyond Advances in media, entertainment, and the arts (AMEA) book series. Volume I. Chapter 1. Orientalism from past to present, traditional to digital -- Chapter 2. The construction of orientalist discourse in the documentary series on the digital broadcasting platform netflix -- Chapter 3. Orientalism as caliphator cognitive warfare: consequences of Edward Sa©¯d's defense of the Orient -- Chapter 4. Virtual orientalism/imagined dualism (VO/ID) expansion: examining the mechanisms behind the objectification of Zen as an aesthetic style -- Chapter 5. Analyzing Jordan Peele's get out with fanonism: tracing postcolonialism in Hollywood representations -- Chapter 6. Constructing and reconstructing orientalism: depicting orientalist imagery in contemporary art in the quest of self-identity -- Chapter 7. New portrayals of the Arab world in TV series -- Chapter 8. Engendering orientalism: Fatih Akin's head-on and the edge of heaven -- Chapter 9. The difference between the western reflections of disaster news and orientalist perspectives: positioning women in the case of Titanic -- Chapter 10. Aguirre, cach©♭, and creating anti-colonialist puzzles: a normative perspective -- Chapter 11. Harem and woman from orientalist pictures to the cinema: Harem Suare -- Chapter 12. Techno fantasies of East and West: ghost in the shell -- Chapter 13. Orientalism revisited: orientalism as fashion -- Chapter 14. The others of Babel in the context of orientalism -- Chapter 15. Orientalism and hollywood: reflection of India on western cinema -- Chapter 16. Eastern male image in contemporary oriental media: the novel and movie of the lustful Turk -- Chapter 17. Orientalist museum exhibitions in UK as a new media at the turn of the 21st century: re-orientalism of orientalism -- Chapter 18. Spatial and architectural representations of the East in selected western films and games -- Chapter 19. Orientalism, colonialism, and Bouchareb's indig©·nes -- Chapter 20. Fantasies of returning to nature as an escape from culture: the case of the beach (2000) -- Chapter 21. Representations of masculinities in Gaya Jiji's film named my favorite fabric -- Chapter 22. Neo-orientalist approaches in XR (extended reality) applications -- Chapter 23. Post-orientalist comments by contemporary women photographers -- Chapter 24. French orientalism representations of Ottoman in caricatures in Le petit journal -- Chapter 25. Reconsidering gender stereotypes through Bollywood cinema: reconsidering Bollywood movie dangal -- Chapter 26. Representing and othering oriental women after 9/11: an analysis of body of lies -- Chapter 27. Tracing orientalism in the image of the country reflected by the media -- Chapter 28. Orientalism in Turkish political election campaigns -- Volume II. Chapter 29. Diversity or uniformity: existing demands and representation problems in emoji as a visual language -- Chapter 30. Projection of orientalist elements: White man's burden -- Chapter 31. Reflections of orientalism and modernism in the film hamam by ferzan ŠOzpetek -- Chapter 32. Reiterative presentation of the East in western-produced video games: a Foucauldian discourse analysis -- Chapter 33. The creation of sustainable orientalism in cinema -- Chapter 34. The discursive representation of Islam and Muslims in movies -- Chapter 35. A comparative study oriented tourism advertisements in Turkey: the internality of the oriental-self -- Chapter 36. Country in the East and west claw: winter sleep -- Chapter 37. Searching for the East in the shadow of the west: Layla M as the portrait of an oriental woman in modern orientalist discourse -- Chapter 38. The trial of traditional Turkish culture with the Auto-orientalist cultural industry -- Chapter 39. Women's images in Turkish cinema in the context of orientalism: the samples of tight dress -- Chapter 40. An orientalist "journey" to Istanbul from the super bowl final: the shifting of classical orientalist discourse -- Chapter 41. Digital games and orientalism: a look at Arab and muslim representation in popular digital games -- Chapter 42. Orientalism, Islamophobia, and the concept of otherization through civil conflict, digital platform netflix: the example of the Messiah series -- Chapter 43. Orientalism and humour: marginalization of the turks in 9GAG -- Chapter 44. Evaluation of women's perspectives in the East societies on new media news -- Chapter 45. The otherization of Turkey in the orientalist discourse: Turkey and orientalism -- Chapter 46. Transmedia storytelling in advertising: the mediator between Orientalism and Occidentalism -- Chapter 47. Orientalist representations of Antakya (Antioch-on-the-orontes) in digital media narrations -- Chapter 48. The west-East from two children's points of view: the example of BBC-TRT -- Chapter 49. The transformation of ion perdicaris to Eden perdicaris as a retro scenario and orientalist codes in art: woman and East "to be saved" from eastern -- Chapter 50. Analysis of poster designs of Turkish TV series on ottoman history: resurrection Ertugrul and magnificent century examples -- Chapter 51. Orientalist discourse in communication and media: analysis of researches in the field of media and communication in terms of Orientalism -- Chapter 52. From theory to discussion orientalism and history from past to present -- Chapter 53. Reflection of orientalist discourse on Netflix Turkey: the protector -- Chapter 54. Reproducing orientalism with cinema: Aladdin (2019) -- Chapter 55. Orientalist approaches in advertising: sample advertising with Nike's "what will they say about you?" slogan. Orientalism in art. Orientalism in mass media. Orientalism in art. fast |
| title | Handbook of research on contemporary approaches to Orientalism in media and beyond |
| title_auth | Handbook of research on contemporary approaches to Orientalism in media and beyond |
| title_exact_search | Handbook of research on contemporary approaches to Orientalism in media and beyond |
| title_full | Handbook of research on contemporary approaches to Orientalism in media and beyond Ișil Tombul and Gülsah Sari, [editors]. |
| title_fullStr | Handbook of research on contemporary approaches to Orientalism in media and beyond Ișil Tombul and Gülsah Sari, [editors]. |
| title_full_unstemmed | Handbook of research on contemporary approaches to Orientalism in media and beyond Ișil Tombul and Gülsah Sari, [editors]. |
| title_short | Handbook of research on contemporary approaches to Orientalism in media and beyond |
| title_sort | handbook of research on contemporary approaches to orientalism in media and beyond |
| topic | Orientalism in art. Orientalism in mass media. Orientalism in art. fast |
| topic_facet | Orientalism in art. Orientalism in mass media. |
| url | http://services.igi-global.com/resolvedoi/resolve.aspx?doi=10.4018/978-1-7998-7180-4 |
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