Merchants of menace :: the business of horror cinema /
Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the e...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury,
2014.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this ground. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781623563943 1623563941 9781623569853 1623569850 9781628929973 1628929979 |
Internformat
MARC
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|---|---|---|---|
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| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
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| 008 | 140310s2014 nyu ob 001 0 eng d | ||
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| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Merchants of menace : |b the business of horror cinema / |c edited by Richard Nowell. |
| 264 | 1 | |a New York : |b Bloomsbury, |c 2014. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni -- "A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this ground. | ||
| 532 | 1 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Horror films |x Production and direction. |0 http://id.loc.gov/authorities/subjects/sh85062078 | |
| 650 | 0 | |a Horror films |x Marketing. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Films d'horreur |x Production et réalisation. | |
| 650 | 7 | |a Business studies: general. |2 bicssc | |
| 650 | 7 | |a Individual film directors, film-makers. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Horror films |x Production and direction |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Nowell, Richard, |e editor. | |
| 758 | |i has work: |a Merchants of menace (Text) |1 https://id.oclc.org/worldcat/entity/E39PD3fFdTTbwfXMFdDFgJKPgq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Merchants of menace |z 9781623568795 |w (DLC) 2013048638 |w (OCoLC)846546333 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBU |q FWS_PDA_EBU |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=712483 |3 Volltext |
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Datensatz im Suchindex
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|---|---|
| _version_ | 1816796912397844480 |
| adam_text | |
| any_adam_object | |
| author2 | Nowell, Richard |
| author2_role | edt |
| author2_variant | r n rn |
| author_facet | Nowell, Richard |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.H6 M48 2014eb |
| callnumber-search | PN1995.9.H6 M48 2014eb |
| callnumber-sort | PN 41995.9 H6 M48 42014EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBU |
| contents | Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni -- "A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills. |
| ctrlnum | (OCoLC)872114395 |
| dewey-full | 791.43/6164 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6164 |
| dewey-search | 791.43/6164 |
| dewey-sort | 3791.43 46164 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBU-ocn872114395 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-26T14:49:13Z |
| institution | BVB |
| isbn | 9781623563943 1623563941 9781623569853 1623569850 9781628929973 1628929979 |
| language | English |
| oclc_num | 872114395 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBU |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Bloomsbury, |
| record_format | marc |
| spelling | Merchants of menace : the business of horror cinema / edited by Richard Nowell. New York : Bloomsbury, 2014. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni -- "A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills. Print version record. Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this ground. Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily Horror films History and criticism. Horror films Production and direction. http://id.loc.gov/authorities/subjects/sh85062078 Horror films Marketing. Films d'horreur Histoire et critique. Films d'horreur Production et réalisation. Business studies: general. bicssc Individual film directors, film-makers. bicssc PERFORMING ARTS Reference. bisacsh Horror films fast Horror films Production and direction fast Criticism, interpretation, etc. fast Nowell, Richard, editor. has work: Merchants of menace (Text) https://id.oclc.org/worldcat/entity/E39PD3fFdTTbwfXMFdDFgJKPgq https://id.oclc.org/worldcat/ontology/hasWork Print version: Merchants of menace 9781623568795 (DLC) 2013048638 (OCoLC)846546333 FWS01 ZDB-4-EBU FWS_PDA_EBU https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=712483 Volltext |
| spellingShingle | Merchants of menace : the business of horror cinema / Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni -- "A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills. Horror films History and criticism. Horror films Production and direction. http://id.loc.gov/authorities/subjects/sh85062078 Horror films Marketing. Films d'horreur Histoire et critique. Films d'horreur Production et réalisation. Business studies: general. bicssc Individual film directors, film-makers. bicssc PERFORMING ARTS Reference. bisacsh Horror films fast Horror films Production and direction fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85062078 |
| title | Merchants of menace : the business of horror cinema / |
| title_auth | Merchants of menace : the business of horror cinema / |
| title_exact_search | Merchants of menace : the business of horror cinema / |
| title_full | Merchants of menace : the business of horror cinema / edited by Richard Nowell. |
| title_fullStr | Merchants of menace : the business of horror cinema / edited by Richard Nowell. |
| title_full_unstemmed | Merchants of menace : the business of horror cinema / edited by Richard Nowell. |
| title_short | Merchants of menace : |
| title_sort | merchants of menace the business of horror cinema |
| title_sub | the business of horror cinema / |
| topic | Horror films History and criticism. Horror films Production and direction. http://id.loc.gov/authorities/subjects/sh85062078 Horror films Marketing. Films d'horreur Histoire et critique. Films d'horreur Production et réalisation. Business studies: general. bicssc Individual film directors, film-makers. bicssc PERFORMING ARTS Reference. bisacsh Horror films fast Horror films Production and direction fast |
| topic_facet | Horror films History and criticism. Horror films Production and direction. Horror films Marketing. Films d'horreur Histoire et critique. Films d'horreur Production et réalisation. Business studies: general. Individual film directors, film-makers. PERFORMING ARTS Reference. Horror films Horror films Production and direction Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=712483 |
| work_keys_str_mv | AT nowellrichard merchantsofmenacethebusinessofhorrorcinema |