100 habits of successful graphic designers :: insider secrets on working smart and staying creative /
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Gloucester, Mass. :
Rockport Publishers,
2005, ©2003.
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Schlagworte: | |
Online-Zugang: | Volltext |
Beschreibung: | 1 online resource (191 pages) : illustrations |
ISBN: | 9781610601474 1610601475 9781592531882 1592531881 1299930468 9781299930469 |
Internformat
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100 | 1 | |a Dougher, Sarah. |0 http://id.loc.gov/authorities/names/no2004005613 | |
245 | 1 | 0 | |a 100 habits of successful graphic designers : |b insider secrets on working smart and staying creative / |c written and designed by Plazm ; writing by Sarah Dougher ; design by Joshua Berger. |
246 | 3 | |a One hundred habits of successful graphic designers | |
246 | 3 | |a Hundred habits of successful graphic designers | |
260 | |a Gloucester, Mass. : |b Rockport Publishers, |c 2005, ©2003. | ||
300 | |a 1 online resource (191 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Cover -- Title -- Contents -- Introduction -- Chapter 1. Self-Promotion -- 1 Let the work speak for itself -- 2 Create promotions that reflect the goals of your company -- 3 Keep in touch with your clients, past and present -- 4 Let someone publish your work -- 5 Win and keep clients with a multi-pronged approach to self-promotion -- 6 Use cultural relevance to create ongoing momentum -- 7 Create self-promotional materials that are deceptively simple -- 8 Do an extra-good job on tiny projects | |
505 | 8 | |a 9 Distribute your work through respected channels to gain client confidence10 Everything you do promotes yourself -- 11 Walk around a book fair and hand out your book designs to publishers -- 12 Create after-the-fact flyers -- Chapter 2. Working with Clients -- 13 Visit the client�s site�physical and virtual -- 14 Research client decision-making systems -- 15 Spend time with your client to build consensus and create shared goals -- 16 Expand your audience by doing public art projects -- 17 Don�t talk about CD art in a CD art meeting | |
505 | 8 | |a 18 All work has its own unique client19 Learn the language of the client -- 20 Teach the client your language -- 21 Seek out creative clients for successful collaborations -- 22 Build small projects into engaging, ongoing work -- 23 Work for the government -- 24 Develop a clear ethic of client interaction that works for you -- Chapter 3. Workflow and In-House Dynamics -- 25 Find an emotional connection with your audience -- 26 Demand respect, creative license, and fair pay -- 27 Expand with your clients -- 28 Develop brands that both reflect and influence culture | |
505 | 8 | |a 29 Help save electricity30 If you are a designer, design; if you are a manager, manage -- 31 Accessible can be smart; smart can be funny -- 32 Hire interesting, creative people�and listen to them -- 33 Always keep the valve in the open position -- 34 Cultivate a workplace with a specific look and sound -- 35 Keep decision making simple and nonhierarchical -- 36 Creative directors need to stay creative -- 37 Look far and wide for your sources in the creative process -- Chapter 4. Continuing Education and Professional Development -- 38 Avoid design conferences | |
505 | 8 | |a 39 Support young designers40 When you retire, deal with the possibilities, not the necessities -- 41 Go back to school no matter how old you are -- 42 Start a magazine -- 43 Make a low-budget project look expensive -- 44 Read it all, forget it all, and do your own thing -- 45 Actively pursue intellectual subjects that resonate with you -- 46 Learn the vernacular of a new field -- 47 Continue your own education by teaching -- 48 Develop and sustain an art practice throughout your life -- 49 Never stop learning; don�t start teaching | |
650 | 0 | |a Graphic arts |x Vocational guidance. | |
650 | 0 | |a Graphic arts |x Management. | |
650 | 0 | |a Graphic arts |x Marketing. | |
650 | 6 | |a Arts graphiques |x Orientation professionnelle. | |
650 | 6 | |a Arts graphiques |x Gestion. | |
650 | 7 | |a ANTIQUES & COLLECTIBLES |x Paper Ephemera. |2 bisacsh | |
650 | 7 | |a DESIGN |x Clip Art. |2 bisacsh | |
650 | 7 | |a DESIGN |x Graphic Arts |x Branding & Logo Design. |2 bisacsh | |
650 | 7 | |a DESIGN |x Graphic Arts |x Commercial & Corporate. |2 bisacsh | |
650 | 7 | |a DESIGN |x Graphic Arts |x Illustration. |2 bisacsh | |
650 | 7 | |a Graphic arts |x Management |2 fast | |
650 | 7 | |a Graphic arts |x Marketing |2 fast | |
650 | 7 | |a Graphic arts |x Vocational guidance |2 fast | |
700 | 1 | |a Berger, Joshua. |0 http://id.loc.gov/authorities/names/n2002157671 | |
710 | 2 | |a Plazm (Firm) |0 http://id.loc.gov/authorities/names/no2003119673 | |
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776 | 0 | 8 | |i Print version: |a Dougher, Sarah. |t 100 habits of successful graphic designers. |d Gloucester, Mass. : Rockport Publishers; Hove : RotoVision [distributor], 2005 |z 1592531881 |w (OCoLC)61177024 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBU-ocn781718673 |
---|---|
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adam_text | |
any_adam_object | |
author | Dougher, Sarah |
author2 | Berger, Joshua |
author2_role | |
author2_variant | j b jb |
author_GND | http://id.loc.gov/authorities/names/no2004005613 http://id.loc.gov/authorities/names/n2002157671 |
author_corporate | Plazm (Firm) |
author_corporate_role | |
author_facet | Dougher, Sarah Berger, Joshua Plazm (Firm) |
author_role | |
author_sort | Dougher, Sarah |
author_variant | s d sd |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | NC997 |
callnumber-raw | NC997 |
callnumber-search | NC997 |
callnumber-sort | NC 3997 |
callnumber-subject | NC - Drawing, Design, Illustration |
collection | ZDB-4-EBU |
contents | Cover -- Title -- Contents -- Introduction -- Chapter 1. Self-Promotion -- 1 Let the work speak for itself -- 2 Create promotions that reflect the goals of your company -- 3 Keep in touch with your clients, past and present -- 4 Let someone publish your work -- 5 Win and keep clients with a multi-pronged approach to self-promotion -- 6 Use cultural relevance to create ongoing momentum -- 7 Create self-promotional materials that are deceptively simple -- 8 Do an extra-good job on tiny projects 9 Distribute your work through respected channels to gain client confidence10 Everything you do promotes yourself -- 11 Walk around a book fair and hand out your book designs to publishers -- 12 Create after-the-fact flyers -- Chapter 2. Working with Clients -- 13 Visit the client�s site�physical and virtual -- 14 Research client decision-making systems -- 15 Spend time with your client to build consensus and create shared goals -- 16 Expand your audience by doing public art projects -- 17 Don�t talk about CD art in a CD art meeting 18 All work has its own unique client19 Learn the language of the client -- 20 Teach the client your language -- 21 Seek out creative clients for successful collaborations -- 22 Build small projects into engaging, ongoing work -- 23 Work for the government -- 24 Develop a clear ethic of client interaction that works for you -- Chapter 3. Workflow and In-House Dynamics -- 25 Find an emotional connection with your audience -- 26 Demand respect, creative license, and fair pay -- 27 Expand with your clients -- 28 Develop brands that both reflect and influence culture 29 Help save electricity30 If you are a designer, design; if you are a manager, manage -- 31 Accessible can be smart; smart can be funny -- 32 Hire interesting, creative people�and listen to them -- 33 Always keep the valve in the open position -- 34 Cultivate a workplace with a specific look and sound -- 35 Keep decision making simple and nonhierarchical -- 36 Creative directors need to stay creative -- 37 Look far and wide for your sources in the creative process -- Chapter 4. Continuing Education and Professional Development -- 38 Avoid design conferences 39 Support young designers40 When you retire, deal with the possibilities, not the necessities -- 41 Go back to school no matter how old you are -- 42 Start a magazine -- 43 Make a low-budget project look expensive -- 44 Read it all, forget it all, and do your own thing -- 45 Actively pursue intellectual subjects that resonate with you -- 46 Learn the vernacular of a new field -- 47 Continue your own education by teaching -- 48 Develop and sustain an art practice throughout your life -- 49 Never stop learning; don�t start teaching |
ctrlnum | (OCoLC)781718673 |
dewey-full | 741.6 |
dewey-hundreds | 700 - The arts |
dewey-ones | 741 - Drawing and drawings |
dewey-raw | 741.6 |
dewey-search | 741.6 |
dewey-sort | 3741.6 |
dewey-tens | 740 - Graphic arts and decorative arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
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id | ZDB-4-EBU-ocn781718673 |
illustrated | Illustrated |
indexdate | 2024-11-26T14:49:05Z |
institution | BVB |
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isbn | 9781610601474 1610601475 9781592531882 1592531881 1299930468 9781299930469 |
language | English |
oclc_num | 781718673 |
open_access_boolean | |
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publisher | Rockport Publishers, |
record_format | marc |
spelling | Dougher, Sarah. http://id.loc.gov/authorities/names/no2004005613 100 habits of successful graphic designers : insider secrets on working smart and staying creative / written and designed by Plazm ; writing by Sarah Dougher ; design by Joshua Berger. One hundred habits of successful graphic designers Hundred habits of successful graphic designers Gloucester, Mass. : Rockport Publishers, 2005, ©2003. 1 online resource (191 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Cover -- Title -- Contents -- Introduction -- Chapter 1. Self-Promotion -- 1 Let the work speak for itself -- 2 Create promotions that reflect the goals of your company -- 3 Keep in touch with your clients, past and present -- 4 Let someone publish your work -- 5 Win and keep clients with a multi-pronged approach to self-promotion -- 6 Use cultural relevance to create ongoing momentum -- 7 Create self-promotional materials that are deceptively simple -- 8 Do an extra-good job on tiny projects 9 Distribute your work through respected channels to gain client confidence10 Everything you do promotes yourself -- 11 Walk around a book fair and hand out your book designs to publishers -- 12 Create after-the-fact flyers -- Chapter 2. Working with Clients -- 13 Visit the clientâ€?s siteâ€?physical and virtual -- 14 Research client decision-making systems -- 15 Spend time with your client to build consensus and create shared goals -- 16 Expand your audience by doing public art projects -- 17 Donâ€?t talk about CD art in a CD art meeting 18 All work has its own unique client19 Learn the language of the client -- 20 Teach the client your language -- 21 Seek out creative clients for successful collaborations -- 22 Build small projects into engaging, ongoing work -- 23 Work for the government -- 24 Develop a clear ethic of client interaction that works for you -- Chapter 3. Workflow and In-House Dynamics -- 25 Find an emotional connection with your audience -- 26 Demand respect, creative license, and fair pay -- 27 Expand with your clients -- 28 Develop brands that both reflect and influence culture 29 Help save electricity30 If you are a designer, design; if you are a manager, manage -- 31 Accessible can be smart; smart can be funny -- 32 Hire interesting, creative peopleâ€?and listen to them -- 33 Always keep the valve in the open position -- 34 Cultivate a workplace with a specific look and sound -- 35 Keep decision making simple and nonhierarchical -- 36 Creative directors need to stay creative -- 37 Look far and wide for your sources in the creative process -- Chapter 4. Continuing Education and Professional Development -- 38 Avoid design conferences 39 Support young designers40 When you retire, deal with the possibilities, not the necessities -- 41 Go back to school no matter how old you are -- 42 Start a magazine -- 43 Make a low-budget project look expensive -- 44 Read it all, forget it all, and do your own thing -- 45 Actively pursue intellectual subjects that resonate with you -- 46 Learn the vernacular of a new field -- 47 Continue your own education by teaching -- 48 Develop and sustain an art practice throughout your life -- 49 Never stop learning; donâ€?t start teaching Graphic arts Vocational guidance. Graphic arts Management. Graphic arts Marketing. Arts graphiques Orientation professionnelle. Arts graphiques Gestion. ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Graphic arts Management fast Graphic arts Marketing fast Graphic arts Vocational guidance fast Berger, Joshua. http://id.loc.gov/authorities/names/n2002157671 Plazm (Firm) http://id.loc.gov/authorities/names/no2003119673 has work: 100 habits of successful graphic designers (Text) https://id.oclc.org/worldcat/entity/E39PCGGBBdQWg94679FYfdH9WC https://id.oclc.org/worldcat/ontology/hasWork Print version: Dougher, Sarah. 100 habits of successful graphic designers. Gloucester, Mass. : Rockport Publishers; Hove : RotoVision [distributor], 2005 1592531881 (OCoLC)61177024 FWS01 ZDB-4-EBU FWS_PDA_EBU https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=585226 Volltext |
spellingShingle | Dougher, Sarah 100 habits of successful graphic designers : insider secrets on working smart and staying creative / Cover -- Title -- Contents -- Introduction -- Chapter 1. Self-Promotion -- 1 Let the work speak for itself -- 2 Create promotions that reflect the goals of your company -- 3 Keep in touch with your clients, past and present -- 4 Let someone publish your work -- 5 Win and keep clients with a multi-pronged approach to self-promotion -- 6 Use cultural relevance to create ongoing momentum -- 7 Create self-promotional materials that are deceptively simple -- 8 Do an extra-good job on tiny projects 9 Distribute your work through respected channels to gain client confidence10 Everything you do promotes yourself -- 11 Walk around a book fair and hand out your book designs to publishers -- 12 Create after-the-fact flyers -- Chapter 2. Working with Clients -- 13 Visit the client�s site�physical and virtual -- 14 Research client decision-making systems -- 15 Spend time with your client to build consensus and create shared goals -- 16 Expand your audience by doing public art projects -- 17 Don�t talk about CD art in a CD art meeting 18 All work has its own unique client19 Learn the language of the client -- 20 Teach the client your language -- 21 Seek out creative clients for successful collaborations -- 22 Build small projects into engaging, ongoing work -- 23 Work for the government -- 24 Develop a clear ethic of client interaction that works for you -- Chapter 3. Workflow and In-House Dynamics -- 25 Find an emotional connection with your audience -- 26 Demand respect, creative license, and fair pay -- 27 Expand with your clients -- 28 Develop brands that both reflect and influence culture 29 Help save electricity30 If you are a designer, design; if you are a manager, manage -- 31 Accessible can be smart; smart can be funny -- 32 Hire interesting, creative people�and listen to them -- 33 Always keep the valve in the open position -- 34 Cultivate a workplace with a specific look and sound -- 35 Keep decision making simple and nonhierarchical -- 36 Creative directors need to stay creative -- 37 Look far and wide for your sources in the creative process -- Chapter 4. Continuing Education and Professional Development -- 38 Avoid design conferences 39 Support young designers40 When you retire, deal with the possibilities, not the necessities -- 41 Go back to school no matter how old you are -- 42 Start a magazine -- 43 Make a low-budget project look expensive -- 44 Read it all, forget it all, and do your own thing -- 45 Actively pursue intellectual subjects that resonate with you -- 46 Learn the vernacular of a new field -- 47 Continue your own education by teaching -- 48 Develop and sustain an art practice throughout your life -- 49 Never stop learning; don�t start teaching Graphic arts Vocational guidance. Graphic arts Management. Graphic arts Marketing. Arts graphiques Orientation professionnelle. Arts graphiques Gestion. ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Graphic arts Management fast Graphic arts Marketing fast Graphic arts Vocational guidance fast |
title | 100 habits of successful graphic designers : insider secrets on working smart and staying creative / |
title_alt | One hundred habits of successful graphic designers Hundred habits of successful graphic designers |
title_auth | 100 habits of successful graphic designers : insider secrets on working smart and staying creative / |
title_exact_search | 100 habits of successful graphic designers : insider secrets on working smart and staying creative / |
title_full | 100 habits of successful graphic designers : insider secrets on working smart and staying creative / written and designed by Plazm ; writing by Sarah Dougher ; design by Joshua Berger. |
title_fullStr | 100 habits of successful graphic designers : insider secrets on working smart and staying creative / written and designed by Plazm ; writing by Sarah Dougher ; design by Joshua Berger. |
title_full_unstemmed | 100 habits of successful graphic designers : insider secrets on working smart and staying creative / written and designed by Plazm ; writing by Sarah Dougher ; design by Joshua Berger. |
title_short | 100 habits of successful graphic designers : |
title_sort | 100 habits of successful graphic designers insider secrets on working smart and staying creative |
title_sub | insider secrets on working smart and staying creative / |
topic | Graphic arts Vocational guidance. Graphic arts Management. Graphic arts Marketing. Arts graphiques Orientation professionnelle. Arts graphiques Gestion. ANTIQUES & COLLECTIBLES Paper Ephemera. bisacsh DESIGN Clip Art. bisacsh DESIGN Graphic Arts Branding & Logo Design. bisacsh DESIGN Graphic Arts Commercial & Corporate. bisacsh DESIGN Graphic Arts Illustration. bisacsh Graphic arts Management fast Graphic arts Marketing fast Graphic arts Vocational guidance fast |
topic_facet | Graphic arts Vocational guidance. Graphic arts Management. Graphic arts Marketing. Arts graphiques Orientation professionnelle. Arts graphiques Gestion. ANTIQUES & COLLECTIBLES Paper Ephemera. DESIGN Clip Art. DESIGN Graphic Arts Branding & Logo Design. DESIGN Graphic Arts Commercial & Corporate. DESIGN Graphic Arts Illustration. Graphic arts Management Graphic arts Marketing Graphic arts Vocational guidance |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=585226 |
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