Engulfed :: the death of Paramount Pictures and the birth of corporate Hollywood /
Annotation
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Lexington :
University Press of Kentucky,
©2001.
|
Schriftenreihe: | Book collections on Project MUSE.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Annotation |
Beschreibung: | 1 online resource (x, 269 pages, 24 unnumbered pages of plates) : illustrations |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 0813170931 9780813170930 9780813159287 0813159288 0813122023 9780813122021 |
Internformat
MARC
LEADER | 00000cam a22000004a 4500 | ||
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100 | 1 | |a Dick, Bernard F. | |
245 | 1 | 0 | |a Engulfed : |b the death of Paramount Pictures and the birth of corporate Hollywood / |c Bernard F. Dick. |
260 | |a Lexington : |b University Press of Kentucky, |c ©2001. | ||
300 | |a 1 online resource (x, 269 pages, 24 unnumbered pages of plates) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
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504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
520 | 8 | |a Annotation |b " From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. He then traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more. | |
505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; Preface; 1 Mountain Glory; 2 Mountain Gloom; 3 Barbarians at the Spanish Gate; 4 Charlie's Boys; 5 The Italian Connection; 6 The Diller Days; 7 Goodbye, Charlie; 8 Sumner at the Summit; Epilogue; End Titles; Notes; Index. | |
546 | |a English. | ||
610 | 2 | 0 | |a Paramount Pictures Corporation |x History. |
610 | 2 | 4 | |a Paramount Pictures Corporation. |x History. |
610 | 2 | 7 | |a Paramount Pictures Corporation |2 fast |
650 | 7 | |a BUSINESS & ECONOMICS |x Industries |x Media & Communications. |2 bisacsh | |
650 | 7 | |a TECHNOLOGY & ENGINEERING |x Telecommunications. |2 bisacsh | |
650 | 1 | 7 | |a Paramount Pictures Corporation. |2 gtt |
650 | 1 | 7 | |a Filmindustrie. |2 gtt |
655 | 7 | |a History |2 fast | |
758 | |i has work: |a Engulfed (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFFCPt4PpQmfDBWKcvbXBd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Dick, Bernard F. |t Engulfed. |d Lexington : University Press of Kentucky, ©2001 |z 0813122023 |w (DLC) 00012276 |w (OCoLC)45320678 |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBU |q FWS_PDA_EBU |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=149759 |3 Volltext |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBU-ocm65183813 |
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adam_text | |
any_adam_object | |
author | Dick, Bernard F. |
author_facet | Dick, Bernard F. |
author_role | |
author_sort | Dick, Bernard F. |
author_variant | b f d bf bfd |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1999 |
callnumber-raw | PN1999.P3 D53 2001eb |
callnumber-search | PN1999.P3 D53 2001eb |
callnumber-sort | PN 41999 P3 D53 42001EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBU |
contents | Cover; Half-title; Title; Copyright; Contents; Preface; 1 Mountain Glory; 2 Mountain Gloom; 3 Barbarians at the Spanish Gate; 4 Charlie's Boys; 5 The Italian Connection; 6 The Diller Days; 7 Goodbye, Charlie; 8 Sumner at the Summit; Epilogue; End Titles; Notes; Index. |
ctrlnum | (OCoLC)65183813 |
dewey-full | 384/.8/06579494 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 384 - Communications |
dewey-raw | 384/.8/06579494 |
dewey-search | 384/.8/06579494 |
dewey-sort | 3384 18 76579494 |
dewey-tens | 380 - Commerce, communications, transportation |
discipline | Wirtschaftswissenschaften |
format | Electronic eBook |
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Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Annotation</subfield><subfield code="b">" From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. He then traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Half-title; Title; Copyright; Contents; Preface; 1 Mountain Glory; 2 Mountain Gloom; 3 Barbarians at the Spanish Gate; 4 Charlie's Boys; 5 The Italian Connection; 6 The Diller Days; 7 Goodbye, Charlie; 8 Sumner at the Summit; Epilogue; End Titles; Notes; Index.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="610" ind1="2" ind2="0"><subfield code="a">Paramount Pictures Corporation</subfield><subfield code="x">History.</subfield></datafield><datafield tag="610" ind1="2" ind2="4"><subfield code="a">Paramount Pictures Corporation.</subfield><subfield code="x">History.</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Paramount Pictures Corporation</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BUSINESS & ECONOMICS</subfield><subfield code="x">Industries</subfield><subfield code="x">Media & Communications.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">TECHNOLOGY & ENGINEERING</subfield><subfield code="x">Telecommunications.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Paramount Pictures Corporation.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Filmindustrie.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Engulfed (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFFCPt4PpQmfDBWKcvbXBd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Dick, Bernard F.</subfield><subfield code="t">Engulfed.</subfield><subfield code="d">Lexington : University Press of Kentucky, ©2001</subfield><subfield code="z">0813122023</subfield><subfield code="w">(DLC) 00012276</subfield><subfield code="w">(OCoLC)45320678</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Book collections on Project MUSE.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBU</subfield><subfield code="q">FWS_PDA_EBU</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=149759</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Baker and Taylor</subfield><subfield code="b">BTCP</subfield><subfield code="n">bl2003003428</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr11007435</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">149759</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse44052</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2412880</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12238503</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBU</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | History fast |
genre_facet | History |
id | ZDB-4-EBU-ocm65183813 |
illustrated | Illustrated |
indexdate | 2024-11-26T14:48:57Z |
institution | BVB |
isbn | 0813170931 9780813170930 9780813159287 0813159288 0813122023 9780813122021 |
language | English |
oclc_num | 65183813 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (x, 269 pages, 24 unnumbered pages of plates) : illustrations |
psigel | ZDB-4-EBU |
publishDate | 2001 |
publishDateSearch | 2001 |
publishDateSort | 2001 |
publisher | University Press of Kentucky, |
record_format | marc |
series | Book collections on Project MUSE. |
spelling | Dick, Bernard F. Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / Bernard F. Dick. Lexington : University Press of Kentucky, ©2001. 1 online resource (x, 269 pages, 24 unnumbered pages of plates) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Annotation " From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. He then traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more. Cover; Half-title; Title; Copyright; Contents; Preface; 1 Mountain Glory; 2 Mountain Gloom; 3 Barbarians at the Spanish Gate; 4 Charlie's Boys; 5 The Italian Connection; 6 The Diller Days; 7 Goodbye, Charlie; 8 Sumner at the Summit; Epilogue; End Titles; Notes; Index. English. Paramount Pictures Corporation History. Paramount Pictures Corporation. History. Paramount Pictures Corporation fast BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Paramount Pictures Corporation. gtt Filmindustrie. gtt History fast has work: Engulfed (Text) https://id.oclc.org/worldcat/entity/E39PCFFCPt4PpQmfDBWKcvbXBd https://id.oclc.org/worldcat/ontology/hasWork Print version: Dick, Bernard F. Engulfed. Lexington : University Press of Kentucky, ©2001 0813122023 (DLC) 00012276 (OCoLC)45320678 Book collections on Project MUSE. FWS01 ZDB-4-EBU FWS_PDA_EBU https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=149759 Volltext |
spellingShingle | Dick, Bernard F. Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / Book collections on Project MUSE. Cover; Half-title; Title; Copyright; Contents; Preface; 1 Mountain Glory; 2 Mountain Gloom; 3 Barbarians at the Spanish Gate; 4 Charlie's Boys; 5 The Italian Connection; 6 The Diller Days; 7 Goodbye, Charlie; 8 Sumner at the Summit; Epilogue; End Titles; Notes; Index. Paramount Pictures Corporation History. Paramount Pictures Corporation. History. Paramount Pictures Corporation fast BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Paramount Pictures Corporation. gtt Filmindustrie. gtt |
title | Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / |
title_auth | Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / |
title_exact_search | Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / |
title_full | Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / Bernard F. Dick. |
title_fullStr | Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / Bernard F. Dick. |
title_full_unstemmed | Engulfed : the death of Paramount Pictures and the birth of corporate Hollywood / Bernard F. Dick. |
title_short | Engulfed : |
title_sort | engulfed the death of paramount pictures and the birth of corporate hollywood |
title_sub | the death of Paramount Pictures and the birth of corporate Hollywood / |
topic | Paramount Pictures Corporation History. Paramount Pictures Corporation. History. Paramount Pictures Corporation fast BUSINESS & ECONOMICS Industries Media & Communications. bisacsh TECHNOLOGY & ENGINEERING Telecommunications. bisacsh Paramount Pictures Corporation. gtt Filmindustrie. gtt |
topic_facet | Paramount Pictures Corporation History. Paramount Pictures Corporation. History. Paramount Pictures Corporation BUSINESS & ECONOMICS Industries Media & Communications. TECHNOLOGY & ENGINEERING Telecommunications. Paramount Pictures Corporation. Filmindustrie. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=149759 |
work_keys_str_mv | AT dickbernardf engulfedthedeathofparamountpicturesandthebirthofcorporatehollywood |