Thirty Years Behind the Glass: From Otis Redding and Stax Records to Santana's Supernatural.
"In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
College Station :
Texas A&M University Press,
2022.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. With several Grammys and multiple platinum-selling albums to his credit, Jim Gaines still remembers the day-April 4, 1968-that Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees' vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelson's studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetime's worth of stories from inside the studio"-- |
| Beschreibung: | Description based upon print version of record. |
| Beschreibung: | 1 online resource (212 p.) |
| ISBN: | 1648431011 9781648431012 |
Internformat
MARC
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| 245 | 1 | 0 | |a Thirty Years Behind the Glass |h [electronic resource] : |b From Otis Redding and Stax Records to Santana's Supernatural. |
| 260 | |a College Station : |b Texas A&M University Press, |c 2022. | ||
| 300 | |a 1 online resource (212 p.) | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Memphis Is Burning! April 4, 1968 -- 2. Humble Beginnings: 1960-1968 -- 3. On the Tracks with Stax: 1960s -- 4. From Stax to TMI: 1968-1970 -- 5. San Francisco Beckons: 1970 -- 6. A Period of Proficiency: 1970 -- 7. Settled in Seattle: 1973-1974 -- 8. Sleepless in Seattle: 1974-1975 -- 9. Hightailing It Back to Heider's: 1975-1976 -- 10. Making Music with Miller: 1976-1978 -- 11. Arriving at the Automatt: 1979 -- 12. Return to Grants Pass: 1979-1980 -- 13. Back to the Bay: 1980-1981 | |
| 505 | 8 | |a 14. Scoring with Santana: 1980 -- 15. Returning to the Record Plant: 1981-1982 -- 16. More Plant Pursuits: 1981-1982 -- 17. Getting the News: 1983 -- 18. The End of an Era and the Beginning of a New One: 1984 -- 19. A New Journey-with Journey: 1984-1985 -- 20. Here Come the Feds: 1985 -- 21. More Hits from Huey: 1986 -- 22. The ABCs of KBC: 1986 -- 23. A New Owner at the Record Plant: 1986 -- 24. Getting in the Groove with the Neville Brothers: 1987 -- 25. A Holler from Hornsby: 1988 -- 26. Working with Melissa Etheridge: 1988 -- 27. Dueling Doobies: 1988 -- 28. Farewell to Frisco: 1988 | |
| 505 | 8 | |a 29. Stevie Ray Vaughan and Double Trouble: 1989 -- 30. A King Comes Calling: 1989 -- 31. Minding Time in Memphis: 1989 -- 32. Seeing the Sights in Europe: 1990 -- 33. A Great Dane: 1991 -- 34. Bonding with Blues Traveler, Grooving with Gales: 1991 -- 35. Collaborating with Collins: 1992 -- 36. El Tri, Triumphant: 1995-1997 -- 37. The Late and Great Luther Allison: 1994-1997 -- 38. Soaring with Santana: 1989-1999 -- 39. Santana Grabs Some Grammys: 1991-2000 -- 40. More Sizzle with Santana: Reviewing the 1990s -- 41. When Things Go Wrong: More Memories from the 1990s | |
| 505 | 8 | |a 42. Here Come the Blues-the Best of the Rest: 1989-Present -- 43. And Here We Are Today -- Epilogue -- A gallery of photographs follows page | |
| 520 | |a "In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. With several Grammys and multiple platinum-selling albums to his credit, Jim Gaines still remembers the day-April 4, 1968-that Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees' vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelson's studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetime's worth of stories from inside the studio"-- |c Provided by publisher. | ||
| 600 | 1 | 0 | |a Gaines, Jim. |
| 650 | 0 | |a Popular music |x Production and direction |z United States |x History |y 20th century. | |
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| 700 | 1 | |a Gaines, Jim. | |
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| author2 | Gaines, Jim |
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| collection | ZDB-4-EBA |
| contents | Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Memphis Is Burning! April 4, 1968 -- 2. Humble Beginnings: 1960-1968 -- 3. On the Tracks with Stax: 1960s -- 4. From Stax to TMI: 1968-1970 -- 5. San Francisco Beckons: 1970 -- 6. A Period of Proficiency: 1970 -- 7. Settled in Seattle: 1973-1974 -- 8. Sleepless in Seattle: 1974-1975 -- 9. Hightailing It Back to Heider's: 1975-1976 -- 10. Making Music with Miller: 1976-1978 -- 11. Arriving at the Automatt: 1979 -- 12. Return to Grants Pass: 1979-1980 -- 13. Back to the Bay: 1980-1981 14. Scoring with Santana: 1980 -- 15. Returning to the Record Plant: 1981-1982 -- 16. More Plant Pursuits: 1981-1982 -- 17. Getting the News: 1983 -- 18. The End of an Era and the Beginning of a New One: 1984 -- 19. A New Journey-with Journey: 1984-1985 -- 20. Here Come the Feds: 1985 -- 21. More Hits from Huey: 1986 -- 22. The ABCs of KBC: 1986 -- 23. A New Owner at the Record Plant: 1986 -- 24. Getting in the Groove with the Neville Brothers: 1987 -- 25. A Holler from Hornsby: 1988 -- 26. Working with Melissa Etheridge: 1988 -- 27. Dueling Doobies: 1988 -- 28. Farewell to Frisco: 1988 29. Stevie Ray Vaughan and Double Trouble: 1989 -- 30. A King Comes Calling: 1989 -- 31. Minding Time in Memphis: 1989 -- 32. Seeing the Sights in Europe: 1990 -- 33. A Great Dane: 1991 -- 34. Bonding with Blues Traveler, Grooving with Gales: 1991 -- 35. Collaborating with Collins: 1992 -- 36. El Tri, Triumphant: 1995-1997 -- 37. The Late and Great Luther Allison: 1994-1997 -- 38. Soaring with Santana: 1989-1999 -- 39. Santana Grabs Some Grammys: 1991-2000 -- 40. More Sizzle with Santana: Reviewing the 1990s -- 41. When Things Go Wrong: More Memories from the 1990s 42. Here Come the Blues-the Best of the Rest: 1989-Present -- 43. And Here We Are Today -- Epilogue -- A gallery of photographs follows page |
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| genre | Electronic books. History. fast Biographies. fast Biographies. lcgft http://id.loc.gov/authorities/genreForms/gf2014026049 Biographies. rvmgf |
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| id | ZDB-4-EBA-on1415895262 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:44Z |
| institution | BVB |
| isbn | 1648431011 9781648431012 |
| language | English |
| oclc_num | 1415895262 |
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| physical | 1 online resource (212 p.) |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
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| publisher | Texas A&M University Press, |
| record_format | marc |
| spelling | Zimmerman, Lee. Thirty Years Behind the Glass [electronic resource] : From Otis Redding and Stax Records to Santana's Supernatural. College Station : Texas A&M University Press, 2022. 1 online resource (212 p.) Description based upon print version of record. Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Memphis Is Burning! April 4, 1968 -- 2. Humble Beginnings: 1960-1968 -- 3. On the Tracks with Stax: 1960s -- 4. From Stax to TMI: 1968-1970 -- 5. San Francisco Beckons: 1970 -- 6. A Period of Proficiency: 1970 -- 7. Settled in Seattle: 1973-1974 -- 8. Sleepless in Seattle: 1974-1975 -- 9. Hightailing It Back to Heider's: 1975-1976 -- 10. Making Music with Miller: 1976-1978 -- 11. Arriving at the Automatt: 1979 -- 12. Return to Grants Pass: 1979-1980 -- 13. Back to the Bay: 1980-1981 14. Scoring with Santana: 1980 -- 15. Returning to the Record Plant: 1981-1982 -- 16. More Plant Pursuits: 1981-1982 -- 17. Getting the News: 1983 -- 18. The End of an Era and the Beginning of a New One: 1984 -- 19. A New Journey-with Journey: 1984-1985 -- 20. Here Come the Feds: 1985 -- 21. More Hits from Huey: 1986 -- 22. The ABCs of KBC: 1986 -- 23. A New Owner at the Record Plant: 1986 -- 24. Getting in the Groove with the Neville Brothers: 1987 -- 25. A Holler from Hornsby: 1988 -- 26. Working with Melissa Etheridge: 1988 -- 27. Dueling Doobies: 1988 -- 28. Farewell to Frisco: 1988 29. Stevie Ray Vaughan and Double Trouble: 1989 -- 30. A King Comes Calling: 1989 -- 31. Minding Time in Memphis: 1989 -- 32. Seeing the Sights in Europe: 1990 -- 33. A Great Dane: 1991 -- 34. Bonding with Blues Traveler, Grooving with Gales: 1991 -- 35. Collaborating with Collins: 1992 -- 36. El Tri, Triumphant: 1995-1997 -- 37. The Late and Great Luther Allison: 1994-1997 -- 38. Soaring with Santana: 1989-1999 -- 39. Santana Grabs Some Grammys: 1991-2000 -- 40. More Sizzle with Santana: Reviewing the 1990s -- 41. When Things Go Wrong: More Memories from the 1990s 42. Here Come the Blues-the Best of the Rest: 1989-Present -- 43. And Here We Are Today -- Epilogue -- A gallery of photographs follows page "In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. With several Grammys and multiple platinum-selling albums to his credit, Jim Gaines still remembers the day-April 4, 1968-that Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees' vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelson's studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetime's worth of stories from inside the studio"-- Provided by publisher. Gaines, Jim. Popular music Production and direction United States History 20th century. Sound recording executives and producers United States Biography. Sound engineers United States Biography. Ingénieurs du son États-Unis Biographies. Sound recording executives and producers. fast Sound engineers. fast United States. fast Electronic books. History. fast Biographies. fast Biographies. lcgft http://id.loc.gov/authorities/genreForms/gf2014026049 Biographies. rvmgf Print version: Zimmerman, Lee Thirty Years Behind the Glass College Station : Texas A&M University Press,c2022 9781648431005 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3773861 Volltext |
| spellingShingle | Zimmerman, Lee Thirty Years Behind the Glass From Otis Redding and Stax Records to Santana's Supernatural. Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Memphis Is Burning! April 4, 1968 -- 2. Humble Beginnings: 1960-1968 -- 3. On the Tracks with Stax: 1960s -- 4. From Stax to TMI: 1968-1970 -- 5. San Francisco Beckons: 1970 -- 6. A Period of Proficiency: 1970 -- 7. Settled in Seattle: 1973-1974 -- 8. Sleepless in Seattle: 1974-1975 -- 9. Hightailing It Back to Heider's: 1975-1976 -- 10. Making Music with Miller: 1976-1978 -- 11. Arriving at the Automatt: 1979 -- 12. Return to Grants Pass: 1979-1980 -- 13. Back to the Bay: 1980-1981 14. Scoring with Santana: 1980 -- 15. Returning to the Record Plant: 1981-1982 -- 16. More Plant Pursuits: 1981-1982 -- 17. Getting the News: 1983 -- 18. The End of an Era and the Beginning of a New One: 1984 -- 19. A New Journey-with Journey: 1984-1985 -- 20. Here Come the Feds: 1985 -- 21. More Hits from Huey: 1986 -- 22. The ABCs of KBC: 1986 -- 23. A New Owner at the Record Plant: 1986 -- 24. Getting in the Groove with the Neville Brothers: 1987 -- 25. A Holler from Hornsby: 1988 -- 26. Working with Melissa Etheridge: 1988 -- 27. Dueling Doobies: 1988 -- 28. Farewell to Frisco: 1988 29. Stevie Ray Vaughan and Double Trouble: 1989 -- 30. A King Comes Calling: 1989 -- 31. Minding Time in Memphis: 1989 -- 32. Seeing the Sights in Europe: 1990 -- 33. A Great Dane: 1991 -- 34. Bonding with Blues Traveler, Grooving with Gales: 1991 -- 35. Collaborating with Collins: 1992 -- 36. El Tri, Triumphant: 1995-1997 -- 37. The Late and Great Luther Allison: 1994-1997 -- 38. Soaring with Santana: 1989-1999 -- 39. Santana Grabs Some Grammys: 1991-2000 -- 40. More Sizzle with Santana: Reviewing the 1990s -- 41. When Things Go Wrong: More Memories from the 1990s 42. Here Come the Blues-the Best of the Rest: 1989-Present -- 43. And Here We Are Today -- Epilogue -- A gallery of photographs follows page Gaines, Jim. Popular music Production and direction United States History 20th century. Sound recording executives and producers United States Biography. Sound engineers United States Biography. Ingénieurs du son États-Unis Biographies. Sound recording executives and producers. fast Sound engineers. fast |
| subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026049 |
| title | Thirty Years Behind the Glass From Otis Redding and Stax Records to Santana's Supernatural. |
| title_auth | Thirty Years Behind the Glass From Otis Redding and Stax Records to Santana's Supernatural. |
| title_exact_search | Thirty Years Behind the Glass From Otis Redding and Stax Records to Santana's Supernatural. |
| title_full | Thirty Years Behind the Glass [electronic resource] : From Otis Redding and Stax Records to Santana's Supernatural. |
| title_fullStr | Thirty Years Behind the Glass [electronic resource] : From Otis Redding and Stax Records to Santana's Supernatural. |
| title_full_unstemmed | Thirty Years Behind the Glass [electronic resource] : From Otis Redding and Stax Records to Santana's Supernatural. |
| title_short | Thirty Years Behind the Glass |
| title_sort | thirty years behind the glass from otis redding and stax records to santana s supernatural |
| title_sub | From Otis Redding and Stax Records to Santana's Supernatural. |
| topic | Gaines, Jim. Popular music Production and direction United States History 20th century. Sound recording executives and producers United States Biography. Sound engineers United States Biography. Ingénieurs du son États-Unis Biographies. Sound recording executives and producers. fast Sound engineers. fast |
| topic_facet | Gaines, Jim. Popular music Production and direction United States History 20th century. Sound recording executives and producers United States Biography. Sound engineers United States Biography. Ingénieurs du son États-Unis Biographies. Sound recording executives and producers. Sound engineers. United States. Electronic books. History. Biographies. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3773861 |
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