Shellac in visual and sonic culture :: unsettled matter /
This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its audit...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2023.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, "Shellac in Visual and Sonic Culture" insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade. |
| Beschreibung: | Introduction: From material culture to the materials of culture Chapter 1. Sheen: Early stories and circulation of shellac Chapter 2. Crackle: Assembling the record Chapter 3. Mirrors: Phono-fetishism and intersensory visions Chapter 4. Detonations: Shellac at war Chapter 5. Shards: Waste, obsolescence, and contemporary remediations Conclusion: Sonic sculptures Index |
| Beschreibung: | 1 online resource (240 pages) : illustrations |
| ISBN: | 9048553148 9789048553143 |
Internformat
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1394887599 | ||
| 003 | OCoLC | ||
| 005 | 20250103110447.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 230912t20232023ne a o 000 0 eng d | ||
| 040 | |a NLAUP |b eng |e rda |c NLAUP |d EBLCP |d JSTOR |d NLAUP |d P@U |d YDX |d TEF |d N$T |d OCLCO |d OCLCQ |d UKAHL |d DEGRU |d QGK |d OCLCQ |d SFB |d OCLCQ |d CAMBR |d OCLCF |d OCLCO | ||
| 019 | |a 1397571087 | ||
| 020 | |a 9048553148 |q electronic book | ||
| 020 | |a 9789048553143 |q (electronic bk.) | ||
| 035 | |a (OCoLC)1394887599 |z (OCoLC)1397571087 | ||
| 037 | |a 9789048553143 | ||
| 037 | |a 22573/cats6596523 |b JSTOR | ||
| 050 | 4 | |a TP938 |b .R69 2023 | |
| 072 | 7 | |a JFCD |2 bicssc | |
| 072 | 7 | |a SCI076000 |2 bisacsh | |
| 072 | 7 | |a ATF |2 thema | |
| 072 | 7 | |a TJFD |2 bicssc | |
| 072 | 7 | |a SOC052000 |2 bisacsh | |
| 072 | 7 | |a SOC071000 |2 bisacsh | |
| 072 | 7 | |a JBCC2 |2 thema | |
| 072 | 7 | |a TJFD |2 thema | |
| 082 | 7 | |a 667/.79 |2 23/eng/20230918 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Roy, Elodie A., |e author. |0 http://id.loc.gov/authorities/names/n2015025225 | |
| 245 | 1 | 0 | |a Shellac in visual and sonic culture : |b unsettled matter / |c Elodie A. Roy. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2023. | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 online resource (240 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 344 | |a digital |2 rdatr | ||
| 500 | |a Introduction: From material culture to the materials of culture Chapter 1. Sheen: Early stories and circulation of shellac Chapter 2. Crackle: Assembling the record Chapter 3. Mirrors: Phono-fetishism and intersensory visions Chapter 4. Detonations: Shellac at war Chapter 5. Shards: Waste, obsolescence, and contemporary remediations Conclusion: Sonic sculptures Index | ||
| 520 | |a This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, "Shellac in Visual and Sonic Culture" insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade. | ||
| 505 | 0 | |a Cover -- Table of Contents -- Acknowledgements -- Introduction: From material culture to the materials of culture -- 1. Sheen: Early stories and circulation of shellac -- 2. Crackle: Assembling the record -- 3. Mirrors: Phono-fetishism and intersensory visions -- 4. Detonations: Shellac at war -- 5. Shards: Waste, obsolescence, and contemporary remediations -- Conclusion: Sonic sculptures -- Bibliography -- Index -- List of illustrations -- Figure 1: Shellac window display, India House, London, 1936. Author's picture. National Archives, UK. | |
| 505 | 8 | |a Figure 2: Back of an oval mirror of black shellac, decorated with seated woman and cherub in front of a castle, nineteenth century. Science Museum Group Collection © The Board of Trustees of the Science Museum, London -- Figure 3: Industrial drawing of a gramophone record press designed by the Manchester firm Francis Shaw & Co. Author's collection. -- Figure 4: 'Le gramophone' ('The gramophone'), wood engraving by Jean-Émile Laboureur, c. 1918-1921. Bibliothèque nationale de France. -- Figure 5: Seven Chakras (Twice), Chris Dorsett, graphite over digital scans of recordings, 2011 © Chris Dorsett. | |
| 588 | |a Description based on online resource; title from digital title page (viewed on October 04, 2023). | ||
| 650 | 0 | |a Shellac. |0 http://id.loc.gov/authorities/subjects/sh85121283 | |
| 650 | 0 | |a Sound recording industry |x History. | |
| 650 | 6 | |a Gomme-laque. | |
| 650 | 6 | |a Enregistrements sonores |x Industrie |x Histoire. | |
| 650 | 7 | |a shellac. |2 aat | |
| 650 | 7 | |a Material culture. |2 bicssc | |
| 650 | 7 | |a Electronic devices and materials. |2 bicssc | |
| 650 | 7 | |a SCIENCE / Scientific Instruments. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Technology Studies. |2 bisacsh | |
| 650 | 7 | |a Shellac |2 fast | |
| 650 | 7 | |a Sound recording industry |2 fast | |
| 650 | 7 | |a Films, cinema. |2 thema | |
| 650 | 7 | |a Material culture. |2 thema | |
| 650 | 7 | |a Electronic devices and materials. |2 thema | |
| 653 | |a Film, Media, and Communication | ||
| 653 | |a FMC | ||
| 653 | |a Art and Material Culture | ||
| 653 | |a ART & MAT | ||
| 653 | |a Cultural Studies | ||
| 653 | |a CULTURAL | ||
| 653 | |a Interdisciplinary Studies | ||
| 653 | |a INTERDISC | ||
| 653 | |a Media Studies | ||
| 653 | |a MEDIA | ||
| 653 | |a Science and Technology | ||
| 653 | |a SC & TECH | ||
| 653 | |a Phonography, media, materiality, waste, colonialism | ||
| 655 | 4 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9789463729543 |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3676398 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3676398 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9789048553143 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH41702311 | ||
| 938 | |a YBP Library Services |b YANK |n 305563657 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_114228 | ||
| 938 | |a Amsterdam University Press |b AUPA |n 9789048553143 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL30736105 | ||
| 938 | |a EBSCOhost |b EBSC |n 3676398 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1394887599 |
|---|---|
| _version_ | 1829095381166718976 |
| adam_text | |
| any_adam_object | |
| author | Roy, Elodie A. |
| author_GND | http://id.loc.gov/authorities/names/n2015025225 |
| author_facet | Roy, Elodie A. |
| author_role | aut |
| author_sort | Roy, Elodie A. |
| author_variant | e a r ea ear |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | T - Technology |
| callnumber-label | TP938 |
| callnumber-raw | TP938 .R69 2023 |
| callnumber-search | TP938 .R69 2023 |
| callnumber-sort | TP 3938 R69 42023 |
| callnumber-subject | TP - Chemical Technology |
| collection | ZDB-4-EBA |
| contents | Cover -- Table of Contents -- Acknowledgements -- Introduction: From material culture to the materials of culture -- 1. Sheen: Early stories and circulation of shellac -- 2. Crackle: Assembling the record -- 3. Mirrors: Phono-fetishism and intersensory visions -- 4. Detonations: Shellac at war -- 5. Shards: Waste, obsolescence, and contemporary remediations -- Conclusion: Sonic sculptures -- Bibliography -- Index -- List of illustrations -- Figure 1: Shellac window display, India House, London, 1936. Author's picture. National Archives, UK. Figure 2: Back of an oval mirror of black shellac, decorated with seated woman and cherub in front of a castle, nineteenth century. Science Museum Group Collection © The Board of Trustees of the Science Museum, London -- Figure 3: Industrial drawing of a gramophone record press designed by the Manchester firm Francis Shaw & Co. Author's collection. -- Figure 4: 'Le gramophone' ('The gramophone'), wood engraving by Jean-Émile Laboureur, c. 1918-1921. Bibliothèque nationale de France. -- Figure 5: Seven Chakras (Twice), Chris Dorsett, graphite over digital scans of recordings, 2011 © Chris Dorsett. |
| ctrlnum | (OCoLC)1394887599 |
| dewey-full | 667/.79 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 667 - Cleaning, color & coating technologies |
| dewey-raw | 667/.79 |
| dewey-search | 667/.79 |
| dewey-sort | 3667 279 |
| dewey-tens | 660 - Chemical engineering |
| discipline | Chemie / Pharmazie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05964cam a2200961Mi 4500</leader><controlfield tag="001">ZDB-4-EBA-on1394887599</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20250103110447.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">230912t20232023ne a o 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">NLAUP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="c">NLAUP</subfield><subfield code="d">EBLCP</subfield><subfield code="d">JSTOR</subfield><subfield code="d">NLAUP</subfield><subfield code="d">P@U</subfield><subfield code="d">YDX</subfield><subfield code="d">TEF</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKAHL</subfield><subfield code="d">DEGRU</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CAMBR</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1397571087</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048553148</subfield><subfield code="q">electronic book</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048553143</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1394887599</subfield><subfield code="z">(OCoLC)1397571087</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9789048553143</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/cats6596523</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">TP938</subfield><subfield code="b">.R69 2023</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JFCD</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SCI076000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ATF</subfield><subfield code="2">thema</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">TJFD</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC071000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JBCC2</subfield><subfield code="2">thema</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">TJFD</subfield><subfield code="2">thema</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">667/.79</subfield><subfield code="2">23/eng/20230918</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Roy, Elodie A.,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2015025225</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shellac in visual and sonic culture :</subfield><subfield code="b">unsettled matter /</subfield><subfield code="c">Elodie A. Roy.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">2023.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (240 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="344" ind1=" " ind2=" "><subfield code="a">digital</subfield><subfield code="2">rdatr</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction: From material culture to the materials of culture Chapter 1. Sheen: Early stories and circulation of shellac Chapter 2. Crackle: Assembling the record Chapter 3. Mirrors: Phono-fetishism and intersensory visions Chapter 4. Detonations: Shellac at war Chapter 5. Shards: Waste, obsolescence, and contemporary remediations Conclusion: Sonic sculptures Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, "Shellac in Visual and Sonic Culture" insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Table of Contents -- Acknowledgements -- Introduction: From material culture to the materials of culture -- 1. Sheen: Early stories and circulation of shellac -- 2. Crackle: Assembling the record -- 3. Mirrors: Phono-fetishism and intersensory visions -- 4. Detonations: Shellac at war -- 5. Shards: Waste, obsolescence, and contemporary remediations -- Conclusion: Sonic sculptures -- Bibliography -- Index -- List of illustrations -- Figure 1: Shellac window display, India House, London, 1936. Author's picture. National Archives, UK.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 2: Back of an oval mirror of black shellac, decorated with seated woman and cherub in front of a castle, nineteenth century. Science Museum Group Collection © The Board of Trustees of the Science Museum, London -- Figure 3: Industrial drawing of a gramophone record press designed by the Manchester firm Francis Shaw & Co. Author's collection. -- Figure 4: 'Le gramophone' ('The gramophone'), wood engraving by Jean-Émile Laboureur, c. 1918-1921. Bibliothèque nationale de France. -- Figure 5: Seven Chakras (Twice), Chris Dorsett, graphite over digital scans of recordings, 2011 © Chris Dorsett.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on October 04, 2023).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Shellac.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85121283</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sound recording industry</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Gomme-laque.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Enregistrements sonores</subfield><subfield code="x">Industrie</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">shellac.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Material culture.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Electronic devices and materials.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SCIENCE / Scientific Instruments.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Technology Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Shellac</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sound recording industry</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Films, cinema.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Material culture.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Electronic devices and materials.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Film, Media, and Communication</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">FMC</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Art and Material Culture</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">ART & MAT</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cultural Studies</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">CULTURAL</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Interdisciplinary Studies</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">INTERDISC</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media Studies</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">MEDIA</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Science and Technology</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">SC & TECH</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Phonography, media, materiality, waste, colonialism</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="z">9789463729543</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3676398</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3676398</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9789048553143</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH41702311</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">305563657</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">musev2_114228</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Amsterdam University Press</subfield><subfield code="b">AUPA</subfield><subfield code="n">9789048553143</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL30736105</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">3676398</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| id | ZDB-4-EBA-on1394887599 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:48:07Z |
| institution | BVB |
| isbn | 9048553148 9789048553143 |
| language | English |
| oclc_num | 1394887599 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (240 pages) : illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| spelling | Roy, Elodie A., author. http://id.loc.gov/authorities/names/n2015025225 Shellac in visual and sonic culture : unsettled matter / Elodie A. Roy. Amsterdam : Amsterdam University Press, 2023. ©2023 1 online resource (240 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier digital rdatr Introduction: From material culture to the materials of culture Chapter 1. Sheen: Early stories and circulation of shellac Chapter 2. Crackle: Assembling the record Chapter 3. Mirrors: Phono-fetishism and intersensory visions Chapter 4. Detonations: Shellac at war Chapter 5. Shards: Waste, obsolescence, and contemporary remediations Conclusion: Sonic sculptures Index This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, "Shellac in Visual and Sonic Culture" insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade. Cover -- Table of Contents -- Acknowledgements -- Introduction: From material culture to the materials of culture -- 1. Sheen: Early stories and circulation of shellac -- 2. Crackle: Assembling the record -- 3. Mirrors: Phono-fetishism and intersensory visions -- 4. Detonations: Shellac at war -- 5. Shards: Waste, obsolescence, and contemporary remediations -- Conclusion: Sonic sculptures -- Bibliography -- Index -- List of illustrations -- Figure 1: Shellac window display, India House, London, 1936. Author's picture. National Archives, UK. Figure 2: Back of an oval mirror of black shellac, decorated with seated woman and cherub in front of a castle, nineteenth century. Science Museum Group Collection © The Board of Trustees of the Science Museum, London -- Figure 3: Industrial drawing of a gramophone record press designed by the Manchester firm Francis Shaw & Co. Author's collection. -- Figure 4: 'Le gramophone' ('The gramophone'), wood engraving by Jean-Émile Laboureur, c. 1918-1921. Bibliothèque nationale de France. -- Figure 5: Seven Chakras (Twice), Chris Dorsett, graphite over digital scans of recordings, 2011 © Chris Dorsett. Description based on online resource; title from digital title page (viewed on October 04, 2023). Shellac. http://id.loc.gov/authorities/subjects/sh85121283 Sound recording industry History. Gomme-laque. Enregistrements sonores Industrie Histoire. shellac. aat Material culture. bicssc Electronic devices and materials. bicssc SCIENCE / Scientific Instruments. bisacsh SOCIAL SCIENCE / Media Studies. bisacsh SOCIAL SCIENCE / Technology Studies. bisacsh Shellac fast Sound recording industry fast Films, cinema. thema Material culture. thema Electronic devices and materials. thema Film, Media, and Communication FMC Art and Material Culture ART & MAT Cultural Studies CULTURAL Interdisciplinary Studies INTERDISC Media Studies MEDIA Science and Technology SC & TECH Phonography, media, materiality, waste, colonialism Electronic books. History fast Print version: 9789463729543 |
| spellingShingle | Roy, Elodie A. Shellac in visual and sonic culture : unsettled matter / Cover -- Table of Contents -- Acknowledgements -- Introduction: From material culture to the materials of culture -- 1. Sheen: Early stories and circulation of shellac -- 2. Crackle: Assembling the record -- 3. Mirrors: Phono-fetishism and intersensory visions -- 4. Detonations: Shellac at war -- 5. Shards: Waste, obsolescence, and contemporary remediations -- Conclusion: Sonic sculptures -- Bibliography -- Index -- List of illustrations -- Figure 1: Shellac window display, India House, London, 1936. Author's picture. National Archives, UK. Figure 2: Back of an oval mirror of black shellac, decorated with seated woman and cherub in front of a castle, nineteenth century. Science Museum Group Collection © The Board of Trustees of the Science Museum, London -- Figure 3: Industrial drawing of a gramophone record press designed by the Manchester firm Francis Shaw & Co. Author's collection. -- Figure 4: 'Le gramophone' ('The gramophone'), wood engraving by Jean-Émile Laboureur, c. 1918-1921. Bibliothèque nationale de France. -- Figure 5: Seven Chakras (Twice), Chris Dorsett, graphite over digital scans of recordings, 2011 © Chris Dorsett. Shellac. http://id.loc.gov/authorities/subjects/sh85121283 Sound recording industry History. Gomme-laque. Enregistrements sonores Industrie Histoire. shellac. aat Material culture. bicssc Electronic devices and materials. bicssc SCIENCE / Scientific Instruments. bisacsh SOCIAL SCIENCE / Media Studies. bisacsh SOCIAL SCIENCE / Technology Studies. bisacsh Shellac fast Sound recording industry fast Films, cinema. thema Material culture. thema Electronic devices and materials. thema |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85121283 |
| title | Shellac in visual and sonic culture : unsettled matter / |
| title_auth | Shellac in visual and sonic culture : unsettled matter / |
| title_exact_search | Shellac in visual and sonic culture : unsettled matter / |
| title_full | Shellac in visual and sonic culture : unsettled matter / Elodie A. Roy. |
| title_fullStr | Shellac in visual and sonic culture : unsettled matter / Elodie A. Roy. |
| title_full_unstemmed | Shellac in visual and sonic culture : unsettled matter / Elodie A. Roy. |
| title_short | Shellac in visual and sonic culture : |
| title_sort | shellac in visual and sonic culture unsettled matter |
| title_sub | unsettled matter / |
| topic | Shellac. http://id.loc.gov/authorities/subjects/sh85121283 Sound recording industry History. Gomme-laque. Enregistrements sonores Industrie Histoire. shellac. aat Material culture. bicssc Electronic devices and materials. bicssc SCIENCE / Scientific Instruments. bisacsh SOCIAL SCIENCE / Media Studies. bisacsh SOCIAL SCIENCE / Technology Studies. bisacsh Shellac fast Sound recording industry fast Films, cinema. thema Material culture. thema Electronic devices and materials. thema |
| topic_facet | Shellac. Sound recording industry History. Gomme-laque. Enregistrements sonores Industrie Histoire. shellac. Material culture. Electronic devices and materials. SCIENCE / Scientific Instruments. SOCIAL SCIENCE / Media Studies. SOCIAL SCIENCE / Technology Studies. Shellac Sound recording industry Films, cinema. Electronic books. History |
| work_keys_str_mv | AT royelodiea shellacinvisualandsoniccultureunsettledmatter |