Anteaesthetics :: black aesthesis and the critique of form /
"In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Stanford, California :
Stanford University Press,
[2023]
|
| Schriftenreihe: | Inventions (Series)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation - an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes"-- |
| Beschreibung: | 1 online resource (xi, 388 pages) : illustrations (chiefly color). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 150363714X 9781503637146 |
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| 490 | 1 | |a Inventions: black philosophy, politics, aesthetics | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Toward a theory of anteaesthetics -- The corporeal division of the world, or aesthetic ruination -- Before the nude, or exorbitant figuration -- The black residuum, or that which remains -- Unworlding, or the involution of value. | |
| 520 | |a "In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation - an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on October 04, 2023). | ||
| 650 | 0 | |a African American arts |y 21st century. | |
| 650 | 0 | |a Arts, Black |x Philosophy. | |
| 650 | 0 | |a Arts, Modern |x Philosophy. | |
| 650 | 0 | |a Aesthetics, Black. |0 http://id.loc.gov/authorities/subjects/sh85001447 | |
| 650 | 0 | |a Aesthetics, Modern. |0 http://id.loc.gov/authorities/subjects/sh85001469 | |
| 650 | 6 | |a Arts noirs américains |y 21e siècle. | |
| 650 | 6 | |a Arts noirs |x Philosophie. | |
| 650 | 6 | |a Esthétique noire. | |
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| 650 | 7 | |a Arts, Modern |x Philosophy |2 fast | |
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| 655 | 7 | |a Critiques d'art. |2 rvmgf | |
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| 830 | 0 | |a Inventions (Series) |0 http://id.loc.gov/authorities/names/no2022152232 | |
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| author | Bradley, Rizvana |
| author_GND | http://id.loc.gov/authorities/names/no2018032469 |
| author_facet | Bradley, Rizvana |
| author_role | aut |
| author_sort | Bradley, Rizvana |
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| contents | Toward a theory of anteaesthetics -- The corporeal division of the world, or aesthetic ruination -- Before the nude, or exorbitant figuration -- The black residuum, or that which remains -- Unworlding, or the involution of value. |
| ctrlnum | (OCoLC)1393166495 |
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| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| genre | Art criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2018026112 Critiques d'art. rvmgf |
| genre_facet | Art criticism. Critiques d'art. |
| id | ZDB-4-EBA-on1393166495 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:43Z |
| institution | BVB |
| isbn | 150363714X 9781503637146 |
| language | English |
| lccn | 2022060439 |
| oclc_num | 1393166495 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xi, 388 pages) : illustrations (chiefly color). |
| psigel | ZDB-4-EBA |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Stanford University Press, |
| record_format | marc |
| series | Inventions (Series) |
| series2 | Inventions: black philosophy, politics, aesthetics |
| spelling | Bradley, Rizvana, author. http://id.loc.gov/authorities/names/no2018032469 Anteaesthetics : black aesthesis and the critique of form / Rizvana Bradley. Stanford, California : Stanford University Press, [2023] 1 online resource (xi, 388 pages) : illustrations (chiefly color). text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rdaft Inventions: black philosophy, politics, aesthetics Includes bibliographical references and index. Toward a theory of anteaesthetics -- The corporeal division of the world, or aesthetic ruination -- Before the nude, or exorbitant figuration -- The black residuum, or that which remains -- Unworlding, or the involution of value. "In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation - an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on October 04, 2023). African American arts 21st century. Arts, Black Philosophy. Arts, Modern Philosophy. Aesthetics, Black. http://id.loc.gov/authorities/subjects/sh85001447 Aesthetics, Modern. http://id.loc.gov/authorities/subjects/sh85001469 Arts noirs américains 21e siècle. Arts noirs Philosophie. Esthétique noire. ART / Criticism. bisacsh Aesthetics, Black fast Aesthetics, Modern fast African American arts fast Arts, Modern Philosophy fast 2000-2099 fast Art criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2018026112 Critiques d'art. rvmgf Print version: Bradley, Rizvana. Anteaesthetics Stanford, California : Stanford University Press, 2023 9781503633025 (DLC) 2022060438 Inventions (Series) http://id.loc.gov/authorities/names/no2022152232 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3670129 Volltext |
| spellingShingle | Bradley, Rizvana Anteaesthetics : black aesthesis and the critique of form / Inventions (Series) Toward a theory of anteaesthetics -- The corporeal division of the world, or aesthetic ruination -- Before the nude, or exorbitant figuration -- The black residuum, or that which remains -- Unworlding, or the involution of value. African American arts 21st century. Arts, Black Philosophy. Arts, Modern Philosophy. Aesthetics, Black. http://id.loc.gov/authorities/subjects/sh85001447 Aesthetics, Modern. http://id.loc.gov/authorities/subjects/sh85001469 Arts noirs américains 21e siècle. Arts noirs Philosophie. Esthétique noire. ART / Criticism. bisacsh Aesthetics, Black fast Aesthetics, Modern fast African American arts fast Arts, Modern Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85001447 http://id.loc.gov/authorities/subjects/sh85001469 http://id.loc.gov/authorities/genreForms/gf2018026112 |
| title | Anteaesthetics : black aesthesis and the critique of form / |
| title_auth | Anteaesthetics : black aesthesis and the critique of form / |
| title_exact_search | Anteaesthetics : black aesthesis and the critique of form / |
| title_full | Anteaesthetics : black aesthesis and the critique of form / Rizvana Bradley. |
| title_fullStr | Anteaesthetics : black aesthesis and the critique of form / Rizvana Bradley. |
| title_full_unstemmed | Anteaesthetics : black aesthesis and the critique of form / Rizvana Bradley. |
| title_short | Anteaesthetics : |
| title_sort | anteaesthetics black aesthesis and the critique of form |
| title_sub | black aesthesis and the critique of form / |
| topic | African American arts 21st century. Arts, Black Philosophy. Arts, Modern Philosophy. Aesthetics, Black. http://id.loc.gov/authorities/subjects/sh85001447 Aesthetics, Modern. http://id.loc.gov/authorities/subjects/sh85001469 Arts noirs américains 21e siècle. Arts noirs Philosophie. Esthétique noire. ART / Criticism. bisacsh Aesthetics, Black fast Aesthetics, Modern fast African American arts fast Arts, Modern Philosophy fast |
| topic_facet | African American arts 21st century. Arts, Black Philosophy. Arts, Modern Philosophy. Aesthetics, Black. Aesthetics, Modern. Arts noirs américains 21e siècle. Arts noirs Philosophie. Esthétique noire. ART / Criticism. Aesthetics, Black Aesthetics, Modern African American arts Arts, Modern Philosophy Art criticism. Critiques d'art. |
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