Violence and the genesis of the anatomical image /:
Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dis...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
University Park, PA :
Penn State University Press,
[2022]
|
Schlagworte: | |
Online-Zugang: | Volltext Volltext |
Zusammenfassung: | Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image.Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and "exploratory" contexts. She then works through the question of how bodies were thought to be constituted--systemic or piecemeal, singular or collective--and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large.Provocative and challenging, this book will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine. |
Beschreibung: | 1 online resource (238 p.) |
ISBN: | 9780271094144 0271094141 0271094133 9780271094137 |
Internformat
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245 | 1 | 0 | |a Violence and the genesis of the anatomical image / |c Rose Marie San Juan. |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t Introduction: Violence and the Image in Transition -- |t 1. Bodily Animation: Bones, Skulls, and Skeletons -- |t 2. Bodily Mutation: From Muscles to Flesh and Blood -- |t 3. Bones in Transit, Flesh in Shreds: Anatomy and the New World Cannibal -- |t 4. Between Face and Brain: Recalibrating the Head -- |t 5. The Rib Within: The Wax Model and the Violence of Embodiment -- |t Notes -- |t Bibliography -- |t Index |
520 | |a Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image.Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and "exploratory" contexts. She then works through the question of how bodies were thought to be constituted--systemic or piecemeal, singular or collective--and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large.Provocative and challenging, this book will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023). | |
650 | 0 | |a Anatomy, Artistic |x History. | |
650 | 0 | |a Violence in art. |0 http://id.loc.gov/authorities/subjects/sh85143520 | |
650 | 6 | |a Anatomie artistique |x Histoire. | |
650 | 6 | |a Violence dans l'art. | |
650 | 7 | |a ART / History / Renaissance. |2 bisacsh | |
650 | 7 | |a Anatomy, Artistic |2 fast | |
650 | 7 | |a Violence in art |2 fast | |
653 | |a Anna Morandi. | ||
653 | |a Artificial Intelligence. | ||
653 | |a Artificial Life. | ||
653 | |a Ex Machina. | ||
653 | |a Gaetano Zumbo. | ||
653 | |a Juan de Valverde. | ||
653 | |a Vesalius. | ||
653 | |a Violence. | ||
653 | |a cannibalism. | ||
653 | |a histories of Eve. | ||
653 | |a image of violence. | ||
653 | |a print and anatomy. | ||
653 | |a transformation. | ||
653 | |a wax sculpture. | ||
655 | 4 | |a Electronic books. | |
655 | 7 | |a History |2 fast | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | San Juan, Rose Marie |
author_facet | San Juan, Rose Marie |
author_role | aut |
author_sort | San Juan, Rose Marie |
author_variant | j r m s jrm jrms |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | NC760 |
callnumber-raw | NC760 .S36 2022 |
callnumber-search | NC760 .S36 2022 |
callnumber-sort | NC 3760 S36 42022 |
callnumber-subject | NC - Drawing, Design, Illustration |
collection | ZDB-4-EBA |
contents | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Violence and the Image in Transition -- 1. Bodily Animation: Bones, Skulls, and Skeletons -- 2. Bodily Mutation: From Muscles to Flesh and Blood -- 3. Bones in Transit, Flesh in Shreds: Anatomy and the New World Cannibal -- 4. Between Face and Brain: Recalibrating the Head -- 5. The Rib Within: The Wax Model and the Violence of Embodiment -- Notes -- Bibliography -- Index |
ctrlnum | (OCoLC)1380735228 |
dewey-full | 743.4/9 |
dewey-hundreds | 700 - The arts |
dewey-ones | 743 - Drawing and drawings by subject |
dewey-raw | 743.4/9 |
dewey-search | 743.4/9 |
dewey-sort | 3743.4 19 |
dewey-tens | 740 - Graphic arts and decorative arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
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spelling | San Juan, Rose Marie, author. aut http://id.loc.gov/vocabulary/relators/aut Violence and the genesis of the anatomical image / Rose Marie San Juan. University Park, PA : Penn State University Press, [2022] ©2023 1 online resource (238 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Violence and the Image in Transition -- 1. Bodily Animation: Bones, Skulls, and Skeletons -- 2. Bodily Mutation: From Muscles to Flesh and Blood -- 3. Bones in Transit, Flesh in Shreds: Anatomy and the New World Cannibal -- 4. Between Face and Brain: Recalibrating the Head -- 5. The Rib Within: The Wax Model and the Violence of Embodiment -- Notes -- Bibliography -- Index Nothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image.Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and "exploratory" contexts. She then works through the question of how bodies were thought to be constituted--systemic or piecemeal, singular or collective--and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large.Provocative and challenging, this book will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023). Anatomy, Artistic History. Violence in art. http://id.loc.gov/authorities/subjects/sh85143520 Anatomie artistique Histoire. Violence dans l'art. ART / History / Renaissance. bisacsh Anatomy, Artistic fast Violence in art fast Anna Morandi. Artificial Intelligence. Artificial Life. Ex Machina. Gaetano Zumbo. Juan de Valverde. Vesalius. Violence. cannibalism. histories of Eve. image of violence. print and anatomy. transformation. wax sculpture. Electronic books. History fast FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642703 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642704 Volltext |
spellingShingle | San Juan, Rose Marie Violence and the genesis of the anatomical image / Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Violence and the Image in Transition -- 1. Bodily Animation: Bones, Skulls, and Skeletons -- 2. Bodily Mutation: From Muscles to Flesh and Blood -- 3. Bones in Transit, Flesh in Shreds: Anatomy and the New World Cannibal -- 4. Between Face and Brain: Recalibrating the Head -- 5. The Rib Within: The Wax Model and the Violence of Embodiment -- Notes -- Bibliography -- Index Anatomy, Artistic History. Violence in art. http://id.loc.gov/authorities/subjects/sh85143520 Anatomie artistique Histoire. Violence dans l'art. ART / History / Renaissance. bisacsh Anatomy, Artistic fast Violence in art fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85143520 |
title | Violence and the genesis of the anatomical image / |
title_alt | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Violence and the Image in Transition -- 1. Bodily Animation: Bones, Skulls, and Skeletons -- 2. Bodily Mutation: From Muscles to Flesh and Blood -- 3. Bones in Transit, Flesh in Shreds: Anatomy and the New World Cannibal -- 4. Between Face and Brain: Recalibrating the Head -- 5. The Rib Within: The Wax Model and the Violence of Embodiment -- Notes -- Bibliography -- Index |
title_auth | Violence and the genesis of the anatomical image / |
title_exact_search | Violence and the genesis of the anatomical image / |
title_full | Violence and the genesis of the anatomical image / Rose Marie San Juan. |
title_fullStr | Violence and the genesis of the anatomical image / Rose Marie San Juan. |
title_full_unstemmed | Violence and the genesis of the anatomical image / Rose Marie San Juan. |
title_short | Violence and the genesis of the anatomical image / |
title_sort | violence and the genesis of the anatomical image |
topic | Anatomy, Artistic History. Violence in art. http://id.loc.gov/authorities/subjects/sh85143520 Anatomie artistique Histoire. Violence dans l'art. ART / History / Renaissance. bisacsh Anatomy, Artistic fast Violence in art fast |
topic_facet | Anatomy, Artistic History. Violence in art. Anatomie artistique Histoire. Violence dans l'art. ART / History / Renaissance. Anatomy, Artistic Violence in art Electronic books. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642703 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642704 |
work_keys_str_mv | AT sanjuanrosemarie violenceandthegenesisoftheanatomicalimage |