Fragment, image, and absence in 1960s Japan /:
This groundbreaking book examines how the notion of "the object" was transformed in Japanese experimental art during a time of rapid social, economic, and environmental change.Reviving the legacies of the historical avant-garde, Japanese artists and intellectuals of the 1960s formulated an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA :
The Pennsylvania State University Press,
[2022]
|
| Schriftenreihe: | Refiguring modernism.
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Zusammenfassung: | This groundbreaking book examines how the notion of "the object" was transformed in Japanese experimental art during a time of rapid social, economic, and environmental change.Reviving the legacies of the historical avant-garde, Japanese artists and intellectuals of the 1960s formulated an aesthetics of disaffection through which they sought to address the stalemate of political and aesthetic representation. Ignacio A. Adriasola Muñoz draws from psychoanalytic theories of melancholia to examine the implications of such an approach, tracing a genealogy of disaffection within modernist discourse. By examining the discursive practices of artists working across a wide range of media, and through a close analysis of artwork, philosophical debates, artist theories, and critical accounts, Adriasola Muñoz shows how negativity became an efficacious means of addressing politics as a source for the creative act of undoing.In examining ideas of the object advanced by artists and intellectuals both in writing and as part of their artwork, this book brings discussions in critical art history to bear on the study of art in Japan. It will be of interest to art historians specializing in modernism, the international avant-garde, Japanese art, and the history of photography. |
| Beschreibung: | 1 online resource (xii, 230 pages) : illustrations (some color). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780271093154 0271093153 9780271093147 0271093145 |
Internformat
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| 520 | |a This groundbreaking book examines how the notion of "the object" was transformed in Japanese experimental art during a time of rapid social, economic, and environmental change.Reviving the legacies of the historical avant-garde, Japanese artists and intellectuals of the 1960s formulated an aesthetics of disaffection through which they sought to address the stalemate of political and aesthetic representation. Ignacio A. Adriasola Muñoz draws from psychoanalytic theories of melancholia to examine the implications of such an approach, tracing a genealogy of disaffection within modernist discourse. By examining the discursive practices of artists working across a wide range of media, and through a close analysis of artwork, philosophical debates, artist theories, and critical accounts, Adriasola Muñoz shows how negativity became an efficacious means of addressing politics as a source for the creative act of undoing.In examining ideas of the object advanced by artists and intellectuals both in writing and as part of their artwork, this book brings discussions in critical art history to bear on the study of art in Japan. It will be of interest to art historians specializing in modernism, the international avant-garde, Japanese art, and the history of photography. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. May 2023). | |
| 650 | 0 | |a Art, Japanese |y 20th century. |0 http://id.loc.gov/authorities/subjects/sh90005963 | |
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| 650 | 0 | |a Avant-garde (Aesthetics) |z Japan |x History |y 20th century. | |
| 650 | 6 | |a Art japonais |y 20e siècle. | |
| 650 | 6 | |a Photographie artistique |y 20e siècle. | |
| 650 | 6 | |a Objet (Esthétique) |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART / History / Contemporary (1945-). |2 bisacsh | |
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| adam_text | |
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| author | Adriasola Muñoz, Ignacio A. (Ignacio Alberto), 1981- |
| author_GND | http://id.loc.gov/authorities/names/no2022072565 |
| author_facet | Adriasola Muñoz, Ignacio A. (Ignacio Alberto), 1981- |
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| contents | Introduction: Melancholy Sites -- Part 1: Fragment -- Situation of the Obuje -- Ears, Fragments, and the Pathos of Distance -- Part 2 Image -- Object, Mirror, Stain -- Narcissus at the Fountain -- Part 3: Absence -- Finding Despair in Landscape -- Cast Shadows -- Conclusion: On the Return to Things. |
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| discipline | Kunstgeschichte |
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| format | Electronic eBook |
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| indexdate | 2024-11-27T13:30:42Z |
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| oclc_num | 1380732142 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 230 pages) : illustrations (some color). |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | The Pennsylvania State University Press, |
| record_format | marc |
| series | Refiguring modernism. |
| series2 | Refiguring modernism |
| spelling | Adriasola Muñoz, Ignacio A. (Ignacio Alberto), 1981- author. aut http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/no2022072565 Fragment, image, and absence in 1960s Japan / Ignacio A. Adriasola Muñoz. University Park, PA : The Pennsylvania State University Press, [2022] ©2022 1 online resource (xii, 230 pages) : illustrations (some color). text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Refiguring modernism Includes bibliographical references and index. Introduction: Melancholy Sites -- Part 1: Fragment -- Situation of the Obuje -- Ears, Fragments, and the Pathos of Distance -- Part 2 Image -- Object, Mirror, Stain -- Narcissus at the Fountain -- Part 3: Absence -- Finding Despair in Landscape -- Cast Shadows -- Conclusion: On the Return to Things. This groundbreaking book examines how the notion of "the object" was transformed in Japanese experimental art during a time of rapid social, economic, and environmental change.Reviving the legacies of the historical avant-garde, Japanese artists and intellectuals of the 1960s formulated an aesthetics of disaffection through which they sought to address the stalemate of political and aesthetic representation. Ignacio A. Adriasola Muñoz draws from psychoanalytic theories of melancholia to examine the implications of such an approach, tracing a genealogy of disaffection within modernist discourse. By examining the discursive practices of artists working across a wide range of media, and through a close analysis of artwork, philosophical debates, artist theories, and critical accounts, Adriasola Muñoz shows how negativity became an efficacious means of addressing politics as a source for the creative act of undoing.In examining ideas of the object advanced by artists and intellectuals both in writing and as part of their artwork, this book brings discussions in critical art history to bear on the study of art in Japan. It will be of interest to art historians specializing in modernism, the international avant-garde, Japanese art, and the history of photography. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. May 2023). Art, Japanese 20th century. http://id.loc.gov/authorities/subjects/sh90005963 Photography, Artistic 20th century. Object (Aesthetics) History 20th century. Avant-garde (Aesthetics) Japan History 20th century. Art japonais 20e siècle. Photographie artistique 20e siècle. Objet (Esthétique) Histoire 20e siècle. ART / History / Contemporary (1945-). bisacsh Art, Japanese fast Avant-garde (Aesthetics) fast Object (Aesthetics) fast Photography, Artistic fast Japan fast 1900-1999 fast 1945-1980. 20th century. Art and psychoanalysis. Arts and society. Arts. Avant-garde (Aesthetics). Conceptualism. Contemporary art. History. Japan. Photography. Political aspects. Surrealism. modernism. Electronic books. History fast Original 9780271092904 0271092904 (DLC) 2022026220 (OCoLC)1301904720 Refiguring modernism. http://id.loc.gov/authorities/names/n2004007507 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3619050 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642742 Volltext |
| spellingShingle | Adriasola Muñoz, Ignacio A. (Ignacio Alberto), 1981- Fragment, image, and absence in 1960s Japan / Refiguring modernism. Introduction: Melancholy Sites -- Part 1: Fragment -- Situation of the Obuje -- Ears, Fragments, and the Pathos of Distance -- Part 2 Image -- Object, Mirror, Stain -- Narcissus at the Fountain -- Part 3: Absence -- Finding Despair in Landscape -- Cast Shadows -- Conclusion: On the Return to Things. Art, Japanese 20th century. http://id.loc.gov/authorities/subjects/sh90005963 Photography, Artistic 20th century. Object (Aesthetics) History 20th century. Avant-garde (Aesthetics) Japan History 20th century. Art japonais 20e siècle. Photographie artistique 20e siècle. Objet (Esthétique) Histoire 20e siècle. ART / History / Contemporary (1945-). bisacsh Art, Japanese fast Avant-garde (Aesthetics) fast Object (Aesthetics) fast Photography, Artistic fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh90005963 |
| title | Fragment, image, and absence in 1960s Japan / |
| title_alt | Introduction: Melancholy Sites -- Part 1: Fragment -- Situation of the Obuje -- Ears, Fragments, and the Pathos of Distance -- Part 2 Image -- Object, Mirror, Stain -- Narcissus at the Fountain -- Part 3: Absence -- Finding Despair in Landscape -- Cast Shadows -- Conclusion: On the Return to Things. |
| title_auth | Fragment, image, and absence in 1960s Japan / |
| title_exact_search | Fragment, image, and absence in 1960s Japan / |
| title_full | Fragment, image, and absence in 1960s Japan / Ignacio A. Adriasola Muñoz. |
| title_fullStr | Fragment, image, and absence in 1960s Japan / Ignacio A. Adriasola Muñoz. |
| title_full_unstemmed | Fragment, image, and absence in 1960s Japan / Ignacio A. Adriasola Muñoz. |
| title_short | Fragment, image, and absence in 1960s Japan / |
| title_sort | fragment image and absence in 1960s japan |
| topic | Art, Japanese 20th century. http://id.loc.gov/authorities/subjects/sh90005963 Photography, Artistic 20th century. Object (Aesthetics) History 20th century. Avant-garde (Aesthetics) Japan History 20th century. Art japonais 20e siècle. Photographie artistique 20e siècle. Objet (Esthétique) Histoire 20e siècle. ART / History / Contemporary (1945-). bisacsh Art, Japanese fast Avant-garde (Aesthetics) fast Object (Aesthetics) fast Photography, Artistic fast |
| topic_facet | Art, Japanese 20th century. Photography, Artistic 20th century. Object (Aesthetics) History 20th century. Avant-garde (Aesthetics) Japan History 20th century. Art japonais 20e siècle. Photographie artistique 20e siècle. Objet (Esthétique) Histoire 20e siècle. ART / History / Contemporary (1945-). Art, Japanese Avant-garde (Aesthetics) Object (Aesthetics) Photography, Artistic Japan Electronic books. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3619050 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642742 |
| work_keys_str_mv | AT adriasolamunozignacioa fragmentimageandabsencein1960sjapan |