Aesthetics and the incarnation in early medieval Britain :: materiality and the flesh of the word /
This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Ear...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Notre Dame, Indiana :
University of Notre Dame,
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a "contact zone" of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the "Word that was made flesh", the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic --an enigma-- and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain --Bede, Gregory the Great, and Isidore most prominent among them. Beechy's study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán's De locis sanctis ('On the Holy lands"); and the difficult esoterica of the wisdom tradition. |
| Beschreibung: | Description based upon print version of record. |
| Beschreibung: | 1 online resource (xviii, 319 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references (pages 295-313) and index. |
| ISBN: | 0268205140 9780268205171 0268205175 9780268205140 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1378391743 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||||||| | ||
| 008 | 230506t20232023inua ob 001 0 eng d | ||
| 010 | |a 2023930256 | ||
| 040 | |a EBLCP |b eng |c EBLCP |d YDX |d COO |d EBLCP |d N$T |d HTM |d UKAHL |d OCLCF |d OCLCO |d OCLCL |d OCLCQ | ||
| 019 | |a 1378290754 |a 1378292715 |a 1385432426 |a 1389422622 |a 1390655413 |a 1392308772 |a 1393280410 |a 1427549627 | ||
| 020 | |a 0268205140 |q epub | ||
| 020 | |a 9780268205171 |q adobe pdf | ||
| 020 | |a 0268205175 |q adobe pdf | ||
| 020 | |a 9780268205140 |q (electronic bk.) | ||
| 020 | |z 9780268205157 |q hardcover | ||
| 020 | |z 0268205159 | ||
| 035 | |a (OCoLC)1378391743 |z (OCoLC)1378290754 |z (OCoLC)1378292715 |z (OCoLC)1385432426 |z (OCoLC)1389422622 |z (OCoLC)1390655413 |z (OCoLC)1392308772 |z (OCoLC)1393280410 |z (OCoLC)1427549627 | ||
| 043 | |a e-ie--- |a e-uk--- | ||
| 050 | 4 | |a BR115.A8 | |
| 082 | 7 | |a 704.9482 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Beechy, Tiffany, |e author. |0 http://id.loc.gov/authorities/names/n2009073768 | |
| 245 | 1 | 0 | |a Aesthetics and the incarnation in early medieval Britain : |b materiality and the flesh of the word / |c Tiffany Beechy |
| 264 | 1 | |a Notre Dame, Indiana : |b University of Notre Dame, |c [2023] | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 online resource (xviii, 319 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a "Supereffability" and the sacraments of Christ's humanity -- Seeing double: representing the hypostatic union -- No ideas but in things: aesthetics and the flesh of the Word -- Concealing is revealing, pt. 1: Opacity and enigma in the wisdom tradition -- Concealing is revealing, pt. 2: The shadow manuscript in the margins of CCCC 41. | |
| 504 | |a Includes bibliographical references (pages 295-313) and index. | ||
| 520 | |a This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a "contact zone" of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the "Word that was made flesh", the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic --an enigma-- and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain --Bede, Gregory the Great, and Isidore most prominent among them. Beechy's study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán's De locis sanctis ('On the Holy lands"); and the difficult esoterica of the wisdom tradition. | ||
| 650 | 0 | |a Aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85001441 | |
| 650 | 0 | |a Christian art and symbolism |z British Isles |y Medieval, 500-1500. | |
| 650 | 0 | |a Material culture |z British Isles |x History |y To 1500. | |
| 650 | 0 | |a Religion and culture |z British Isles |x History. | |
| 650 | 6 | |a Religion et culture |z Britanniques, Îles |x Histoire. | |
| 650 | 7 | |a Aesthetics |2 fast | |
| 650 | 7 | |a Christian art and symbolism |x Medieval |2 fast | |
| 650 | 7 | |a Material culture |2 fast | |
| 650 | 7 | |a Religion and culture |2 fast | |
| 651 | 7 | |a Europe |z British Isles |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcwFg7grVgMfJy4kxFxjC | |
| 648 | 7 | |a To 1500 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Beechy, Tiffany |t Aesthetics and the Incarnation in Early Medieval Britain |d Notre Dame, IN : University of Notre Dame Press,c2023 |z 9780268205157 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3355749 |3 Volltext |
| 936 | |a BATCHLOAD | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH41409193 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL29421584 | ||
| 938 | |a YBP Library Services |b YANK |n 20162860 | ||
| 938 | |a YBP Library Services |b YANK |n 305300330 | ||
| 938 | |a EBSCOhost |b EBSC |n 3355749 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1378391743 |
|---|---|
| _version_ | 1816882569795338240 |
| adam_text | |
| any_adam_object | |
| author | Beechy, Tiffany |
| author_GND | http://id.loc.gov/authorities/names/n2009073768 |
| author_facet | Beechy, Tiffany |
| author_role | aut |
| author_sort | Beechy, Tiffany |
| author_variant | t b tb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BR115 |
| callnumber-raw | BR115.A8 |
| callnumber-search | BR115.A8 |
| callnumber-sort | BR 3115 A8 |
| callnumber-subject | BR - Christianity |
| collection | ZDB-4-EBA |
| contents | "Supereffability" and the sacraments of Christ's humanity -- Seeing double: representing the hypostatic union -- No ideas but in things: aesthetics and the flesh of the Word -- Concealing is revealing, pt. 1: Opacity and enigma in the wisdom tradition -- Concealing is revealing, pt. 2: The shadow manuscript in the margins of CCCC 41. |
| ctrlnum | (OCoLC)1378391743 |
| dewey-full | 704.9482 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9482 |
| dewey-search | 704.9482 |
| dewey-sort | 3704.9482 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | To 1500 fast |
| era_facet | To 1500 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05138cam a2200661 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1378391743</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">230506t20232023inua ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2023930256</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="c">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">COO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">HTM</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1378290754</subfield><subfield code="a">1378292715</subfield><subfield code="a">1385432426</subfield><subfield code="a">1389422622</subfield><subfield code="a">1390655413</subfield><subfield code="a">1392308772</subfield><subfield code="a">1393280410</subfield><subfield code="a">1427549627</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0268205140</subfield><subfield code="q">epub</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780268205171</subfield><subfield code="q">adobe pdf</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0268205175</subfield><subfield code="q">adobe pdf</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780268205140</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780268205157</subfield><subfield code="q">hardcover</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0268205159</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1378391743</subfield><subfield code="z">(OCoLC)1378290754</subfield><subfield code="z">(OCoLC)1378292715</subfield><subfield code="z">(OCoLC)1385432426</subfield><subfield code="z">(OCoLC)1389422622</subfield><subfield code="z">(OCoLC)1390655413</subfield><subfield code="z">(OCoLC)1392308772</subfield><subfield code="z">(OCoLC)1393280410</subfield><subfield code="z">(OCoLC)1427549627</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-ie---</subfield><subfield code="a">e-uk---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">BR115.A8</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">704.9482</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Beechy, Tiffany,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2009073768</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Aesthetics and the incarnation in early medieval Britain :</subfield><subfield code="b">materiality and the flesh of the word /</subfield><subfield code="c">Tiffany Beechy</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Notre Dame, Indiana :</subfield><subfield code="b">University of Notre Dame,</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xviii, 319 pages) :</subfield><subfield code="b">illustrations (some color)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">"Supereffability" and the sacraments of Christ's humanity -- Seeing double: representing the hypostatic union -- No ideas but in things: aesthetics and the flesh of the Word -- Concealing is revealing, pt. 1: Opacity and enigma in the wisdom tradition -- Concealing is revealing, pt. 2: The shadow manuscript in the margins of CCCC 41.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 295-313) and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a "contact zone" of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the "Word that was made flesh", the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic --an enigma-- and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain --Bede, Gregory the Great, and Isidore most prominent among them. Beechy's study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán's De locis sanctis ('On the Holy lands"); and the difficult esoterica of the wisdom tradition.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Aesthetics.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85001441</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Christian art and symbolism</subfield><subfield code="z">British Isles</subfield><subfield code="y">Medieval, 500-1500.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Material culture</subfield><subfield code="z">British Isles</subfield><subfield code="x">History</subfield><subfield code="y">To 1500.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Religion and culture</subfield><subfield code="z">British Isles</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Religion et culture</subfield><subfield code="z">Britanniques, Îles</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Christian art and symbolism</subfield><subfield code="x">Medieval</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Material culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Religion and culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Europe</subfield><subfield code="z">British Isles</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJcwFg7grVgMfJy4kxFxjC</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">To 1500</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Beechy, Tiffany</subfield><subfield code="t">Aesthetics and the Incarnation in Early Medieval Britain</subfield><subfield code="d">Notre Dame, IN : University of Notre Dame Press,c2023</subfield><subfield code="z">9780268205157</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3355749</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH41409193</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL29421584</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">20162860</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">305300330</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">3355749</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast |
| genre_facet | History |
| geographic | Europe British Isles fast https://id.oclc.org/worldcat/entity/E39PBJcwFg7grVgMfJy4kxFxjC |
| geographic_facet | Europe British Isles |
| id | ZDB-4-EBA-on1378391743 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:42Z |
| institution | BVB |
| isbn | 0268205140 9780268205171 0268205175 9780268205140 |
| language | English |
| lccn | 2023930256 |
| oclc_num | 1378391743 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xviii, 319 pages) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Notre Dame, |
| record_format | marc |
| spelling | Beechy, Tiffany, author. http://id.loc.gov/authorities/names/n2009073768 Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / Tiffany Beechy Notre Dame, Indiana : University of Notre Dame, [2023] ©2023 1 online resource (xviii, 319 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Description based upon print version of record. "Supereffability" and the sacraments of Christ's humanity -- Seeing double: representing the hypostatic union -- No ideas but in things: aesthetics and the flesh of the Word -- Concealing is revealing, pt. 1: Opacity and enigma in the wisdom tradition -- Concealing is revealing, pt. 2: The shadow manuscript in the margins of CCCC 41. Includes bibliographical references (pages 295-313) and index. This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a "contact zone" of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the "Word that was made flesh", the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic --an enigma-- and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain --Bede, Gregory the Great, and Isidore most prominent among them. Beechy's study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán's De locis sanctis ('On the Holy lands"); and the difficult esoterica of the wisdom tradition. Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Christian art and symbolism British Isles Medieval, 500-1500. Material culture British Isles History To 1500. Religion and culture British Isles History. Religion et culture Britanniques, Îles Histoire. Aesthetics fast Christian art and symbolism Medieval fast Material culture fast Religion and culture fast Europe British Isles fast https://id.oclc.org/worldcat/entity/E39PBJcwFg7grVgMfJy4kxFxjC To 1500 fast History fast Print version: Beechy, Tiffany Aesthetics and the Incarnation in Early Medieval Britain Notre Dame, IN : University of Notre Dame Press,c2023 9780268205157 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3355749 Volltext |
| spellingShingle | Beechy, Tiffany Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / "Supereffability" and the sacraments of Christ's humanity -- Seeing double: representing the hypostatic union -- No ideas but in things: aesthetics and the flesh of the Word -- Concealing is revealing, pt. 1: Opacity and enigma in the wisdom tradition -- Concealing is revealing, pt. 2: The shadow manuscript in the margins of CCCC 41. Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Christian art and symbolism British Isles Medieval, 500-1500. Material culture British Isles History To 1500. Religion and culture British Isles History. Religion et culture Britanniques, Îles Histoire. Aesthetics fast Christian art and symbolism Medieval fast Material culture fast Religion and culture fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85001441 |
| title | Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / |
| title_auth | Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / |
| title_exact_search | Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / |
| title_full | Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / Tiffany Beechy |
| title_fullStr | Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / Tiffany Beechy |
| title_full_unstemmed | Aesthetics and the incarnation in early medieval Britain : materiality and the flesh of the word / Tiffany Beechy |
| title_short | Aesthetics and the incarnation in early medieval Britain : |
| title_sort | aesthetics and the incarnation in early medieval britain materiality and the flesh of the word |
| title_sub | materiality and the flesh of the word / |
| topic | Aesthetics. http://id.loc.gov/authorities/subjects/sh85001441 Christian art and symbolism British Isles Medieval, 500-1500. Material culture British Isles History To 1500. Religion and culture British Isles History. Religion et culture Britanniques, Îles Histoire. Aesthetics fast Christian art and symbolism Medieval fast Material culture fast Religion and culture fast |
| topic_facet | Aesthetics. Christian art and symbolism British Isles Medieval, 500-1500. Material culture British Isles History To 1500. Religion and culture British Isles History. Religion et culture Britanniques, Îles Histoire. Aesthetics Christian art and symbolism Medieval Material culture Religion and culture Europe British Isles History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3355749 |
| work_keys_str_mv | AT beechytiffany aestheticsandtheincarnationinearlymedievalbritainmaterialityandthefleshoftheword |