Adrian Brunel and British cinema of the 1920s :: the artist versus the moneybags /
Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cin...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
2023.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cinema in the late silent period, many of which pertained over subsequent decadesBritish cinema has been in the shadow of Hollywood for over a hundred years, constantly attempting to define itself in an effort to challenge its dominance. During the 1920s, a small group of intellectuals argued that injecting a level of 'art' into the medium was the way to do this, a view strongly opposed by the industry's commercial forces.Using the experiences of Adrian Brunel, Josephine Botting demonstrates how this clash affected the careers of filmmakers attempting to prove their theory. Brunel was cultured yet financially insecure, caught between the creative Bohemianism of 1920s London and a conventional, conservative film industry.Tracing the ups and downs of Brunel's biography with detailed reference to his personal papers, Adrian Brunel and British Cinema of the 1920s exposes the various forces controlling the production, distribution and exhibition of films in Britain as Brunel tried to negotiate them and find a niche in the insecure and competitive arena of British film. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781399501385 1399501380 1399501372 9781399501378 |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Figures -- |t Acknowledgements -- |t Abbreviations -- |t INTRODUCTION 'Might repay serious excavation . . .': Adrian Brunel as a Subject for Study -- |t CHAPTER 1 Contextualised Biography of Adrian Brunel, Part I -- |t CHAPTER 2 A Syndicate of Beggars: Minerva Films Ltd and Independent Short Film Production -- |t CHAPTER 3 Art, the Trade and The Man Without Desire -- |t CHAPTER 4 Making Dull Films Jolly: Brunel's Burlesques -- |t CHAPTER 5 'A war film with a difference': Blighty and Brunel's Negotiation of the British Studio System -- |t CHAPTER 6 Adaptation and Screen Censorship: The Vortex -- |t CHAPTER 7 Adaptation and the Power of the Author: The Constant Nymph -- |t CHAPTER 8 Contextualised Biography of Adrian Brunel, Part II -- |t CONCLUSION Brunel's Legacy -- |t Bibliography -- |t Index |
| 520 | |a Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cinema in the late silent period, many of which pertained over subsequent decadesBritish cinema has been in the shadow of Hollywood for over a hundred years, constantly attempting to define itself in an effort to challenge its dominance. During the 1920s, a small group of intellectuals argued that injecting a level of 'art' into the medium was the way to do this, a view strongly opposed by the industry's commercial forces.Using the experiences of Adrian Brunel, Josephine Botting demonstrates how this clash affected the careers of filmmakers attempting to prove their theory. Brunel was cultured yet financially insecure, caught between the creative Bohemianism of 1920s London and a conventional, conservative film industry.Tracing the ups and downs of Brunel's biography with detailed reference to his personal papers, Adrian Brunel and British Cinema of the 1920s exposes the various forces controlling the production, distribution and exhibition of films in Britain as Brunel tried to negotiate them and find a niche in the insecure and competitive arena of British film. | ||
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| contents | Frontmatter -- Contents -- Figures -- Acknowledgements -- Abbreviations -- INTRODUCTION 'Might repay serious excavation . . .': Adrian Brunel as a Subject for Study -- CHAPTER 1 Contextualised Biography of Adrian Brunel, Part I -- CHAPTER 2 A Syndicate of Beggars: Minerva Films Ltd and Independent Short Film Production -- CHAPTER 3 Art, the Trade and The Man Without Desire -- CHAPTER 4 Making Dull Films Jolly: Brunel's Burlesques -- CHAPTER 5 'A war film with a difference': Blighty and Brunel's Negotiation of the British Studio System -- CHAPTER 6 Adaptation and Screen Censorship: The Vortex -- CHAPTER 7 Adaptation and the Power of the Author: The Constant Nymph -- CHAPTER 8 Contextualised Biography of Adrian Brunel, Part II -- CONCLUSION Brunel's Legacy -- Bibliography -- Index |
| ctrlnum | (OCoLC)1372424683 |
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| spelling | Abbott, Josephine, author. Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / Josephine Botting. Edinburgh : Edinburgh University Press, 2023. 1 online resource text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Description based upon online resource; title from PDF title page (viewed March 13th, 2023). Frontmatter -- Contents -- Figures -- Acknowledgements -- Abbreviations -- INTRODUCTION 'Might repay serious excavation . . .': Adrian Brunel as a Subject for Study -- CHAPTER 1 Contextualised Biography of Adrian Brunel, Part I -- CHAPTER 2 A Syndicate of Beggars: Minerva Films Ltd and Independent Short Film Production -- CHAPTER 3 Art, the Trade and The Man Without Desire -- CHAPTER 4 Making Dull Films Jolly: Brunel's Burlesques -- CHAPTER 5 'A war film with a difference': Blighty and Brunel's Negotiation of the British Studio System -- CHAPTER 6 Adaptation and Screen Censorship: The Vortex -- CHAPTER 7 Adaptation and the Power of the Author: The Constant Nymph -- CHAPTER 8 Contextualised Biography of Adrian Brunel, Part II -- CONCLUSION Brunel's Legacy -- Bibliography -- Index Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cinema in the late silent period, many of which pertained over subsequent decadesBritish cinema has been in the shadow of Hollywood for over a hundred years, constantly attempting to define itself in an effort to challenge its dominance. During the 1920s, a small group of intellectuals argued that injecting a level of 'art' into the medium was the way to do this, a view strongly opposed by the industry's commercial forces.Using the experiences of Adrian Brunel, Josephine Botting demonstrates how this clash affected the careers of filmmakers attempting to prove their theory. Brunel was cultured yet financially insecure, caught between the creative Bohemianism of 1920s London and a conventional, conservative film industry.Tracing the ups and downs of Brunel's biography with detailed reference to his personal papers, Adrian Brunel and British Cinema of the 1920s exposes the various forces controlling the production, distribution and exhibition of films in Britain as Brunel tried to negotiate them and find a niche in the insecure and competitive arena of British film. Brunel, Adrian, 1892-1958 https://isni.org/isni/0000000116349969 http://id.loc.gov/authorities/names/no2009072813 Motion picture industry Great Britain History 20th century. Cinéma Industrie Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture industry fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP 1900-1999 fast Electronic books. History fast Print version: Abbott, Josephine. Adrian Brunel and British cinema of the 1920s 9781399501354 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3464843 Volltext |
| spellingShingle | Abbott, Josephine Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / Frontmatter -- Contents -- Figures -- Acknowledgements -- Abbreviations -- INTRODUCTION 'Might repay serious excavation . . .': Adrian Brunel as a Subject for Study -- CHAPTER 1 Contextualised Biography of Adrian Brunel, Part I -- CHAPTER 2 A Syndicate of Beggars: Minerva Films Ltd and Independent Short Film Production -- CHAPTER 3 Art, the Trade and The Man Without Desire -- CHAPTER 4 Making Dull Films Jolly: Brunel's Burlesques -- CHAPTER 5 'A war film with a difference': Blighty and Brunel's Negotiation of the British Studio System -- CHAPTER 6 Adaptation and Screen Censorship: The Vortex -- CHAPTER 7 Adaptation and the Power of the Author: The Constant Nymph -- CHAPTER 8 Contextualised Biography of Adrian Brunel, Part II -- CONCLUSION Brunel's Legacy -- Bibliography -- Index Brunel, Adrian, 1892-1958 https://isni.org/isni/0000000116349969 http://id.loc.gov/authorities/names/no2009072813 Motion picture industry Great Britain History 20th century. Cinéma Industrie Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture industry fast |
| subject_GND | http://id.loc.gov/authorities/names/no2009072813 |
| title | Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / |
| title_alt | Frontmatter -- Contents -- Figures -- Acknowledgements -- Abbreviations -- INTRODUCTION 'Might repay serious excavation . . .': Adrian Brunel as a Subject for Study -- CHAPTER 1 Contextualised Biography of Adrian Brunel, Part I -- CHAPTER 2 A Syndicate of Beggars: Minerva Films Ltd and Independent Short Film Production -- CHAPTER 3 Art, the Trade and The Man Without Desire -- CHAPTER 4 Making Dull Films Jolly: Brunel's Burlesques -- CHAPTER 5 'A war film with a difference': Blighty and Brunel's Negotiation of the British Studio System -- CHAPTER 6 Adaptation and Screen Censorship: The Vortex -- CHAPTER 7 Adaptation and the Power of the Author: The Constant Nymph -- CHAPTER 8 Contextualised Biography of Adrian Brunel, Part II -- CONCLUSION Brunel's Legacy -- Bibliography -- Index |
| title_auth | Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / |
| title_exact_search | Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / |
| title_full | Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / Josephine Botting. |
| title_fullStr | Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / Josephine Botting. |
| title_full_unstemmed | Adrian Brunel and British cinema of the 1920s : the artist versus the moneybags / Josephine Botting. |
| title_short | Adrian Brunel and British cinema of the 1920s : |
| title_sort | adrian brunel and british cinema of the 1920s the artist versus the moneybags |
| title_sub | the artist versus the moneybags / |
| topic | Brunel, Adrian, 1892-1958 https://isni.org/isni/0000000116349969 http://id.loc.gov/authorities/names/no2009072813 Motion picture industry Great Britain History 20th century. Cinéma Industrie Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture industry fast |
| topic_facet | Brunel, Adrian, 1892-1958 Motion picture industry Great Britain History 20th century. Cinéma Industrie Grande-Bretagne Histoire 20e siècle. PERFORMING ARTS / Film & Video / Direction & Production Motion picture industry Great Britain Electronic books. History |
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