Exhibiting Antonio Canova :: Display and the Transformation of Sculptural Theory /
Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plas...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2023]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general. |
| Beschreibung: | "Amsterdam University Press" List of Illustrations Acknowledgments Introduction. Canova on Display Chapter One. Imagining Sculptural Practice Chapter Two. Reevaluating Ancients and Moderns Chapter Three. Anatomizing the Female Nude Chapter Four. Challenging the Supremacy of Painting Chapter Five. Defining Modern Sculpture Conclusion. Aftereffects Bibliography Index |
| Beschreibung: | 1 online resource (293 pages) illustrations (chiefly color), plans, portraits |
| Bibliographie: | Includes bibliographical references (pages 265-282) and index. |
| ISBN: | 904855750X 9789048557509 |
Internformat
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| 245 | 1 | 0 | |a Exhibiting Antonio Canova : |b Display and the Transformation of Sculptural Theory / |c Christina Ferando. |
| 246 | 3 | 0 | |a Display and the transformation of sculptural theory |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2023] | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 online resource (293 pages) |b illustrations (chiefly color), plans, portraits | ||
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| 500 | |a List of Illustrations Acknowledgments Introduction. Canova on Display Chapter One. Imagining Sculptural Practice Chapter Two. Reevaluating Ancients and Moderns Chapter Three. Anatomizing the Female Nude Chapter Four. Challenging the Supremacy of Painting Chapter Five. Defining Modern Sculpture Conclusion. Aftereffects Bibliography Index | ||
| 505 | 0 | |a Cover -- Table of Contents -- Acknowledgements -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- Art as a Political Tool -- Sculpture, Eroticism, and the Senses -- Shifting Models of Display and Engagement -- Sculptural Practice in the Literary Imagination -- The Authority of the Author -- An Imperfect Understanding of Sculpture -- 2. Reevaluating Ancients and Moderns -- Imitation as Creative Practice -- The Artist as Beholder -- The Studio as Exhibition Space -- Perseus in the Museum -- Changing Ideas of Cultural Patrimony -- Imitation as Plagiarism | |
| 505 | 8 | |a 3. Anatomizing the Female Nude -- The Creation of a Modern Venus -- Venus in the Boudoir -- The Tinted Surface -- The Softness of Flesh -- The Anatomy of Sculpture -- Venus and the Clinical Gaze -- 4. Challenging the Supremacy of Painting -- Canova and the Veneto -- Uniting Canova and Titian -- Promoting Contemporary Venetian Art -- Celebrating Venice's Cultural Patrimony -- Restoring Titian's Assumption of the Virgin -- Establishing the Supremacy of Sculpture -- 5. Defining Modern Sculpture -- A Foreign Artist in France -- Romanticizing Artistic Production -- Expression and the Art of Sculpture -- Collecting as Expression of the Self -- Sentiment, Interiority, and Universality -- Sculpture as a Modern Art. | |
| 504 | |a Includes bibliographical references (pages 265-282) and index. | ||
| 520 | |a Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general. | ||
| 600 | 1 | 0 | |a Canova, Antonio, |d 1757-1822 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Canova, Antonio, |d 1757-1822 |x Exhibitions. |
| 600 | 1 | 7 | |a Canova, Antonio, |d 1757-1822 |2 fast |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1371971106 |
|---|---|
| _version_ | 1816882568872591360 |
| adam_text | |
| any_adam_object | |
| author | Ferando, Christina |
| author_GND | http://id.loc.gov/authorities/names/no2020063634 |
| author_facet | Ferando, Christina |
| author_role | aut |
| author_sort | Ferando, Christina |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NB120 |
| callnumber-raw | NB120 .F47 2023 |
| callnumber-search | NB120 .F47 2023 |
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| callnumber-subject | NB - Sculpture |
| collection | ZDB-4-EBA |
| contents | Cover -- Table of Contents -- Acknowledgements -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- Art as a Political Tool -- Sculpture, Eroticism, and the Senses -- Shifting Models of Display and Engagement -- Sculptural Practice in the Literary Imagination -- The Authority of the Author -- An Imperfect Understanding of Sculpture -- 2. Reevaluating Ancients and Moderns -- Imitation as Creative Practice -- The Artist as Beholder -- The Studio as Exhibition Space -- Perseus in the Museum -- Changing Ideas of Cultural Patrimony -- Imitation as Plagiarism 3. Anatomizing the Female Nude -- The Creation of a Modern Venus -- Venus in the Boudoir -- The Tinted Surface -- The Softness of Flesh -- The Anatomy of Sculpture -- Venus and the Clinical Gaze -- 4. Challenging the Supremacy of Painting -- Canova and the Veneto -- Uniting Canova and Titian -- Promoting Contemporary Venetian Art -- Celebrating Venice's Cultural Patrimony -- Restoring Titian's Assumption of the Virgin -- Establishing the Supremacy of Sculpture -- 5. Defining Modern Sculpture -- A Foreign Artist in France -- Romanticizing Artistic Production -- Expression and the Art of Sculpture -- Collecting as Expression of the Self -- Sentiment, Interiority, and Universality -- Sculpture as a Modern Art. |
| ctrlnum | (OCoLC)1371971106 |
| dewey-full | 730.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730.92 |
| dewey-search | 730.92 |
| dewey-sort | 3730.92 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast Exhibition catalogs fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. Exhibition catalogs |
| id | ZDB-4-EBA-on1371971106 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:41Z |
| institution | BVB |
| isbn | 904855750X 9789048557509 |
| language | English |
| oclc_num | 1371971106 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (293 pages) illustrations (chiefly color), plans, portraits |
| psigel | ZDB-4-EBA |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| spelling | Ferando, Christina, author. http://id.loc.gov/authorities/names/no2020063634 Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / Christina Ferando. Display and the transformation of sculptural theory Amsterdam : Amsterdam University Press, [2023] ©2023 1 online resource (293 pages) illustrations (chiefly color), plans, portraits text txt rdacontent computer c rdamedia online resource cr rdacarrier digital rdatr "Amsterdam University Press" List of Illustrations Acknowledgments Introduction. Canova on Display Chapter One. Imagining Sculptural Practice Chapter Two. Reevaluating Ancients and Moderns Chapter Three. Anatomizing the Female Nude Chapter Four. Challenging the Supremacy of Painting Chapter Five. Defining Modern Sculpture Conclusion. Aftereffects Bibliography Index Cover -- Table of Contents -- Acknowledgements -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- Art as a Political Tool -- Sculpture, Eroticism, and the Senses -- Shifting Models of Display and Engagement -- Sculptural Practice in the Literary Imagination -- The Authority of the Author -- An Imperfect Understanding of Sculpture -- 2. Reevaluating Ancients and Moderns -- Imitation as Creative Practice -- The Artist as Beholder -- The Studio as Exhibition Space -- Perseus in the Museum -- Changing Ideas of Cultural Patrimony -- Imitation as Plagiarism 3. Anatomizing the Female Nude -- The Creation of a Modern Venus -- Venus in the Boudoir -- The Tinted Surface -- The Softness of Flesh -- The Anatomy of Sculpture -- Venus and the Clinical Gaze -- 4. Challenging the Supremacy of Painting -- Canova and the Veneto -- Uniting Canova and Titian -- Promoting Contemporary Venetian Art -- Celebrating Venice's Cultural Patrimony -- Restoring Titian's Assumption of the Virgin -- Establishing the Supremacy of Sculpture -- 5. Defining Modern Sculpture -- A Foreign Artist in France -- Romanticizing Artistic Production -- Expression and the Art of Sculpture -- Collecting as Expression of the Self -- Sentiment, Interiority, and Universality -- Sculpture as a Modern Art. Includes bibliographical references (pages 265-282) and index. Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general. Canova, Antonio, 1757-1822 Criticism and interpretation. Canova, Antonio, 1757-1822 Exhibitions. Canova, Antonio, 1757-1822 fast Theory of art. bicssc History of art & design styles: c 1800 to c 1900. bicssc ART / European. bisacsh ART / History / Romanticism. bisacsh ART / Sculpture & Installation. bisacsh Theory of art. thema History of art. thema History, Art History, and Archaeology HIS Art and Material Culture ART & MAT Modern History MOD HIS Antonio Canova, Sculpture, Art theory, Display, Reception theory Electronic books. Criticism, interpretation, etc. fast Exhibition catalogs fast Print version: 9789463724098 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3648759 Volltext |
| spellingShingle | Ferando, Christina Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / Cover -- Table of Contents -- Acknowledgements -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- Art as a Political Tool -- Sculpture, Eroticism, and the Senses -- Shifting Models of Display and Engagement -- Sculptural Practice in the Literary Imagination -- The Authority of the Author -- An Imperfect Understanding of Sculpture -- 2. Reevaluating Ancients and Moderns -- Imitation as Creative Practice -- The Artist as Beholder -- The Studio as Exhibition Space -- Perseus in the Museum -- Changing Ideas of Cultural Patrimony -- Imitation as Plagiarism 3. Anatomizing the Female Nude -- The Creation of a Modern Venus -- Venus in the Boudoir -- The Tinted Surface -- The Softness of Flesh -- The Anatomy of Sculpture -- Venus and the Clinical Gaze -- 4. Challenging the Supremacy of Painting -- Canova and the Veneto -- Uniting Canova and Titian -- Promoting Contemporary Venetian Art -- Celebrating Venice's Cultural Patrimony -- Restoring Titian's Assumption of the Virgin -- Establishing the Supremacy of Sculpture -- 5. Defining Modern Sculpture -- A Foreign Artist in France -- Romanticizing Artistic Production -- Expression and the Art of Sculpture -- Collecting as Expression of the Self -- Sentiment, Interiority, and Universality -- Sculpture as a Modern Art. Canova, Antonio, 1757-1822 Criticism and interpretation. Canova, Antonio, 1757-1822 Exhibitions. Canova, Antonio, 1757-1822 fast Theory of art. bicssc History of art & design styles: c 1800 to c 1900. bicssc ART / European. bisacsh ART / History / Romanticism. bisacsh ART / Sculpture & Installation. bisacsh Theory of art. thema History of art. thema |
| title | Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / |
| title_alt | Display and the transformation of sculptural theory |
| title_auth | Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / |
| title_exact_search | Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / |
| title_full | Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / Christina Ferando. |
| title_fullStr | Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / Christina Ferando. |
| title_full_unstemmed | Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / Christina Ferando. |
| title_short | Exhibiting Antonio Canova : |
| title_sort | exhibiting antonio canova display and the transformation of sculptural theory |
| title_sub | Display and the Transformation of Sculptural Theory / |
| topic | Canova, Antonio, 1757-1822 Criticism and interpretation. Canova, Antonio, 1757-1822 Exhibitions. Canova, Antonio, 1757-1822 fast Theory of art. bicssc History of art & design styles: c 1800 to c 1900. bicssc ART / European. bisacsh ART / History / Romanticism. bisacsh ART / Sculpture & Installation. bisacsh Theory of art. thema History of art. thema |
| topic_facet | Canova, Antonio, 1757-1822 Criticism and interpretation. Canova, Antonio, 1757-1822 Exhibitions. Canova, Antonio, 1757-1822 Theory of art. History of art & design styles: c 1800 to c 1900. ART / European. ART / History / Romanticism. ART / Sculpture & Installation. History of art. Electronic books. Criticism, interpretation, etc. Exhibition catalogs |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3648759 |
| work_keys_str_mv | AT ferandochristina exhibitingantoniocanovadisplayandthetransformationofsculpturaltheory AT ferandochristina displayandthetransformationofsculpturaltheory |