China pluperfect.: II, Practices of past and outside in Chinese art /
"This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of "ink art," describing how it meant diff...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hong Kong :
The Chinese University of Hong Kong Press,
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of "ink art," describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People's Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently.Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong."--Pulisher. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9789882378988 9882378986 |
Internformat
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| 245 | 1 | 0 | |a China pluperfect. |n II, |p Practices of past and outside in Chinese art / |c Frank Vigneron. |
| 246 | 3 | 0 | |a Practices of past and outside in Chinese art |
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| 264 | 4 | |c ©2022 | |
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| 505 | 0 | |a Introduction -- Chapter 1 Hong Kong Ink: A History of Past and Outside -- Bamboo Curtain and Mass Media -- Ink Society in Hong Kong -- Hong Kong Ink Art Museum -- Marginalization of Hong Kong Art -- Chapter 2 "When Is a Landscape Like a Body?" -- The Mollywood Series -- Mundane Mind and "Paintings of Beauties" -- Gender Positioning in Literati Culture -- Hong Kong Mundanity and Patriarchy in Mainland China -- Chapter 3 From Rural to Urban and Back Again -- Peace Reigns over the Riverin Hong Kong -- River of Wisdom in Shanghaiand Hong Kong -- Anti-urban Bias of the Maoist Period -- Pro-urban Bias of the 1990s and Beyond -- Chapter 4 New Urban Frontier -- "One Country, Two Systems,"and One Border -- The City over the Border: Shenzhen -- Three Plasticians in Shenzhen -- Art Market and Institutional Critique -- Chapter 5 New Rural Frontier -- Peasant Paintings duringthe Maoist Period -- "Beautiful Countryside" -- "Reviving the Countrythrough Culture" -- Socially-Engaged Art Practices in the Hong Kong Countryside -- Chapter 6 Multi-cultural World -- Past and Outside -- Mobility as Privilege -- Mobility as Necessity | |
| 504 | |a Includes bibliographical references. | ||
| 520 | |a "This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of "ink art," describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People's Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently.Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong."--Pulisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on March 01, 2023). | ||
| 650 | 0 | |a Art, Chinese |y Ming-Qing dynasties, 1368-1912. |0 http://id.loc.gov/authorities/subjects/sh85007605 | |
| 650 | 0 | |a History in art. |0 http://id.loc.gov/authorities/subjects/sh85061252 | |
| 650 | 0 | |a Art and history |z China. | |
| 650 | 0 | |a Knowledge, Sociology of. |0 http://id.loc.gov/authorities/subjects/sh85072731 | |
| 650 | 0 | |a Art criticism |z China |x History |y 18th century. | |
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| 650 | 6 | |a Art chinois |y 1368-1912 (Dynasties des Ming et des Qing) | |
| 650 | 6 | |a Histoire dans l'art. | |
| 650 | 6 | |a Art et histoire |z Chine. | |
| 650 | 6 | |a Sociologie de la connaissance. | |
| 650 | 6 | |a Critique d'art |z Chine |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Critique d'art |z Chine |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Critique d'art |z Amérique |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Critique d'art |z Amérique |x Histoire |y 19e siècle. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1355714418 |
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| _version_ | 1816882567581794305 |
| adam_text | |
| any_adam_object | |
| author | Vigneron, Frank |
| author_GND | http://id.loc.gov/authorities/names/n2008022915 |
| author_facet | Vigneron, Frank |
| author_role | aut |
| author_sort | Vigneron, Frank |
| author_variant | f v fv |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7343 |
| callnumber-raw | N7343.5 .V542 2022 |
| callnumber-search | N7343.5 .V542 2022 |
| callnumber-sort | N 47343.5 V542 42022 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Introduction -- Chapter 1 Hong Kong Ink: A History of Past and Outside -- Bamboo Curtain and Mass Media -- Ink Society in Hong Kong -- Hong Kong Ink Art Museum -- Marginalization of Hong Kong Art -- Chapter 2 "When Is a Landscape Like a Body?" -- The Mollywood Series -- Mundane Mind and "Paintings of Beauties" -- Gender Positioning in Literati Culture -- Hong Kong Mundanity and Patriarchy in Mainland China -- Chapter 3 From Rural to Urban and Back Again -- Peace Reigns over the Riverin Hong Kong -- River of Wisdom in Shanghaiand Hong Kong -- Anti-urban Bias of the Maoist Period -- Pro-urban Bias of the 1990s and Beyond -- Chapter 4 New Urban Frontier -- "One Country, Two Systems,"and One Border -- The City over the Border: Shenzhen -- Three Plasticians in Shenzhen -- Art Market and Institutional Critique -- Chapter 5 New Rural Frontier -- Peasant Paintings duringthe Maoist Period -- "Beautiful Countryside" -- "Reviving the Countrythrough Culture" -- Socially-Engaged Art Practices in the Hong Kong Countryside -- Chapter 6 Multi-cultural World -- Past and Outside -- Mobility as Privilege -- Mobility as Necessity |
| ctrlnum | (OCoLC)1355714418 |
| dewey-full | 709.51 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.51 |
| dewey-search | 709.51 |
| dewey-sort | 3709.51 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1368-1912 fast |
| era_facet | 1368-1912 |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:30:40Z |
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| publisher | The Chinese University of Hong Kong Press, |
| record_format | marc |
| spelling | Vigneron, Frank, author. http://id.loc.gov/authorities/names/n2008022915 China pluperfect. II, Practices of past and outside in Chinese art / Frank Vigneron. Practices of past and outside in Chinese art Hong Kong : The Chinese University of Hong Kong Press, [2022] ©2022 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Introduction -- Chapter 1 Hong Kong Ink: A History of Past and Outside -- Bamboo Curtain and Mass Media -- Ink Society in Hong Kong -- Hong Kong Ink Art Museum -- Marginalization of Hong Kong Art -- Chapter 2 "When Is a Landscape Like a Body?" -- The Mollywood Series -- Mundane Mind and "Paintings of Beauties" -- Gender Positioning in Literati Culture -- Hong Kong Mundanity and Patriarchy in Mainland China -- Chapter 3 From Rural to Urban and Back Again -- Peace Reigns over the Riverin Hong Kong -- River of Wisdom in Shanghaiand Hong Kong -- Anti-urban Bias of the Maoist Period -- Pro-urban Bias of the 1990s and Beyond -- Chapter 4 New Urban Frontier -- "One Country, Two Systems,"and One Border -- The City over the Border: Shenzhen -- Three Plasticians in Shenzhen -- Art Market and Institutional Critique -- Chapter 5 New Rural Frontier -- Peasant Paintings duringthe Maoist Period -- "Beautiful Countryside" -- "Reviving the Countrythrough Culture" -- Socially-Engaged Art Practices in the Hong Kong Countryside -- Chapter 6 Multi-cultural World -- Past and Outside -- Mobility as Privilege -- Mobility as Necessity Includes bibliographical references. "This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art.It first looks at the concept of "ink art," describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People's Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently.Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong."--Pulisher. Description based on online resource; title from digital title page (viewed on March 01, 2023). Art, Chinese Ming-Qing dynasties, 1368-1912. http://id.loc.gov/authorities/subjects/sh85007605 History in art. http://id.loc.gov/authorities/subjects/sh85061252 Art and history China. Knowledge, Sociology of. http://id.loc.gov/authorities/subjects/sh85072731 Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) aat sociology of knowledge. aat Art and history fast Art, Chinese Ming-Qing dynasties fast Art criticism fast History in art fast Knowledge, Sociology of fast America fast China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 1368-1912 fast History fast Print version: 9882372473 9789882372474 (OCoLC)1317512676 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3506211 Volltext |
| spellingShingle | Vigneron, Frank China pluperfect. Introduction -- Chapter 1 Hong Kong Ink: A History of Past and Outside -- Bamboo Curtain and Mass Media -- Ink Society in Hong Kong -- Hong Kong Ink Art Museum -- Marginalization of Hong Kong Art -- Chapter 2 "When Is a Landscape Like a Body?" -- The Mollywood Series -- Mundane Mind and "Paintings of Beauties" -- Gender Positioning in Literati Culture -- Hong Kong Mundanity and Patriarchy in Mainland China -- Chapter 3 From Rural to Urban and Back Again -- Peace Reigns over the Riverin Hong Kong -- River of Wisdom in Shanghaiand Hong Kong -- Anti-urban Bias of the Maoist Period -- Pro-urban Bias of the 1990s and Beyond -- Chapter 4 New Urban Frontier -- "One Country, Two Systems,"and One Border -- The City over the Border: Shenzhen -- Three Plasticians in Shenzhen -- Art Market and Institutional Critique -- Chapter 5 New Rural Frontier -- Peasant Paintings duringthe Maoist Period -- "Beautiful Countryside" -- "Reviving the Countrythrough Culture" -- Socially-Engaged Art Practices in the Hong Kong Countryside -- Chapter 6 Multi-cultural World -- Past and Outside -- Mobility as Privilege -- Mobility as Necessity Art, Chinese Ming-Qing dynasties, 1368-1912. http://id.loc.gov/authorities/subjects/sh85007605 History in art. http://id.loc.gov/authorities/subjects/sh85061252 Art and history China. Knowledge, Sociology of. http://id.loc.gov/authorities/subjects/sh85072731 Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) aat sociology of knowledge. aat Art and history fast Art, Chinese Ming-Qing dynasties fast Art criticism fast History in art fast Knowledge, Sociology of fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007605 http://id.loc.gov/authorities/subjects/sh85061252 http://id.loc.gov/authorities/subjects/sh85072731 |
| title | China pluperfect. |
| title_alt | Practices of past and outside in Chinese art |
| title_auth | China pluperfect. |
| title_exact_search | China pluperfect. |
| title_full | China pluperfect. II, Practices of past and outside in Chinese art / Frank Vigneron. |
| title_fullStr | China pluperfect. II, Practices of past and outside in Chinese art / Frank Vigneron. |
| title_full_unstemmed | China pluperfect. II, Practices of past and outside in Chinese art / Frank Vigneron. |
| title_short | China pluperfect. |
| title_sort | china pluperfect practices of past and outside in chinese art |
| topic | Art, Chinese Ming-Qing dynasties, 1368-1912. http://id.loc.gov/authorities/subjects/sh85007605 History in art. http://id.loc.gov/authorities/subjects/sh85061252 Art and history China. Knowledge, Sociology of. http://id.loc.gov/authorities/subjects/sh85072731 Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) aat sociology of knowledge. aat Art and history fast Art, Chinese Ming-Qing dynasties fast Art criticism fast History in art fast Knowledge, Sociology of fast |
| topic_facet | Art, Chinese Ming-Qing dynasties, 1368-1912. History in art. Art and history China. Knowledge, Sociology of. Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) sociology of knowledge. Art and history Art, Chinese Ming-Qing dynasties Art criticism History in art Knowledge, Sociology of America China History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3506211 |
| work_keys_str_mv | AT vigneronfrank chinapluperfectii AT vigneronfrank practicesofpastandoutsideinchineseart |