China pluperfect.: I, Epistemology of past and outside in Chinese art /
"Based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book looks at how both cultures looked at their own past and their outside, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was sti...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Hong Kong :
The Chinese University of Hong Kong Press,
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book looks at how both cultures looked at their own past and their outside, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other's cultural creations, these zones of contact grew wider as the conditions for globalizations became more and more prevalent" -- |
| Beschreibung: | 1 online resource (xvi, 192 pages) : illustrations |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9789882378971 9882378978 |
Internformat
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| 100 | 1 | |a Vigneron, Frank, |e author. | |
| 245 | 1 | 0 | |a China pluperfect. |n I, |p Epistemology of past and outside in Chinese art / |c Frank Vigneron. |
| 264 | 3 | 0 | |a Epistemology of past and outside in Chinese art |
| 264 | 1 | |a Hong Kong : |b The Chinese University of Hong Kong Press, |c [2022] | |
| 300 | |a 1 online resource (xvi, 192 pages) : |b illustrations | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | |a Episteme in the Works of Michel Foucault -- "Passeurs": The Jesuits in China -- "Passeurs": Chinoiseries -- Conditions of Passage -- Change of Episteme in China -- Literati Tradition in Painting -- Dualism in Chinese Portrait Painting -- Misreading by the Jesuit Portrait Painters -- Misreading as Opening -- The Idea of Period Style as Life Cycle -- Art Classifications before the Republic -- Originality and Copying -- A Brief History of Chinese Art History -- Teleological Process -- Modern and Postmodern -- From Antiquarianism to Chaos Script -- Brush -- Opening-Closing -- Performativity -- Conclusion: Multi-epistemic World. | |
| 520 | |a "Based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book looks at how both cultures looked at their own past and their outside, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other's cultural creations, these zones of contact grew wider as the conditions for globalizations became more and more prevalent" -- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on March 01, 2023). | ||
| 650 | 0 | |a Art, Chinese |y Ming-Qing dynasties, 1368-1912. |0 http://id.loc.gov/authorities/subjects/sh85007605 | |
| 650 | 0 | |a History in art. |0 http://id.loc.gov/authorities/subjects/sh85061252 | |
| 650 | 0 | |a Art and history |z China. | |
| 650 | 0 | |a Knowledge, Sociology of. |0 http://id.loc.gov/authorities/subjects/sh85072731 | |
| 650 | 0 | |a Art criticism |z China |x History |y 18th century. | |
| 650 | 0 | |a Art criticism |z China |x History |y 19th century. | |
| 650 | 0 | |a Art criticism |z America |x History |y 18th century. | |
| 650 | 0 | |a Art criticism |z America |x History |y 19th century. | |
| 650 | 6 | |a Art chinois |y 1368-1912 (Dynasties des Ming et des Qing) | |
| 650 | 6 | |a Histoire dans l'art. | |
| 650 | 6 | |a Art et histoire |z Chine. | |
| 650 | 6 | |a Sociologie de la connaissance. | |
| 650 | 6 | |a Critique d'art |z Chine |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Critique d'art |z Chine |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Critique d'art |z Amérique |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Critique d'art |z Amérique |x Histoire |y 19e siècle. | |
| 650 | 7 | |a histories (visual works) |2 aat | |
| 650 | 7 | |a sociology of knowledge. |2 aat | |
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| 650 | 7 | |a Art, Chinese |x Ming-Qing dynasties |2 fast | |
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| callnumber-first | N - Fine Arts |
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| contents | Episteme in the Works of Michel Foucault -- "Passeurs": The Jesuits in China -- "Passeurs": Chinoiseries -- Conditions of Passage -- Change of Episteme in China -- Literati Tradition in Painting -- Dualism in Chinese Portrait Painting -- Misreading by the Jesuit Portrait Painters -- Misreading as Opening -- The Idea of Period Style as Life Cycle -- Art Classifications before the Republic -- Originality and Copying -- A Brief History of Chinese Art History -- Teleological Process -- Modern and Postmodern -- From Antiquarianism to Chaos Script -- Brush -- Opening-Closing -- Performativity -- Conclusion: Multi-epistemic World. |
| ctrlnum | (OCoLC)1355713821 |
| dewey-full | 709.51 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.51 |
| dewey-search | 709.51 |
| dewey-sort | 3709.51 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1368-1912 fast |
| era_facet | 1368-1912 |
| format | Electronic eBook |
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| genre | History fast |
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| id | ZDB-4-EBA-on1355713821 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:40Z |
| institution | BVB |
| isbn | 9789882378971 9882378978 |
| language | English |
| oclc_num | 1355713821 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 192 pages) : illustrations |
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| publisher | The Chinese University of Hong Kong Press, |
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| spelling | Vigneron, Frank, author. China pluperfect. I, Epistemology of past and outside in Chinese art / Frank Vigneron. Epistemology of past and outside in Chinese art Hong Kong : The Chinese University of Hong Kong Press, [2022] 1 online resource (xvi, 192 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references. Episteme in the Works of Michel Foucault -- "Passeurs": The Jesuits in China -- "Passeurs": Chinoiseries -- Conditions of Passage -- Change of Episteme in China -- Literati Tradition in Painting -- Dualism in Chinese Portrait Painting -- Misreading by the Jesuit Portrait Painters -- Misreading as Opening -- The Idea of Period Style as Life Cycle -- Art Classifications before the Republic -- Originality and Copying -- A Brief History of Chinese Art History -- Teleological Process -- Modern and Postmodern -- From Antiquarianism to Chaos Script -- Brush -- Opening-Closing -- Performativity -- Conclusion: Multi-epistemic World. "Based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book looks at how both cultures looked at their own past and their outside, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other's cultural creations, these zones of contact grew wider as the conditions for globalizations became more and more prevalent" -- Provided by publisher. Description based on online resource; title from digital title page (viewed on March 01, 2023). Art, Chinese Ming-Qing dynasties, 1368-1912. http://id.loc.gov/authorities/subjects/sh85007605 History in art. http://id.loc.gov/authorities/subjects/sh85061252 Art and history China. Knowledge, Sociology of. http://id.loc.gov/authorities/subjects/sh85072731 Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) aat sociology of knowledge. aat Art and history fast Art, Chinese Ming-Qing dynasties fast Art criticism fast History in art fast Knowledge, Sociology of fast America fast China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 1368-1912 fast History fast Print version: 9882372465 9789882372467 (OCoLC)1317311491 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3506210 Volltext |
| spellingShingle | Vigneron, Frank China pluperfect. Episteme in the Works of Michel Foucault -- "Passeurs": The Jesuits in China -- "Passeurs": Chinoiseries -- Conditions of Passage -- Change of Episteme in China -- Literati Tradition in Painting -- Dualism in Chinese Portrait Painting -- Misreading by the Jesuit Portrait Painters -- Misreading as Opening -- The Idea of Period Style as Life Cycle -- Art Classifications before the Republic -- Originality and Copying -- A Brief History of Chinese Art History -- Teleological Process -- Modern and Postmodern -- From Antiquarianism to Chaos Script -- Brush -- Opening-Closing -- Performativity -- Conclusion: Multi-epistemic World. Art, Chinese Ming-Qing dynasties, 1368-1912. http://id.loc.gov/authorities/subjects/sh85007605 History in art. http://id.loc.gov/authorities/subjects/sh85061252 Art and history China. Knowledge, Sociology of. http://id.loc.gov/authorities/subjects/sh85072731 Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) aat sociology of knowledge. aat Art and history fast Art, Chinese Ming-Qing dynasties fast Art criticism fast History in art fast Knowledge, Sociology of fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007605 http://id.loc.gov/authorities/subjects/sh85061252 http://id.loc.gov/authorities/subjects/sh85072731 |
| title | China pluperfect. |
| title_auth | China pluperfect. |
| title_exact_search | China pluperfect. |
| title_full | China pluperfect. I, Epistemology of past and outside in Chinese art / Frank Vigneron. |
| title_fullStr | China pluperfect. I, Epistemology of past and outside in Chinese art / Frank Vigneron. |
| title_full_unstemmed | China pluperfect. I, Epistemology of past and outside in Chinese art / Frank Vigneron. |
| title_short | China pluperfect. |
| title_sort | china pluperfect epistemology of past and outside in chinese art |
| topic | Art, Chinese Ming-Qing dynasties, 1368-1912. http://id.loc.gov/authorities/subjects/sh85007605 History in art. http://id.loc.gov/authorities/subjects/sh85061252 Art and history China. Knowledge, Sociology of. http://id.loc.gov/authorities/subjects/sh85072731 Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) aat sociology of knowledge. aat Art and history fast Art, Chinese Ming-Qing dynasties fast Art criticism fast History in art fast Knowledge, Sociology of fast |
| topic_facet | Art, Chinese Ming-Qing dynasties, 1368-1912. History in art. Art and history China. Knowledge, Sociology of. Art criticism China History 18th century. Art criticism China History 19th century. Art criticism America History 18th century. Art criticism America History 19th century. Art chinois 1368-1912 (Dynasties des Ming et des Qing) Histoire dans l'art. Art et histoire Chine. Sociologie de la connaissance. Critique d'art Chine Histoire 18e siècle. Critique d'art Chine Histoire 19e siècle. Critique d'art Amérique Histoire 18e siècle. Critique d'art Amérique Histoire 19e siècle. histories (visual works) sociology of knowledge. Art and history Art, Chinese Ming-Qing dynasties Art criticism History in art Knowledge, Sociology of America China History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3506210 |
| work_keys_str_mv | AT vigneronfrank chinapluperfecti |