The matter of violence in Baroque painting /:
Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
[2023]
|
| Series: | Visual and material culture, 1300-1700.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period. |
| Item Description: | Image 11. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1634, oil on canvas, 104 × 113 cm, The National Gallery of Art, Washington, DC. Image Credit: Courtesy National Gallery of Art, Washington, DC. |
| Physical Description: | 1 online resource (184 pages) : color illustrations |
| Bibliography: | Includes bibliographical references (pages 165-182) and index. |
| ISBN: | 9048543835 9789048543830 |
Staff View
MARC
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| 505 | 0 | |a Cover -- Table of Contents -- Acknowledgments -- An Introduction -- 1. Wound: On Caravaggio's Martyrdom of Saint Ursula -- 2. Touch: On Giovanni Lanfranco's Saint Peter Healing Saint Agatha -- 3. Skin: On Jusepe de Ribera's Martyrdom of Saint Bartholomew -- 4. Flesh: On Georges de La Tour's Penitent Saint Jerome -- 5. Blood: On Artemisia Gentileschi's Judith Slaying Holofernes -- 6. Death: On Francisco de Zurbarán's The Martyrdom of Saint Serapion -- Conclusion -- General Bibliography -- Index -- List of Images | |
| 505 | 8 | |a Image 1. Jusepe de Ribera, Apollo Flaying Marsyas, 1637, oil on canvas, 202 × 255 cm, Musées Royaux des Beaux-Arts de Belgique, Brussels. Image Credit: Open Access. -- Image 2. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. -- Image 3. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. DETAIL. | |
| 505 | 8 | |a Image 4. Michelangelo Merisi da Caravaggio, Judith Beheading Holofernes, 1598, oil on canvas, 145 × 195 cm, Palazzo Barberini, Rome. Image Credit: Gallerie Nazionali di Arte Antica, Roma (MiC) -- Bibliotheca Hertziana, Istituto Max Planck per la storia del -- Image 5. Michelangelo Merisi da Caravaggio, Incredulity of Saint Thomas, 1602, Sanssouci Palace, Potsdam. Image Credit: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. Photographer: Hans Bach. | |
| 505 | 8 | |a Image 6. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. -- Image 7. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. DETAIL. | |
| 505 | 8 | |a Image 8. Jusepe de Ribera, Apollo and Marsyas, 1637, Museo e Real Bosco di Capodimonte, Naples. Image Credit: Direzione Regionale Musei della Campania. -- Image 9. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. -- Image 10. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. DETAIL. | |
| 500 | |a Image 11. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1634, oil on canvas, 104 × 113 cm, The National Gallery of Art, Washington, DC. Image Credit: Courtesy National Gallery of Art, Washington, DC. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on December 29, 2022). | ||
| 520 | 8 | |a Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period. | |
| 504 | |a Includes bibliographical references (pages 165-182) and index. | ||
| 650 | 0 | |a Art, Baroque |x Themes, motives. | |
| 650 | 0 | |a Violence in art. |0 http://id.loc.gov/authorities/subjects/sh85143520 | |
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| 650 | 7 | |a Violence in art |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cornea, Bogdan |t The Matter of Violence in Baroque Painting |d Amsterdam : Amsterdam University Press,c2022 |
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| author | Cornea, Bogdan |
| author_facet | Cornea, Bogdan |
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| contents | Cover -- Table of Contents -- Acknowledgments -- An Introduction -- 1. Wound: On Caravaggio's Martyrdom of Saint Ursula -- 2. Touch: On Giovanni Lanfranco's Saint Peter Healing Saint Agatha -- 3. Skin: On Jusepe de Ribera's Martyrdom of Saint Bartholomew -- 4. Flesh: On Georges de La Tour's Penitent Saint Jerome -- 5. Blood: On Artemisia Gentileschi's Judith Slaying Holofernes -- 6. Death: On Francisco de Zurbarán's The Martyrdom of Saint Serapion -- Conclusion -- General Bibliography -- Index -- List of Images Image 1. Jusepe de Ribera, Apollo Flaying Marsyas, 1637, oil on canvas, 202 × 255 cm, Musées Royaux des Beaux-Arts de Belgique, Brussels. Image Credit: Open Access. -- Image 2. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. -- Image 3. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. DETAIL. Image 4. Michelangelo Merisi da Caravaggio, Judith Beheading Holofernes, 1598, oil on canvas, 145 × 195 cm, Palazzo Barberini, Rome. Image Credit: Gallerie Nazionali di Arte Antica, Roma (MiC) -- Bibliotheca Hertziana, Istituto Max Planck per la storia del -- Image 5. Michelangelo Merisi da Caravaggio, Incredulity of Saint Thomas, 1602, Sanssouci Palace, Potsdam. Image Credit: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. Photographer: Hans Bach. Image 6. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. -- Image 7. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. DETAIL. Image 8. Jusepe de Ribera, Apollo and Marsyas, 1637, Museo e Real Bosco di Capodimonte, Naples. Image Credit: Direzione Regionale Musei della Campania. -- Image 9. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. -- Image 10. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. DETAIL. |
| ctrlnum | (OCoLC)1351752290 |
| dewey-full | 709.03/2 |
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| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1351752290 |
| illustrated | Illustrated |
| indexdate | 2025-04-11T08:48:03Z |
| institution | BVB |
| isbn | 9048543835 9789048543830 |
| language | English |
| oclc_num | 1351752290 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (184 pages) : color illustrations |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Amsterdam University Press, |
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| series | Visual and material culture, 1300-1700. |
| series2 | Visual and Material Culture, 1300-1700 ; |
| spelling | Cornea, Bogdan, author. The matter of violence in Baroque painting / Bogdan Cornea. Amsterdam : Amsterdam University Press, [2023] ©2023 1 online resource (184 pages) : color illustrations text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier Visual and Material Culture, 1300-1700 ; v.43 Cover -- Table of Contents -- Acknowledgments -- An Introduction -- 1. Wound: On Caravaggio's Martyrdom of Saint Ursula -- 2. Touch: On Giovanni Lanfranco's Saint Peter Healing Saint Agatha -- 3. Skin: On Jusepe de Ribera's Martyrdom of Saint Bartholomew -- 4. Flesh: On Georges de La Tour's Penitent Saint Jerome -- 5. Blood: On Artemisia Gentileschi's Judith Slaying Holofernes -- 6. Death: On Francisco de Zurbarán's The Martyrdom of Saint Serapion -- Conclusion -- General Bibliography -- Index -- List of Images Image 1. Jusepe de Ribera, Apollo Flaying Marsyas, 1637, oil on canvas, 202 × 255 cm, Musées Royaux des Beaux-Arts de Belgique, Brussels. Image Credit: Open Access. -- Image 2. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. -- Image 3. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. DETAIL. Image 4. Michelangelo Merisi da Caravaggio, Judith Beheading Holofernes, 1598, oil on canvas, 145 × 195 cm, Palazzo Barberini, Rome. Image Credit: Gallerie Nazionali di Arte Antica, Roma (MiC) -- Bibliotheca Hertziana, Istituto Max Planck per la storia del -- Image 5. Michelangelo Merisi da Caravaggio, Incredulity of Saint Thomas, 1602, Sanssouci Palace, Potsdam. Image Credit: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. Photographer: Hans Bach. Image 6. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. -- Image 7. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. DETAIL. Image 8. Jusepe de Ribera, Apollo and Marsyas, 1637, Museo e Real Bosco di Capodimonte, Naples. Image Credit: Direzione Regionale Musei della Campania. -- Image 9. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. -- Image 10. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. DETAIL. Image 11. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1634, oil on canvas, 104 × 113 cm, The National Gallery of Art, Washington, DC. Image Credit: Courtesy National Gallery of Art, Washington, DC. Description based on online resource; title from digital title page (viewed on December 29, 2022). Baroque depictions of violence are often dismissed as 'over the top' and 'excessive'. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period. Includes bibliographical references (pages 165-182) and index. Art, Baroque Themes, motives. Violence in art. http://id.loc.gov/authorities/subjects/sh85143520 Art baroque Thèmes, motifs. Violence dans l'art. ART / History / Baroque & Rococo bisacsh Art, Baroque Themes, motives fast Violence in art fast Print version: Cornea, Bogdan The Matter of Violence in Baroque Painting Amsterdam : Amsterdam University Press,c2022 Visual and material culture, 1300-1700. http://id.loc.gov/authorities/names/no2017099120 |
| spellingShingle | Cornea, Bogdan The matter of violence in Baroque painting / Visual and material culture, 1300-1700. Cover -- Table of Contents -- Acknowledgments -- An Introduction -- 1. Wound: On Caravaggio's Martyrdom of Saint Ursula -- 2. Touch: On Giovanni Lanfranco's Saint Peter Healing Saint Agatha -- 3. Skin: On Jusepe de Ribera's Martyrdom of Saint Bartholomew -- 4. Flesh: On Georges de La Tour's Penitent Saint Jerome -- 5. Blood: On Artemisia Gentileschi's Judith Slaying Holofernes -- 6. Death: On Francisco de Zurbarán's The Martyrdom of Saint Serapion -- Conclusion -- General Bibliography -- Index -- List of Images Image 1. Jusepe de Ribera, Apollo Flaying Marsyas, 1637, oil on canvas, 202 × 255 cm, Musées Royaux des Beaux-Arts de Belgique, Brussels. Image Credit: Open Access. -- Image 2. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. -- Image 3. Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Ursula, 1610, oil on canvas, 143 × 180 cm, Palazzo Zevallos-Stigliano, Naples. Image Credit: Intesa Sanpaolo Collection. DETAIL. Image 4. Michelangelo Merisi da Caravaggio, Judith Beheading Holofernes, 1598, oil on canvas, 145 × 195 cm, Palazzo Barberini, Rome. Image Credit: Gallerie Nazionali di Arte Antica, Roma (MiC) -- Bibliotheca Hertziana, Istituto Max Planck per la storia del -- Image 5. Michelangelo Merisi da Caravaggio, Incredulity of Saint Thomas, 1602, Sanssouci Palace, Potsdam. Image Credit: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. Photographer: Hans Bach. Image 6. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. -- Image 7. Giovanni Lanfranco, Saint Peter Healing Saint Agatha, 1613-1614, Galleria Nazionale, Parma. Image Credit: Licenced by Ministerio dei Beni e Delle Attivita Culturali -- Complesso Monumentale della Pilotta-Galleria Nationale di Parma. DETAIL. Image 8. Jusepe de Ribera, Apollo and Marsyas, 1637, Museo e Real Bosco di Capodimonte, Naples. Image Credit: Direzione Regionale Musei della Campania. -- Image 9. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. -- Image 10. Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1644, Museu Nacional d'Art de Catalunya, Barcelona. Image Credit: Museu Nacional d'Art de Catalunya, Barcelona. DETAIL. Art, Baroque Themes, motives. Violence in art. http://id.loc.gov/authorities/subjects/sh85143520 Art baroque Thèmes, motifs. Violence dans l'art. ART / History / Baroque & Rococo bisacsh Art, Baroque Themes, motives fast Violence in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85143520 |
| title | The matter of violence in Baroque painting / |
| title_auth | The matter of violence in Baroque painting / |
| title_exact_search | The matter of violence in Baroque painting / |
| title_full | The matter of violence in Baroque painting / Bogdan Cornea. |
| title_fullStr | The matter of violence in Baroque painting / Bogdan Cornea. |
| title_full_unstemmed | The matter of violence in Baroque painting / Bogdan Cornea. |
| title_short | The matter of violence in Baroque painting / |
| title_sort | matter of violence in baroque painting |
| topic | Art, Baroque Themes, motives. Violence in art. http://id.loc.gov/authorities/subjects/sh85143520 Art baroque Thèmes, motifs. Violence dans l'art. ART / History / Baroque & Rococo bisacsh Art, Baroque Themes, motives fast Violence in art fast |
| topic_facet | Art, Baroque Themes, motives. Violence in art. Art baroque Thèmes, motifs. Violence dans l'art. ART / History / Baroque & Rococo Art, Baroque Themes, motives Violence in art |
| work_keys_str_mv | AT corneabogdan thematterofviolenceinbaroquepainting AT corneabogdan matterofviolenceinbaroquepainting |