Indecent bodies in early modern visual culture /:
The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered 'decent' and representable, and which disapproved, censored, or prohibited....
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2023]
|
| Schriftenreihe: | Visual and material culture, 1300-1700 ;
40. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered 'decent' and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. |
| Beschreibung: | Figure 0.7: Albrecht Dürer, Portrait of Willibald Pirckheimer, silverpoint drawing, c. 1503, 21.1 × 15 cm, Berlin, SMB, Kupferstichkabinett, KdZ 24623, © Kupferstichkabinett. Staatliche Museen zu Berlin. |
| Beschreibung: | 1 online resource (292 pages) : illustrations, facsimiles, portraits. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9048551773 9789048551774 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1351751959 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 221126t20232023ne ach ob 001 0 eng d | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d N$T |d OCLCF |d JSTOR |d UKAHL |d P@U |d GZM |d YDXIT |d OCLCQ |d IND |d CAMBR |d K6U |d OCLCO |d IND |d SFB |d OCLCQ |d SXB |d OCLCO |d OCLCQ |d UEJ |d OCLCO |d OCLCQ |d OCLCO | ||
| 020 | |a 9048551773 |q ebook | ||
| 020 | |a 9789048551774 |q ebook | ||
| 020 | |z 9789463725835 |q (hardback) | ||
| 020 | |z 9463725830 |q (hardback) | ||
| 035 | |a (OCoLC)1351751959 | ||
| 037 | |a 22573/ctv32cxrq5 |b JSTOR | ||
| 050 | 4 | |a N7625.5 |b .I54 2023 | |
| 072 | 7 | |a ART |x 015080 |2 bisacsh | |
| 072 | 7 | |a HIS |x 037020 |2 bisacsh | |
| 072 | 7 | |a HIS |x 054000 |2 bisacsh | |
| 082 | 7 | |a 704.9/42 |2 23/eng/20221205 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Indecent bodies in early modern visual culture / |c edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2023] | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 online resource (292 pages) : |b illustrations, facsimiles, portraits. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Visual and material culture, 1300-1700 ; |v 40 | |
| 588 | |a Description based upon print version of record. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover -- Table of Contents -- Indecent Bodies in Early Modern Visual Culture: An Introduction -- Fabian Jonietz, Mandy Richter, Alison G. Stewart -- 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe -- Alison G. Stewart -- 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht -- Miriam Hall Kirch -- 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair -- Mandy Richter -- 4. Treating Bodily Impurities: Skin, Art, and Medicine -- Romana Sammern | |
| 505 | 8 | |a 5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women -- Bette Talvacchia -- 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love -- Ricardo De Mambro Santos -- 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534) -- Pia F. Cuneo -- 8. Indecent Creativity and the Tropes of Human Excreta -- Fabian Jonietz -- 9. 'It All Turns to Shit' -- The Land of Cockaigne in Sixteenth-Century German Woodcuts -- Susanne Meurer | |
| 505 | 8 | |a 10. Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains -- Catherine Emerson -- Index -- List of Illustrations -- Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3 -- 1799 -- Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/. -- Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliothèque nationale de France, Estampes, Rés. Na 255. | |
| 505 | 8 | |a Figure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008. -- Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musée du Louvre, inv. RF 266, RMN-Grand Palais (Musée du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987. | |
| 505 | 8 | |a Figure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthistorisches Museum, inv. Gemäldegalerie, 8299 © KHM-Museumsverband. -- Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgemäldesammlungen Munich, inv. Gm879. | |
| 500 | |a Figure 0.7: Albrecht Dürer, Portrait of Willibald Pirckheimer, silverpoint drawing, c. 1503, 21.1 × 15 cm, Berlin, SMB, Kupferstichkabinett, KdZ 24623, © Kupferstichkabinett. Staatliche Museen zu Berlin. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on December 29, 2022). | ||
| 520 | 8 | |a The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered 'decent' and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. | |
| 650 | 0 | |a Human beings in art. |0 http://id.loc.gov/authorities/subjects/sh85062917 | |
| 650 | 0 | |a Obscenity (Aesthetics) |0 http://id.loc.gov/authorities/subjects/sh2016000893 | |
| 650 | 0 | |a Art, European. |0 http://id.loc.gov/authorities/subjects/sh85007650 | |
| 650 | 6 | |a Obscénité. | |
| 650 | 6 | |a Art européen. | |
| 650 | 7 | |a ART / History / Renaissance |2 bisacsh | |
| 650 | 7 | |a Art, European |2 fast | |
| 650 | 7 | |a Human beings in art |2 fast | |
| 650 | 7 | |a Obscenity (Aesthetics) |2 fast | |
| 700 | 1 | |a Jonietz, Fabian, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjBg6dxttHfdyxFKgdTdV3 | |
| 700 | 1 | |a Richter, Mandy, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjxqgpgW8Tm6WMx7hmkwwd | |
| 700 | 1 | |a Stewart, Alison G., |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjCjxC8XP9fyxvRRGQG6Xd | |
| 776 | 0 | 8 | |i Print version: |t Indecent bodies in early modern visual culture / edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart. |d Amsterdam : Amsterdam University Press, [2023] |z 9463725830 |w (OCoLC)1342489280 |
| 830 | 0 | |a Visual and material culture, 1300-1700 ; |v 40. |0 http://id.loc.gov/authorities/names/no2017099120 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3464494 |3 Volltext |
| 938 | |a Project MUSE |b MUSE |n musev2_109327 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH41011431 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL30256430 | ||
| 938 | |a EBSCOhost |b EBSC |n 3464494 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1351751959 |
|---|---|
| _version_ | 1816882567029194752 |
| adam_text | |
| any_adam_object | |
| author2 | Jonietz, Fabian Richter, Mandy Stewart, Alison G. |
| author2_role | edt edt edt |
| author2_variant | f j fj m r mr a g s ag ags |
| author_facet | Jonietz, Fabian Richter, Mandy Stewart, Alison G. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7625 |
| callnumber-raw | N7625.5 .I54 2023 |
| callnumber-search | N7625.5 .I54 2023 |
| callnumber-sort | N 47625.5 I54 42023 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Cover -- Table of Contents -- Indecent Bodies in Early Modern Visual Culture: An Introduction -- Fabian Jonietz, Mandy Richter, Alison G. Stewart -- 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe -- Alison G. Stewart -- 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht -- Miriam Hall Kirch -- 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair -- Mandy Richter -- 4. Treating Bodily Impurities: Skin, Art, and Medicine -- Romana Sammern 5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women -- Bette Talvacchia -- 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love -- Ricardo De Mambro Santos -- 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534) -- Pia F. Cuneo -- 8. Indecent Creativity and the Tropes of Human Excreta -- Fabian Jonietz -- 9. 'It All Turns to Shit' -- The Land of Cockaigne in Sixteenth-Century German Woodcuts -- Susanne Meurer 10. Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains -- Catherine Emerson -- Index -- List of Illustrations -- Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3 -- 1799 -- Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/. -- Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliothèque nationale de France, Estampes, Rés. Na 255. Figure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008. -- Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musée du Louvre, inv. RF 266, RMN-Grand Palais (Musée du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987. Figure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthistorisches Museum, inv. Gemäldegalerie, 8299 © KHM-Museumsverband. -- Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgemäldesammlungen Munich, inv. Gm879. |
| ctrlnum | (OCoLC)1351751959 |
| dewey-full | 704.9/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/42 |
| dewey-search | 704.9/42 |
| dewey-sort | 3704.9 242 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06658cam a2200709 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1351751959</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">221126t20232023ne ach ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCF</subfield><subfield code="d">JSTOR</subfield><subfield code="d">UKAHL</subfield><subfield code="d">P@U</subfield><subfield code="d">GZM</subfield><subfield code="d">YDXIT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IND</subfield><subfield code="d">CAMBR</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">IND</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SXB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UEJ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048551773</subfield><subfield code="q">ebook</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048551774</subfield><subfield code="q">ebook</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789463725835</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9463725830</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1351751959</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv32cxrq5</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N7625.5</subfield><subfield code="b">.I54 2023</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">015080</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS</subfield><subfield code="x">037020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS</subfield><subfield code="x">054000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">704.9/42</subfield><subfield code="2">23/eng/20221205</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Indecent bodies in early modern visual culture /</subfield><subfield code="c">edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (292 pages) :</subfield><subfield code="b">illustrations, facsimiles, portraits.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Visual and material culture, 1300-1700 ;</subfield><subfield code="v">40</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Table of Contents -- Indecent Bodies in Early Modern Visual Culture: An Introduction -- Fabian Jonietz, Mandy Richter, Alison G. Stewart -- 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe -- Alison G. Stewart -- 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht -- Miriam Hall Kirch -- 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair -- Mandy Richter -- 4. Treating Bodily Impurities: Skin, Art, and Medicine -- Romana Sammern</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women -- Bette Talvacchia -- 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love -- Ricardo De Mambro Santos -- 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534) -- Pia F. Cuneo -- 8. Indecent Creativity and the Tropes of Human Excreta -- Fabian Jonietz -- 9. 'It All Turns to Shit' -- The Land of Cockaigne in Sixteenth-Century German Woodcuts -- Susanne Meurer</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">10. Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains -- Catherine Emerson -- Index -- List of Illustrations -- Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3 -- 1799 -- Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/. -- Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliothèque nationale de France, Estampes, Rés. Na 255.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008. -- Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musée du Louvre, inv. RF 266, RMN-Grand Palais (Musée du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthistorisches Museum, inv. Gemäldegalerie, 8299 © KHM-Museumsverband. -- Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgemäldesammlungen Munich, inv. Gm879.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Figure 0.7: Albrecht Dürer, Portrait of Willibald Pirckheimer, silverpoint drawing, c. 1503, 21.1 × 15 cm, Berlin, SMB, Kupferstichkabinett, KdZ 24623, © Kupferstichkabinett. Staatliche Museen zu Berlin.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on December 29, 2022).</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered 'decent' and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Human beings in art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85062917</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Obscenity (Aesthetics)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2016000893</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, European.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85007650</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Obscénité.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art européen.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Renaissance</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art, European</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Human beings in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Obscenity (Aesthetics)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jonietz, Fabian,</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjBg6dxttHfdyxFKgdTdV3</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Richter, Mandy,</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjxqgpgW8Tm6WMx7hmkwwd</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stewart, Alison G.,</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjCjxC8XP9fyxvRRGQG6Xd</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Indecent bodies in early modern visual culture / edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart.</subfield><subfield code="d">Amsterdam : Amsterdam University Press, [2023]</subfield><subfield code="z">9463725830</subfield><subfield code="w">(OCoLC)1342489280</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Visual and material culture, 1300-1700 ;</subfield><subfield code="v">40.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2017099120</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3464494</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">musev2_109327</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH41011431</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL30256430</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">3464494</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-on1351751959 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:40Z |
| institution | BVB |
| isbn | 9048551773 9789048551774 |
| language | English |
| oclc_num | 1351751959 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (292 pages) : illustrations, facsimiles, portraits. |
| psigel | ZDB-4-EBA |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Visual and material culture, 1300-1700 ; |
| series2 | Visual and material culture, 1300-1700 ; |
| spelling | Indecent bodies in early modern visual culture / edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart. Amsterdam : Amsterdam University Press, [2023] ©2023 1 online resource (292 pages) : illustrations, facsimiles, portraits. text txt rdacontent computer c rdamedia online resource cr rdacarrier Visual and material culture, 1300-1700 ; 40 Description based upon print version of record. Includes bibliographical references and index. Cover -- Table of Contents -- Indecent Bodies in Early Modern Visual Culture: An Introduction -- Fabian Jonietz, Mandy Richter, Alison G. Stewart -- 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe -- Alison G. Stewart -- 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht -- Miriam Hall Kirch -- 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair -- Mandy Richter -- 4. Treating Bodily Impurities: Skin, Art, and Medicine -- Romana Sammern 5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women -- Bette Talvacchia -- 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love -- Ricardo De Mambro Santos -- 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534) -- Pia F. Cuneo -- 8. Indecent Creativity and the Tropes of Human Excreta -- Fabian Jonietz -- 9. 'It All Turns to Shit' -- The Land of Cockaigne in Sixteenth-Century German Woodcuts -- Susanne Meurer 10. Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains -- Catherine Emerson -- Index -- List of Illustrations -- Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3 -- 1799 -- Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/. -- Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliothèque nationale de France, Estampes, Rés. Na 255. Figure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008. -- Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musée du Louvre, inv. RF 266, RMN-Grand Palais (Musée du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987. Figure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthistorisches Museum, inv. Gemäldegalerie, 8299 © KHM-Museumsverband. -- Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgemäldesammlungen Munich, inv. Gm879. Figure 0.7: Albrecht Dürer, Portrait of Willibald Pirckheimer, silverpoint drawing, c. 1503, 21.1 × 15 cm, Berlin, SMB, Kupferstichkabinett, KdZ 24623, © Kupferstichkabinett. Staatliche Museen zu Berlin. Description based on online resource; title from digital title page (viewed on December 29, 2022). The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered 'decent' and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. Human beings in art. http://id.loc.gov/authorities/subjects/sh85062917 Obscenity (Aesthetics) http://id.loc.gov/authorities/subjects/sh2016000893 Art, European. http://id.loc.gov/authorities/subjects/sh85007650 Obscénité. Art européen. ART / History / Renaissance bisacsh Art, European fast Human beings in art fast Obscenity (Aesthetics) fast Jonietz, Fabian, editor. https://id.oclc.org/worldcat/entity/E39PCjBg6dxttHfdyxFKgdTdV3 Richter, Mandy, editor. https://id.oclc.org/worldcat/entity/E39PCjxqgpgW8Tm6WMx7hmkwwd Stewart, Alison G., editor. https://id.oclc.org/worldcat/entity/E39PCjCjxC8XP9fyxvRRGQG6Xd Print version: Indecent bodies in early modern visual culture / edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart. Amsterdam : Amsterdam University Press, [2023] 9463725830 (OCoLC)1342489280 Visual and material culture, 1300-1700 ; 40. http://id.loc.gov/authorities/names/no2017099120 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3464494 Volltext |
| spellingShingle | Indecent bodies in early modern visual culture / Visual and material culture, 1300-1700 ; Cover -- Table of Contents -- Indecent Bodies in Early Modern Visual Culture: An Introduction -- Fabian Jonietz, Mandy Richter, Alison G. Stewart -- 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe -- Alison G. Stewart -- 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht -- Miriam Hall Kirch -- 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair -- Mandy Richter -- 4. Treating Bodily Impurities: Skin, Art, and Medicine -- Romana Sammern 5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women -- Bette Talvacchia -- 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love -- Ricardo De Mambro Santos -- 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534) -- Pia F. Cuneo -- 8. Indecent Creativity and the Tropes of Human Excreta -- Fabian Jonietz -- 9. 'It All Turns to Shit' -- The Land of Cockaigne in Sixteenth-Century German Woodcuts -- Susanne Meurer 10. Noëls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains -- Catherine Emerson -- Index -- List of Illustrations -- Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3 -- 1799 -- Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/. -- Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliothèque nationale de France, Estampes, Rés. Na 255. Figure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008. -- Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musée du Louvre, inv. RF 266, RMN-Grand Palais (Musée du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987. Figure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthistorisches Museum, inv. Gemäldegalerie, 8299 © KHM-Museumsverband. -- Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgemäldesammlungen Munich, inv. Gm879. Human beings in art. http://id.loc.gov/authorities/subjects/sh85062917 Obscenity (Aesthetics) http://id.loc.gov/authorities/subjects/sh2016000893 Art, European. http://id.loc.gov/authorities/subjects/sh85007650 Obscénité. Art européen. ART / History / Renaissance bisacsh Art, European fast Human beings in art fast Obscenity (Aesthetics) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85062917 http://id.loc.gov/authorities/subjects/sh2016000893 http://id.loc.gov/authorities/subjects/sh85007650 |
| title | Indecent bodies in early modern visual culture / |
| title_auth | Indecent bodies in early modern visual culture / |
| title_exact_search | Indecent bodies in early modern visual culture / |
| title_full | Indecent bodies in early modern visual culture / edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart. |
| title_fullStr | Indecent bodies in early modern visual culture / edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart. |
| title_full_unstemmed | Indecent bodies in early modern visual culture / edited by Fabian Jonietz, Mandy Richter, Alison G. Stewart. |
| title_short | Indecent bodies in early modern visual culture / |
| title_sort | indecent bodies in early modern visual culture |
| topic | Human beings in art. http://id.loc.gov/authorities/subjects/sh85062917 Obscenity (Aesthetics) http://id.loc.gov/authorities/subjects/sh2016000893 Art, European. http://id.loc.gov/authorities/subjects/sh85007650 Obscénité. Art européen. ART / History / Renaissance bisacsh Art, European fast Human beings in art fast Obscenity (Aesthetics) fast |
| topic_facet | Human beings in art. Obscenity (Aesthetics) Art, European. Obscénité. Art européen. ART / History / Renaissance Art, European Human beings in art |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3464494 |
| work_keys_str_mv | AT jonietzfabian indecentbodiesinearlymodernvisualculture AT richtermandy indecentbodiesinearlymodernvisualculture AT stewartalisong indecentbodiesinearlymodernvisualculture |