Cinema and colour :: the saturated image /
This is a critical study of the use of colour in cinema. Paul Coates unpacks the use of colour in a diverse range of films that deliberately exploit the different cultural meanings, symbolism and associations of colour, such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Houndmills, Basingstoke, Hampshire ; New York :
British Film Institute,
2011.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This is a critical study of the use of colour in cinema. Paul Coates unpacks the use of colour in a diverse range of films that deliberately exploit the different cultural meanings, symbolism and associations of colour, such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, and many more. |
| Beschreibung: | Includes index. |
| Beschreibung: | 1 online resource (178 pages) : color illustrations. |
| ISBN: | 9781349924479 1349924474 |
Internformat
MARC
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| 008 | 221121s2011 enk o 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d OCLCO |d OCLCL | ||
| 020 | |a 9781349924479 |q (electronic bk.) | ||
| 020 | |a 1349924474 |q (electronic bk.) | ||
| 020 | |z 9781844573141 | ||
| 020 | |z 1844573141 | ||
| 035 | |a (OCoLC)1351443312 | ||
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| 100 | 1 | |a Coates, Paul, |d 1953- |1 https://id.oclc.org/worldcat/entity/E39PCjwRPVDPvhrf3y3TcX8JrC |0 http://id.loc.gov/authorities/names/n83005143 | |
| 245 | 1 | 0 | |a Cinema and colour : |b the saturated image / |c Paul Coates. |
| 264 | 1 | |a Houndmills, Basingstoke, Hampshire ; |a New York : |b British Film Institute, |c 2011. | |
| 300 | |a 1 online resource (178 pages) : |b color illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Includes index. | ||
| 505 | 0 | |a Introduction: theorising colour and ambivalence -- The moment of colour: colour, modernism and abstraction -- Colour and / as monochrome -- On the dialectics of filmic colours (in general) and red (in particular) -- Declensions along one side of the colour circle: from yellow to green to blue -- Melos, drama, melodrama: from Demy to Sirk to Antonioni -- Colour and / as fantasy: the rainbow and the jewel -- Colour and suffering. | |
| 520 | |a This is a critical study of the use of colour in cinema. Paul Coates unpacks the use of colour in a diverse range of films that deliberately exploit the different cultural meanings, symbolism and associations of colour, such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, and many more. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Color. |0 http://id.loc.gov/authorities/subjects/sh85028577 | |
| 650 | 0 | |a Colors in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2005000814 | |
| 650 | 0 | |a Motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85088084 | |
| 650 | 6 | |a Couleur. | |
| 650 | 6 | |a Couleurs au cinéma. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a symbolic color. |2 aat | |
| 650 | 7 | |a colors (hues or tints) |2 aat | |
| 650 | 7 | |a color (perceived attribute) |2 aat | |
| 650 | 7 | |a Color |2 fast | |
| 650 | 7 | |a Colors in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 758 | |i has work: |a Cinema and colour (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFTxF69DpJJk4KW6676cbm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Coates, Paul, 1953- |t Cinema and colour. |d Houndmills, Basingstoke, Hampshire ; New York : British Film Institute, 2011 |z 9781844573141 |w (DLC) 2010053335 |w (OCoLC)1153555250 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1351443312 |
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| _version_ | 1816882566784876544 |
| adam_text | |
| any_adam_object | |
| author | Coates, Paul, 1953- |
| author_GND | http://id.loc.gov/authorities/names/n83005143 |
| author_facet | Coates, Paul, 1953- |
| author_role | |
| author_sort | Coates, Paul, 1953- |
| author_variant | p c pc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.C546 C63 2011eb |
| callnumber-search | PN1995.9.C546 C63 2011eb |
| callnumber-sort | PN 41995.9 C546 C63 42011EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: theorising colour and ambivalence -- The moment of colour: colour, modernism and abstraction -- Colour and / as monochrome -- On the dialectics of filmic colours (in general) and red (in particular) -- Declensions along one side of the colour circle: from yellow to green to blue -- Melos, drama, melodrama: from Demy to Sirk to Antonioni -- Colour and / as fantasy: the rainbow and the jewel -- Colour and suffering. |
| ctrlnum | (OCoLC)1351443312 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1351443312 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:39Z |
| institution | BVB |
| isbn | 9781349924479 1349924474 |
| language | English |
| oclc_num | 1351443312 |
| open_access_boolean | |
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| physical | 1 online resource (178 pages) : color illustrations. |
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| publisher | British Film Institute, |
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| spelling | Coates, Paul, 1953- https://id.oclc.org/worldcat/entity/E39PCjwRPVDPvhrf3y3TcX8JrC http://id.loc.gov/authorities/names/n83005143 Cinema and colour : the saturated image / Paul Coates. Houndmills, Basingstoke, Hampshire ; New York : British Film Institute, 2011. 1 online resource (178 pages) : color illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes index. Introduction: theorising colour and ambivalence -- The moment of colour: colour, modernism and abstraction -- Colour and / as monochrome -- On the dialectics of filmic colours (in general) and red (in particular) -- Declensions along one side of the colour circle: from yellow to green to blue -- Melos, drama, melodrama: from Demy to Sirk to Antonioni -- Colour and / as fantasy: the rainbow and the jewel -- Colour and suffering. This is a critical study of the use of colour in cinema. Paul Coates unpacks the use of colour in a diverse range of films that deliberately exploit the different cultural meanings, symbolism and associations of colour, such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, and many more. Print version record. Color. http://id.loc.gov/authorities/subjects/sh85028577 Colors in motion pictures. http://id.loc.gov/authorities/subjects/sh2005000814 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Couleur. Couleurs au cinéma. Cinéma. symbolic color. aat colors (hues or tints) aat color (perceived attribute) aat Color fast Colors in motion pictures fast Motion pictures fast has work: Cinema and colour (Text) https://id.oclc.org/worldcat/entity/E39PCFTxF69DpJJk4KW6676cbm https://id.oclc.org/worldcat/ontology/hasWork Print version: Coates, Paul, 1953- Cinema and colour. Houndmills, Basingstoke, Hampshire ; New York : British Film Institute, 2011 9781844573141 (DLC) 2010053335 (OCoLC)1153555250 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2612572 Volltext |
| spellingShingle | Coates, Paul, 1953- Cinema and colour : the saturated image / Introduction: theorising colour and ambivalence -- The moment of colour: colour, modernism and abstraction -- Colour and / as monochrome -- On the dialectics of filmic colours (in general) and red (in particular) -- Declensions along one side of the colour circle: from yellow to green to blue -- Melos, drama, melodrama: from Demy to Sirk to Antonioni -- Colour and / as fantasy: the rainbow and the jewel -- Colour and suffering. Color. http://id.loc.gov/authorities/subjects/sh85028577 Colors in motion pictures. http://id.loc.gov/authorities/subjects/sh2005000814 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Couleur. Couleurs au cinéma. Cinéma. symbolic color. aat colors (hues or tints) aat color (perceived attribute) aat Color fast Colors in motion pictures fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85028577 http://id.loc.gov/authorities/subjects/sh2005000814 http://id.loc.gov/authorities/subjects/sh85088084 |
| title | Cinema and colour : the saturated image / |
| title_auth | Cinema and colour : the saturated image / |
| title_exact_search | Cinema and colour : the saturated image / |
| title_full | Cinema and colour : the saturated image / Paul Coates. |
| title_fullStr | Cinema and colour : the saturated image / Paul Coates. |
| title_full_unstemmed | Cinema and colour : the saturated image / Paul Coates. |
| title_short | Cinema and colour : |
| title_sort | cinema and colour the saturated image |
| title_sub | the saturated image / |
| topic | Color. http://id.loc.gov/authorities/subjects/sh85028577 Colors in motion pictures. http://id.loc.gov/authorities/subjects/sh2005000814 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Couleur. Couleurs au cinéma. Cinéma. symbolic color. aat colors (hues or tints) aat color (perceived attribute) aat Color fast Colors in motion pictures fast Motion pictures fast |
| topic_facet | Color. Colors in motion pictures. Motion pictures. Couleur. Couleurs au cinéma. Cinéma. symbolic color. colors (hues or tints) color (perceived attribute) Color Colors in motion pictures Motion pictures |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2612572 |
| work_keys_str_mv | AT coatespaul cinemaandcolourthesaturatedimage |