The inconvenient Lonnie Johnson :: blues, race, identity /
"Lonnie Johnson is a blues legend. His viruosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. A master of multiple instruments, Johnson recorded with jazz icons such as Duke Ellington and Louis Armstro...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
University Park, Pennsylvania :
The Pennsylvania State University Press,
[2022]
|
Schriftenreihe: | American music history.
|
Schlagworte: | |
Online-Zugang: | Volltext Volltext |
Zusammenfassung: | "Lonnie Johnson is a blues legend. His viruosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. A master of multiple instruments, Johnson recorded with jazz icons such as Duke Ellington and Louis Armstrong and played vaudeville music, ballads, and popular songs. The Inconvenient Lonnie Johnson reassesses Johnson's musical legacy, complicating basic assumptions about the blues, its production, and its reception. Julia Simon presents detailed analyses of Johnson's music - his lyrics, technique, and styles - with particular attention to its sociohistorical context. What she reveals is a musician who was able to cross generic, stylistic, and other boundaries almost effortlessly, displaying astonishing adaptability across a corpus of music produced over six decades. Simon introduces us to a musical innovator and a performer keenly aware of his audience and the social categories of race, class, and gender that conditioned the music of his time. Lonnie Johnson's music challenges us to think about not only what we recognize and value in "the blues" but also what we leave unexamined, cannot account for, or choose not to hear." -- |
Beschreibung: | 1 online resource (viii, 227 pages) : illustrations. |
Bibliographie: | Includes bibliographical references (pages [199]-208), discography (pages [180]-198), and index. |
ISBN: | 9780271093734 0271093730 0271093722 9780271093727 |
Internformat
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245 | 1 | 4 | |a The inconvenient Lonnie Johnson : |b blues, race, identity / |c Julia Simon. |
264 | 1 | |a University Park, Pennsylvania : |b The Pennsylvania State University Press, |c [2022] | |
264 | 4 | |c ©2022 | |
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490 | 1 | |a American music history | |
504 | |a Includes bibliographical references (pages [199]-208), discography (pages [180]-198), and index. | ||
505 | 0 | |a Introduction : Lonnie Johnson, professional musician -- Musical practice and place : the cultural history of New Orleans and St. Louis -- Self-construction and self-awareness : Lonnie Johnson's persona -- Social relations : race, gender, and the perception of systemic complexity -- The suffering self : isolation and loneliness -- Conclusion : performance and the socially embedded self. | |
520 | |a "Lonnie Johnson is a blues legend. His viruosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. A master of multiple instruments, Johnson recorded with jazz icons such as Duke Ellington and Louis Armstrong and played vaudeville music, ballads, and popular songs. The Inconvenient Lonnie Johnson reassesses Johnson's musical legacy, complicating basic assumptions about the blues, its production, and its reception. Julia Simon presents detailed analyses of Johnson's music - his lyrics, technique, and styles - with particular attention to its sociohistorical context. What she reveals is a musician who was able to cross generic, stylistic, and other boundaries almost effortlessly, displaying astonishing adaptability across a corpus of music produced over six decades. Simon introduces us to a musical innovator and a performer keenly aware of his audience and the social categories of race, class, and gender that conditioned the music of his time. Lonnie Johnson's music challenges us to think about not only what we recognize and value in "the blues" but also what we leave unexamined, cannot account for, or choose not to hear." -- |c Book cover. | ||
588 | 0 | |a Print version record. | |
600 | 1 | 0 | |a Johnson, Lonnie, |d 1894-1970 |x Criticism and interpretation. |
600 | 1 | 7 | |a Johnson, Lonnie, |d 1894-1970 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJfX7f3pPVpJMYY7cYtdwC |
650 | 0 | |a Blues (Music) |x History and criticism. | |
650 | 0 | |a Music and race |z United States |x History |y 20th century. | |
650 | 6 | |a Musique et race |z États-Unis |x Histoire |y 20e siècle. | |
650 | 7 | |a MUSIC / Genres & Styles / Blues |2 bisacsh | |
650 | 7 | |a Blues (Music) |2 fast | |
650 | 7 | |a Music and race |2 fast | |
651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
648 | 7 | |a 1900-1999 |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
655 | 7 | |a History |2 fast | |
776 | 0 | 8 | |i Print version: |a Simon, Julia, 1961- |t Inconvenient Lonnie Johnson. |d University Park, Pennsylvania : The Pennsylvania State University Press, [2022] |z 9780271092553 |w (DLC) 2021056830 |w (OCoLC)1274199182 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1350921971 |
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adam_text | |
any_adam_object | |
author | Simon, Julia, 1961- |
author_GND | http://id.loc.gov/authorities/names/n94101407 |
author_facet | Simon, Julia, 1961- |
author_role | aut |
author_sort | Simon, Julia, 1961- |
author_variant | j s js |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML419 |
callnumber-raw | ML419.J625 S56 2022eb |
callnumber-search | ML419.J625 S56 2022eb |
callnumber-sort | ML 3419 J625 S56 42022EB |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Introduction : Lonnie Johnson, professional musician -- Musical practice and place : the cultural history of New Orleans and St. Louis -- Self-construction and self-awareness : Lonnie Johnson's persona -- Social relations : race, gender, and the perception of systemic complexity -- The suffering self : isolation and loneliness -- Conclusion : performance and the socially embedded self. |
ctrlnum | (OCoLC)1350921971 |
dewey-full | 782.421643092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.421643092 |
dewey-search | 782.421643092 |
dewey-sort | 3782.421643092 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast History fast |
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geographic_facet | United States |
id | ZDB-4-EBA-on1350921971 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:30:39Z |
institution | BVB |
isbn | 9780271093734 0271093730 0271093722 9780271093727 |
language | English |
oclc_num | 1350921971 |
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physical | 1 online resource (viii, 227 pages) : illustrations. |
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publishDate | 2022 |
publishDateSearch | 2022 |
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publisher | The Pennsylvania State University Press, |
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series | American music history. |
series2 | American music history |
spelling | Simon, Julia, 1961- author. https://id.oclc.org/worldcat/entity/E39PBJgX8qpyg9J37gCW7vQQbd http://id.loc.gov/authorities/names/n94101407 The inconvenient Lonnie Johnson : blues, race, identity / Julia Simon. University Park, Pennsylvania : The Pennsylvania State University Press, [2022] ©2022 1 online resource (viii, 227 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier American music history Includes bibliographical references (pages [199]-208), discography (pages [180]-198), and index. Introduction : Lonnie Johnson, professional musician -- Musical practice and place : the cultural history of New Orleans and St. Louis -- Self-construction and self-awareness : Lonnie Johnson's persona -- Social relations : race, gender, and the perception of systemic complexity -- The suffering self : isolation and loneliness -- Conclusion : performance and the socially embedded self. "Lonnie Johnson is a blues legend. His viruosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. A master of multiple instruments, Johnson recorded with jazz icons such as Duke Ellington and Louis Armstrong and played vaudeville music, ballads, and popular songs. The Inconvenient Lonnie Johnson reassesses Johnson's musical legacy, complicating basic assumptions about the blues, its production, and its reception. Julia Simon presents detailed analyses of Johnson's music - his lyrics, technique, and styles - with particular attention to its sociohistorical context. What she reveals is a musician who was able to cross generic, stylistic, and other boundaries almost effortlessly, displaying astonishing adaptability across a corpus of music produced over six decades. Simon introduces us to a musical innovator and a performer keenly aware of his audience and the social categories of race, class, and gender that conditioned the music of his time. Lonnie Johnson's music challenges us to think about not only what we recognize and value in "the blues" but also what we leave unexamined, cannot account for, or choose not to hear." -- Book cover. Print version record. Johnson, Lonnie, 1894-1970 Criticism and interpretation. Johnson, Lonnie, 1894-1970 fast https://id.oclc.org/worldcat/entity/E39PBJfX7f3pPVpJMYY7cYtdwC Blues (Music) History and criticism. Music and race United States History 20th century. Musique et race États-Unis Histoire 20e siècle. MUSIC / Genres & Styles / Blues bisacsh Blues (Music) fast Music and race fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Criticism, interpretation, etc. fast History fast Print version: Simon, Julia, 1961- Inconvenient Lonnie Johnson. University Park, Pennsylvania : The Pennsylvania State University Press, [2022] 9780271092553 (DLC) 2021056830 (OCoLC)1274199182 American music history. http://id.loc.gov/authorities/names/no2021032408 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642660 Volltext FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642661 Volltext |
spellingShingle | Simon, Julia, 1961- The inconvenient Lonnie Johnson : blues, race, identity / American music history. Introduction : Lonnie Johnson, professional musician -- Musical practice and place : the cultural history of New Orleans and St. Louis -- Self-construction and self-awareness : Lonnie Johnson's persona -- Social relations : race, gender, and the perception of systemic complexity -- The suffering self : isolation and loneliness -- Conclusion : performance and the socially embedded self. Johnson, Lonnie, 1894-1970 Criticism and interpretation. Johnson, Lonnie, 1894-1970 fast https://id.oclc.org/worldcat/entity/E39PBJfX7f3pPVpJMYY7cYtdwC Blues (Music) History and criticism. Music and race United States History 20th century. Musique et race États-Unis Histoire 20e siècle. MUSIC / Genres & Styles / Blues bisacsh Blues (Music) fast Music and race fast |
title | The inconvenient Lonnie Johnson : blues, race, identity / |
title_auth | The inconvenient Lonnie Johnson : blues, race, identity / |
title_exact_search | The inconvenient Lonnie Johnson : blues, race, identity / |
title_full | The inconvenient Lonnie Johnson : blues, race, identity / Julia Simon. |
title_fullStr | The inconvenient Lonnie Johnson : blues, race, identity / Julia Simon. |
title_full_unstemmed | The inconvenient Lonnie Johnson : blues, race, identity / Julia Simon. |
title_short | The inconvenient Lonnie Johnson : |
title_sort | inconvenient lonnie johnson blues race identity |
title_sub | blues, race, identity / |
topic | Johnson, Lonnie, 1894-1970 Criticism and interpretation. Johnson, Lonnie, 1894-1970 fast https://id.oclc.org/worldcat/entity/E39PBJfX7f3pPVpJMYY7cYtdwC Blues (Music) History and criticism. Music and race United States History 20th century. Musique et race États-Unis Histoire 20e siècle. MUSIC / Genres & Styles / Blues bisacsh Blues (Music) fast Music and race fast |
topic_facet | Johnson, Lonnie, 1894-1970 Criticism and interpretation. Johnson, Lonnie, 1894-1970 Blues (Music) History and criticism. Music and race United States History 20th century. Musique et race États-Unis Histoire 20e siècle. MUSIC / Genres & Styles / Blues Blues (Music) Music and race United States Criticism, interpretation, etc. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642660 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3642661 |
work_keys_str_mv | AT simonjulia theinconvenientlonniejohnsonbluesraceidentity AT simonjulia inconvenientlonniejohnsonbluesraceidentity |