Flaco's legacy :: the globalization of conjunto /
"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Ji...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana :
University of Illinois Press,
[2023]
|
| Schriftenreihe: | Music in American life.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"-- |
| Beschreibung: | 1 online resource (viii, 290 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0252054296 9780252054297 |
Internformat
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. The Globalization of Conjunto -- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized. | |
| 520 | |a "A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on May 05, 2023). | ||
| 600 | 1 | 0 | |a Jiménez, Flaco. |0 http://id.loc.gov/authorities/names/n85374317 |
| 600 | 1 | 7 | |a Jiménez, Flaco |2 fast |
| 650 | 0 | |a Conjunto music |x History and criticism. | |
| 650 | 0 | |a Music and globalization. |0 http://id.loc.gov/authorities/subjects/sh2003002120 | |
| 650 | 6 | |a Conjunto (Musique) |x Histoire et critique. | |
| 650 | 6 | |a Musique et mondialisation. | |
| 650 | 7 | |a Conjunto music |2 fast | |
| 650 | 7 | |a Music and globalization |2 fast | |
| 650 | 7 | |a Music. |2 thema | |
| 650 | 7 | |a Music. |2 ukslc | |
| 655 | 4 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Bauer, Erin E., 1983- |t Flaco's legacy |d Urbana : University of Illinois Press, 2023 |z 9780252045028 |w (DLC) 2022048755 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1350420297 |
|---|---|
| _version_ | 1816882566137905152 |
| adam_text | |
| any_adam_object | |
| author | Bauer, Erin E., 1983- |
| author_GND | http://id.loc.gov/authorities/names/n2022054622 |
| author_facet | Bauer, Erin E., 1983- |
| author_role | aut |
| author_sort | Bauer, Erin E., 1983- |
| author_variant | e e b ee eeb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3476 |
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| callnumber-search | ML3476 .B38 2023 |
| callnumber-sort | ML 43476 B38 42023 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction. The Globalization of Conjunto -- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized. |
| ctrlnum | (OCoLC)1350420297 |
| dewey-full | 781.64097 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64097 |
| dewey-search | 781.64097 |
| dewey-sort | 3781.64097 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast |
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| id | ZDB-4-EBA-on1350420297 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:39Z |
| institution | BVB |
| isbn | 0252054296 9780252054297 |
| language | English |
| lccn | 2022048756 |
| oclc_num | 1350420297 |
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| physical | 1 online resource (viii, 290 pages) : illustrations. |
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| publisher | University of Illinois Press, |
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| series | Music in American life. |
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| spelling | Bauer, Erin E., 1983- author. http://id.loc.gov/authorities/names/n2022054622 Flaco's legacy : the globalization of conjunto / Erin E. Bauer. Urbana : University of Illinois Press, [2023] 1 online resource (viii, 290 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Music in American life Includes bibliographical references and index. Introduction. The Globalization of Conjunto -- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized. "A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on May 05, 2023). Jiménez, Flaco. http://id.loc.gov/authorities/names/n85374317 Jiménez, Flaco fast Conjunto music History and criticism. Music and globalization. http://id.loc.gov/authorities/subjects/sh2003002120 Conjunto (Musique) Histoire et critique. Musique et mondialisation. Conjunto music fast Music and globalization fast Music. thema Music. ukslc Electronic books. Criticism, interpretation, etc. fast Print version: Bauer, Erin E., 1983- Flaco's legacy Urbana : University of Illinois Press, 2023 9780252045028 (DLC) 2022048755 Music in American life. http://id.loc.gov/authorities/names/n42017239 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3563537 Volltext |
| spellingShingle | Bauer, Erin E., 1983- Flaco's legacy : the globalization of conjunto / Music in American life. Introduction. The Globalization of Conjunto -- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized. Jiménez, Flaco. http://id.loc.gov/authorities/names/n85374317 Jiménez, Flaco fast Conjunto music History and criticism. Music and globalization. http://id.loc.gov/authorities/subjects/sh2003002120 Conjunto (Musique) Histoire et critique. Musique et mondialisation. Conjunto music fast Music and globalization fast Music. thema Music. ukslc |
| subject_GND | http://id.loc.gov/authorities/names/n85374317 http://id.loc.gov/authorities/subjects/sh2003002120 |
| title | Flaco's legacy : the globalization of conjunto / |
| title_auth | Flaco's legacy : the globalization of conjunto / |
| title_exact_search | Flaco's legacy : the globalization of conjunto / |
| title_full | Flaco's legacy : the globalization of conjunto / Erin E. Bauer. |
| title_fullStr | Flaco's legacy : the globalization of conjunto / Erin E. Bauer. |
| title_full_unstemmed | Flaco's legacy : the globalization of conjunto / Erin E. Bauer. |
| title_short | Flaco's legacy : |
| title_sort | flaco s legacy the globalization of conjunto |
| title_sub | the globalization of conjunto / |
| topic | Jiménez, Flaco. http://id.loc.gov/authorities/names/n85374317 Jiménez, Flaco fast Conjunto music History and criticism. Music and globalization. http://id.loc.gov/authorities/subjects/sh2003002120 Conjunto (Musique) Histoire et critique. Musique et mondialisation. Conjunto music fast Music and globalization fast Music. thema Music. ukslc |
| topic_facet | Jiménez, Flaco. Jiménez, Flaco Conjunto music History and criticism. Music and globalization. Conjunto (Musique) Histoire et critique. Musique et mondialisation. Conjunto music Music and globalization Music. Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3563537 |
| work_keys_str_mv | AT bauererine flacoslegacytheglobalizationofconjunto |