The violence of colonial photography /:
This book offers a new account of the development of conflict photography. It explores how the new technology of the camera was used in the British and French empires as a means of controlling subject populations, and how these populations found ways of turning the technology against their oppressor...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester :
Manchester University Press,
2022.
|
Ausgabe: | First English-language edition. |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This book offers a new account of the development of conflict photography. It explores how the new technology of the camera was used in the British and French empires as a means of controlling subject populations, and how these populations found ways of turning the technology against their oppressors. |
Beschreibung: | "Published by Éditions La Découverte 2020." |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781526163325 1526163322 9781526163301 1526163306 |
Internformat
MARC
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250 | |a First English-language edition. | ||
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505 | 0 | |a Front Matter -- Contents -- List of figures -- Foreword -- Acknowledgements -- Note on translation -- Introduction -- Repulsion, erasure, and loss of contrast -- Photography as power: force and counterforce -- Depths of field: darkrooms and conflicts prior to the 1890s -- Conflicts in the lens: from the 1890s to the First World War -- The public and the private: regimes of visibility -- Subversion, denunciation, and manipulation -- The enemy's body -- Paper cemeteries -- Invisible wars? Reflections of extra-European conflicts in France and Britain | |
505 | 8 | |a Conclusion: ceci n'est pas une illustration -- Notes -- Selected bibliography -- Index | |
520 | |a This book offers a new account of the development of conflict photography. It explores how the new technology of the camera was used in the British and French empires as a means of controlling subject populations, and how these populations found ways of turning the technology against their oppressors. | ||
588 | |a Description based on online resource; title from digital title page (viewed on October 28, 2022). | ||
504 | |a Includes bibliographical references and index. | ||
650 | 0 | |a War photography |z France |x History. | |
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650 | 6 | |a Photographie de guerre |z France |x Histoire. | |
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adam_text | |
any_adam_object | |
author | Foliard, Daniel |
author_GND | http://id.loc.gov/authorities/names/no2016104096 |
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author_role | aut |
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callnumber-sort | TR 3820.6 F65 42022 |
callnumber-subject | TR - Photography |
collection | ZDB-4-EBA |
contents | Front Matter -- Contents -- List of figures -- Foreword -- Acknowledgements -- Note on translation -- Introduction -- Repulsion, erasure, and loss of contrast -- Photography as power: force and counterforce -- Depths of field: darkrooms and conflicts prior to the 1890s -- Conflicts in the lens: from the 1890s to the First World War -- The public and the private: regimes of visibility -- Subversion, denunciation, and manipulation -- The enemy's body -- Paper cemeteries -- Invisible wars? Reflections of extra-European conflicts in France and Britain Conclusion: ceci n'est pas une illustration -- Notes -- Selected bibliography -- Index |
ctrlnum | (OCoLC)1347023057 |
dewey-full | 779/.935502 |
dewey-hundreds | 700 - The arts |
dewey-ones | 779 - Photographic images |
dewey-raw | 779/.935502 |
dewey-search | 779/.935502 |
dewey-sort | 3779 6935502 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
edition | First English-language edition. |
format | Electronic eBook |
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spelling | Foliard, Daniel, author. http://id.loc.gov/authorities/names/no2016104096 The violence of colonial photography / Daniel Foliard. First English-language edition. Manchester : Manchester University Press, 2022. ©2022 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "Published by Éditions La Découverte 2020." Front Matter -- Contents -- List of figures -- Foreword -- Acknowledgements -- Note on translation -- Introduction -- Repulsion, erasure, and loss of contrast -- Photography as power: force and counterforce -- Depths of field: darkrooms and conflicts prior to the 1890s -- Conflicts in the lens: from the 1890s to the First World War -- The public and the private: regimes of visibility -- Subversion, denunciation, and manipulation -- The enemy's body -- Paper cemeteries -- Invisible wars? Reflections of extra-European conflicts in France and Britain Conclusion: ceci n'est pas une illustration -- Notes -- Selected bibliography -- Index This book offers a new account of the development of conflict photography. It explores how the new technology of the camera was used in the British and French empires as a means of controlling subject populations, and how these populations found ways of turning the technology against their oppressors. Description based on online resource; title from digital title page (viewed on October 28, 2022). Includes bibliographical references and index. War photography France History. War photography Great Britain History. Photographie de guerre France Histoire. Photographie de guerre Grande-Bretagne Histoire. HISTORY / Modern / 19th Century bisacsh War photography fast France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Electronic books. History fast Print version: Foliard, Daniel The Violence of Colonial Photography Manchester : Manchester University Press,c2023 9781526163318 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3406832 Volltext |
spellingShingle | Foliard, Daniel The violence of colonial photography / Front Matter -- Contents -- List of figures -- Foreword -- Acknowledgements -- Note on translation -- Introduction -- Repulsion, erasure, and loss of contrast -- Photography as power: force and counterforce -- Depths of field: darkrooms and conflicts prior to the 1890s -- Conflicts in the lens: from the 1890s to the First World War -- The public and the private: regimes of visibility -- Subversion, denunciation, and manipulation -- The enemy's body -- Paper cemeteries -- Invisible wars? Reflections of extra-European conflicts in France and Britain Conclusion: ceci n'est pas une illustration -- Notes -- Selected bibliography -- Index War photography France History. War photography Great Britain History. Photographie de guerre France Histoire. Photographie de guerre Grande-Bretagne Histoire. HISTORY / Modern / 19th Century bisacsh War photography fast |
title | The violence of colonial photography / |
title_auth | The violence of colonial photography / |
title_exact_search | The violence of colonial photography / |
title_full | The violence of colonial photography / Daniel Foliard. |
title_fullStr | The violence of colonial photography / Daniel Foliard. |
title_full_unstemmed | The violence of colonial photography / Daniel Foliard. |
title_short | The violence of colonial photography / |
title_sort | violence of colonial photography |
topic | War photography France History. War photography Great Britain History. Photographie de guerre France Histoire. Photographie de guerre Grande-Bretagne Histoire. HISTORY / Modern / 19th Century bisacsh War photography fast |
topic_facet | War photography France History. War photography Great Britain History. Photographie de guerre France Histoire. Photographie de guerre Grande-Bretagne Histoire. HISTORY / Modern / 19th Century War photography France Great Britain Electronic books. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3406832 |
work_keys_str_mv | AT foliarddaniel theviolenceofcolonialphotography AT foliarddaniel violenceofcolonialphotography |