No One to Meet :: Imitation and Originality in the Songs of Bob Dylan /
"The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa :
The University of Alabama Press,
2022.
|
| Schriftenreihe: | Book collections on Project MUSE.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan's lyrical postures might suggest a post-Romantic, "avant-garde" consciousness, No One to Meet shows that Dylan's creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer. "-- |
| Beschreibung: | 1 online resource (1 volume) : illustrations (black and white) |
| ISBN: | 9780817394233 0817394230 |
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| 520 | |a "The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan's lyrical postures might suggest a post-Romantic, "avant-garde" consciousness, No One to Meet shows that Dylan's creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer. "-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 505 | 0 | |a Past the vernacular : Dylan's technique of originality -- Savage innocence : Dylan's art of appropriation -- Self-portrait in a broken glass : Dylan imitates Dylan -- The wizard's curse : the American singer as Vates -- Afterword : every conceivable point of view. | |
| 600 | 1 | 0 | |a Dylan, Bob, |d 1941- |x Criticism and interpretation. |
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| 650 | 0 | |a Popular music |x History and criticism. | |
| 650 | 6 | |a Originalité dans la littérature. | |
| 650 | 6 | |a Imitation (Littérature) | |
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| 650 | 6 | |a Musique populaire |x Histoire et critique. | |
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| author | Falco, Raphael, 1952- |
| author_GND | http://id.loc.gov/authorities/names/n94030176 |
| author_facet | Falco, Raphael, 1952- |
| author_role | aut |
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| contents | Past the vernacular : Dylan's technique of originality -- Savage innocence : Dylan's art of appropriation -- Self-portrait in a broken glass : Dylan imitates Dylan -- The wizard's curse : the American singer as Vates -- Afterword : every conceivable point of view. |
| ctrlnum | (OCoLC)1346944335 |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:38Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n96089174 |
| isbn | 9780817394233 0817394230 |
| language | English |
| oclc_num | 1346944335 |
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| publisher | The University of Alabama Press, |
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| spelling | Falco, Raphael, 1952- author. https://id.oclc.org/worldcat/entity/E39PBJxxhtRV49pcrmBmJR69Xd http://id.loc.gov/authorities/names/n94030176 No One to Meet : Imitation and Originality in the Songs of Bob Dylan / Raphael Falco. Tuscaloosa : The University of Alabama Press, 2022. Baltimore, Md. : Project MUSE, 0000 2022. 1 online resource (1 volume) : illustrations (black and white) text txt rdacontent computer c rdamedia online resource cr rdacarrier "The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan's lyrical postures might suggest a post-Romantic, "avant-garde" consciousness, No One to Meet shows that Dylan's creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer. "-- Provided by publisher. Description based on print version record. Past the vernacular : Dylan's technique of originality -- Savage innocence : Dylan's art of appropriation -- Self-portrait in a broken glass : Dylan imitates Dylan -- The wizard's curse : the American singer as Vates -- Afterword : every conceivable point of view. Dylan, Bob, 1941- Criticism and interpretation. Dylan, Bob, 1941- fast https://id.oclc.org/worldcat/entity/E39PBJmxTVX3p3g47d7qJypdcP Originality in literature. http://id.loc.gov/authorities/subjects/sh85095648 Imitation in literature. http://id.loc.gov/authorities/subjects/sh85064503 Music and literature. http://id.loc.gov/authorities/subjects/sh85088886 Popular music History and criticism. Originalité dans la littérature. Imitation (Littérature) Musique et littérature. Musique populaire Histoire et critique. MUSIC / History & Criticism. bisacsh LITERARY CRITICISM / Modern / General. bisacsh Popular music fast Originality in literature fast Music and literature fast Imitation in literature fast Electronic books. Criticism, interpretation, etc. fast Project Muse. distributor. http://id.loc.gov/authorities/names/n96089174 Book collections on Project MUSE. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3346849 Volltext |
| spellingShingle | Falco, Raphael, 1952- No One to Meet : Imitation and Originality in the Songs of Bob Dylan / Book collections on Project MUSE. Past the vernacular : Dylan's technique of originality -- Savage innocence : Dylan's art of appropriation -- Self-portrait in a broken glass : Dylan imitates Dylan -- The wizard's curse : the American singer as Vates -- Afterword : every conceivable point of view. Dylan, Bob, 1941- Criticism and interpretation. Dylan, Bob, 1941- fast https://id.oclc.org/worldcat/entity/E39PBJmxTVX3p3g47d7qJypdcP Originality in literature. http://id.loc.gov/authorities/subjects/sh85095648 Imitation in literature. http://id.loc.gov/authorities/subjects/sh85064503 Music and literature. http://id.loc.gov/authorities/subjects/sh85088886 Popular music History and criticism. Originalité dans la littérature. Imitation (Littérature) Musique et littérature. Musique populaire Histoire et critique. MUSIC / History & Criticism. bisacsh LITERARY CRITICISM / Modern / General. bisacsh Popular music fast Originality in literature fast Music and literature fast Imitation in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85095648 http://id.loc.gov/authorities/subjects/sh85064503 http://id.loc.gov/authorities/subjects/sh85088886 |
| title | No One to Meet : Imitation and Originality in the Songs of Bob Dylan / |
| title_auth | No One to Meet : Imitation and Originality in the Songs of Bob Dylan / |
| title_exact_search | No One to Meet : Imitation and Originality in the Songs of Bob Dylan / |
| title_full | No One to Meet : Imitation and Originality in the Songs of Bob Dylan / Raphael Falco. |
| title_fullStr | No One to Meet : Imitation and Originality in the Songs of Bob Dylan / Raphael Falco. |
| title_full_unstemmed | No One to Meet : Imitation and Originality in the Songs of Bob Dylan / Raphael Falco. |
| title_short | No One to Meet : |
| title_sort | no one to meet imitation and originality in the songs of bob dylan |
| title_sub | Imitation and Originality in the Songs of Bob Dylan / |
| topic | Dylan, Bob, 1941- Criticism and interpretation. Dylan, Bob, 1941- fast https://id.oclc.org/worldcat/entity/E39PBJmxTVX3p3g47d7qJypdcP Originality in literature. http://id.loc.gov/authorities/subjects/sh85095648 Imitation in literature. http://id.loc.gov/authorities/subjects/sh85064503 Music and literature. http://id.loc.gov/authorities/subjects/sh85088886 Popular music History and criticism. Originalité dans la littérature. Imitation (Littérature) Musique et littérature. Musique populaire Histoire et critique. MUSIC / History & Criticism. bisacsh LITERARY CRITICISM / Modern / General. bisacsh Popular music fast Originality in literature fast Music and literature fast Imitation in literature fast |
| topic_facet | Dylan, Bob, 1941- Criticism and interpretation. Dylan, Bob, 1941- Originality in literature. Imitation in literature. Music and literature. Popular music History and criticism. Originalité dans la littérature. Imitation (Littérature) Musique et littérature. Musique populaire Histoire et critique. MUSIC / History & Criticism. LITERARY CRITICISM / Modern / General. Popular music Originality in literature Music and literature Imitation in literature Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3346849 |
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