Embodying art :: how we see, think, feel, and create /
"Neuroaesthetics, in its widest sense, designates the study of the neural and evolutionary bases of the cognitive and affective processes engaged when an individual contemplates a work of art (painting, musical composition, film, theatrical performance, literary work, and the like), ordinary ob...
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| Format: | Elektronisch E-Book |
| Sprache: | English Italian |
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New York :
Columbia University Press,
[2022]
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| Online-Zugang: | Volltext |
| Zusammenfassung: | "Neuroaesthetics, in its widest sense, designates the study of the neural and evolutionary bases of the cognitive and affective processes engaged when an individual contemplates a work of art (painting, musical composition, film, theatrical performance, literary work, and the like), ordinary object, or natural phenomenon from an artistic perspective. As this purportedly inderdisciplinary field developed, however, it has been dominated by neuroscientific research. Encountering Art reorients its focus to the individual in the world, a proper object of study of the humanities, in this case art theory and philosophy. Not just a repackaging of old and new ideas about the self in the wrappings of technology, neuroaesthetics is well positioned to address our current understanding of media and matter. Far from originating in in 1999 (or 2002 or 2004 as different scientific origin accounts have it), the book traces the genealogy of philosophical interest in the brain to antiquity--300 BCE, when the earliest known anatomical drawings of the brain inside the skull were produced in Egypt. In 1504-1507 Leonardo da Vinci made a cast of the brain in an attempt to marry science and philosophy. Today, this discourse has the potential to dismantle assumptions about the separateness of nature and culture--and that of scientific and humanistic methodologies, mathematics and narrative--a position advocated by Eric Kandel in Reductionism in Art and Brain Science"-- |
| Beschreibung: | 1 online resource (xiv, 259 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231551526 0231551525 |
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| 520 | |a "Neuroaesthetics, in its widest sense, designates the study of the neural and evolutionary bases of the cognitive and affective processes engaged when an individual contemplates a work of art (painting, musical composition, film, theatrical performance, literary work, and the like), ordinary object, or natural phenomenon from an artistic perspective. As this purportedly inderdisciplinary field developed, however, it has been dominated by neuroscientific research. Encountering Art reorients its focus to the individual in the world, a proper object of study of the humanities, in this case art theory and philosophy. Not just a repackaging of old and new ideas about the self in the wrappings of technology, neuroaesthetics is well positioned to address our current understanding of media and matter. Far from originating in in 1999 (or 2002 or 2004 as different scientific origin accounts have it), the book traces the genealogy of philosophical interest in the brain to antiquity--300 BCE, when the earliest known anatomical drawings of the brain inside the skull were produced in Egypt. In 1504-1507 Leonardo da Vinci made a cast of the brain in an attempt to marry science and philosophy. Today, this discourse has the potential to dismantle assumptions about the separateness of nature and culture--and that of scientific and humanistic methodologies, mathematics and narrative--a position advocated by Eric Kandel in Reductionism in Art and Brain Science"-- |c Provided by publisher. | ||
| 546 | |a Translated from the Italian. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on October 25, 2022). | ||
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| contents | 1994: Putting Neuroaesthetics on the Map -- Neuroaesthetics: Cerebral Attributes and Bodily Ghosts -- Neuroarthistory: On Emotions, Matter, and Time -- Neuroartcriticism: From Lesions to the Work and Vice Versa -- The Brain's Iconoclash -- Brains on Stage. |
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| discipline | Kunstgeschichte |
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| spelling | Cappelletto, Chiara, author. http://id.loc.gov/authorities/names/no2003088725 Neuroestetica. English Embodying art : how we see, think, feel, and create / Chiara Cappelletto ; translated by Samuel Fleck. New York : Columbia University Press, [2022] 1 online resource (xiv, 259 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. 1994: Putting Neuroaesthetics on the Map -- Neuroaesthetics: Cerebral Attributes and Bodily Ghosts -- Neuroarthistory: On Emotions, Matter, and Time -- Neuroartcriticism: From Lesions to the Work and Vice Versa -- The Brain's Iconoclash -- Brains on Stage. "Neuroaesthetics, in its widest sense, designates the study of the neural and evolutionary bases of the cognitive and affective processes engaged when an individual contemplates a work of art (painting, musical composition, film, theatrical performance, literary work, and the like), ordinary object, or natural phenomenon from an artistic perspective. As this purportedly inderdisciplinary field developed, however, it has been dominated by neuroscientific research. Encountering Art reorients its focus to the individual in the world, a proper object of study of the humanities, in this case art theory and philosophy. Not just a repackaging of old and new ideas about the self in the wrappings of technology, neuroaesthetics is well positioned to address our current understanding of media and matter. Far from originating in in 1999 (or 2002 or 2004 as different scientific origin accounts have it), the book traces the genealogy of philosophical interest in the brain to antiquity--300 BCE, when the earliest known anatomical drawings of the brain inside the skull were produced in Egypt. In 1504-1507 Leonardo da Vinci made a cast of the brain in an attempt to marry science and philosophy. Today, this discourse has the potential to dismantle assumptions about the separateness of nature and culture--and that of scientific and humanistic methodologies, mathematics and narrative--a position advocated by Eric Kandel in Reductionism in Art and Brain Science"-- Provided by publisher. Translated from the Italian. Description based on online resource; title from digital title page (viewed on October 25, 2022). Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Aesthetics Physiological aspects. Neurosciences and the arts. http://id.loc.gov/authorities/subjects/sh2007001222 Art Psychologie. Neurosciences et arts. ART / Criticism & Theory bisacsh Aesthetics Physiological aspects fast Art Psychology fast Neurosciences and the arts fast Fleck, Samuel, translator. http://id.loc.gov/authorities/names/n2022006848 Print version: Cappelletto, Chiara. Embodying art New York : Columbia University Press, [2022] 9780231195867 (DLC) 2022005430 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3197893 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3197893 Volltext |
| spellingShingle | Cappelletto, Chiara Embodying art : how we see, think, feel, and create / 1994: Putting Neuroaesthetics on the Map -- Neuroaesthetics: Cerebral Attributes and Bodily Ghosts -- Neuroarthistory: On Emotions, Matter, and Time -- Neuroartcriticism: From Lesions to the Work and Vice Versa -- The Brain's Iconoclash -- Brains on Stage. Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Aesthetics Physiological aspects. Neurosciences and the arts. http://id.loc.gov/authorities/subjects/sh2007001222 Art Psychologie. Neurosciences et arts. ART / Criticism & Theory bisacsh Aesthetics Physiological aspects fast Art Psychology fast Neurosciences and the arts fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007499 http://id.loc.gov/authorities/subjects/sh2007001222 |
| title | Embodying art : how we see, think, feel, and create / |
| title_alt | Neuroestetica. |
| title_auth | Embodying art : how we see, think, feel, and create / |
| title_exact_search | Embodying art : how we see, think, feel, and create / |
| title_full | Embodying art : how we see, think, feel, and create / Chiara Cappelletto ; translated by Samuel Fleck. |
| title_fullStr | Embodying art : how we see, think, feel, and create / Chiara Cappelletto ; translated by Samuel Fleck. |
| title_full_unstemmed | Embodying art : how we see, think, feel, and create / Chiara Cappelletto ; translated by Samuel Fleck. |
| title_short | Embodying art : |
| title_sort | embodying art how we see think feel and create |
| title_sub | how we see, think, feel, and create / |
| topic | Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Aesthetics Physiological aspects. Neurosciences and the arts. http://id.loc.gov/authorities/subjects/sh2007001222 Art Psychologie. Neurosciences et arts. ART / Criticism & Theory bisacsh Aesthetics Physiological aspects fast Art Psychology fast Neurosciences and the arts fast |
| topic_facet | Art Psychology. Aesthetics Physiological aspects. Neurosciences and the arts. Art Psychologie. Neurosciences et arts. ART / Criticism & Theory Aesthetics Physiological aspects Art Psychology Neurosciences and the arts |
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