The Etruscans in the modern imagination /:
"The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the las...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
2022.
|
| Schriftenreihe: | McGill-Queen's studies in the history of ideas ;
85. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases. No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of their vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation. The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations."-- |
| Beschreibung: | 1 online resource (xxv, 315 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780228015772 0228015766 0228015774 9780228015765 |
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| 490 | 1 | |a McGill-Queen's studies in the history of ideas ; |v 85 | |
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| 520 | |a "The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases. No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of their vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation. The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations."-- |c Provided by publisher. | ||
| 505 | 0 | 0 | |t Front Matter -- |t Contents -- |t Illustrations -- |t Preface: The Return of the Repressed -- |t Acknowledgments -- |t Antique Matters -- |t Introduction: The Etruscans from Empire to Defeat ... Assimilation ... Return -- |t Creating a Taste for the Etruscans -- |t Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- |t Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- |t Fashionable, and Popular -- |t William Blake: What Is an "Etruscan" Doing in "An Island in the Moon" (1784-85)? -- |t Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- |t Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- |t Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- |t Mrs Hamilton Gray and George Dennis: English Travellers -- |t Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- |t Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- |t Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- |t Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- |t Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- |t Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- |t Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- |t The Etruscans after Lawrence -- |t Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and "After the Fireworks" (1930), with a Glance at Roger Fry -- |t D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- |t The Dark Flood Rises (2016) -- |t Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- |t Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- |t Peggy Glanville-Hicks's Etruscan Concerto (1954): Etruscan Music Imagined -- |t The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- |t Giorgio Bassani's The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- |t Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- |t Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and "Peoples Unlucky in History" -- |t Rika Lesser's Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- |t Don Siegel's The Killers (1964) and William Gibson's Idoru (1996): When Is an Etruscan Not an Etruscan? -- |t Anne Carson: "Canicula di Anna" (1984) and Norma Jeane Baker in Etruria -- |t Afterword: Nostos -- |t Appendix: Etruscan Sightings -- |t Bibliography -- |t Index |
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| contents | Front Matter -- Contents -- Illustrations -- Preface: The Return of the Repressed -- Acknowledgments -- Antique Matters -- Introduction: The Etruscans from Empire to Defeat ... Assimilation ... Return -- Creating a Taste for the Etruscans -- Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- Fashionable, and Popular -- William Blake: What Is an "Etruscan" Doing in "An Island in the Moon" (1784-85)? -- Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- Mrs Hamilton Gray and George Dennis: English Travellers -- Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- The Etruscans after Lawrence -- Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and "After the Fireworks" (1930), with a Glance at Roger Fry -- D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- The Dark Flood Rises (2016) -- Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- Peggy Glanville-Hicks's Etruscan Concerto (1954): Etruscan Music Imagined -- The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- Giorgio Bassani's The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and "Peoples Unlucky in History" -- Rika Lesser's Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- Don Siegel's The Killers (1964) and William Gibson's Idoru (1996): When Is an Etruscan Not an Etruscan? -- Anne Carson: "Canicula di Anna" (1984) and Norma Jeane Baker in Etruria -- Afterword: Nostos -- Appendix: Etruscan Sightings -- Bibliography -- Index |
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The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations."--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Front Matter --</subfield><subfield code="t">Contents --</subfield><subfield code="t">Illustrations --</subfield><subfield code="t">Preface: The Return of the Repressed --</subfield><subfield code="t">Acknowledgments --</subfield><subfield code="t">Antique Matters --</subfield><subfield code="t">Introduction: The Etruscans from Empire to Defeat ... Assimilation ... Return --</subfield><subfield code="t">Creating a Taste for the Etruscans --</subfield><subfield code="t">Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) --</subfield><subfield code="t">Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, --</subfield><subfield code="t">Fashionable, and Popular --</subfield><subfield code="t">William Blake: What Is an "Etruscan" Doing in "An Island in the Moon" (1784-85)? --</subfield><subfield code="t">Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) --</subfield><subfield code="t">Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans --</subfield><subfield code="t">Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire --</subfield><subfield code="t">Mrs Hamilton Gray and George Dennis: English Travellers --</subfield><subfield code="t">Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna --</subfield><subfield code="t">Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen --</subfield><subfield code="t">Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert --</subfield><subfield code="t">Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych --</subfield><subfield code="t">Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple --</subfield><subfield code="t">Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour --</subfield><subfield code="t">Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams --</subfield><subfield code="t">The Etruscans after Lawrence --</subfield><subfield code="t">Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and "After the Fireworks" (1930), with a Glance at Roger Fry --</subfield><subfield code="t">D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian --</subfield><subfield code="t">The Dark Flood Rises (2016) --</subfield><subfield code="t">Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) --</subfield><subfield code="t">Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit --</subfield><subfield code="t">Peggy Glanville-Hicks's Etruscan Concerto (1954): Etruscan Music Imagined --</subfield><subfield code="t">The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe --</subfield><subfield code="t">Giorgio Bassani's The Garden of the Finzi-Continis (1962): EtruscansJewsItalians --</subfield><subfield code="t">Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli --</subfield><subfield code="t">Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and "Peoples Unlucky in History" --</subfield><subfield code="t">Rika Lesser's Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia --</subfield><subfield code="t">Don Siegel's The Killers (1964) and William Gibson's Idoru (1996): When Is an Etruscan Not an Etruscan? --</subfield><subfield code="t">Anne Carson: "Canicula di Anna" (1984) and Norma Jeane Baker in Etruria --</subfield><subfield code="t">Afterword: Nostos --</subfield><subfield code="t">Appendix: Etruscan Sightings --</subfield><subfield code="t">Bibliography --</subfield><subfield code="t">Index</subfield></datafield><datafield tag="651" ind1=" " ind2="0"><subfield code="a">Europe</subfield><subfield code="x">Civilization</subfield><subfield code="x">Etruscan influences.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh86000219</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Etruscans.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85045470</subfield></datafield><datafield tag="651" ind1=" " ind2="6"><subfield code="a">Europe</subfield><subfield code="x">Civilisation</subfield><subfield code="x">Influence étrusque.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Étrusques.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Ancient / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Civilization</subfield><subfield code="x">Etruscan influences</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Etruscans</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Europe</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic book.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Solecki, Sam.</subfield><subfield code="t">Etruscans in the modern imagination.</subfield><subfield code="d">Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022</subfield><subfield code="z">0228014638</subfield><subfield code="z">9780228014638</subfield><subfield code="w">(OCoLC)1310077125</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">McGill-Queen's studies in the history of ideas ;</subfield><subfield code="v">85.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n83715135</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3561913</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780228015765</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH41241012</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">18110105</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL29920066</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">3561913</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic book. |
| genre_facet | Electronic book. |
| geographic | Europe Civilization Etruscan influences. http://id.loc.gov/authorities/subjects/sh86000219 Europe Civilisation Influence étrusque. Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq |
| geographic_facet | Europe Civilization Etruscan influences. Europe Civilisation Influence étrusque. Europe |
| id | ZDB-4-EBA-on1322021439 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:34Z |
| institution | BVB |
| isbn | 9780228015772 0228015766 0228015774 9780228015765 |
| language | English |
| oclc_num | 1322021439 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxv, 315 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| series | McGill-Queen's studies in the history of ideas ; |
| series2 | McGill-Queen's studies in the history of ideas ; |
| spelling | Solecki, Sam, author. http://id.loc.gov/authorities/names/n85341475 The Etruscans in the modern imagination / Sam Solecki. 202210 Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022. 1 online resource (xxv, 315 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier McGill-Queen's studies in the history of ideas ; 85 Includes bibliographical references and index. "The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases. No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of their vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation. The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations."-- Provided by publisher. Front Matter -- Contents -- Illustrations -- Preface: The Return of the Repressed -- Acknowledgments -- Antique Matters -- Introduction: The Etruscans from Empire to Defeat ... Assimilation ... Return -- Creating a Taste for the Etruscans -- Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- Fashionable, and Popular -- William Blake: What Is an "Etruscan" Doing in "An Island in the Moon" (1784-85)? -- Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- Mrs Hamilton Gray and George Dennis: English Travellers -- Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- The Etruscans after Lawrence -- Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and "After the Fireworks" (1930), with a Glance at Roger Fry -- D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- The Dark Flood Rises (2016) -- Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- Peggy Glanville-Hicks's Etruscan Concerto (1954): Etruscan Music Imagined -- The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- Giorgio Bassani's The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and "Peoples Unlucky in History" -- Rika Lesser's Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- Don Siegel's The Killers (1964) and William Gibson's Idoru (1996): When Is an Etruscan Not an Etruscan? -- Anne Carson: "Canicula di Anna" (1984) and Norma Jeane Baker in Etruria -- Afterword: Nostos -- Appendix: Etruscan Sightings -- Bibliography -- Index Europe Civilization Etruscan influences. http://id.loc.gov/authorities/subjects/sh86000219 Etruscans. http://id.loc.gov/authorities/subjects/sh85045470 Europe Civilisation Influence étrusque. Étrusques. HISTORY / Ancient / General bisacsh Civilization Etruscan influences fast Etruscans fast Europe fast https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq Electronic book. Print version: Solecki, Sam. Etruscans in the modern imagination. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022 0228014638 9780228014638 (OCoLC)1310077125 McGill-Queen's studies in the history of ideas ; 85. http://id.loc.gov/authorities/names/n83715135 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3561913 Volltext |
| spellingShingle | Solecki, Sam The Etruscans in the modern imagination / McGill-Queen's studies in the history of ideas ; Front Matter -- Contents -- Illustrations -- Preface: The Return of the Repressed -- Acknowledgments -- Antique Matters -- Introduction: The Etruscans from Empire to Defeat ... Assimilation ... Return -- Creating a Taste for the Etruscans -- Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- Fashionable, and Popular -- William Blake: What Is an "Etruscan" Doing in "An Island in the Moon" (1784-85)? -- Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- Mrs Hamilton Gray and George Dennis: English Travellers -- Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- The Etruscans after Lawrence -- Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and "After the Fireworks" (1930), with a Glance at Roger Fry -- D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- The Dark Flood Rises (2016) -- Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- Peggy Glanville-Hicks's Etruscan Concerto (1954): Etruscan Music Imagined -- The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- Giorgio Bassani's The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and "Peoples Unlucky in History" -- Rika Lesser's Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- Don Siegel's The Killers (1964) and William Gibson's Idoru (1996): When Is an Etruscan Not an Etruscan? -- Anne Carson: "Canicula di Anna" (1984) and Norma Jeane Baker in Etruria -- Afterword: Nostos -- Appendix: Etruscan Sightings -- Bibliography -- Index Etruscans. http://id.loc.gov/authorities/subjects/sh85045470 Étrusques. HISTORY / Ancient / General bisacsh Civilization Etruscan influences fast Etruscans fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh86000219 http://id.loc.gov/authorities/subjects/sh85045470 |
| title | The Etruscans in the modern imagination / |
| title_alt | Front Matter -- Contents -- Illustrations -- Preface: The Return of the Repressed -- Acknowledgments -- Antique Matters -- Introduction: The Etruscans from Empire to Defeat ... Assimilation ... Return -- Creating a Taste for the Etruscans -- Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- Fashionable, and Popular -- William Blake: What Is an "Etruscan" Doing in "An Island in the Moon" (1784-85)? -- Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- Mrs Hamilton Gray and George Dennis: English Travellers -- Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- The Etruscans after Lawrence -- Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and "After the Fireworks" (1930), with a Glance at Roger Fry -- D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- The Dark Flood Rises (2016) -- Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- Peggy Glanville-Hicks's Etruscan Concerto (1954): Etruscan Music Imagined -- The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- Giorgio Bassani's The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and "Peoples Unlucky in History" -- Rika Lesser's Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- Don Siegel's The Killers (1964) and William Gibson's Idoru (1996): When Is an Etruscan Not an Etruscan? -- Anne Carson: "Canicula di Anna" (1984) and Norma Jeane Baker in Etruria -- Afterword: Nostos -- Appendix: Etruscan Sightings -- Bibliography -- Index |
| title_auth | The Etruscans in the modern imagination / |
| title_exact_search | The Etruscans in the modern imagination / |
| title_full | The Etruscans in the modern imagination / Sam Solecki. |
| title_fullStr | The Etruscans in the modern imagination / Sam Solecki. |
| title_full_unstemmed | The Etruscans in the modern imagination / Sam Solecki. |
| title_short | The Etruscans in the modern imagination / |
| title_sort | etruscans in the modern imagination |
| topic | Etruscans. http://id.loc.gov/authorities/subjects/sh85045470 Étrusques. HISTORY / Ancient / General bisacsh Civilization Etruscan influences fast Etruscans fast |
| topic_facet | Europe Civilization Etruscan influences. Etruscans. Europe Civilisation Influence étrusque. Étrusques. HISTORY / Ancient / General Civilization Etruscan influences Etruscans Europe Electronic book. |
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| work_keys_str_mv | AT soleckisam theetruscansinthemodernimagination AT soleckisam etruscansinthemodernimagination |