Roll over, Tchaikovsky! :: Russian popular music and post-Soviet homosexuality /
Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenologica...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Urbana :
University of Illinois Press,
2014.
|
| Schriftenreihe: | New perspectives on gender in music.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity. |
| Beschreibung: | 1 online resource (xii, 316 pages). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780252096143 0252096142 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1319838140 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 131028s2014 ilug ob 001 0 eng | ||
| 010 | |a 2021701845 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCF |d N$T |d YDXCP |d E7B |d P@U |d JSTOR |d EBLCP |d AGLDB |d YDX |d MERUC |d IOG |d EZ9 |d COCUF |d CUY |d LOA |d K6U |d ICG |d ZCU |d STF |d COO |d VTS |d INT |d VT2 |d REC |d WYU |d LVT |d YOU |d TKN |d DKC |d M8D |d MM9 |d SFB |d OCLCO |d TMA |d OCLCQ | ||
| 019 | |a 880926926 |a 923498554 |a 961817925 |a 1001851187 |a 1055382942 |a 1066425704 |a 1081295680 |a 1228540360 |a 1322058938 | ||
| 020 | |a 9780252096143 |q ebook | ||
| 020 | |a 0252096142 | ||
| 020 | |z 9780252038273 |q cloth : alk. paper | ||
| 020 | |z 9780252096143 |q e-book | ||
| 020 | |z 0252038274 | ||
| 035 | |a (OCoLC)1319838140 |z (OCoLC)880926926 |z (OCoLC)923498554 |z (OCoLC)961817925 |z (OCoLC)1001851187 |z (OCoLC)1055382942 |z (OCoLC)1066425704 |z (OCoLC)1081295680 |z (OCoLC)1228540360 |z (OCoLC)1322058938 | ||
| 037 | |a 22573/ctt6mxms5 |b JSTOR | ||
| 043 | |a e-ur--- | ||
| 050 | 0 | 0 | |a ML3917.R8 |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 072 | 7 | |a SOC012000 |2 bisacsh | |
| 072 | 7 | |a HIS032000 |2 bisacsh | |
| 072 | 7 | |a MUS020000 |2 bisacsh | |
| 082 | 7 | |a 781.64086/60947 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Amico, Stephen. | |
| 245 | 1 | 0 | |a Roll over, Tchaikovsky! : |b Russian popular music and post-Soviet homosexuality / |c Stephen Amico. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c 2014. | |
| 300 | |a 1 online resource (xii, 316 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a New perspectives on gender in music | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 505 | 0 | |a Introduction : homosexual bodies/ embodied homosexuality -- Music, form, penetration -- Phantom faggots -- Corporeal itentions -- Gay-made space -- Conclusion : the eloquence of flesh. | |
| 520 | |a Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity. | ||
| 650 | 0 | |a Homosexuality and popular music |z Russia. | |
| 650 | 0 | |a Gay culture |z Russia. | |
| 650 | 0 | |a Popular music |x Social aspects |z Russia. | |
| 650 | 6 | |a Homosexualité et musique populaire |z Russie. | |
| 650 | 6 | |a Culture homosexuelle |z Russie. | |
| 650 | 6 | |a Musique populaire |x Aspect social |z Russie. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Gay Studies. |2 bisacsh | |
| 650 | 7 | |a Gay culture |2 fast | |
| 650 | 7 | |a Homosexuality and popular music |2 fast | |
| 650 | 7 | |a Popular music |x Social aspects |2 fast | |
| 651 | 7 | |a Russia |2 fast | |
| 776 | 0 | 8 | |i Print version: |t Roll over, Tchaikovsky! |d Urbana : University of Illinois Press, 2014. |z 9780252038273 (cloth : alk. paper) |w (DLC) 2013043167 |
| 830 | 0 | |a New perspectives on gender in music. |0 http://id.loc.gov/authorities/names/no2013094909 | |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=780608 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=780608 |3 Volltext |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL3414346 | ||
| 938 | |a ebrary |b EBRY |n ebr10874625 | ||
| 938 | |a EBSCOhost |b EBSC |n 780608 | ||
| 938 | |a Project MUSE |b MUSE |n muse32435 | ||
| 938 | |a YBP Library Services |b YANK |n 11832535 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1319838140 |
|---|---|
| _version_ | 1826942350956429312 |
| adam_text | |
| any_adam_object | |
| author | Amico, Stephen |
| author_facet | Amico, Stephen |
| author_role | |
| author_sort | Amico, Stephen |
| author_variant | s a sa |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3917 |
| callnumber-raw | ML3917.R8 |
| callnumber-search | ML3917.R8 |
| callnumber-sort | ML 43917 R8 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction : homosexual bodies/ embodied homosexuality -- Music, form, penetration -- Phantom faggots -- Corporeal itentions -- Gay-made space -- Conclusion : the eloquence of flesh. |
| ctrlnum | (OCoLC)1319838140 |
| dewey-full | 781.64086/60947 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64086/60947 |
| dewey-search | 781.64086/60947 |
| dewey-sort | 3781.64086 560947 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03960cam a2200709 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1319838140</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">131028s2014 ilug ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2021701845</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">E7B</subfield><subfield code="d">P@U</subfield><subfield code="d">JSTOR</subfield><subfield code="d">EBLCP</subfield><subfield code="d">AGLDB</subfield><subfield code="d">YDX</subfield><subfield code="d">MERUC</subfield><subfield code="d">IOG</subfield><subfield code="d">EZ9</subfield><subfield code="d">COCUF</subfield><subfield code="d">CUY</subfield><subfield code="d">LOA</subfield><subfield code="d">K6U</subfield><subfield code="d">ICG</subfield><subfield code="d">ZCU</subfield><subfield code="d">STF</subfield><subfield code="d">COO</subfield><subfield code="d">VTS</subfield><subfield code="d">INT</subfield><subfield code="d">VT2</subfield><subfield code="d">REC</subfield><subfield code="d">WYU</subfield><subfield code="d">LVT</subfield><subfield code="d">YOU</subfield><subfield code="d">TKN</subfield><subfield code="d">DKC</subfield><subfield code="d">M8D</subfield><subfield code="d">MM9</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">TMA</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">880926926</subfield><subfield code="a">923498554</subfield><subfield code="a">961817925</subfield><subfield code="a">1001851187</subfield><subfield code="a">1055382942</subfield><subfield code="a">1066425704</subfield><subfield code="a">1081295680</subfield><subfield code="a">1228540360</subfield><subfield code="a">1322058938</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780252096143</subfield><subfield code="q">ebook</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0252096142</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780252038273</subfield><subfield code="q">cloth : alk. paper</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780252096143</subfield><subfield code="q">e-book</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0252038274</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1319838140</subfield><subfield code="z">(OCoLC)880926926</subfield><subfield code="z">(OCoLC)923498554</subfield><subfield code="z">(OCoLC)961817925</subfield><subfield code="z">(OCoLC)1001851187</subfield><subfield code="z">(OCoLC)1055382942</subfield><subfield code="z">(OCoLC)1066425704</subfield><subfield code="z">(OCoLC)1081295680</subfield><subfield code="z">(OCoLC)1228540360</subfield><subfield code="z">(OCoLC)1322058938</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt6mxms5</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-ur---</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">ML3917.R8</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC012000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS032000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS020000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.64086/60947</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Amico, Stephen.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Roll over, Tchaikovsky! :</subfield><subfield code="b">Russian popular music and post-Soviet homosexuality /</subfield><subfield code="c">Stephen Amico.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Urbana :</subfield><subfield code="b">University of Illinois Press,</subfield><subfield code="c">2014.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xii, 316 pages).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">New perspectives on gender in music</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record and CIP data provided by publisher; resource not viewed.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction : homosexual bodies/ embodied homosexuality -- Music, form, penetration -- Phantom faggots -- Corporeal itentions -- Gay-made space -- Conclusion : the eloquence of flesh.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Homosexuality and popular music</subfield><subfield code="z">Russia.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Gay culture</subfield><subfield code="z">Russia.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Russia.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Homosexualité et musique populaire</subfield><subfield code="z">Russie.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Culture homosexuelle</subfield><subfield code="z">Russie.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique populaire</subfield><subfield code="x">Aspect social</subfield><subfield code="z">Russie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE</subfield><subfield code="x">Gay Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Gay culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Homosexuality and popular music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Russia</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Roll over, Tchaikovsky!</subfield><subfield code="d">Urbana : University of Illinois Press, 2014.</subfield><subfield code="z">9780252038273 (cloth : alk. paper)</subfield><subfield code="w">(DLC) 2013043167</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">New perspectives on gender in music.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2013094909</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=780608</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=780608</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL3414346</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ebrary</subfield><subfield code="b">EBRY</subfield><subfield code="n">ebr10874625</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">780608</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse32435</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">11832535</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| geographic | Russia fast |
| geographic_facet | Russia |
| id | ZDB-4-EBA-on1319838140 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:26:37Z |
| institution | BVB |
| isbn | 9780252096143 0252096142 |
| language | English |
| lccn | 2021701845 |
| oclc_num | 1319838140 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 316 pages). |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | University of Illinois Press, |
| record_format | marc |
| series | New perspectives on gender in music. |
| series2 | New perspectives on gender in music |
| spelling | Amico, Stephen. Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / Stephen Amico. Urbana : University of Illinois Press, 2014. 1 online resource (xii, 316 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier New perspectives on gender in music Includes bibliographical references and index. Description based on print version record and CIP data provided by publisher; resource not viewed. Introduction : homosexual bodies/ embodied homosexuality -- Music, form, penetration -- Phantom faggots -- Corporeal itentions -- Gay-made space -- Conclusion : the eloquence of flesh. Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity. Homosexuality and popular music Russia. Gay culture Russia. Popular music Social aspects Russia. Homosexualité et musique populaire Russie. Culture homosexuelle Russie. Musique populaire Aspect social Russie. MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Gay Studies. bisacsh Gay culture fast Homosexuality and popular music fast Popular music Social aspects fast Russia fast Print version: Roll over, Tchaikovsky! Urbana : University of Illinois Press, 2014. 9780252038273 (cloth : alk. paper) (DLC) 2013043167 New perspectives on gender in music. http://id.loc.gov/authorities/names/no2013094909 |
| spellingShingle | Amico, Stephen Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / New perspectives on gender in music. Introduction : homosexual bodies/ embodied homosexuality -- Music, form, penetration -- Phantom faggots -- Corporeal itentions -- Gay-made space -- Conclusion : the eloquence of flesh. Homosexuality and popular music Russia. Gay culture Russia. Popular music Social aspects Russia. Homosexualité et musique populaire Russie. Culture homosexuelle Russie. Musique populaire Aspect social Russie. MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Gay Studies. bisacsh Gay culture fast Homosexuality and popular music fast Popular music Social aspects fast |
| title | Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / |
| title_auth | Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / |
| title_exact_search | Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / |
| title_full | Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / Stephen Amico. |
| title_fullStr | Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / Stephen Amico. |
| title_full_unstemmed | Roll over, Tchaikovsky! : Russian popular music and post-Soviet homosexuality / Stephen Amico. |
| title_short | Roll over, Tchaikovsky! : |
| title_sort | roll over tchaikovsky russian popular music and post soviet homosexuality |
| title_sub | Russian popular music and post-Soviet homosexuality / |
| topic | Homosexuality and popular music Russia. Gay culture Russia. Popular music Social aspects Russia. Homosexualité et musique populaire Russie. Culture homosexuelle Russie. Musique populaire Aspect social Russie. MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Gay Studies. bisacsh Gay culture fast Homosexuality and popular music fast Popular music Social aspects fast |
| topic_facet | Homosexuality and popular music Russia. Gay culture Russia. Popular music Social aspects Russia. Homosexualité et musique populaire Russie. Culture homosexuelle Russie. Musique populaire Aspect social Russie. MUSIC Instruction & Study Theory. SOCIAL SCIENCE Gay Studies. Gay culture Homosexuality and popular music Popular music Social aspects Russia |
| work_keys_str_mv | AT amicostephen rollovertchaikovskyrussianpopularmusicandpostsoviethomosexuality |