Experimental cinemas in state-socialist Eastern Europe /:
Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from differe...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2022.
|
| Schriftenreihe: | Eastern European screen cultures.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions. |
| Beschreibung: | 1 online resource (336 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789048532964 9048532965 |
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| 520 | 8 | |a Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions. | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgments -- |t Introduction -- |t Part I Key Figures -- |t 1. The Experimentalism of Gábor Bódy -- |t 2. Circles, Lines, and Documentary Designs : Tomislav Gotovac's Belgrade Trilogy -- |t 3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek's and Józef Robakowski's Cinematographic Work in the 1970s and the 1980s -- |t Part II Production, Support, and Distribution -- |t 4. Amateur Cinema in Bulgaria -- |t 5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski -- |t 6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić -- |t Part III Viewing Contexts, Theories, and Reception -- |t 7. Alone in the Cinemascope -- |t 8. kinema ikon -- Experiments in Motion (1970-89) -- |t 9. AudioVision : Sound, Music, and Noise in East German Experimental Films -- |t Part IV Intersection of the Arts -- |t 10. Intersections of Art and Film on the Wrocław Art Scene, 1970-80 -- |t 11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio -- |t 12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam -- |t 13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia -- |t Index |
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| contents | Frontmatter -- Table of Contents -- Acknowledgments -- Introduction -- Part I Key Figures -- 1. The Experimentalism of Gábor Bódy -- 2. Circles, Lines, and Documentary Designs : Tomislav Gotovac's Belgrade Trilogy -- 3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek's and Józef Robakowski's Cinematographic Work in the 1970s and the 1980s -- Part II Production, Support, and Distribution -- 4. Amateur Cinema in Bulgaria -- 5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski -- 6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić -- Part III Viewing Contexts, Theories, and Reception -- 7. Alone in the Cinemascope -- 8. kinema ikon -- Experiments in Motion (1970-89) -- 9. AudioVision : Sound, Music, and Noise in East German Experimental Films -- Part IV Intersection of the Arts -- 10. Intersections of Art and Film on the Wrocław Art Scene, 1970-80 -- 11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio -- 12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam -- 13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia -- Index |
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| series2 | Eastern European Screen Cultures ; |
| spelling | Experimental cinemas in state-socialist Eastern Europe / edited by Ksenya Gurshtein and Sonja Simonyi. Amsterdam : Amsterdam University Press, 2022. 1 online resource (336 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Eastern European Screen Cultures ; v. 4 Includes bibliographical references and index. Online resource; title from digital title page (viewed on June 14, 2022). Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions. Frontmatter -- Table of Contents -- Acknowledgments -- Introduction -- Part I Key Figures -- 1. The Experimentalism of Gábor Bódy -- 2. Circles, Lines, and Documentary Designs : Tomislav Gotovac's Belgrade Trilogy -- 3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek's and Józef Robakowski's Cinematographic Work in the 1970s and the 1980s -- Part II Production, Support, and Distribution -- 4. Amateur Cinema in Bulgaria -- 5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski -- 6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić -- Part III Viewing Contexts, Theories, and Reception -- 7. Alone in the Cinemascope -- 8. kinema ikon -- Experiments in Motion (1970-89) -- 9. AudioVision : Sound, Music, and Noise in East German Experimental Films -- Part IV Intersection of the Arts -- 10. Intersections of Art and Film on the Wrocław Art Scene, 1970-80 -- 11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio -- 12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam -- 13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia -- Index Experimental films Europe, Eastern History and criticism. Film theory and criticism. bicssc The Cold War. bicssc ART / History / Modern (late 19th Century to 1945). bisacsh Experimental films fast Eastern Europe fast Film studies, Experimental/avant-garde film, Eastern European cinema, Postwar film history, Cold War. Electronic books. Criticism, interpretation, etc. fast Gurshtein, Ksenya, editor. Simonyi, Sonja, editor. has work: EXPERIMENTAL CINEMAS IN STATE SOCIALIST EASTERN EUROPE (Text) https://id.oclc.org/worldcat/entity/E39PD3WHHjCptgM4fwChWQkfVP https://id.oclc.org/worldcat/ontology/hasWork Print version: Gurshtein, Ksenya. Experimental Cinemas in State-Socialist Eastern Europe. Amsterdam : Amsterdam University Press, ©2022 Eastern European screen cultures. http://id.loc.gov/authorities/names/no2018030941 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3286311 Volltext |
| spellingShingle | Experimental cinemas in state-socialist Eastern Europe / Eastern European screen cultures. Frontmatter -- Table of Contents -- Acknowledgments -- Introduction -- Part I Key Figures -- 1. The Experimentalism of Gábor Bódy -- 2. Circles, Lines, and Documentary Designs : Tomislav Gotovac's Belgrade Trilogy -- 3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek's and Józef Robakowski's Cinematographic Work in the 1970s and the 1980s -- Part II Production, Support, and Distribution -- 4. Amateur Cinema in Bulgaria -- 5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski -- 6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić -- Part III Viewing Contexts, Theories, and Reception -- 7. Alone in the Cinemascope -- 8. kinema ikon -- Experiments in Motion (1970-89) -- 9. AudioVision : Sound, Music, and Noise in East German Experimental Films -- Part IV Intersection of the Arts -- 10. Intersections of Art and Film on the Wrocław Art Scene, 1970-80 -- 11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio -- 12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam -- 13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia -- Index Experimental films Europe, Eastern History and criticism. Film theory and criticism. bicssc The Cold War. bicssc ART / History / Modern (late 19th Century to 1945). bisacsh Experimental films fast |
| title | Experimental cinemas in state-socialist Eastern Europe / |
| title_alt | Frontmatter -- Table of Contents -- Acknowledgments -- Introduction -- Part I Key Figures -- 1. The Experimentalism of Gábor Bódy -- 2. Circles, Lines, and Documentary Designs : Tomislav Gotovac's Belgrade Trilogy -- 3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek's and Józef Robakowski's Cinematographic Work in the 1970s and the 1980s -- Part II Production, Support, and Distribution -- 4. Amateur Cinema in Bulgaria -- 5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski -- 6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić -- Part III Viewing Contexts, Theories, and Reception -- 7. Alone in the Cinemascope -- 8. kinema ikon -- Experiments in Motion (1970-89) -- 9. AudioVision : Sound, Music, and Noise in East German Experimental Films -- Part IV Intersection of the Arts -- 10. Intersections of Art and Film on the Wrocław Art Scene, 1970-80 -- 11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio -- 12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam -- 13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia -- Index |
| title_auth | Experimental cinemas in state-socialist Eastern Europe / |
| title_exact_search | Experimental cinemas in state-socialist Eastern Europe / |
| title_full | Experimental cinemas in state-socialist Eastern Europe / edited by Ksenya Gurshtein and Sonja Simonyi. |
| title_fullStr | Experimental cinemas in state-socialist Eastern Europe / edited by Ksenya Gurshtein and Sonja Simonyi. |
| title_full_unstemmed | Experimental cinemas in state-socialist Eastern Europe / edited by Ksenya Gurshtein and Sonja Simonyi. |
| title_short | Experimental cinemas in state-socialist Eastern Europe / |
| title_sort | experimental cinemas in state socialist eastern europe |
| topic | Experimental films Europe, Eastern History and criticism. Film theory and criticism. bicssc The Cold War. bicssc ART / History / Modern (late 19th Century to 1945). bisacsh Experimental films fast |
| topic_facet | Experimental films Europe, Eastern History and criticism. Film theory and criticism. The Cold War. ART / History / Modern (late 19th Century to 1945). Experimental films Eastern Europe Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3286311 |
| work_keys_str_mv | AT gurshteinksenya experimentalcinemasinstatesocialisteasterneurope AT simonyisonja experimentalcinemasinstatesocialisteasterneurope |