When Michelangelo was modern :: collecting, patronage and the art market in Italy, 1450-1650 /
"Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
[2022]
|
| Schriftenreihe: | Studies in the history of collecting & art markets ;
v. 14. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that resemble those still practiced today. The book presents new research by recognized scholars who examine the motivations of collectors and agents, emphasizing how their collecting, patronage and advocacy could require support of artists whose reputations were not fully established. Together, the essays invite consideration of works that are familiar in art-historical terms but less so as markers of the socio-economic shifts of a particular cultural moment. This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation. The book is published in association with The Frick Collection"-- |
| Beschreibung: | "This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019"--Colophon. |
| Beschreibung: | 1 online resource (xxii, 255 pages) : illustrations (chiefly color). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9004513930 9789004513938 |
Internformat
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| 490 | 1 | |a Studies in the history of collecting & art markets ; |v volume 14 | |
| 500 | |a "This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019"--Colophon. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that resemble those still practiced today. The book presents new research by recognized scholars who examine the motivations of collectors and agents, emphasizing how their collecting, patronage and advocacy could require support of artists whose reputations were not fully established. Together, the essays invite consideration of works that are familiar in art-historical terms but less so as markers of the socio-economic shifts of a particular cultural moment. This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation. The book is published in association with The Frick Collection"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on July 22, 2022). | ||
| 505 | 2 | |a Courtesans as Collectors and Tastemakers in Renaissance Italy / Chriscinda Henry -- Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento / Hannah Joy Friedman -- Artists as Critics, and Critics as Artists: Collaboration and Inclination in Giulio Mancini's Taste Formation / Frances Gage. | |
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| 650 | 6 | |a Mécénat |z Italie. | |
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| contents | Courtesans as Collectors and Tastemakers in Renaissance Italy / Chriscinda Henry -- Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento / Hannah Joy Friedman -- Artists as Critics, and Critics as Artists: Collaboration and Inclination in Giulio Mancini's Taste Formation / Frances Gage. |
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| discipline | Kunstgeschichte |
| format | Electronic Conference Proceeding eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:33Z |
| institution | BVB |
| institution_GND | http://id.loc.gov/authorities/names/n2022019662 |
| isbn | 9004513930 9789004513938 |
| language | English |
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| series | Studies in the history of collecting & art markets ; |
| series2 | Studies in the history of collecting & art markets ; |
| spelling | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / edited by Inge Reist. Leiden ; Boston : Brill, [2022] 1 online resource (xxii, 255 pages) : illustrations (chiefly color). text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in the history of collecting & art markets ; volume 14 "This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019"--Colophon. Includes bibliographical references and index. "Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that resemble those still practiced today. The book presents new research by recognized scholars who examine the motivations of collectors and agents, emphasizing how their collecting, patronage and advocacy could require support of artists whose reputations were not fully established. Together, the essays invite consideration of works that are familiar in art-historical terms but less so as markers of the socio-economic shifts of a particular cultural moment. This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation. The book is published in association with The Frick Collection"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on July 22, 2022). Courtesans as Collectors and Tastemakers in Renaissance Italy / Chriscinda Henry -- Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento / Hannah Joy Friedman -- Artists as Critics, and Critics as Artists: Collaboration and Inclination in Giulio Mancini's Taste Formation / Frances Gage. Art patronage Italy. Art Collectors and collecting Italy. Art Marketing. http://id.loc.gov/authorities/subjects/sh85007490 Art and society Italy. Mécénat Italie. Art Collectionneurs et collections Italie. Art Commercialisation. Art et société Italie. art market. aat Art and society fast Art Collectors and collecting fast Art Marketing fast Art patronage fast Italy fast Electronic book. Reist, Inge Jackson, editor. http://id.loc.gov/authorities/names/n89662538 When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650 (Symposium) (2019 : Frick Collection) http://id.loc.gov/authorities/names/n2022019662 Print version: When Michelangelo was modern Leiden ; Boston : Brill, [2022] 9789004460423 (DLC) 2022018227 Studies in the history of collecting & art markets ; v. 14. http://id.loc.gov/authorities/names/no2017060351 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3281525 Volltext |
| spellingShingle | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / Studies in the history of collecting & art markets ; Courtesans as Collectors and Tastemakers in Renaissance Italy / Chriscinda Henry -- Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento / Hannah Joy Friedman -- Artists as Critics, and Critics as Artists: Collaboration and Inclination in Giulio Mancini's Taste Formation / Frances Gage. Art patronage Italy. Art Collectors and collecting Italy. Art Marketing. http://id.loc.gov/authorities/subjects/sh85007490 Art and society Italy. Mécénat Italie. Art Collectionneurs et collections Italie. Art Commercialisation. Art et société Italie. art market. aat Art and society fast Art Collectors and collecting fast Art Marketing fast Art patronage fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007490 |
| title | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / |
| title_auth | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / |
| title_exact_search | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / |
| title_full | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / edited by Inge Reist. |
| title_fullStr | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / edited by Inge Reist. |
| title_full_unstemmed | When Michelangelo was modern : collecting, patronage and the art market in Italy, 1450-1650 / edited by Inge Reist. |
| title_short | When Michelangelo was modern : |
| title_sort | when michelangelo was modern collecting patronage and the art market in italy 1450 1650 |
| title_sub | collecting, patronage and the art market in Italy, 1450-1650 / |
| topic | Art patronage Italy. Art Collectors and collecting Italy. Art Marketing. http://id.loc.gov/authorities/subjects/sh85007490 Art and society Italy. Mécénat Italie. Art Collectionneurs et collections Italie. Art Commercialisation. Art et société Italie. art market. aat Art and society fast Art Collectors and collecting fast Art Marketing fast Art patronage fast |
| topic_facet | Art patronage Italy. Art Collectors and collecting Italy. Art Marketing. Art and society Italy. Mécénat Italie. Art Collectionneurs et collections Italie. Art Commercialisation. Art et société Italie. art market. Art and society Art Collectors and collecting Art Marketing Art patronage Italy Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3281525 |
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