Ruling the stage :: social and cultural history of opera in Sichuan from the Qing to the People's Republic of China /
"Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
[2022]
|
| Schriftenreihe: | China studies (Leiden, Netherlands) ;
v. 49. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book reads into the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China's popular culture"-- |
| Beschreibung: | 1 online resource (ix, 361 pages) : color illustrations, color map. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789004519398 9004519394 |
Internformat
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| 100 | 1 | |a Chabrowski, Igor Iwo, |e author. |0 http://id.loc.gov/authorities/names/n2015044129 | |
| 245 | 1 | 0 | |a Ruling the stage : |b social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / |c by Igor Iwo Chabrowski. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c [2022] | |
| 300 | |a 1 online resource (ix, 361 pages) : |b color illustrations, color map. | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a China studies ; |v volume 49 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book reads into the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China's popular culture"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on July 15, 2022). | ||
| 505 | 0 | |a Acknowledgments -- List of Plates, Table and Maps -- Introduction -- PART 1: Opera in Qing-Era Sichuan -- 1 Development of Opera in Qing-Era Sichuan -- 1 The Role of Opera in Qing Society -- 2 Opera and Construction of the Community -- 3 The Nineteenth-Century Flourishing: The Role of Opera in Shaping Local Religious Practice -- 4 Opera and Shaping of the Material and Social Landscape -- 5 A Market Town: A Temple-Centered Society, An Opera-Centered Society -- 6 The Big City Perspective -- 7 Opera between the Elites and the Commoners -- 8 Opera, Officials, and the Social (Dis)Order -- 9 Concluding Remarks -- PART 2: The New Institutionalization: Law, Market, Politics, and Culture of Commercialized Art, 1902-1937 -- 2 A Transformed Relationship: Theater and Power after the Qing New Policies -- 1 The Three Forces of Change: Destruction of Temples, Commercialization, and the New Legal Order -- 2 New Policies and a Novel Way of Doing Business in Sichuan -- 3 The Protecting Power of Official Greed: Republican Commercial Theater -- 4 Taxing -- 5 Helping Hand -- 6 Women on the Show -- 7 Rectifying Opera -- 3 Commercial Opera: Shaping the City and Shaping the Actors -- 1 Theaters and Urban Zoning: Researching the Social Background of the Audiences -- 2 Early Transformation in the Social and Spatial Geography of Opera -- 3 Republican Theaters and Urban Zoning: Crystallization of the Opera's Public -- 4 Commercial Theater and Actors' Careers -- 5 Concluding Remarks -- 4 The Culture of the Commercial Opera -- 1 The Methods of Studying Opera: Troupes, Talent, and Repertoires -- 2 Watching the Commercial Show: How Was It Served? -- 3 Favorite Plays and the Cultural Universe of Sichuan Audiences -- 4 Gods, Emperors, Heroes... -- 5 Time and Place -- 6 Concluding Remarks -- Illustration Quire -- PART 3: Creating the New World -- 5 The Divide: Local Intellectuals and the Cultural Conflict -- 1 Commercial Daily 's Explorations and Experimentations with New Drama -- 2 Dissatisfaction, Estrangement, Elitism, and a Turn to the Left -- 3 Radicalization and Rejection -- 4 Concluding Remarks -- 6 The Times of the Nationalists (1937-1949) and the War -- 1 Performing Arts Culture -- 2 Military Emergency and China's Migration to the Southwest -- 3 Inventing the Wartime Theater -- 4 Putting Words into Action -- 5 Living through Frustration: Playwrights and the War -- 6 An All Too Visible Context: Sichuan Opera and the War -- 7 Concluding Remarks -- 7 Revolution: Communist "People's Art" -- 1 Communist Conquest of Sichuan: A New Political Context -- 2 Political and Ideological Basis of the Opera Reform -- 3 Breaking the "Superstitious" Opera -- 4 Adjusting to the New Party-State Policies -- 5 Seizing Control over the Opera Companies -- 6 Opera Becomes Useful to the Communist State -- 7 Policy in Action: Chongqing, 1951-1952 -- 8 Concluding Remarks -- 8 Conclusion -- Bibliography -- Index. | |
| 650 | 0 | |a Operas, Chinese |z China |z Sichuan Sheng |x History and criticism. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1311408750 |
|---|---|
| _version_ | 1816882559547604992 |
| adam_text | |
| any_adam_object | |
| author | Chabrowski, Igor Iwo |
| author_GND | http://id.loc.gov/authorities/names/n2015044129 |
| author_facet | Chabrowski, Igor Iwo |
| author_role | aut |
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| contents | Acknowledgments -- List of Plates, Table and Maps -- Introduction -- PART 1: Opera in Qing-Era Sichuan -- 1 Development of Opera in Qing-Era Sichuan -- 1 The Role of Opera in Qing Society -- 2 Opera and Construction of the Community -- 3 The Nineteenth-Century Flourishing: The Role of Opera in Shaping Local Religious Practice -- 4 Opera and Shaping of the Material and Social Landscape -- 5 A Market Town: A Temple-Centered Society, An Opera-Centered Society -- 6 The Big City Perspective -- 7 Opera between the Elites and the Commoners -- 8 Opera, Officials, and the Social (Dis)Order -- 9 Concluding Remarks -- PART 2: The New Institutionalization: Law, Market, Politics, and Culture of Commercialized Art, 1902-1937 -- 2 A Transformed Relationship: Theater and Power after the Qing New Policies -- 1 The Three Forces of Change: Destruction of Temples, Commercialization, and the New Legal Order -- 2 New Policies and a Novel Way of Doing Business in Sichuan -- 3 The Protecting Power of Official Greed: Republican Commercial Theater -- 4 Taxing -- 5 Helping Hand -- 6 Women on the Show -- 7 Rectifying Opera -- 3 Commercial Opera: Shaping the City and Shaping the Actors -- 1 Theaters and Urban Zoning: Researching the Social Background of the Audiences -- 2 Early Transformation in the Social and Spatial Geography of Opera -- 3 Republican Theaters and Urban Zoning: Crystallization of the Opera's Public -- 4 Commercial Theater and Actors' Careers -- 5 Concluding Remarks -- 4 The Culture of the Commercial Opera -- 1 The Methods of Studying Opera: Troupes, Talent, and Repertoires -- 2 Watching the Commercial Show: How Was It Served? -- 3 Favorite Plays and the Cultural Universe of Sichuan Audiences -- 4 Gods, Emperors, Heroes... -- 5 Time and Place -- 6 Concluding Remarks -- Illustration Quire -- PART 3: Creating the New World -- 5 The Divide: Local Intellectuals and the Cultural Conflict -- 1 Commercial Daily 's Explorations and Experimentations with New Drama -- 2 Dissatisfaction, Estrangement, Elitism, and a Turn to the Left -- 3 Radicalization and Rejection -- 4 Concluding Remarks -- 6 The Times of the Nationalists (1937-1949) and the War -- 1 Performing Arts Culture -- 2 Military Emergency and China's Migration to the Southwest -- 3 Inventing the Wartime Theater -- 4 Putting Words into Action -- 5 Living through Frustration: Playwrights and the War -- 6 An All Too Visible Context: Sichuan Opera and the War -- 7 Concluding Remarks -- 7 Revolution: Communist "People's Art" -- 1 Communist Conquest of Sichuan: A New Political Context -- 2 Political and Ideological Basis of the Opera Reform -- 3 Breaking the "Superstitious" Opera -- 4 Adjusting to the New Party-State Policies -- 5 Seizing Control over the Opera Companies -- 6 Opera Becomes Useful to the Communist State -- 7 Policy in Action: Chongqing, 1951-1952 -- 8 Concluding Remarks -- 8 Conclusion -- Bibliography -- Index. |
| ctrlnum | (OCoLC)1311408750 |
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| discipline | Musikwissenschaft |
| era | 1644-1949 fast |
| era_facet | 1644-1949 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1311408750 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:32Z |
| institution | BVB |
| isbn | 9789004519398 9004519394 |
| language | English |
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| physical | 1 online resource (ix, 361 pages) : color illustrations, color map. |
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| series2 | China studies ; |
| spelling | Chabrowski, Igor Iwo, author. http://id.loc.gov/authorities/names/n2015044129 Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / by Igor Iwo Chabrowski. Leiden ; Boston : Brill, [2022] 1 online resource (ix, 361 pages) : color illustrations, color map. text txt rdacontent computer c rdamedia online resource cr rdacarrier China studies ; volume 49 Includes bibliographical references and index. "Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book reads into the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China's popular culture"-- Provided by publisher. Description based on online resource; title from digital title page (viewed on July 15, 2022). Acknowledgments -- List of Plates, Table and Maps -- Introduction -- PART 1: Opera in Qing-Era Sichuan -- 1 Development of Opera in Qing-Era Sichuan -- 1 The Role of Opera in Qing Society -- 2 Opera and Construction of the Community -- 3 The Nineteenth-Century Flourishing: The Role of Opera in Shaping Local Religious Practice -- 4 Opera and Shaping of the Material and Social Landscape -- 5 A Market Town: A Temple-Centered Society, An Opera-Centered Society -- 6 The Big City Perspective -- 7 Opera between the Elites and the Commoners -- 8 Opera, Officials, and the Social (Dis)Order -- 9 Concluding Remarks -- PART 2: The New Institutionalization: Law, Market, Politics, and Culture of Commercialized Art, 1902-1937 -- 2 A Transformed Relationship: Theater and Power after the Qing New Policies -- 1 The Three Forces of Change: Destruction of Temples, Commercialization, and the New Legal Order -- 2 New Policies and a Novel Way of Doing Business in Sichuan -- 3 The Protecting Power of Official Greed: Republican Commercial Theater -- 4 Taxing -- 5 Helping Hand -- 6 Women on the Show -- 7 Rectifying Opera -- 3 Commercial Opera: Shaping the City and Shaping the Actors -- 1 Theaters and Urban Zoning: Researching the Social Background of the Audiences -- 2 Early Transformation in the Social and Spatial Geography of Opera -- 3 Republican Theaters and Urban Zoning: Crystallization of the Opera's Public -- 4 Commercial Theater and Actors' Careers -- 5 Concluding Remarks -- 4 The Culture of the Commercial Opera -- 1 The Methods of Studying Opera: Troupes, Talent, and Repertoires -- 2 Watching the Commercial Show: How Was It Served? -- 3 Favorite Plays and the Cultural Universe of Sichuan Audiences -- 4 Gods, Emperors, Heroes... -- 5 Time and Place -- 6 Concluding Remarks -- Illustration Quire -- PART 3: Creating the New World -- 5 The Divide: Local Intellectuals and the Cultural Conflict -- 1 Commercial Daily 's Explorations and Experimentations with New Drama -- 2 Dissatisfaction, Estrangement, Elitism, and a Turn to the Left -- 3 Radicalization and Rejection -- 4 Concluding Remarks -- 6 The Times of the Nationalists (1937-1949) and the War -- 1 Performing Arts Culture -- 2 Military Emergency and China's Migration to the Southwest -- 3 Inventing the Wartime Theater -- 4 Putting Words into Action -- 5 Living through Frustration: Playwrights and the War -- 6 An All Too Visible Context: Sichuan Opera and the War -- 7 Concluding Remarks -- 7 Revolution: Communist "People's Art" -- 1 Communist Conquest of Sichuan: A New Political Context -- 2 Political and Ideological Basis of the Opera Reform -- 3 Breaking the "Superstitious" Opera -- 4 Adjusting to the New Party-State Policies -- 5 Seizing Control over the Opera Companies -- 6 Opera Becomes Useful to the Communist State -- 7 Policy in Action: Chongqing, 1951-1952 -- 8 Concluding Remarks -- 8 Conclusion -- Bibliography -- Index. Operas, Chinese China Sichuan Sheng History and criticism. Operas, Chinese Social aspects China Sichuan Sheng History. China Civilization 1644-1912. http://id.loc.gov/authorities/subjects/sh85023996 China Civilization 1912-1949. http://id.loc.gov/authorities/subjects/sh85023998 Opéras chinois Aspect social Chine Sichuan Histoire. Chine Civilisation 1644-1912. Chine Civilisation 1912-1949. Civilization fast Operas, Chinese fast Operas, Chinese Social aspects fast China fast China Sichuan Sheng fast 1644-1949 fast Criticism, interpretation, etc. fast History fast Print version: Chabrowski, Igor Iwo. Ruling the stage Leiden ; Boston : Brill, 2022 9789004519381 (DLC) 2022018195 China studies (Leiden, Netherlands) ; v. 49. http://id.loc.gov/authorities/names/n2002055052 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3305386 Volltext |
| spellingShingle | Chabrowski, Igor Iwo Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / China studies (Leiden, Netherlands) ; Acknowledgments -- List of Plates, Table and Maps -- Introduction -- PART 1: Opera in Qing-Era Sichuan -- 1 Development of Opera in Qing-Era Sichuan -- 1 The Role of Opera in Qing Society -- 2 Opera and Construction of the Community -- 3 The Nineteenth-Century Flourishing: The Role of Opera in Shaping Local Religious Practice -- 4 Opera and Shaping of the Material and Social Landscape -- 5 A Market Town: A Temple-Centered Society, An Opera-Centered Society -- 6 The Big City Perspective -- 7 Opera between the Elites and the Commoners -- 8 Opera, Officials, and the Social (Dis)Order -- 9 Concluding Remarks -- PART 2: The New Institutionalization: Law, Market, Politics, and Culture of Commercialized Art, 1902-1937 -- 2 A Transformed Relationship: Theater and Power after the Qing New Policies -- 1 The Three Forces of Change: Destruction of Temples, Commercialization, and the New Legal Order -- 2 New Policies and a Novel Way of Doing Business in Sichuan -- 3 The Protecting Power of Official Greed: Republican Commercial Theater -- 4 Taxing -- 5 Helping Hand -- 6 Women on the Show -- 7 Rectifying Opera -- 3 Commercial Opera: Shaping the City and Shaping the Actors -- 1 Theaters and Urban Zoning: Researching the Social Background of the Audiences -- 2 Early Transformation in the Social and Spatial Geography of Opera -- 3 Republican Theaters and Urban Zoning: Crystallization of the Opera's Public -- 4 Commercial Theater and Actors' Careers -- 5 Concluding Remarks -- 4 The Culture of the Commercial Opera -- 1 The Methods of Studying Opera: Troupes, Talent, and Repertoires -- 2 Watching the Commercial Show: How Was It Served? -- 3 Favorite Plays and the Cultural Universe of Sichuan Audiences -- 4 Gods, Emperors, Heroes... -- 5 Time and Place -- 6 Concluding Remarks -- Illustration Quire -- PART 3: Creating the New World -- 5 The Divide: Local Intellectuals and the Cultural Conflict -- 1 Commercial Daily 's Explorations and Experimentations with New Drama -- 2 Dissatisfaction, Estrangement, Elitism, and a Turn to the Left -- 3 Radicalization and Rejection -- 4 Concluding Remarks -- 6 The Times of the Nationalists (1937-1949) and the War -- 1 Performing Arts Culture -- 2 Military Emergency and China's Migration to the Southwest -- 3 Inventing the Wartime Theater -- 4 Putting Words into Action -- 5 Living through Frustration: Playwrights and the War -- 6 An All Too Visible Context: Sichuan Opera and the War -- 7 Concluding Remarks -- 7 Revolution: Communist "People's Art" -- 1 Communist Conquest of Sichuan: A New Political Context -- 2 Political and Ideological Basis of the Opera Reform -- 3 Breaking the "Superstitious" Opera -- 4 Adjusting to the New Party-State Policies -- 5 Seizing Control over the Opera Companies -- 6 Opera Becomes Useful to the Communist State -- 7 Policy in Action: Chongqing, 1951-1952 -- 8 Concluding Remarks -- 8 Conclusion -- Bibliography -- Index. Operas, Chinese China Sichuan Sheng History and criticism. Operas, Chinese Social aspects China Sichuan Sheng History. Opéras chinois Aspect social Chine Sichuan Histoire. Civilization fast Operas, Chinese fast Operas, Chinese Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85023996 http://id.loc.gov/authorities/subjects/sh85023998 |
| title | Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / |
| title_auth | Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / |
| title_exact_search | Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / |
| title_full | Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / by Igor Iwo Chabrowski. |
| title_fullStr | Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / by Igor Iwo Chabrowski. |
| title_full_unstemmed | Ruling the stage : social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / by Igor Iwo Chabrowski. |
| title_short | Ruling the stage : |
| title_sort | ruling the stage social and cultural history of opera in sichuan from the qing to the people s republic of china |
| title_sub | social and cultural history of opera in Sichuan from the Qing to the People's Republic of China / |
| topic | Operas, Chinese China Sichuan Sheng History and criticism. Operas, Chinese Social aspects China Sichuan Sheng History. Opéras chinois Aspect social Chine Sichuan Histoire. Civilization fast Operas, Chinese fast Operas, Chinese Social aspects fast |
| topic_facet | Operas, Chinese China Sichuan Sheng History and criticism. Operas, Chinese Social aspects China Sichuan Sheng History. China Civilization 1644-1912. China Civilization 1912-1949. Opéras chinois Aspect social Chine Sichuan Histoire. Chine Civilisation 1644-1912. Chine Civilisation 1912-1949. Civilization Operas, Chinese Operas, Chinese Social aspects China China Sichuan Sheng Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3305386 |
| work_keys_str_mv | AT chabrowskiigoriwo rulingthestagesocialandculturalhistoryofoperainsichuanfromtheqingtothepeoplesrepublicofchina |