Singular pasts: the "I" in historiography
"The recent trend of autobiographies written by historians has resulted in a further shift to a new hybrid form of subjective history writing, which includes a significant autobiographical dimension, as if history could not be written without exhibiting the inner life of the author. Neither tra...
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| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
New York
Columbia University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The recent trend of autobiographies written by historians has resulted in a further shift to a new hybrid form of subjective history writing, which includes a significant autobiographical dimension, as if history could not be written without exhibiting the inner life of the author. Neither traditional history nor autobiography, this genre transgresses inherited traditions and puts into question a fundamental and generally accepted assumption of history writing: third-person narration, i.e., a nonsubjective reconstitution and interpretation of the past. The most visible dimension of this "subjectivist" turn, as seen particularly in works by Ivan Jablana and Philippe Artieres but also in Dominique Kalifa, described as a "passeur" for his ability to interject himself into the underworld in such books as Vice, Crime, and Poverty (Columbia, 2019), and Mark Mazower, especially in What You Did Not Tell: A Russian Past and the Journey Home (Other Press, 2017), which combines European history with the history of his own family, is a literary inflection that, without blurring the conventional distinction between history and fiction, globally reconfigures their relationship by injecting into the former many stylistic codes-first of all, first-person narrative-that traditionally belong to the latter. Therefore, a symbiotic in relationship emerges: whereas novels are increasingly obsessed with their historical verisimilitude-W.G. Sebald, JonathLittell, Javier Cercas-historical inquiries are built and told as stories, with individual heroes and thrilling plots. This expansion of the "self" posits some fundamental questions related not only to the epistemological status of writing history in the first person but also to the meaning of truth for both history and literature. Ultimately, it raises equally relevant questions about the world we live in, since this "subjectivist" turn is connected to a cultural transformation of our time that greatly transcends the boundaries of a single discipline. It results from "presentism"-a perception and a representation of time closed into the present--the past static, melancholic, the future devoid of an emancipatory vision-which is the neoliberal regime of historicity. Neoliberal reason is much more than a governing principle of global capitalism: it is an anthropological habitus, an ethos, and a form of life--private, apolitical, individualist. While subjectivism has given us rich horizons of multiple I's and different scalar views of microhistory, Traverso argues that we cannot lose sight of the collective story that is made of and by us and is the arena of political and social transformation"-- |
| Beschreibung: | 1 online resource (206 pages) |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 9780231555319 0231555318 |
Internformat
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| 100 | 1 | |a Traverso, Enzo, |e author. |0 http://id.loc.gov/authorities/names/n92092348 | |
| 240 | 1 | 0 | |a Passés singuliers. |l English |
| 245 | 1 | 0 | |a Singular pasts |b the "I" in historiography |c Enzo Traverso ; translated by Adam Schoene. |
| 264 | 1 | |a New York |b Columbia University Press |c [2023] | |
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| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction -- Chapter 1: Writing in third person -- Chapter 2: The pitfalls of objectivity -- Chapter 3: Ego-history -- Chapter 4: Short inventory of "I" narratives -- Narrativizing the investigation -- Sociological intermezzo -- Chapter 5: Discourse on method -- Chapter 6: Models: history between film and literature -- Chapter 7: History and fiction -- Chapter 8: Presentism -- African American epilogue -- Acknowledgements | |
| 520 | |a "The recent trend of autobiographies written by historians has resulted in a further shift to a new hybrid form of subjective history writing, which includes a significant autobiographical dimension, as if history could not be written without exhibiting the inner life of the author. Neither traditional history nor autobiography, this genre transgresses inherited traditions and puts into question a fundamental and generally accepted assumption of history writing: third-person narration, i.e., a nonsubjective reconstitution and interpretation of the past. The most visible dimension of this "subjectivist" turn, as seen particularly in works by Ivan Jablana and Philippe Artieres but also in Dominique Kalifa, described as a "passeur" for his ability to interject himself into the underworld in such books as Vice, Crime, and Poverty (Columbia, 2019), and Mark Mazower, especially in What You Did Not Tell: A Russian Past and the Journey Home (Other Press, 2017), which combines European history with the history of his own family, is a literary inflection that, without blurring the conventional distinction between history and fiction, globally reconfigures their relationship by injecting into the former many stylistic codes-first of all, first-person narrative-that traditionally belong to the latter. Therefore, a symbiotic in relationship emerges: whereas novels are increasingly obsessed with their historical verisimilitude-W.G. Sebald, JonathLittell, Javier Cercas-historical inquiries are built and told as stories, with individual heroes and thrilling plots. This expansion of the "self" posits some fundamental questions related not only to the epistemological status of writing history in the first person but also to the meaning of truth for both history and literature. Ultimately, it raises equally relevant questions about the world we live in, since this "subjectivist" turn is connected to a cultural transformation of our time that greatly transcends the boundaries of a single discipline. It results from "presentism"-a perception and a representation of time closed into the present--the past static, melancholic, the future devoid of an emancipatory vision-which is the neoliberal regime of historicity. Neoliberal reason is much more than a governing principle of global capitalism: it is an anthropological habitus, an ethos, and a form of life--private, apolitical, individualist. While subjectivism has given us rich horizons of multiple I's and different scalar views of microhistory, Traverso argues that we cannot lose sight of the collective story that is made of and by us and is the arena of political and social transformation"-- |c Provided by publisher | ||
| 546 | |a Translated from the French. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on December 16, 2022). | ||
| 650 | 0 | |a Historiography. |0 http://id.loc.gov/authorities/subjects/sh85061211 | |
| 650 | 0 | |a Autobiography. |0 http://id.loc.gov/authorities/subjects/sh85010050 | |
| 650 | 0 | |a First person narrative. |0 http://id.loc.gov/authorities/subjects/sh85048596 | |
| 650 | 0 | |a Self in literature. |0 http://id.loc.gov/authorities/subjects/sh94009300 | |
| 650 | 0 | |a History in literature. |0 http://id.loc.gov/authorities/subjects/sh85061253 | |
| 650 | 0 | |a Subjectivity. |0 http://id.loc.gov/authorities/subjects/sh85129469 | |
| 650 | 0 | |a Subjectivity in literature. |0 http://id.loc.gov/authorities/subjects/sh94009095 | |
| 650 | 0 | |a Objectivity. |0 http://id.loc.gov/authorities/subjects/sh85093660 | |
| 650 | 0 | |a Objectivity in literature. |0 http://id.loc.gov/authorities/subjects/sh94007476 | |
| 650 | 2 | |a Autobiographies as Topic. | |
| 650 | 2 | |a Historiography |0 https://id.nlm.nih.gov/mesh/D006663 | |
| 650 | 6 | |a Autobiographie. | |
| 650 | 6 | |a Récits à la première personne. | |
| 650 | 6 | |a Moi (Psychologie) dans la littérature. | |
| 650 | 6 | |a Histoire dans la littérature. | |
| 650 | 6 | |a Subjectivité dans la littérature. | |
| 650 | 6 | |a Objectivité. | |
| 650 | 6 | |a Objectivité dans la littérature. | |
| 650 | 6 | |a Historiographie. | |
| 650 | 7 | |a autobiography (genre) |2 aat | |
| 650 | 7 | |a historiography. |2 aat | |
| 650 | 7 | |a HISTORY / Historiography |2 bisacsh | |
| 650 | 7 | |a Autobiography |2 fast | |
| 650 | 7 | |a First person narrative |2 fast | |
| 650 | 7 | |a Historiography |2 fast | |
| 650 | 7 | |a History in literature |2 fast | |
| 650 | 7 | |a Objectivity |2 fast | |
| 650 | 7 | |a Objectivity in literature |2 fast | |
| 650 | 7 | |a Self in literature |2 fast | |
| 650 | 7 | |a Subjectivity |2 fast | |
| 650 | 7 | |a Subjectivity in literature |2 fast | |
| 700 | 1 | |a Schoene, Adam, |e translator. |0 http://id.loc.gov/authorities/names/n2022016150 | |
| 765 | 0 | |a Traverso, Enzo |t Passés singuliers : le "je" dans l'écriture de l'histoire |d Montréal, Qc : Lux Éditeur, [2020] | |
| 776 | 0 | 8 | |i Print version |a Traverso, Enzo |s Passés singuliers. English |t Singular pasts |d New York : Columbia University Press, 2023 |z 9780231203982 |w (DLC) 2022014173 |w (OCoLC)1306215179 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1306331024 |
|---|---|
| _version_ | 1816882558839816192 |
| adam_text | |
| any_adam_object | |
| author | Traverso, Enzo |
| author2 | Schoene, Adam |
| author2_role | trl |
| author2_variant | a s as |
| author_GND | http://id.loc.gov/authorities/names/n92092348 http://id.loc.gov/authorities/names/n2022016150 |
| author_facet | Traverso, Enzo Schoene, Adam |
| author_role | aut |
| author_sort | Traverso, Enzo |
| author_variant | e t et |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | D - World History |
| callnumber-label | D13 |
| callnumber-raw | D13.2 .T73513 2023 |
| callnumber-search | D13.2 .T73513 2023 |
| callnumber-sort | D 213.2 T73513 42023 |
| callnumber-subject | D - General History |
| collection | ZDB-4-EBA |
| contents | Introduction -- Chapter 1: Writing in third person -- Chapter 2: The pitfalls of objectivity -- Chapter 3: Ego-history -- Chapter 4: Short inventory of "I" narratives -- Narrativizing the investigation -- Sociological intermezzo -- Chapter 5: Discourse on method -- Chapter 6: Models: history between film and literature -- Chapter 7: History and fiction -- Chapter 8: Presentism -- African American epilogue -- Acknowledgements |
| ctrlnum | (OCoLC)1306331024 |
| dewey-full | 907.2 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 907 - Education, research & related topics |
| dewey-raw | 907.2 |
| dewey-search | 907.2 |
| dewey-sort | 3907.2 |
| dewey-tens | 900 - History & geography |
| discipline | Geschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1306331024 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:32Z |
| institution | BVB |
| isbn | 9780231555319 0231555318 |
| language | English French |
| lccn | 2022014174 |
| oclc_num | 1306331024 |
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| physical | 1 online resource (206 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Columbia University Press |
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| spelling | Traverso, Enzo, author. http://id.loc.gov/authorities/names/n92092348 Passés singuliers. English Singular pasts the "I" in historiography Enzo Traverso ; translated by Adam Schoene. New York Columbia University Press [2023] 1 online resource (206 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index Introduction -- Chapter 1: Writing in third person -- Chapter 2: The pitfalls of objectivity -- Chapter 3: Ego-history -- Chapter 4: Short inventory of "I" narratives -- Narrativizing the investigation -- Sociological intermezzo -- Chapter 5: Discourse on method -- Chapter 6: Models: history between film and literature -- Chapter 7: History and fiction -- Chapter 8: Presentism -- African American epilogue -- Acknowledgements "The recent trend of autobiographies written by historians has resulted in a further shift to a new hybrid form of subjective history writing, which includes a significant autobiographical dimension, as if history could not be written without exhibiting the inner life of the author. Neither traditional history nor autobiography, this genre transgresses inherited traditions and puts into question a fundamental and generally accepted assumption of history writing: third-person narration, i.e., a nonsubjective reconstitution and interpretation of the past. The most visible dimension of this "subjectivist" turn, as seen particularly in works by Ivan Jablana and Philippe Artieres but also in Dominique Kalifa, described as a "passeur" for his ability to interject himself into the underworld in such books as Vice, Crime, and Poverty (Columbia, 2019), and Mark Mazower, especially in What You Did Not Tell: A Russian Past and the Journey Home (Other Press, 2017), which combines European history with the history of his own family, is a literary inflection that, without blurring the conventional distinction between history and fiction, globally reconfigures their relationship by injecting into the former many stylistic codes-first of all, first-person narrative-that traditionally belong to the latter. Therefore, a symbiotic in relationship emerges: whereas novels are increasingly obsessed with their historical verisimilitude-W.G. Sebald, JonathLittell, Javier Cercas-historical inquiries are built and told as stories, with individual heroes and thrilling plots. This expansion of the "self" posits some fundamental questions related not only to the epistemological status of writing history in the first person but also to the meaning of truth for both history and literature. Ultimately, it raises equally relevant questions about the world we live in, since this "subjectivist" turn is connected to a cultural transformation of our time that greatly transcends the boundaries of a single discipline. It results from "presentism"-a perception and a representation of time closed into the present--the past static, melancholic, the future devoid of an emancipatory vision-which is the neoliberal regime of historicity. Neoliberal reason is much more than a governing principle of global capitalism: it is an anthropological habitus, an ethos, and a form of life--private, apolitical, individualist. While subjectivism has given us rich horizons of multiple I's and different scalar views of microhistory, Traverso argues that we cannot lose sight of the collective story that is made of and by us and is the arena of political and social transformation"-- Provided by publisher Translated from the French. Description based on online resource; title from digital title page (viewed on December 16, 2022). Historiography. http://id.loc.gov/authorities/subjects/sh85061211 Autobiography. http://id.loc.gov/authorities/subjects/sh85010050 First person narrative. http://id.loc.gov/authorities/subjects/sh85048596 Self in literature. http://id.loc.gov/authorities/subjects/sh94009300 History in literature. http://id.loc.gov/authorities/subjects/sh85061253 Subjectivity. http://id.loc.gov/authorities/subjects/sh85129469 Subjectivity in literature. http://id.loc.gov/authorities/subjects/sh94009095 Objectivity. http://id.loc.gov/authorities/subjects/sh85093660 Objectivity in literature. http://id.loc.gov/authorities/subjects/sh94007476 Autobiographies as Topic. Historiography https://id.nlm.nih.gov/mesh/D006663 Autobiographie. Récits à la première personne. Moi (Psychologie) dans la littérature. Histoire dans la littérature. Subjectivité dans la littérature. Objectivité. Objectivité dans la littérature. Historiographie. autobiography (genre) aat historiography. aat HISTORY / Historiography bisacsh Autobiography fast First person narrative fast Historiography fast History in literature fast Objectivity fast Objectivity in literature fast Self in literature fast Subjectivity fast Subjectivity in literature fast Schoene, Adam, translator. http://id.loc.gov/authorities/names/n2022016150 Traverso, Enzo Passés singuliers : le "je" dans l'écriture de l'histoire Montréal, Qc : Lux Éditeur, [2020] Print version Traverso, Enzo Passés singuliers. English Singular pasts New York : Columbia University Press, 2023 9780231203982 (DLC) 2022014173 (OCoLC)1306215179 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3325411 Volltext |
| spellingShingle | Traverso, Enzo Singular pasts the "I" in historiography Introduction -- Chapter 1: Writing in third person -- Chapter 2: The pitfalls of objectivity -- Chapter 3: Ego-history -- Chapter 4: Short inventory of "I" narratives -- Narrativizing the investigation -- Sociological intermezzo -- Chapter 5: Discourse on method -- Chapter 6: Models: history between film and literature -- Chapter 7: History and fiction -- Chapter 8: Presentism -- African American epilogue -- Acknowledgements Historiography. http://id.loc.gov/authorities/subjects/sh85061211 Autobiography. http://id.loc.gov/authorities/subjects/sh85010050 First person narrative. http://id.loc.gov/authorities/subjects/sh85048596 Self in literature. http://id.loc.gov/authorities/subjects/sh94009300 History in literature. http://id.loc.gov/authorities/subjects/sh85061253 Subjectivity. http://id.loc.gov/authorities/subjects/sh85129469 Subjectivity in literature. http://id.loc.gov/authorities/subjects/sh94009095 Objectivity. http://id.loc.gov/authorities/subjects/sh85093660 Objectivity in literature. http://id.loc.gov/authorities/subjects/sh94007476 Autobiographies as Topic. Historiography https://id.nlm.nih.gov/mesh/D006663 Autobiographie. Récits à la première personne. Moi (Psychologie) dans la littérature. Histoire dans la littérature. Subjectivité dans la littérature. Objectivité. Objectivité dans la littérature. Historiographie. autobiography (genre) aat historiography. aat HISTORY / Historiography bisacsh Autobiography fast First person narrative fast Historiography fast History in literature fast Objectivity fast Objectivity in literature fast Self in literature fast Subjectivity fast Subjectivity in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85061211 http://id.loc.gov/authorities/subjects/sh85010050 http://id.loc.gov/authorities/subjects/sh85048596 http://id.loc.gov/authorities/subjects/sh94009300 http://id.loc.gov/authorities/subjects/sh85061253 http://id.loc.gov/authorities/subjects/sh85129469 http://id.loc.gov/authorities/subjects/sh94009095 http://id.loc.gov/authorities/subjects/sh85093660 http://id.loc.gov/authorities/subjects/sh94007476 https://id.nlm.nih.gov/mesh/D006663 |
| title | Singular pasts the "I" in historiography |
| title_alt | Passés singuliers. |
| title_auth | Singular pasts the "I" in historiography |
| title_exact_search | Singular pasts the "I" in historiography |
| title_full | Singular pasts the "I" in historiography Enzo Traverso ; translated by Adam Schoene. |
| title_fullStr | Singular pasts the "I" in historiography Enzo Traverso ; translated by Adam Schoene. |
| title_full_unstemmed | Singular pasts the "I" in historiography Enzo Traverso ; translated by Adam Schoene. |
| title_short | Singular pasts |
| title_sort | singular pasts the i in historiography |
| title_sub | the "I" in historiography |
| topic | Historiography. http://id.loc.gov/authorities/subjects/sh85061211 Autobiography. http://id.loc.gov/authorities/subjects/sh85010050 First person narrative. http://id.loc.gov/authorities/subjects/sh85048596 Self in literature. http://id.loc.gov/authorities/subjects/sh94009300 History in literature. http://id.loc.gov/authorities/subjects/sh85061253 Subjectivity. http://id.loc.gov/authorities/subjects/sh85129469 Subjectivity in literature. http://id.loc.gov/authorities/subjects/sh94009095 Objectivity. http://id.loc.gov/authorities/subjects/sh85093660 Objectivity in literature. http://id.loc.gov/authorities/subjects/sh94007476 Autobiographies as Topic. Historiography https://id.nlm.nih.gov/mesh/D006663 Autobiographie. Récits à la première personne. Moi (Psychologie) dans la littérature. Histoire dans la littérature. Subjectivité dans la littérature. Objectivité. Objectivité dans la littérature. Historiographie. autobiography (genre) aat historiography. aat HISTORY / Historiography bisacsh Autobiography fast First person narrative fast Historiography fast History in literature fast Objectivity fast Objectivity in literature fast Self in literature fast Subjectivity fast Subjectivity in literature fast |
| topic_facet | Historiography. Autobiography. First person narrative. Self in literature. History in literature. Subjectivity. Subjectivity in literature. Objectivity. Objectivity in literature. Autobiographies as Topic. Historiography Autobiographie. Récits à la première personne. Moi (Psychologie) dans la littérature. Histoire dans la littérature. Subjectivité dans la littérature. Objectivité. Objectivité dans la littérature. Historiographie. autobiography (genre) historiography. HISTORY / Historiography Autobiography First person narrative History in literature Objectivity Objectivity in literature Self in literature Subjectivity Subjectivity in literature |
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