How the West was sung :: music in the Westerns of John Ford /
Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states tha...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berkeley :
University of California Press,
©2007.
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states that Ford used music as more than a stylistic gesture. |
Beschreibung: | 1 online resource (x, 256 pages) |
Bibliographie: | Includes bibliographical references (pages 235-239) and index. |
ISBN: | 9780520941076 0520941071 9781435611405 1435611403 1433708876 9781433708879 1282772236 9781282772236 9786612772238 6612772239 |
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245 | 1 | 0 | |a How the West was sung : |b music in the Westerns of John Ford / |c Kathryn Kalinak. |
260 | |a Berkeley : |b University of California Press, |c ©2007. | ||
300 | |a 1 online resource (x, 256 pages) | ||
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504 | |a Includes bibliographical references (pages 235-239) and index. | ||
588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
505 | 0 | |a Acknowledgments; Introduction; 1. How the West Was Sung: Music in the Life and Films of John Ford; 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men; 3. "Based on American Folk Songs": Scoring the West in Stagecoach; 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance; 5. "Western as Hell": 3 Godfathers and Wagon Master; 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy; 7. "What Makes a Man to Wander": The Searchers; 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge. | |
520 | |a Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states that Ford used music as more than a stylistic gesture. | ||
546 | |a English. | ||
600 | 1 | 0 | |a Ford, John, |d 1894-1973 |x Criticism and interpretation. |
600 | 1 | 7 | |a Ford, John, |d 1894-1973 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwXcMHhvDXbWYPKhQY773 |
650 | 0 | |a Motion picture music |z United States |x History and criticism. | |
650 | 6 | |a Film, Musique de |z États-Unis |x Histoire et critique. | |
650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
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653 | |a 20th century american film. | ||
653 | |a american cinema. | ||
653 | |a american film director. | ||
653 | |a american filmmakers. | ||
653 | |a american folk music. | ||
653 | |a american folk songs. | ||
653 | |a american west. | ||
653 | |a biographical. | ||
653 | |a cinema. | ||
653 | |a film criticism. | ||
653 | |a film studies. | ||
653 | |a film. | ||
653 | |a hollywood. | ||
653 | |a hymnody. | ||
653 | |a john ford. | ||
653 | |a movie studies. | ||
653 | |a movie. | ||
653 | |a music in film. | ||
653 | |a music. | ||
653 | |a my darling clementine. | ||
653 | |a old west. | ||
653 | |a period music. | ||
653 | |a stagecoach. | ||
653 | |a the iron horse. | ||
653 | |a the man who shot liberty valance. | ||
653 | |a the searchers. | ||
653 | |a western films. | ||
653 | |a western united states. | ||
653 | |a westerns. | ||
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1298207511 |
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adam_text | |
any_adam_object | |
author | Kalinak, Kathryn Marie, 1952- |
author_GND | http://id.loc.gov/authorities/names/n89651810 |
author_facet | Kalinak, Kathryn Marie, 1952- |
author_role | |
author_sort | Kalinak, Kathryn Marie, 1952- |
author_variant | k m k km kmk |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.F65 |
callnumber-search | PN1998.3.F65 |
callnumber-sort | PN 41998.3 F65 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Acknowledgments; Introduction; 1. How the West Was Sung: Music in the Life and Films of John Ford; 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men; 3. "Based on American Folk Songs": Scoring the West in Stagecoach; 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance; 5. "Western as Hell": 3 Godfathers and Wagon Master; 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy; 7. "What Makes a Man to Wander": The Searchers; 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge. |
ctrlnum | (OCoLC)1298207511 |
dewey-full | 781.5/42 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.5/42 |
dewey-search | 781.5/42 |
dewey-sort | 3781.5 242 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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genre | Motion pictures fast Criticism, interpretation, etc. fast Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films. rvmgf |
genre_facet | Motion pictures Criticism, interpretation, etc. Motion pictures. Films. |
geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
geographic_facet | United States |
id | ZDB-4-EBA-on1298207511 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:30:30Z |
institution | BVB |
isbn | 9780520941076 0520941071 9781435611405 1435611403 1433708876 9781433708879 1282772236 9781282772236 9786612772238 6612772239 |
language | English |
lccn | 2021696252 |
oclc_num | 1298207511 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (x, 256 pages) |
psigel | ZDB-4-EBA |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | University of California Press, |
record_format | marc |
spelling | Kalinak, Kathryn Marie, 1952- https://id.oclc.org/worldcat/entity/E39PCjDk6P86mFc4Y37C8FyKMK http://id.loc.gov/authorities/names/n89651810 How the West was sung : music in the Westerns of John Ford / Kathryn Kalinak. Berkeley : University of California Press, ©2007. 1 online resource (x, 256 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 235-239) and index. Print version record and CIP data provided by publisher; resource not viewed. Acknowledgments; Introduction; 1. How the West Was Sung: Music in the Life and Films of John Ford; 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men; 3. "Based on American Folk Songs": Scoring the West in Stagecoach; 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance; 5. "Western as Hell": 3 Godfathers and Wagon Master; 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy; 7. "What Makes a Man to Wander": The Searchers; 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge. Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states that Ford used music as more than a stylistic gesture. English. Ford, John, 1894-1973 Criticism and interpretation. Ford, John, 1894-1973 fast https://id.oclc.org/worldcat/entity/E39PBJwXcMHhvDXbWYPKhQY773 Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion picture music fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 20th century american film. american cinema. american film director. american filmmakers. american folk music. american folk songs. american west. biographical. cinema. film criticism. film studies. film. hollywood. hymnody. john ford. movie studies. movie. music in film. music. my darling clementine. old west. period music. stagecoach. the iron horse. the man who shot liberty valance. the searchers. western films. western united states. westerns. Motion pictures fast Criticism, interpretation, etc. fast Motion pictures. lcgft http://id.loc.gov/authorities/genreForms/gf2011026406 Films. rvmgf Print version: How the West was sung. Berkeley : University of California Press, ©2007 9780520252332 (DLC) 2006037036 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=212108 Volltext |
spellingShingle | Kalinak, Kathryn Marie, 1952- How the West was sung : music in the Westerns of John Ford / Acknowledgments; Introduction; 1. How the West Was Sung: Music in the Life and Films of John Ford; 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men; 3. "Based on American Folk Songs": Scoring the West in Stagecoach; 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance; 5. "Western as Hell": 3 Godfathers and Wagon Master; 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy; 7. "What Makes a Man to Wander": The Searchers; 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge. Ford, John, 1894-1973 Criticism and interpretation. Ford, John, 1894-1973 fast https://id.oclc.org/worldcat/entity/E39PBJwXcMHhvDXbWYPKhQY773 Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion picture music fast |
subject_GND | http://id.loc.gov/authorities/genreForms/gf2011026406 |
title | How the West was sung : music in the Westerns of John Ford / |
title_auth | How the West was sung : music in the Westerns of John Ford / |
title_exact_search | How the West was sung : music in the Westerns of John Ford / |
title_full | How the West was sung : music in the Westerns of John Ford / Kathryn Kalinak. |
title_fullStr | How the West was sung : music in the Westerns of John Ford / Kathryn Kalinak. |
title_full_unstemmed | How the West was sung : music in the Westerns of John Ford / Kathryn Kalinak. |
title_short | How the West was sung : |
title_sort | how the west was sung music in the westerns of john ford |
title_sub | music in the Westerns of John Ford / |
topic | Ford, John, 1894-1973 Criticism and interpretation. Ford, John, 1894-1973 fast https://id.oclc.org/worldcat/entity/E39PBJwXcMHhvDXbWYPKhQY773 Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. bisacsh PERFORMING ARTS Film & Video General. bisacsh Motion picture music fast |
topic_facet | Ford, John, 1894-1973 Criticism and interpretation. Ford, John, 1894-1973 Motion picture music United States History and criticism. Film, Musique de États-Unis Histoire et critique. MUSIC Instruction & Study Theory. PERFORMING ARTS Film & Video General. Motion picture music United States Motion pictures Criticism, interpretation, etc. Motion pictures. Films. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=212108 |
work_keys_str_mv | AT kalinakkathrynmarie howthewestwassungmusicinthewesternsofjohnford |