Screening the art world /:
Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rar...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
2022.
|
| Schriftenreihe: | Film culture in transition.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema's fluctuating imaginary of 'art' and 'the art world'. The book examines the intersection of art history with history in cinema, cinema's simultaneous affirmation and denigration of the idea of art as 'truth' and what this means for cinema's understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world's tenuous position between commercial good and cultural capital. |
| Beschreibung: | 1 online resource 332 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789048553662 9048553660 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1296583019 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr |||||||nn|n | ||
| 008 | 220212s2022 ne o 000 0 eng d | ||
| 040 | |a P@U |b eng |e rda |e pn |c P@U |d EBLCP |d YDX |d JSTOR |d DEGRU |d OCLCO |d OCLCF |d UKAHL |d SFB |d CAMBR |d OCLCQ |d NLAUP |d N$T |d OCLCQ |d YWS |d OCLCO |d OCLCQ |d BLOOM |d SXB | ||
| 019 | |a 1296425953 |a 1433231580 | ||
| 020 | |a 9789048553662 |q (electronic bk.) | ||
| 020 | |a 9048553660 |q (electronic bk.) | ||
| 020 | |z 9463724850 | ||
| 020 | |z 9789463724852 | ||
| 035 | |a (OCoLC)1296583019 |z (OCoLC)1296425953 |z (OCoLC)1433231580 | ||
| 037 | |a 22573/ctv29hbzsf |b JSTOR | ||
| 050 | 4 | |a PN1995.25 |b .S37 2022 | |
| 082 | 7 | |a 791.43657 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Screening the art world / |c edited by Temenuga Trifonova. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2022. | |
| 300 | |a 1 online resource 332 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film Culture in Transition | |
| 588 | 0 | |a Online resource; title from PDF title page (viewed February 14, 2022). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Editor's Introduction -- |t Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- |t 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- |t 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- |t 3. Cinema as Philosophy of Art -- |t Part II The Aura of Art in (the Age of) Film -- |t 4. Ineffability? The Several Vermeers -- |t 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- |t 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- |t 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- |t Part III Affective Historiography: Negotiating the Past through Screening Art -- |t 8. A World Made of Art -- |t 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- |t 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- |t Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- |t 11. Homicidal and Suicidal Artist Figures in Film -- |t 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- |t 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- |t 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- |t 15. Screening Performance: Curating the Artist Persona -- |t 16. Peter Greenaway's Artist-Entrepreneurs -- |t Bibliography -- |t Index |
| 520 | |a Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema's fluctuating imaginary of 'art' and 'the art world'. The book examines the intersection of art history with history in cinema, cinema's simultaneous affirmation and denigration of the idea of art as 'truth' and what this means for cinema's understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world's tenuous position between commercial good and cultural capital. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Motion pictures and the arts. |0 http://id.loc.gov/authorities/subjects/sh85088135 | |
| 650 | 6 | |a Cinéma et arts. | |
| 650 | 7 | |a Art treatments and subjects. |2 bicssc | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Motion pictures and the arts |2 fast | |
| 650 | 7 | |a History. |2 thema | |
| 653 | |a cinema, visual arts, aesthetics. | ||
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Trifonova, Temenuga, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Trifonova, Temenuga. |t Screening the Art World. |d Amsterdam : Amsterdam University Press, ©2022 |
| 830 | 0 | |a Film culture in transition. |0 http://id.loc.gov/authorities/names/n94045741 | |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3575135 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3575135 |3 Volltext |
| 938 | |a Bloomsbury Publishing |b BLOO |n BP9789048561889SS | ||
| 938 | |a Amsterdam University Press |b AUPA |n 9789048553662 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39680131 | ||
| 938 | |a De Gruyter |b DEGR |n 9789048553662 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6882938 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_99567 | ||
| 938 | |a EBSCOhost |b EBSC |n 3575135 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1296583019 |
|---|---|
| _version_ | 1826942346776805376 |
| adam_text | |
| any_adam_object | |
| author2 | Trifonova, Temenuga |
| author2_role | edt |
| author2_variant | t t tt |
| author_facet | Trifonova, Temenuga |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.25 .S37 2022 |
| callnumber-search | PN1995.25 .S37 2022 |
| callnumber-sort | PN 41995.25 S37 42022 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Frontmatter -- Table of Contents -- Editor's Introduction -- Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- 3. Cinema as Philosophy of Art -- Part II The Aura of Art in (the Age of) Film -- 4. Ineffability? The Several Vermeers -- 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- Part III Affective Historiography: Negotiating the Past through Screening Art -- 8. A World Made of Art -- 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- 11. Homicidal and Suicidal Artist Figures in Film -- 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- 15. Screening Performance: Curating the Artist Persona -- 16. Peter Greenaway's Artist-Entrepreneurs -- Bibliography -- Index |
| ctrlnum | (OCoLC)1296583019 |
| dewey-full | 791.43657 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43657 |
| dewey-search | 791.43657 |
| dewey-sort | 3791.43657 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04899cam a2200613 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1296583019</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||nn|n</controlfield><controlfield tag="008">220212s2022 ne o 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">P@U</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">P@U</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">JSTOR</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">SFB</subfield><subfield code="d">CAMBR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">NLAUP</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BLOOM</subfield><subfield code="d">SXB</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1296425953</subfield><subfield code="a">1433231580</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048553662</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048553660</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9463724850</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789463724852</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1296583019</subfield><subfield code="z">(OCoLC)1296425953</subfield><subfield code="z">(OCoLC)1433231580</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv29hbzsf</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.25</subfield><subfield code="b">.S37 2022</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43657</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Screening the art world /</subfield><subfield code="c">edited by Temenuga Trifonova.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">2022.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource 332 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film Culture in Transition</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (viewed February 14, 2022).</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter --</subfield><subfield code="t">Table of Contents --</subfield><subfield code="t">Editor's Introduction --</subfield><subfield code="t">Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical --</subfield><subfield code="t">1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici --</subfield><subfield code="t">2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 --</subfield><subfield code="t">3. Cinema as Philosophy of Art --</subfield><subfield code="t">Part II The Aura of Art in (the Age of) Film --</subfield><subfield code="t">4. Ineffability? The Several Vermeers --</subfield><subfield code="t">5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood --</subfield><subfield code="t">6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image --</subfield><subfield code="t">7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor --</subfield><subfield code="t">Part III Affective Historiography: Negotiating the Past through Screening Art --</subfield><subfield code="t">8. A World Made of Art --</subfield><subfield code="t">9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) --</subfield><subfield code="t">10. Examining Public Art in Parks and Recreation's Pawnee, Indiana --</subfield><subfield code="t">Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self --</subfield><subfield code="t">11. Homicidal and Suicidal Artist Figures in Film --</subfield><subfield code="t">12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema --</subfield><subfield code="t">13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) --</subfield><subfield code="t">14. This Is the End of High Entertainment : Tiny Furniture and This Is the End --</subfield><subfield code="t">15. Screening Performance: Curating the Artist Persona --</subfield><subfield code="t">16. Peter Greenaway's Artist-Entrepreneurs --</subfield><subfield code="t">Bibliography --</subfield><subfield code="t">Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema's fluctuating imaginary of 'art' and 'the art world'. The book examines the intersection of art history with history in cinema, cinema's simultaneous affirmation and denigration of the idea of art as 'truth' and what this means for cinema's understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world's tenuous position between commercial good and cultural capital.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and the arts.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088135</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma et arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art treatments and subjects.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film theory and criticism.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">Film & Video.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures and the arts</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">History.</subfield><subfield code="2">thema</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">cinema, visual arts, aesthetics.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic book.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Trifonova, Temenuga,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Trifonova, Temenuga.</subfield><subfield code="t">Screening the Art World.</subfield><subfield code="d">Amsterdam : Amsterdam University Press, ©2022</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film culture in transition.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n94045741</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3575135</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3575135</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Bloomsbury Publishing</subfield><subfield code="b">BLOO</subfield><subfield code="n">BP9789048561889SS</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Amsterdam University Press</subfield><subfield code="b">AUPA</subfield><subfield code="n">9789048553662</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH39680131</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9789048553662</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6882938</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">musev2_99567</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">3575135</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-on1296583019 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:26:33Z |
| institution | BVB |
| isbn | 9789048553662 9048553660 |
| language | English |
| oclc_num | 1296583019 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource 332 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Film culture in transition. |
| series2 | Film Culture in Transition |
| spelling | Screening the art world / edited by Temenuga Trifonova. Amsterdam : Amsterdam University Press, 2022. 1 online resource 332 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Film Culture in Transition Online resource; title from PDF title page (viewed February 14, 2022). Frontmatter -- Table of Contents -- Editor's Introduction -- Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- 3. Cinema as Philosophy of Art -- Part II The Aura of Art in (the Age of) Film -- 4. Ineffability? The Several Vermeers -- 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- Part III Affective Historiography: Negotiating the Past through Screening Art -- 8. A World Made of Art -- 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- 11. Homicidal and Suicidal Artist Figures in Film -- 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- 15. Screening Performance: Curating the Artist Persona -- 16. Peter Greenaway's Artist-Entrepreneurs -- Bibliography -- Index Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema's fluctuating imaginary of 'art' and 'the art world'. The book examines the intersection of art history with history in cinema, cinema's simultaneous affirmation and denigration of the idea of art as 'truth' and what this means for cinema's understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world's tenuous position between commercial good and cultural capital. Includes bibliographical references and index. Motion pictures and the arts. http://id.loc.gov/authorities/subjects/sh85088135 Cinéma et arts. Art treatments and subjects. bicssc Film theory and criticism. bicssc ART Film & Video. bisacsh Motion pictures and the arts fast History. thema cinema, visual arts, aesthetics. Electronic book. Trifonova, Temenuga, editor. Print version: Trifonova, Temenuga. Screening the Art World. Amsterdam : Amsterdam University Press, ©2022 Film culture in transition. http://id.loc.gov/authorities/names/n94045741 |
| spellingShingle | Screening the art world / Film culture in transition. Frontmatter -- Table of Contents -- Editor's Introduction -- Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- 3. Cinema as Philosophy of Art -- Part II The Aura of Art in (the Age of) Film -- 4. Ineffability? The Several Vermeers -- 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- Part III Affective Historiography: Negotiating the Past through Screening Art -- 8. A World Made of Art -- 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- 11. Homicidal and Suicidal Artist Figures in Film -- 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- 15. Screening Performance: Curating the Artist Persona -- 16. Peter Greenaway's Artist-Entrepreneurs -- Bibliography -- Index Motion pictures and the arts. http://id.loc.gov/authorities/subjects/sh85088135 Cinéma et arts. Art treatments and subjects. bicssc Film theory and criticism. bicssc ART Film & Video. bisacsh Motion pictures and the arts fast History. thema |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088135 |
| title | Screening the art world / |
| title_alt | Frontmatter -- Table of Contents -- Editor's Introduction -- Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- 3. Cinema as Philosophy of Art -- Part II The Aura of Art in (the Age of) Film -- 4. Ineffability? The Several Vermeers -- 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- Part III Affective Historiography: Negotiating the Past through Screening Art -- 8. A World Made of Art -- 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- 11. Homicidal and Suicidal Artist Figures in Film -- 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- 15. Screening Performance: Curating the Artist Persona -- 16. Peter Greenaway's Artist-Entrepreneurs -- Bibliography -- Index |
| title_auth | Screening the art world / |
| title_exact_search | Screening the art world / |
| title_full | Screening the art world / edited by Temenuga Trifonova. |
| title_fullStr | Screening the art world / edited by Temenuga Trifonova. |
| title_full_unstemmed | Screening the art world / edited by Temenuga Trifonova. |
| title_short | Screening the art world / |
| title_sort | screening the art world |
| topic | Motion pictures and the arts. http://id.loc.gov/authorities/subjects/sh85088135 Cinéma et arts. Art treatments and subjects. bicssc Film theory and criticism. bicssc ART Film & Video. bisacsh Motion pictures and the arts fast History. thema |
| topic_facet | Motion pictures and the arts. Cinéma et arts. Art treatments and subjects. Film theory and criticism. ART Film & Video. Motion pictures and the arts History. Electronic book. |
| work_keys_str_mv | AT trifonovatemenuga screeningtheartworld |