Iconography beyond the crossroads :: image, meaning, and method in Medieval art /
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspect...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park :
The Pennsylvania State University Press,
[2022]
|
| Schriftenreihe: | Signa (Princeton University. Department of Art and Archaeology. Index of Medieval Art)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume's case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears. |
| Beschreibung: | 1 online resource |
| ISBN: | 0271093013 9780271093017 |
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| 520 | |a This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume's case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears. | ||
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| contents | Intro -- COVER Front -- Copyright Page -- Table of Contents -- Introduction -- Chapter 1: Iconography and Iconology at Princeton -- Chapter 2: Whose Iconography? -- Chapter 3: Iconology After the Spatial Turn -- Chapter 4: Iconographies of Progress -- Chapter 5: The Iconography of Healing and Damaged Bodies in the Menil Collection and the Kariye Camii -- Chapter 6: Pictured in Relief Comparative Iconology and Civilizational Time Zones at Monreale and Quanzhou, ca. 1186-ca. 1238 -- Chapter 7: Iconography Deconstructed, from Mâle to the Alt Right -- Index |
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| spelling | Iconography beyond the crossroads : image, meaning, and method in Medieval art / edited by Pamela A. Patton and Catherine A. Fernandez. University Park : The Pennsylvania State University Press, [2022] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Signa : papers of the index of Medieval art at Princeton University Intro -- COVER Front -- Copyright Page -- Table of Contents -- Introduction -- Chapter 1: Iconography and Iconology at Princeton -- Chapter 2: Whose Iconography? -- Chapter 3: Iconology After the Spatial Turn -- Chapter 4: Iconographies of Progress -- Chapter 5: The Iconography of Healing and Damaged Bodies in the Menil Collection and the Kariye Camii -- Chapter 6: Pictured in Relief Comparative Iconology and Civilizational Time Zones at Monreale and Quanzhou, ca. 1186-ca. 1238 -- Chapter 7: Iconography Deconstructed, from Mâle to the Alt Right -- Index Online resource; title from digital title page (viewed on March 04, 2022). This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume's case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking. Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears. Art, Medieval Congresses. Christian art and symbolism Medieval, 500-1500 Congresses. Art médiéval Congrès. ART History Medieval. bisacsh Art, Medieval fast Christian art and symbolism Medieval fast 500-1500 fast Electronic books. proceedings (reports) aat Conference papers and proceedings fast Conference papers and proceedings. lcgft http://id.loc.gov/authorities/genreForms/gf2014026068 Essays. lcgft http://id.loc.gov/authorities/genreForms/gf2014026094 Actes de congrès. rvmgf Patton, Pamela A., 1964- editor. https://id.oclc.org/worldcat/entity/E39PCjxrkwQ6Y3grHKMjCdBXkC http://id.loc.gov/authorities/names/nr97008803 Fernandez, Catherine A., 1978- editor. https://id.oclc.org/worldcat/entity/E39PCjKbKhvGQqwfbfXrJtGwkC http://id.loc.gov/authorities/names/no2021140447 has work: Iconography beyond the crossroads (Text) https://id.oclc.org/worldcat/entity/E39PCGDkg8QQPM8G7VPDd8gvpd https://id.oclc.org/worldcat/ontology/hasWork Print version: Patton, Pamela A. Iconography Beyond the Crossroads. University Park : Penn State University Press, ©2022 9780271090566 Signa (Princeton University. Department of Art and Archaeology. Index of Medieval Art) http://id.loc.gov/authorities/names/no2020094822 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3166294 Volltext |
| spellingShingle | Iconography beyond the crossroads : image, meaning, and method in Medieval art / Signa (Princeton University. Department of Art and Archaeology. Index of Medieval Art) Intro -- COVER Front -- Copyright Page -- Table of Contents -- Introduction -- Chapter 1: Iconography and Iconology at Princeton -- Chapter 2: Whose Iconography? -- Chapter 3: Iconology After the Spatial Turn -- Chapter 4: Iconographies of Progress -- Chapter 5: The Iconography of Healing and Damaged Bodies in the Menil Collection and the Kariye Camii -- Chapter 6: Pictured in Relief Comparative Iconology and Civilizational Time Zones at Monreale and Quanzhou, ca. 1186-ca. 1238 -- Chapter 7: Iconography Deconstructed, from Mâle to the Alt Right -- Index Art, Medieval Congresses. Christian art and symbolism Medieval, 500-1500 Congresses. Art médiéval Congrès. ART History Medieval. bisacsh Art, Medieval fast Christian art and symbolism Medieval fast |
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| title | Iconography beyond the crossroads : image, meaning, and method in Medieval art / |
| title_auth | Iconography beyond the crossroads : image, meaning, and method in Medieval art / |
| title_exact_search | Iconography beyond the crossroads : image, meaning, and method in Medieval art / |
| title_full | Iconography beyond the crossroads : image, meaning, and method in Medieval art / edited by Pamela A. Patton and Catherine A. Fernandez. |
| title_fullStr | Iconography beyond the crossroads : image, meaning, and method in Medieval art / edited by Pamela A. Patton and Catherine A. Fernandez. |
| title_full_unstemmed | Iconography beyond the crossroads : image, meaning, and method in Medieval art / edited by Pamela A. Patton and Catherine A. Fernandez. |
| title_short | Iconography beyond the crossroads : |
| title_sort | iconography beyond the crossroads image meaning and method in medieval art |
| title_sub | image, meaning, and method in Medieval art / |
| topic | Art, Medieval Congresses. Christian art and symbolism Medieval, 500-1500 Congresses. Art médiéval Congrès. ART History Medieval. bisacsh Art, Medieval fast Christian art and symbolism Medieval fast |
| topic_facet | Art, Medieval Congresses. Christian art and symbolism Medieval, 500-1500 Congresses. Art médiéval Congrès. ART History Medieval. Art, Medieval Christian art and symbolism Medieval Electronic books. proceedings (reports) Conference papers and proceedings Conference papers and proceedings. Essays. Actes de congrès. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3166294 |
| work_keys_str_mv | AT pattonpamelaa iconographybeyondthecrossroadsimagemeaningandmethodinmedievalart AT fernandezcatherinea iconographybeyondthecrossroadsimagemeaningandmethodinmedievalart |