Signs of Change :: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 /
Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is add...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
BRILL,
2004.
|
| Schriftenreihe: | Brill Book Archive Part 1, ISBN: 9789004472495.
Textxet: Studies in Comparative Literature ; 43. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9004489142 9789042009998 9042009993 9789004489141 |
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| 505 | 0 | |a List of Plates -- Preface -- Nils Holger Petersen: INTRODUCTION: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 -- SECTION ONE -- Anthony Johnson: Introduction -- Ananya Jahanara Kabir: Towards a Contra-Modern Aesthetics: Reading the Old English Andreas Against an Image of the Virgin of Guadalupe -- Anthony Johnson: Levity and Gravity: Ben Jonson and the Crisis of the Image -- Claus Clüver: Schoenberg's Play of the Artist Saviour and the Calderonian auto sacramental -- SECTION TWO -- Claus Clüver: Introduction -- Marica S. Tacconi: The Service Books of the Cathedral of Florence: From Local Liturgical Specificity to Civic Identity -- Nicoletta Isar: The Broken Image. Of Splits and Cuttings: Modern Representation and its Beginnings -- Hugo Johannsen: The Protestant Palace Chapel: Monument to Evangelical Religion and Sacred Rulership -- SECTION THREE -- Kristin Rygg: Introduction -- Andreas Bücker: Christianizing the Arts: From Augustine's De ordine to Carolingian Thought -- Bernhard F. Scholz: Re-editing the Book of Nature: Observations on a Nineteenth Century Attempt at Modernizing a Seventeenth Century Book of Emblems -- Magnar Breivik: A Twentieth Century musica instrumentalis: Boethius and Augustine in the Musical Thought of Paul Hindemith -- SECTION FOUR -- Robert A. Davis: Introduction -- Jens Fleischer: Pre Romanesque Church Walls and their "Language" -- Eyolf Østrem: "The Ineffable": Affinities between Christian and Secular Concepts of Art -- Siglind Bruhn: Mythopoesis and Musical Genre in Bohuslav Martinu's Greek Passion -- SECTION FIVE -- Nicolas Bell and Andreas Bücker: Introduction -- Susan Boynton: From the Lament of Rachel to the Lament of Mary: A Transformation in the History of Drama and Spirituality Columbia University -- Gunilla Iversen: Fictiones or figurata ornamenta? On the Concept of "Poetry" in the Period of Transition from a Monastic to a Scholastic Culture -- Nicolas Bell: Signs of Change from ars antiqua to ars nova in Polyphonic Music of the Early Fourteenth Century -- Bernhard Ridderbos and Hans Bloemsma: Gates to Heaven, Gates to the Soul -- SECTION SIX -- Jeremy Llewellyn: Introduction -- Volker Schier and Corine Schleif: Seeing and Singing, Touching and Tasting the Holy Lance: The Power and Politics of Embodied Religious Experiences in Nuremberg, 1424-1524 -- Nils Holger Petersen and Heinrich W. Schwab: The Devotional Genre of the Hymn Around 1800: The Hallelujah of Creation -- Stephanie A. Glaser: Of Revolutions, Republics and Spires: Nineteenth Century France and the Gothic Cathedral -- FINAL CONSIDERATIONS -- Abstracts -- Contributors. | |
| 520 | |a Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history. | ||
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| contents | List of Plates -- Preface -- Nils Holger Petersen: INTRODUCTION: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 -- SECTION ONE -- Anthony Johnson: Introduction -- Ananya Jahanara Kabir: Towards a Contra-Modern Aesthetics: Reading the Old English Andreas Against an Image of the Virgin of Guadalupe -- Anthony Johnson: Levity and Gravity: Ben Jonson and the Crisis of the Image -- Claus Clüver: Schoenberg's Play of the Artist Saviour and the Calderonian auto sacramental -- SECTION TWO -- Claus Clüver: Introduction -- Marica S. Tacconi: The Service Books of the Cathedral of Florence: From Local Liturgical Specificity to Civic Identity -- Nicoletta Isar: The Broken Image. Of Splits and Cuttings: Modern Representation and its Beginnings -- Hugo Johannsen: The Protestant Palace Chapel: Monument to Evangelical Religion and Sacred Rulership -- SECTION THREE -- Kristin Rygg: Introduction -- Andreas Bücker: Christianizing the Arts: From Augustine's De ordine to Carolingian Thought -- Bernhard F. Scholz: Re-editing the Book of Nature: Observations on a Nineteenth Century Attempt at Modernizing a Seventeenth Century Book of Emblems -- Magnar Breivik: A Twentieth Century musica instrumentalis: Boethius and Augustine in the Musical Thought of Paul Hindemith -- SECTION FOUR -- Robert A. Davis: Introduction -- Jens Fleischer: Pre Romanesque Church Walls and their "Language" -- Eyolf Østrem: "The Ineffable": Affinities between Christian and Secular Concepts of Art -- Siglind Bruhn: Mythopoesis and Musical Genre in Bohuslav Martinu's Greek Passion -- SECTION FIVE -- Nicolas Bell and Andreas Bücker: Introduction -- Susan Boynton: From the Lament of Rachel to the Lament of Mary: A Transformation in the History of Drama and Spirituality Columbia University -- Gunilla Iversen: Fictiones or figurata ornamenta? On the Concept of "Poetry" in the Period of Transition from a Monastic to a Scholastic Culture -- Nicolas Bell: Signs of Change from ars antiqua to ars nova in Polyphonic Music of the Early Fourteenth Century -- Bernhard Ridderbos and Hans Bloemsma: Gates to Heaven, Gates to the Soul -- SECTION SIX -- Jeremy Llewellyn: Introduction -- Volker Schier and Corine Schleif: Seeing and Singing, Touching and Tasting the Holy Lance: The Power and Politics of Embodied Religious Experiences in Nuremberg, 1424-1524 -- Nils Holger Petersen and Heinrich W. Schwab: The Devotional Genre of the Hymn Around 1800: The Hallelujah of Creation -- Stephanie A. Glaser: Of Revolutions, Republics and Spires: Nineteenth Century France and the Gothic Cathedral -- FINAL CONSIDERATIONS -- Abstracts -- Contributors. |
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| indexdate | 2024-11-27T13:30:29Z |
| institution | BVB |
| isbn | 9004489142 9789042009998 9042009993 9789004489141 |
| language | English |
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| series | Brill Book Archive Part 1, ISBN: 9789004472495. Textxet: Studies in Comparative Literature ; |
| series2 | Brill Book Archive Part 1, ISBN: 9789004472495 Textxet: Studies in Comparative Literature ; |
| spelling | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / edited by Nils Holger Petersen, Claus Clüver, Nicolas Bell. Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 Leiden ; Boston : BRILL, 2004. 1 online resource. text txt rdacontent computer c rdamedia online resource rdacarrier Brill Book Archive Part 1, ISBN: 9789004472495 Textxet: Studies in Comparative Literature ; 43 Includes bibliographical references and index. List of Plates -- Preface -- Nils Holger Petersen: INTRODUCTION: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 -- SECTION ONE -- Anthony Johnson: Introduction -- Ananya Jahanara Kabir: Towards a Contra-Modern Aesthetics: Reading the Old English Andreas Against an Image of the Virgin of Guadalupe -- Anthony Johnson: Levity and Gravity: Ben Jonson and the Crisis of the Image -- Claus Clüver: Schoenberg's Play of the Artist Saviour and the Calderonian auto sacramental -- SECTION TWO -- Claus Clüver: Introduction -- Marica S. Tacconi: The Service Books of the Cathedral of Florence: From Local Liturgical Specificity to Civic Identity -- Nicoletta Isar: The Broken Image. Of Splits and Cuttings: Modern Representation and its Beginnings -- Hugo Johannsen: The Protestant Palace Chapel: Monument to Evangelical Religion and Sacred Rulership -- SECTION THREE -- Kristin Rygg: Introduction -- Andreas Bücker: Christianizing the Arts: From Augustine's De ordine to Carolingian Thought -- Bernhard F. Scholz: Re-editing the Book of Nature: Observations on a Nineteenth Century Attempt at Modernizing a Seventeenth Century Book of Emblems -- Magnar Breivik: A Twentieth Century musica instrumentalis: Boethius and Augustine in the Musical Thought of Paul Hindemith -- SECTION FOUR -- Robert A. Davis: Introduction -- Jens Fleischer: Pre Romanesque Church Walls and their "Language" -- Eyolf Østrem: "The Ineffable": Affinities between Christian and Secular Concepts of Art -- Siglind Bruhn: Mythopoesis and Musical Genre in Bohuslav Martinu's Greek Passion -- SECTION FIVE -- Nicolas Bell and Andreas Bücker: Introduction -- Susan Boynton: From the Lament of Rachel to the Lament of Mary: A Transformation in the History of Drama and Spirituality Columbia University -- Gunilla Iversen: Fictiones or figurata ornamenta? On the Concept of "Poetry" in the Period of Transition from a Monastic to a Scholastic Culture -- Nicolas Bell: Signs of Change from ars antiqua to ars nova in Polyphonic Music of the Early Fourteenth Century -- Bernhard Ridderbos and Hans Bloemsma: Gates to Heaven, Gates to the Soul -- SECTION SIX -- Jeremy Llewellyn: Introduction -- Volker Schier and Corine Schleif: Seeing and Singing, Touching and Tasting the Holy Lance: The Power and Politics of Embodied Religious Experiences in Nuremberg, 1424-1524 -- Nils Holger Petersen and Heinrich W. Schwab: The Devotional Genre of the Hymn Around 1800: The Hallelujah of Creation -- Stephanie A. Glaser: Of Revolutions, Republics and Spires: Nineteenth Century France and the Gothic Cathedral -- FINAL CONSIDERATIONS -- Abstracts -- Contributors. Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history. Christian art and symbolism History. Christianity and the arts. http://id.loc.gov/authorities/subjects/sh85025288 Tradition. Arts Aspect religieux Christianisme. Christian art and symbolism. fast (OCoLC)fst00858904 Christianity and the arts. fast (OCoLC)fst00859745 History. fast (OCoLC)fst01411628 Bell, Nicolas, editor. Clüver, Claus, editor. Petersen, Nils Holger, editor. has work: Signs of Change : Transformations of Christian Traditions and Their Representation in the Arts, 1000-2000 (Text) https://id.oclc.org/worldcat/entity/E39PD393RG4fbkTjf3mvPp3GYd https://id.oclc.org/worldcat/ontology/hasWork Brill Book Archive Part 1, ISBN: 9789004472495. Textxet: Studies in Comparative Literature ; 43. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3098124 Volltext |
| spellingShingle | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / Brill Book Archive Part 1, ISBN: 9789004472495. Textxet: Studies in Comparative Literature ; List of Plates -- Preface -- Nils Holger Petersen: INTRODUCTION: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 -- SECTION ONE -- Anthony Johnson: Introduction -- Ananya Jahanara Kabir: Towards a Contra-Modern Aesthetics: Reading the Old English Andreas Against an Image of the Virgin of Guadalupe -- Anthony Johnson: Levity and Gravity: Ben Jonson and the Crisis of the Image -- Claus Clüver: Schoenberg's Play of the Artist Saviour and the Calderonian auto sacramental -- SECTION TWO -- Claus Clüver: Introduction -- Marica S. Tacconi: The Service Books of the Cathedral of Florence: From Local Liturgical Specificity to Civic Identity -- Nicoletta Isar: The Broken Image. Of Splits and Cuttings: Modern Representation and its Beginnings -- Hugo Johannsen: The Protestant Palace Chapel: Monument to Evangelical Religion and Sacred Rulership -- SECTION THREE -- Kristin Rygg: Introduction -- Andreas Bücker: Christianizing the Arts: From Augustine's De ordine to Carolingian Thought -- Bernhard F. Scholz: Re-editing the Book of Nature: Observations on a Nineteenth Century Attempt at Modernizing a Seventeenth Century Book of Emblems -- Magnar Breivik: A Twentieth Century musica instrumentalis: Boethius and Augustine in the Musical Thought of Paul Hindemith -- SECTION FOUR -- Robert A. Davis: Introduction -- Jens Fleischer: Pre Romanesque Church Walls and their "Language" -- Eyolf Østrem: "The Ineffable": Affinities between Christian and Secular Concepts of Art -- Siglind Bruhn: Mythopoesis and Musical Genre in Bohuslav Martinu's Greek Passion -- SECTION FIVE -- Nicolas Bell and Andreas Bücker: Introduction -- Susan Boynton: From the Lament of Rachel to the Lament of Mary: A Transformation in the History of Drama and Spirituality Columbia University -- Gunilla Iversen: Fictiones or figurata ornamenta? On the Concept of "Poetry" in the Period of Transition from a Monastic to a Scholastic Culture -- Nicolas Bell: Signs of Change from ars antiqua to ars nova in Polyphonic Music of the Early Fourteenth Century -- Bernhard Ridderbos and Hans Bloemsma: Gates to Heaven, Gates to the Soul -- SECTION SIX -- Jeremy Llewellyn: Introduction -- Volker Schier and Corine Schleif: Seeing and Singing, Touching and Tasting the Holy Lance: The Power and Politics of Embodied Religious Experiences in Nuremberg, 1424-1524 -- Nils Holger Petersen and Heinrich W. Schwab: The Devotional Genre of the Hymn Around 1800: The Hallelujah of Creation -- Stephanie A. Glaser: Of Revolutions, Republics and Spires: Nineteenth Century France and the Gothic Cathedral -- FINAL CONSIDERATIONS -- Abstracts -- Contributors. Christian art and symbolism History. Christianity and the arts. http://id.loc.gov/authorities/subjects/sh85025288 Tradition. Arts Aspect religieux Christianisme. Christian art and symbolism. fast (OCoLC)fst00858904 Christianity and the arts. fast (OCoLC)fst00859745 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85025288 (OCoLC)fst00858904 (OCoLC)fst00859745 (OCoLC)fst01411628 |
| title | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / |
| title_alt | Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 |
| title_auth | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / |
| title_exact_search | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / |
| title_full | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / edited by Nils Holger Petersen, Claus Clüver, Nicolas Bell. |
| title_fullStr | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / edited by Nils Holger Petersen, Claus Clüver, Nicolas Bell. |
| title_full_unstemmed | Signs of Change : Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / edited by Nils Holger Petersen, Claus Clüver, Nicolas Bell. |
| title_short | Signs of Change : |
| title_sort | signs of change transformations of christian traditions and their representation in the arts 1000 2000 |
| title_sub | Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 / |
| topic | Christian art and symbolism History. Christianity and the arts. http://id.loc.gov/authorities/subjects/sh85025288 Tradition. Arts Aspect religieux Christianisme. Christian art and symbolism. fast (OCoLC)fst00858904 Christianity and the arts. fast (OCoLC)fst00859745 |
| topic_facet | Christian art and symbolism History. Christianity and the arts. Tradition. Arts Aspect religieux Christianisme. Christian art and symbolism. History. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3098124 |
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