A history of Danish cinema /:
The first English-language book to cover Danish cinema from the 1890s to the present day.
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The first English-language book to cover Danish cinema from the 1890s to the present day. |
| Beschreibung: | 1 online resource |
| ISBN: | 9781474461146 147446114X |
Internformat
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t List of Figures -- |t Acknowledgments -- |t Notes on Contributors -- |t Introduction -- |t PART I: FROM THE FIRST 'GOLDEN AGE' TO THE OCCUPATION -- |t 1. Surviving a Crisis: Nordisk Films Kompagni as a World Player -- |t 2. Asta & Co.: The Politics of Early Danish Film Stardom -- |t 3. The European Principle: Art and Border-Crossings in Carl Theodor Dreyer's Career -- |t 4. Derailed: Danish Film during the German Occupation -- |t PART II: NATIONAL GENRES -- |t 5. The Art of the Popular: The Folkekomedie Tradition -- |t 6. Social Realism of the 1940s: Between Paternalistic Care and Dignifying Humanism -- |t 7. Imagining Denmark: Danmarksfi lm as Documentary Portraits of a Nation -- |t 8. Rural Dreams: Landscape, Family, Sexuality and Queerness in Homeland Cinema -- |t 9. The Olsen Gang in Denmark - And Abroad -- |t 10. Making a Life of Your Own: Films for Children and Young People in the 1970s and 1980s -- |t 11. Pornography and Censorship -- |t PART III: AUTEURS AND INSTITUTIONS OF THE NEW GOLDEN AGE -- |t 12. Into the Dark Forest: The Cinema of Lars von Trier -- |t 13. 'I Am No Longer an Artist': Heritage Film, Dogme 95 and the New Danish Cinema -- |t 14. Stories of Scandinavian Guilt and Privilege: Transnational Danish Directors -- |t 15. Danish Television Drama in the Twenty-First Century: New Synergies between Film and Television -- |t 16. New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints in Talent Development -- |t PART IV: DECENTRING AND DIVERSIFYING DANISH CINEMA -- |t 17. Danish Documentary Production: An All-Female Company -- |t 18. Welcome to Denmark: Immigrants and Their Descendants in Danish Cinema -- |t 19. Dirty Films: Grimy Materialism and Ecological Aesthetics -- |t 20. Regional Film Funds and Production -- |t 21. 'Finally, We're Beginning to Tell Our Own Stories': Filmmaking in Greenland -- |t References -- |t Index |
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| _version_ | 1816882555755954176 |
| adam_text | |
| any_adam_object | |
| author2 | Thomson, C. Claire Thorsen, Isak Chow, Pei-Sze |
| author2_role | edt edt edt |
| author2_variant | c c t cc cct i t it p s c psc |
| author_GND | http://id.loc.gov/authorities/names/nb2006011878 http://id.loc.gov/authorities/names/no2022034452 http://id.loc.gov/authorities/names/no2022035774 |
| author_facet | Thomson, C. Claire Thorsen, Isak Chow, Pei-Sze |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.D4 H57 2021 |
| callnumber-search | PN1993.5.D4 H57 2021 |
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| contents | Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I: FROM THE FIRST 'GOLDEN AGE' TO THE OCCUPATION -- 1. Surviving a Crisis: Nordisk Films Kompagni as a World Player -- 2. Asta & Co.: The Politics of Early Danish Film Stardom -- 3. The European Principle: Art and Border-Crossings in Carl Theodor Dreyer's Career -- 4. Derailed: Danish Film during the German Occupation -- PART II: NATIONAL GENRES -- 5. The Art of the Popular: The Folkekomedie Tradition -- 6. Social Realism of the 1940s: Between Paternalistic Care and Dignifying Humanism -- 7. Imagining Denmark: Danmarksfi lm as Documentary Portraits of a Nation -- 8. Rural Dreams: Landscape, Family, Sexuality and Queerness in Homeland Cinema -- 9. The Olsen Gang in Denmark - And Abroad -- 10. Making a Life of Your Own: Films for Children and Young People in the 1970s and 1980s -- 11. Pornography and Censorship -- PART III: AUTEURS AND INSTITUTIONS OF THE NEW GOLDEN AGE -- 12. Into the Dark Forest: The Cinema of Lars von Trier -- 13. 'I Am No Longer an Artist': Heritage Film, Dogme 95 and the New Danish Cinema -- 14. Stories of Scandinavian Guilt and Privilege: Transnational Danish Directors -- 15. Danish Television Drama in the Twenty-First Century: New Synergies between Film and Television -- 16. New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints in Talent Development -- PART IV: DECENTRING AND DIVERSIFYING DANISH CINEMA -- 17. Danish Documentary Production: An All-Female Company -- 18. Welcome to Denmark: Immigrants and Their Descendants in Danish Cinema -- 19. Dirty Films: Grimy Materialism and Ecological Aesthetics -- 20. Regional Film Funds and Production -- 21. 'Finally, We're Beginning to Tell Our Own Stories': Filmmaking in Greenland -- References -- Index |
| ctrlnum | (OCoLC)1292704672 |
| dewey-full | 791.4309489 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309489 |
| dewey-search | 791.4309489 |
| dewey-sort | 3791.4309489 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:30:28Z |
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| record_format | marc |
| spelling | A history of Danish cinema / edited by C. Claire Thomson, Isak Thorsen and Pei-Sze Chow. Edinburgh : Edinburgh University Press, [2021] ©2021 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier The first English-language book to cover Danish cinema from the 1890s to the present day. Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I: FROM THE FIRST 'GOLDEN AGE' TO THE OCCUPATION -- 1. Surviving a Crisis: Nordisk Films Kompagni as a World Player -- 2. Asta & Co.: The Politics of Early Danish Film Stardom -- 3. The European Principle: Art and Border-Crossings in Carl Theodor Dreyer's Career -- 4. Derailed: Danish Film during the German Occupation -- PART II: NATIONAL GENRES -- 5. The Art of the Popular: The Folkekomedie Tradition -- 6. Social Realism of the 1940s: Between Paternalistic Care and Dignifying Humanism -- 7. Imagining Denmark: Danmarksfi lm as Documentary Portraits of a Nation -- 8. Rural Dreams: Landscape, Family, Sexuality and Queerness in Homeland Cinema -- 9. The Olsen Gang in Denmark - And Abroad -- 10. Making a Life of Your Own: Films for Children and Young People in the 1970s and 1980s -- 11. Pornography and Censorship -- PART III: AUTEURS AND INSTITUTIONS OF THE NEW GOLDEN AGE -- 12. Into the Dark Forest: The Cinema of Lars von Trier -- 13. 'I Am No Longer an Artist': Heritage Film, Dogme 95 and the New Danish Cinema -- 14. Stories of Scandinavian Guilt and Privilege: Transnational Danish Directors -- 15. Danish Television Drama in the Twenty-First Century: New Synergies between Film and Television -- 16. New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints in Talent Development -- PART IV: DECENTRING AND DIVERSIFYING DANISH CINEMA -- 17. Danish Documentary Production: An All-Female Company -- 18. Welcome to Denmark: Immigrants and Their Descendants in Danish Cinema -- 19. Dirty Films: Grimy Materialism and Ecological Aesthetics -- 20. Regional Film Funds and Production -- 21. 'Finally, We're Beginning to Tell Our Own Stories': Filmmaking in Greenland -- References -- Index Motion pictures Denmark History. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Cinéma Danemark Histoire. Livres numériques. e-books. aat Electronic books fast Motion pictures fast Denmark fast https://id.oclc.org/worldcat/entity/E39QbtfRC7kMQT98kFPPM9vCkc Electronic books. History fast Thomson, C. Claire, editor. http://id.loc.gov/authorities/names/nb2006011878 Thorsen, Isak, editor. http://id.loc.gov/authorities/names/no2022034452 Chow, Pei-Sze, editor. http://id.loc.gov/authorities/names/no2022035774 has work: A history of Danish cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGHvvrVKFw6mJ63YQD3PHy https://id.oclc.org/worldcat/ontology/hasWork Print version: 9781474461153 Print version: 9781474461122 1474461123 (OCoLC)1272890618 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3146966 Volltext |
| spellingShingle | A history of Danish cinema / Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I: FROM THE FIRST 'GOLDEN AGE' TO THE OCCUPATION -- 1. Surviving a Crisis: Nordisk Films Kompagni as a World Player -- 2. Asta & Co.: The Politics of Early Danish Film Stardom -- 3. The European Principle: Art and Border-Crossings in Carl Theodor Dreyer's Career -- 4. Derailed: Danish Film during the German Occupation -- PART II: NATIONAL GENRES -- 5. The Art of the Popular: The Folkekomedie Tradition -- 6. Social Realism of the 1940s: Between Paternalistic Care and Dignifying Humanism -- 7. Imagining Denmark: Danmarksfi lm as Documentary Portraits of a Nation -- 8. Rural Dreams: Landscape, Family, Sexuality and Queerness in Homeland Cinema -- 9. The Olsen Gang in Denmark - And Abroad -- 10. Making a Life of Your Own: Films for Children and Young People in the 1970s and 1980s -- 11. Pornography and Censorship -- PART III: AUTEURS AND INSTITUTIONS OF THE NEW GOLDEN AGE -- 12. Into the Dark Forest: The Cinema of Lars von Trier -- 13. 'I Am No Longer an Artist': Heritage Film, Dogme 95 and the New Danish Cinema -- 14. Stories of Scandinavian Guilt and Privilege: Transnational Danish Directors -- 15. Danish Television Drama in the Twenty-First Century: New Synergies between Film and Television -- 16. New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints in Talent Development -- PART IV: DECENTRING AND DIVERSIFYING DANISH CINEMA -- 17. Danish Documentary Production: An All-Female Company -- 18. Welcome to Denmark: Immigrants and Their Descendants in Danish Cinema -- 19. Dirty Films: Grimy Materialism and Ecological Aesthetics -- 20. Regional Film Funds and Production -- 21. 'Finally, We're Beginning to Tell Our Own Stories': Filmmaking in Greenland -- References -- Index Motion pictures Denmark History. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Cinéma Danemark Histoire. Livres numériques. e-books. aat Electronic books fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh93007047 |
| title | A history of Danish cinema / |
| title_alt | Frontmatter -- CONTENTS -- List of Figures -- Acknowledgments -- Notes on Contributors -- Introduction -- PART I: FROM THE FIRST 'GOLDEN AGE' TO THE OCCUPATION -- 1. Surviving a Crisis: Nordisk Films Kompagni as a World Player -- 2. Asta & Co.: The Politics of Early Danish Film Stardom -- 3. The European Principle: Art and Border-Crossings in Carl Theodor Dreyer's Career -- 4. Derailed: Danish Film during the German Occupation -- PART II: NATIONAL GENRES -- 5. The Art of the Popular: The Folkekomedie Tradition -- 6. Social Realism of the 1940s: Between Paternalistic Care and Dignifying Humanism -- 7. Imagining Denmark: Danmarksfi lm as Documentary Portraits of a Nation -- 8. Rural Dreams: Landscape, Family, Sexuality and Queerness in Homeland Cinema -- 9. The Olsen Gang in Denmark - And Abroad -- 10. Making a Life of Your Own: Films for Children and Young People in the 1970s and 1980s -- 11. Pornography and Censorship -- PART III: AUTEURS AND INSTITUTIONS OF THE NEW GOLDEN AGE -- 12. Into the Dark Forest: The Cinema of Lars von Trier -- 13. 'I Am No Longer an Artist': Heritage Film, Dogme 95 and the New Danish Cinema -- 14. Stories of Scandinavian Guilt and Privilege: Transnational Danish Directors -- 15. Danish Television Drama in the Twenty-First Century: New Synergies between Film and Television -- 16. New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints in Talent Development -- PART IV: DECENTRING AND DIVERSIFYING DANISH CINEMA -- 17. Danish Documentary Production: An All-Female Company -- 18. Welcome to Denmark: Immigrants and Their Descendants in Danish Cinema -- 19. Dirty Films: Grimy Materialism and Ecological Aesthetics -- 20. Regional Film Funds and Production -- 21. 'Finally, We're Beginning to Tell Our Own Stories': Filmmaking in Greenland -- References -- Index |
| title_auth | A history of Danish cinema / |
| title_exact_search | A history of Danish cinema / |
| title_full | A history of Danish cinema / edited by C. Claire Thomson, Isak Thorsen and Pei-Sze Chow. |
| title_fullStr | A history of Danish cinema / edited by C. Claire Thomson, Isak Thorsen and Pei-Sze Chow. |
| title_full_unstemmed | A history of Danish cinema / edited by C. Claire Thomson, Isak Thorsen and Pei-Sze Chow. |
| title_short | A history of Danish cinema / |
| title_sort | history of danish cinema |
| topic | Motion pictures Denmark History. Electronic books. http://id.loc.gov/authorities/subjects/sh93007047 Cinéma Danemark Histoire. Livres numériques. e-books. aat Electronic books fast Motion pictures fast |
| topic_facet | Motion pictures Denmark History. Electronic books. Cinéma Danemark Histoire. Livres numériques. e-books. Electronic books Motion pictures Denmark History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3146966 |
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