Counter-memories in Iranian cinema /:
"Farīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflec...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press Ltd,
2021.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Farīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema."--Publisher description. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474479776 1474479774 9781399509114 139950911X 9781474479783 1474479782 |
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| 245 | 0 | 0 | |a Counter-memories in Iranian cinema / |c edited by Matthias Wittmann and Ute Holl. |
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| 520 | |a "Farīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema."--Publisher description. | ||
| 505 | 0 | 0 | |t Introduction -- |t PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- |t 1. The Incomplete: Film, Politics, and Remembering the Past / |r Tara Najd Ahmadi -- |t 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory / |r Sara Saljoughi -- |t 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures / |r Chowra Makaremi and Emmanuel Alloa -- |t PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- |t 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema / |r Blake Atwood-- |t 5. Black Seals: Missive from Iran's National Music / |r Negar Mottahedeh-- |t 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami's Koker Trilogy / |r Ute Holl -- |t PART III INTERSTICES. NICHES. IMPURE MEMORIES -- |t 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses / |r Matthias Wittmann-- |t 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami's Shirin (2008) / |r Michelle Langford -- |t 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar's Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas / |r Viktor Ullmann -- |t PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- |t 10. Filmfarsi as Counter-Memory / |r Pedram Partovi -- |t 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran / |r Shahram Mokri -- |t 12. 'At the End of a Century' (1996) / |r Bahram Beyzaie ; translated by Amir Roshan -- |t Index |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on May 01, 2023). | ||
| 650 | 0 | |a Motion pictures |z Iran |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |z Iran |x History |y 21st century. | |
| 650 | 0 | |a Memory in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh89002207 | |
| 651 | 0 | |a Iran |x History |y Revolution, 1979. |0 http://id.loc.gov/authorities/subjects/sh86002666 | |
| 650 | 6 | |a Cinéma |z Iran |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |z Iran |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Mémoire au cinéma. | |
| 651 | 6 | |a Iran |x Histoire |y 1979 (Révolution) | |
| 650 | 7 | |a Memory in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Iran |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtrYvcVTwChrDqytBvJXd | |
| 647 | 7 | |a Revolution |c (Iran : |d 1979) |2 fast |0 (OCoLC)fst01354530 |1 https://id.oclc.org/worldcat/entity/E39Qhp4vB9cvdttrhwVwvJMVjK | |
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| 700 | 1 | |a Holl, Ute, |e editor. | |
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| DE-BY-FWS_katkey | ZDB-4-EBA-on1292588172 |
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| _version_ | 1816882555680456704 |
| adam_text | |
| any_adam_object | |
| author2 | Wittmann, Matthias, 1975- Holl, Ute |
| author2_role | edt edt |
| author2_variant | m w mw u h uh |
| author_GND | http://id.loc.gov/authorities/names/no2015025691 |
| author_additional | Tara Najd Ahmadi -- Sara Saljoughi -- Chowra Makaremi and Emmanuel Alloa -- Blake Atwood-- Negar Mottahedeh-- Ute Holl -- Matthias Wittmann-- Michelle Langford -- Viktor Ullmann -- Pedram Partovi -- Shahram Mokri -- Bahram Beyzaie ; translated by Amir Roshan -- |
| author_facet | Wittmann, Matthias, 1975- Holl, Ute |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.I846 C68 2021 |
| callnumber-search | PN1993.5.I846 C68 2021 |
| callnumber-sort | PN 41993.5 I846 C68 42021 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past / 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory / 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures / PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema / 5. Black Seals: Missive from Iran's National Music / 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami's Koker Trilogy / PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses / 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami's Shirin (2008) / 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar's Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas / PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory / 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran / 12. 'At the End of a Century' (1996) / Index |
| ctrlnum | (OCoLC)1292588172 |
| dewey-full | 791.430955 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430955 |
| dewey-search | 791.430955 |
| dewey-sort | 3791.430955 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-2099 fast |
| era_facet | 1900-2099 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Iran History Revolution, 1979. http://id.loc.gov/authorities/subjects/sh86002666 Iran Histoire 1979 (Révolution) Iran fast https://id.oclc.org/worldcat/entity/E39PBJtrYvcVTwChrDqytBvJXd |
| geographic_facet | Iran History Revolution, 1979. Iran Histoire 1979 (Révolution) Iran |
| id | ZDB-4-EBA-on1292588172 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:28Z |
| institution | BVB |
| isbn | 9781474479776 1474479774 9781399509114 139950911X 9781474479783 1474479782 |
| language | English |
| oclc_num | 1292588172 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Edinburgh University Press Ltd, |
| record_format | marc |
| spelling | Counter-memories in Iranian cinema / edited by Matthias Wittmann and Ute Holl. Edinburgh : Edinburgh University Press Ltd, 2021. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "Farīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema."--Publisher description. Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past / Tara Najd Ahmadi -- 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory / Sara Saljoughi -- 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures / Chowra Makaremi and Emmanuel Alloa -- PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema / Blake Atwood-- 5. Black Seals: Missive from Iran's National Music / Negar Mottahedeh-- 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami's Koker Trilogy / Ute Holl -- PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses / Matthias Wittmann-- 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami's Shirin (2008) / Michelle Langford -- 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar's Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas / Viktor Ullmann -- PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory / Pedram Partovi -- 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran / Shahram Mokri -- 12. 'At the End of a Century' (1996) / Bahram Beyzaie ; translated by Amir Roshan -- Index Includes bibliographical references and index. Description based on online resource; title from digital title page (viewed on May 01, 2023). Motion pictures Iran History 20th century. Motion pictures Iran History 21st century. Memory in motion pictures. http://id.loc.gov/authorities/subjects/sh89002207 Iran History Revolution, 1979. http://id.loc.gov/authorities/subjects/sh86002666 Cinéma Iran Histoire 20e siècle. Cinéma Iran Histoire 21e siècle. Mémoire au cinéma. Iran Histoire 1979 (Révolution) Memory in motion pictures fast Motion pictures fast Iran fast https://id.oclc.org/worldcat/entity/E39PBJtrYvcVTwChrDqytBvJXd Revolution (Iran : 1979) fast (OCoLC)fst01354530 https://id.oclc.org/worldcat/entity/E39Qhp4vB9cvdttrhwVwvJMVjK 1900-2099 fast History fast Wittmann, Matthias, 1975- editor. https://id.oclc.org/worldcat/entity/E39PCjGHGBKV89X4qgtYQb7wVK http://id.loc.gov/authorities/names/no2015025691 Holl, Ute, editor. Print version: 9781474479783 Print version: 9781474479752 1474479758 (OCoLC)1264138185 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3146961 Volltext |
| spellingShingle | Counter-memories in Iranian cinema / Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past / 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory / 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures / PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema / 5. Black Seals: Missive from Iran's National Music / 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami's Koker Trilogy / PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses / 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami's Shirin (2008) / 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar's Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas / PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory / 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran / 12. 'At the End of a Century' (1996) / Index Motion pictures Iran History 20th century. Motion pictures Iran History 21st century. Memory in motion pictures. http://id.loc.gov/authorities/subjects/sh89002207 Cinéma Iran Histoire 20e siècle. Cinéma Iran Histoire 21e siècle. Mémoire au cinéma. Memory in motion pictures fast Motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh89002207 http://id.loc.gov/authorities/subjects/sh86002666 (OCoLC)fst01354530 |
| title | Counter-memories in Iranian cinema / |
| title_alt | Introduction -- PART I AN ARCHAEOLOGY OF POSSIBLE FUTURES -- 1. The Incomplete: Film, Politics, and Remembering the Past / 2. The Hidden Half, or the Temporal and Collective Politics of Counter-Memory / 3. Counter-Investigations: On Matchboxes, Black Boxes, and other Forgotten Futures / PART II MATERIAL MATTERS: MEMORY, ACCESSIBILITY, TRANSLATION -- 4. An Archaeology of Access: Materiality, Historiography, and Iranian Cinema / 5. Black Seals: Missive from Iran's National Music / 6. Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami's Koker Trilogy / PART III INTERSTICES. NICHES. IMPURE MEMORIES -- 7. Towards an Impure Memory: An Archaeology of Counter-Memories through Telescoping Lenses / 8. Seeking Love in the Interstices: Acousmatic Listening as Counter-Memory in Abbas Kiarostami's Shirin (2008) / 9. Spiritual Counter-Memories of the War: Mohammad Ali Ahangar's Recent Contributions to the Sīnemā-ye Defāʿ-ye Moqaddas / PART IV TRANSGENERATIONAL GAPS AND TRANSMISSIONS -- 10. Filmfarsi as Counter-Memory / 11. A Shadow for Invisible Films: A Way to Break the Monopoly of Image Production in Iran / 12. 'At the End of a Century' (1996) / Index |
| title_auth | Counter-memories in Iranian cinema / |
| title_exact_search | Counter-memories in Iranian cinema / |
| title_full | Counter-memories in Iranian cinema / edited by Matthias Wittmann and Ute Holl. |
| title_fullStr | Counter-memories in Iranian cinema / edited by Matthias Wittmann and Ute Holl. |
| title_full_unstemmed | Counter-memories in Iranian cinema / edited by Matthias Wittmann and Ute Holl. |
| title_short | Counter-memories in Iranian cinema / |
| title_sort | counter memories in iranian cinema |
| topic | Motion pictures Iran History 20th century. Motion pictures Iran History 21st century. Memory in motion pictures. http://id.loc.gov/authorities/subjects/sh89002207 Cinéma Iran Histoire 20e siècle. Cinéma Iran Histoire 21e siècle. Mémoire au cinéma. Memory in motion pictures fast Motion pictures fast |
| topic_facet | Motion pictures Iran History 20th century. Motion pictures Iran History 21st century. Memory in motion pictures. Iran History Revolution, 1979. Cinéma Iran Histoire 20e siècle. Cinéma Iran Histoire 21e siècle. Mémoire au cinéma. Iran Histoire 1979 (Révolution) Memory in motion pictures Motion pictures Iran History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3146961 |
| work_keys_str_mv | AT wittmannmatthias countermemoriesiniraniancinema AT hollute countermemoriesiniraniancinema |