Rude citizenship :: Jamaican popular music, copyright, and the reverberations of colonial power /
"In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street d...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill :
University of North Carolina Press,
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"-- |
| Beschreibung: | 1 online resource (228 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781469667263 1469667266 9781469667256 1469667258 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1292061872 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 210826t20222022ncu ob 001 0 eng d | ||
| 010 | |a 2021041590 | ||
| 040 | |a P@U |b eng |e rda |e pn |c P@U |d YDX |d EBLCP |d N$T |d OCLCO |d TFW |d OCLCO |d JSTOR |d IBI |d OCLCO |d K6U |d OCL |d UKAHL |d OCLCQ |d OCLCO |d OCLCL |d HOPLA |d CDS | ||
| 019 | |a 1292032642 |a 1292063182 |a 1292144636 |a 1292348032 |a 1292360698 | ||
| 020 | |a 9781469667263 |q (electronic book) | ||
| 020 | |a 1469667266 |q (electronic book) | ||
| 020 | |a 9781469667256 |q (electronic book) | ||
| 020 | |a 1469667258 |q (electronic book) | ||
| 020 | |z 9781469667232 |q (hardcover) | ||
| 020 | |z 1469667231 |q (hardcover) | ||
| 020 | |z 9781469667249 |q (paperback) | ||
| 020 | |z 146966724X |q (paperback) | ||
| 035 | |a (OCoLC)1292061872 |z (OCoLC)1292032642 |z (OCoLC)1292063182 |z (OCoLC)1292144636 |z (OCoLC)1292348032 |z (OCoLC)1292360698 | ||
| 037 | |a 22573/ctv1xc8dr4 |b JSTOR | ||
| 043 | |a nwjm--- | ||
| 050 | 4 | |a ML3486.J3 |b M36 2022eb | |
| 072 | 7 | |a MUS |x 015000 |2 bisacsh | |
| 072 | 7 | |a LAW |x 050010 |2 bisacsh | |
| 072 | 7 | |a SOC |x 008050 |2 bisacsh | |
| 082 | 7 | |a 781.63097292 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Mann, Larisa Kingston, |e author. |0 http://id.loc.gov/authorities/names/no2021100318 | |
| 245 | 1 | 0 | |a Rude citizenship : |b Jamaican popular music, copyright, and the reverberations of colonial power / |c Larisa Kingston Mann. |
| 264 | 1 | |a Chapel Hill : |b University of North Carolina Press, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (228 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"-- |c Provided by publisher. | ||
| 588 | 0 | |a Online resource; title from PDF title page (Project MUSE platform, viewed February 7, 2022). | |
| 650 | 0 | |a Copyright |x Music |z Jamaica. | |
| 650 | 0 | |a Music trade |z Jamaica. | |
| 650 | 0 | |a Popular music |x Social aspects |z Jamaica |x History. | |
| 650 | 0 | |a Popular music |z Jamaica |x History and criticism. | |
| 650 | 0 | |a Music and race |z Jamaica. | |
| 650 | 6 | |a Droit d'auteur |x Musique |z Jamaïque. | |
| 650 | 6 | |a Musique |x Industrie |z Jamaïque. | |
| 650 | 6 | |a Musique populaire |x Aspect social |z Jamaïque |x Histoire. | |
| 650 | 6 | |a Musique populaire |z Jamaïque |x Histoire et critique. | |
| 650 | 6 | |a Musique et race |z Jamaïque. | |
| 650 | 7 | |a MUSIC / Ethnomusicology |2 bisacsh | |
| 650 | 7 | |a Music and race |2 fast | |
| 650 | 7 | |a Popular music |x Social aspects |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Music trade |2 fast | |
| 650 | 7 | |a Copyright |x Music |2 fast | |
| 651 | 7 | |a Jamaica |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJgMFVHwFVBfgHmXtgptrq | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Mann, Larisa Kingston. |t Rude citizenship. |d Chapel Hill : University of North Carolina Press, [2022] |z 9781469667232 |w (DLC) 2021041590 |w (OCoLC)1266203998 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3029675 |3 Volltext |
| 938 | |a hoopla Digital |b HOPL |n MWT14812542 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH41740659 | ||
| 938 | |a YBP Library Services |b YANK |n 20508688 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39347853 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_95056 | ||
| 938 | |a YBP Library Services |b YANK |n 302673198 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6849276 | ||
| 938 | |a EBSCOhost |b EBSC |n 3029675 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1292061872 |
|---|---|
| _version_ | 1816882555008319488 |
| adam_text | |
| any_adam_object | |
| author | Mann, Larisa Kingston |
| author_GND | http://id.loc.gov/authorities/names/no2021100318 |
| author_facet | Mann, Larisa Kingston |
| author_role | aut |
| author_sort | Mann, Larisa Kingston |
| author_variant | l k m lk lkm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3486 |
| callnumber-raw | ML3486.J3 M36 2022eb |
| callnumber-search | ML3486.J3 M36 2022eb |
| callnumber-sort | ML 43486 J3 M36 42022EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)1292061872 |
| dewey-full | 781.63097292 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.63097292 |
| dewey-search | 781.63097292 |
| dewey-sort | 3781.63097292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05016cam a2200829 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1292061872</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">210826t20222022ncu ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2021041590</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">P@U</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">P@U</subfield><subfield code="d">YDX</subfield><subfield code="d">EBLCP</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">TFW</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">IBI</subfield><subfield code="d">OCLCO</subfield><subfield code="d">K6U</subfield><subfield code="d">OCL</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">HOPLA</subfield><subfield code="d">CDS</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1292032642</subfield><subfield code="a">1292063182</subfield><subfield code="a">1292144636</subfield><subfield code="a">1292348032</subfield><subfield code="a">1292360698</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781469667263</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1469667266</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781469667256</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1469667258</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781469667232</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1469667231</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781469667249</subfield><subfield code="q">(paperback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">146966724X</subfield><subfield code="q">(paperback)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1292061872</subfield><subfield code="z">(OCoLC)1292032642</subfield><subfield code="z">(OCoLC)1292063182</subfield><subfield code="z">(OCoLC)1292144636</subfield><subfield code="z">(OCoLC)1292348032</subfield><subfield code="z">(OCoLC)1292360698</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1xc8dr4</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">nwjm---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3486.J3</subfield><subfield code="b">M36 2022eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAW</subfield><subfield code="x">050010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC</subfield><subfield code="x">008050</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.63097292</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mann, Larisa Kingston,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2021100318</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Rude citizenship :</subfield><subfield code="b">Jamaican popular music, copyright, and the reverberations of colonial power /</subfield><subfield code="c">Larisa Kingston Mann.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chapel Hill :</subfield><subfield code="b">University of North Carolina Press,</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (228 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (Project MUSE platform, viewed February 7, 2022).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Copyright</subfield><subfield code="x">Music</subfield><subfield code="z">Jamaica.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music trade</subfield><subfield code="z">Jamaica.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Jamaica</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music</subfield><subfield code="z">Jamaica</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and race</subfield><subfield code="z">Jamaica.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Droit d'auteur</subfield><subfield code="x">Musique</subfield><subfield code="z">Jamaïque.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="x">Industrie</subfield><subfield code="z">Jamaïque.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique populaire</subfield><subfield code="x">Aspect social</subfield><subfield code="z">Jamaïque</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique populaire</subfield><subfield code="z">Jamaïque</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique et race</subfield><subfield code="z">Jamaïque.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Ethnomusicology</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music and race</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music trade</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Copyright</subfield><subfield code="x">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Jamaica</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJgMFVHwFVBfgHmXtgptrq</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Mann, Larisa Kingston.</subfield><subfield code="t">Rude citizenship.</subfield><subfield code="d">Chapel Hill : University of North Carolina Press, [2022]</subfield><subfield code="z">9781469667232</subfield><subfield code="w">(DLC) 2021041590</subfield><subfield code="w">(OCoLC)1266203998</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3029675</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">hoopla Digital</subfield><subfield code="b">HOPL</subfield><subfield code="n">MWT14812542</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH41740659</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">20508688</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH39347853</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">musev2_95056</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">302673198</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6849276</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">3029675</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | History fast Criticism, interpretation, etc. fast |
| genre_facet | History Criticism, interpretation, etc. |
| geographic | Jamaica fast https://id.oclc.org/worldcat/entity/E39PBJgMFVHwFVBfgHmXtgptrq |
| geographic_facet | Jamaica |
| id | ZDB-4-EBA-on1292061872 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:28Z |
| institution | BVB |
| isbn | 9781469667263 1469667266 9781469667256 1469667258 |
| language | English |
| lccn | 2021041590 |
| oclc_num | 1292061872 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (228 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | University of North Carolina Press, |
| record_format | marc |
| spelling | Mann, Larisa Kingston, author. http://id.loc.gov/authorities/names/no2021100318 Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / Larisa Kingston Mann. Chapel Hill : University of North Carolina Press, [2022] ©2022 1 online resource (228 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"-- Provided by publisher. Online resource; title from PDF title page (Project MUSE platform, viewed February 7, 2022). Copyright Music Jamaica. Music trade Jamaica. Popular music Social aspects Jamaica History. Popular music Jamaica History and criticism. Music and race Jamaica. Droit d'auteur Musique Jamaïque. Musique Industrie Jamaïque. Musique populaire Aspect social Jamaïque Histoire. Musique populaire Jamaïque Histoire et critique. Musique et race Jamaïque. MUSIC / Ethnomusicology bisacsh Music and race fast Popular music Social aspects fast Popular music fast Music trade fast Copyright Music fast Jamaica fast https://id.oclc.org/worldcat/entity/E39PBJgMFVHwFVBfgHmXtgptrq History fast Criticism, interpretation, etc. fast Print version: Mann, Larisa Kingston. Rude citizenship. Chapel Hill : University of North Carolina Press, [2022] 9781469667232 (DLC) 2021041590 (OCoLC)1266203998 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3029675 Volltext |
| spellingShingle | Mann, Larisa Kingston Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / Copyright Music Jamaica. Music trade Jamaica. Popular music Social aspects Jamaica History. Popular music Jamaica History and criticism. Music and race Jamaica. Droit d'auteur Musique Jamaïque. Musique Industrie Jamaïque. Musique populaire Aspect social Jamaïque Histoire. Musique populaire Jamaïque Histoire et critique. Musique et race Jamaïque. MUSIC / Ethnomusicology bisacsh Music and race fast Popular music Social aspects fast Popular music fast Music trade fast Copyright Music fast |
| title | Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / |
| title_auth | Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / |
| title_exact_search | Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / |
| title_full | Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / Larisa Kingston Mann. |
| title_fullStr | Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / Larisa Kingston Mann. |
| title_full_unstemmed | Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power / Larisa Kingston Mann. |
| title_short | Rude citizenship : |
| title_sort | rude citizenship jamaican popular music copyright and the reverberations of colonial power |
| title_sub | Jamaican popular music, copyright, and the reverberations of colonial power / |
| topic | Copyright Music Jamaica. Music trade Jamaica. Popular music Social aspects Jamaica History. Popular music Jamaica History and criticism. Music and race Jamaica. Droit d'auteur Musique Jamaïque. Musique Industrie Jamaïque. Musique populaire Aspect social Jamaïque Histoire. Musique populaire Jamaïque Histoire et critique. Musique et race Jamaïque. MUSIC / Ethnomusicology bisacsh Music and race fast Popular music Social aspects fast Popular music fast Music trade fast Copyright Music fast |
| topic_facet | Copyright Music Jamaica. Music trade Jamaica. Popular music Social aspects Jamaica History. Popular music Jamaica History and criticism. Music and race Jamaica. Droit d'auteur Musique Jamaïque. Musique Industrie Jamaïque. Musique populaire Aspect social Jamaïque Histoire. Musique populaire Jamaïque Histoire et critique. Musique et race Jamaïque. MUSIC / Ethnomusicology Music and race Popular music Social aspects Popular music Music trade Copyright Music Jamaica History Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3029675 |
| work_keys_str_mv | AT mannlarisakingston rudecitizenshipjamaicanpopularmusiccopyrightandthereverberationsofcolonialpower |