Seeing and Perceiving: Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg :
Universitätsverlag Winter,
2021.
|
| Schriftenreihe: | American studies (Munich, Germany) ;
v. 311. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Description based upon print version of record. |
| Beschreibung: | 1 online resource (329 p.). |
| ISBN: | 382537260X 9783825372606 |
Internformat
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| 245 | 1 | 0 | |a Seeing and Perceiving |h [electronic resource] : |b Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| 260 | |a Heidelberg : |b Universitätsverlag Winter, |c 2021. | ||
| 300 | |a 1 online resource (329 p.). | ||
| 490 | 1 | |a American Studies - A Monograph Series ; |v v.311 | |
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Cover -- Titel -- Imprint -- TABLE OF CONTENTS -- INTRODUCTION -- 1 SEEING AND PERCEIVING: KEY CONCEPTS AND APPROACHES -- 1.1 The Traditional Conceptions of Vision and the Mind-Brain Problem -- 1.2 The "Whole-Body-in-Relation-to-Its-Environment" Conceptions of Seeing -- 1.3 Intentionality and Embodiment: Phenomenological and Feminist Perspectives -- 1.4 The Gaze in Lacanian Psychoanalysis -- 1.5 Writing Seeing: Ekphrasis, Intermediality, and Literary Visuality -- Concluding Remarks: "Ambiguity as a Philosophical Position" -- 2 SYNESTHETIC PERCEPTION | |
| 505 | 8 | |a 2.1 "Inter-Acting Senses" in Hustvedt's Early Novels -- 2.1.1 SYNESTHETIC PERCEPTION OF PHOTOGRAPHS IN 'THE BLINDFOLD' -- 2.1.2 THE INTERACTION OF THE VISUAL AND THE TACTILE SENSES IN 'THE ENCHANTMENT OF LILY DAHL' AND 'WHAT I LOVEd' -- 2.2 Synesthesia and Memory in 'Memories of the Future' -- 2.2.1 SYNESTHESIA AND CARNAL AFFECTIVITY -- 2.2.2 NARRATIVIZING MEMORY -- Concluding Remarks -- 3. EMBODIED INTERSUBJECTIVITY -- 3.1 Towards a Theory of Embodied Intersubjectivity -- 3.2 Embodied Intersubjective Practices -- 3.2.1 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE AUTHOR, THE TEXT, AND THE READER | |
| 505 | 8 | |a 3.2.2 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE ARTIST, THE ARTWORK, AND THE VIEWER -- Concluding Remarks -- 4. GENDER MASQUERADE -- 4.1 Seeing (through) Gender: Feminist Discourse and the Motif of Masquerade -- 4.1.1 GENDER, MASQUERADE, AND PERFORMATIVITY: IRIS MASQUERADING AS KLAUS -- 4.1.2 MASQUERADE INVERSIONS: HARRY AND RUNE'S MASKED IMPROVISATION -- 4.1.3 'THE SUMMER WITHOUT MEN AND THE BLAZING WORLD': 'HAPPY HOUSEWIVES' VS. ARTISTS -- 4.2 Gender and/or Genius: The Mask as a "Mingled Reality" between Self and Other | |
| 505 | 8 | |a 4.2.1 MONSTERS AT HOME: ABIGAIL'S "PRIVATE AMUSEMENTS" AND HARRY'S THE BLAZING WOMAN -- 4.2.2 'MASKINGS' -- Concluding Remarks -- CONCLUSION -- WORKS CITED -- LIST OF ILLUSTRATIONS -- Backcover | |
| 600 | 1 | 0 | |a Hustvedt, Siri |x Criticism and interpretation. |
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| contents | Cover -- Titel -- Imprint -- TABLE OF CONTENTS -- INTRODUCTION -- 1 SEEING AND PERCEIVING: KEY CONCEPTS AND APPROACHES -- 1.1 The Traditional Conceptions of Vision and the Mind-Brain Problem -- 1.2 The "Whole-Body-in-Relation-to-Its-Environment" Conceptions of Seeing -- 1.3 Intentionality and Embodiment: Phenomenological and Feminist Perspectives -- 1.4 The Gaze in Lacanian Psychoanalysis -- 1.5 Writing Seeing: Ekphrasis, Intermediality, and Literary Visuality -- Concluding Remarks: "Ambiguity as a Philosophical Position" -- 2 SYNESTHETIC PERCEPTION 2.1 "Inter-Acting Senses" in Hustvedt's Early Novels -- 2.1.1 SYNESTHETIC PERCEPTION OF PHOTOGRAPHS IN 'THE BLINDFOLD' -- 2.1.2 THE INTERACTION OF THE VISUAL AND THE TACTILE SENSES IN 'THE ENCHANTMENT OF LILY DAHL' AND 'WHAT I LOVEd' -- 2.2 Synesthesia and Memory in 'Memories of the Future' -- 2.2.1 SYNESTHESIA AND CARNAL AFFECTIVITY -- 2.2.2 NARRATIVIZING MEMORY -- Concluding Remarks -- 3. EMBODIED INTERSUBJECTIVITY -- 3.1 Towards a Theory of Embodied Intersubjectivity -- 3.2 Embodied Intersubjective Practices -- 3.2.1 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE AUTHOR, THE TEXT, AND THE READER 3.2.2 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE ARTIST, THE ARTWORK, AND THE VIEWER -- Concluding Remarks -- 4. GENDER MASQUERADE -- 4.1 Seeing (through) Gender: Feminist Discourse and the Motif of Masquerade -- 4.1.1 GENDER, MASQUERADE, AND PERFORMATIVITY: IRIS MASQUERADING AS KLAUS -- 4.1.2 MASQUERADE INVERSIONS: HARRY AND RUNE'S MASKED IMPROVISATION -- 4.1.3 'THE SUMMER WITHOUT MEN AND THE BLAZING WORLD': 'HAPPY HOUSEWIVES' VS. ARTISTS -- 4.2 Gender and/or Genius: The Mask as a "Mingled Reality" between Self and Other 4.2.1 MONSTERS AT HOME: ABIGAIL'S "PRIVATE AMUSEMENTS" AND HARRY'S THE BLAZING WOMAN -- 4.2.2 'MASKINGS' -- Concluding Remarks -- CONCLUSION -- WORKS CITED -- LIST OF ILLUSTRATIONS -- Backcover |
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| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
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| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1291316248 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:28Z |
| institution | BVB |
| isbn | 382537260X 9783825372606 |
| language | English |
| oclc_num | 1291316248 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (329 p.). |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
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| publisher | Universitätsverlag Winter, |
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| series | American studies (Munich, Germany) ; |
| series2 | American Studies - A Monograph Series ; |
| spelling | Wagner, Diana. Seeing and Perceiving [electronic resource] : Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. Heidelberg : Universitätsverlag Winter, 2021. 1 online resource (329 p.). American Studies - A Monograph Series ; v.311 Description based upon print version of record. Cover -- Titel -- Imprint -- TABLE OF CONTENTS -- INTRODUCTION -- 1 SEEING AND PERCEIVING: KEY CONCEPTS AND APPROACHES -- 1.1 The Traditional Conceptions of Vision and the Mind-Brain Problem -- 1.2 The "Whole-Body-in-Relation-to-Its-Environment" Conceptions of Seeing -- 1.3 Intentionality and Embodiment: Phenomenological and Feminist Perspectives -- 1.4 The Gaze in Lacanian Psychoanalysis -- 1.5 Writing Seeing: Ekphrasis, Intermediality, and Literary Visuality -- Concluding Remarks: "Ambiguity as a Philosophical Position" -- 2 SYNESTHETIC PERCEPTION 2.1 "Inter-Acting Senses" in Hustvedt's Early Novels -- 2.1.1 SYNESTHETIC PERCEPTION OF PHOTOGRAPHS IN 'THE BLINDFOLD' -- 2.1.2 THE INTERACTION OF THE VISUAL AND THE TACTILE SENSES IN 'THE ENCHANTMENT OF LILY DAHL' AND 'WHAT I LOVEd' -- 2.2 Synesthesia and Memory in 'Memories of the Future' -- 2.2.1 SYNESTHESIA AND CARNAL AFFECTIVITY -- 2.2.2 NARRATIVIZING MEMORY -- Concluding Remarks -- 3. EMBODIED INTERSUBJECTIVITY -- 3.1 Towards a Theory of Embodied Intersubjectivity -- 3.2 Embodied Intersubjective Practices -- 3.2.1 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE AUTHOR, THE TEXT, AND THE READER 3.2.2 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE ARTIST, THE ARTWORK, AND THE VIEWER -- Concluding Remarks -- 4. GENDER MASQUERADE -- 4.1 Seeing (through) Gender: Feminist Discourse and the Motif of Masquerade -- 4.1.1 GENDER, MASQUERADE, AND PERFORMATIVITY: IRIS MASQUERADING AS KLAUS -- 4.1.2 MASQUERADE INVERSIONS: HARRY AND RUNE'S MASKED IMPROVISATION -- 4.1.3 'THE SUMMER WITHOUT MEN AND THE BLAZING WORLD': 'HAPPY HOUSEWIVES' VS. ARTISTS -- 4.2 Gender and/or Genius: The Mask as a "Mingled Reality" between Self and Other 4.2.1 MONSTERS AT HOME: ABIGAIL'S "PRIVATE AMUSEMENTS" AND HARRY'S THE BLAZING WOMAN -- 4.2.2 'MASKINGS' -- Concluding Remarks -- CONCLUSION -- WORKS CITED -- LIST OF ILLUSTRATIONS -- Backcover Hustvedt, Siri Criticism and interpretation. Hustvedt, Siri fast https://id.oclc.org/worldcat/entity/E39PBJfcPwG7tFpFvdBjRPwcT3 Criticism, interpretation, etc. fast has work: Seeing and perceiving (Text) https://id.oclc.org/worldcat/entity/E39PCGTCbkQfDF7Cx8r6CpgbtX https://id.oclc.org/worldcat/ontology/hasWork Print version: Wagner, Diana Seeing and Perceiving Heidelberg : Universitätsverlag Winter,c2021 9783825347819 American studies (Munich, Germany) ; v. 311. http://id.loc.gov/authorities/names/n83734799 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3134317 Volltext |
| spellingShingle | Wagner, Diana Seeing and Perceiving Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. American studies (Munich, Germany) ; Cover -- Titel -- Imprint -- TABLE OF CONTENTS -- INTRODUCTION -- 1 SEEING AND PERCEIVING: KEY CONCEPTS AND APPROACHES -- 1.1 The Traditional Conceptions of Vision and the Mind-Brain Problem -- 1.2 The "Whole-Body-in-Relation-to-Its-Environment" Conceptions of Seeing -- 1.3 Intentionality and Embodiment: Phenomenological and Feminist Perspectives -- 1.4 The Gaze in Lacanian Psychoanalysis -- 1.5 Writing Seeing: Ekphrasis, Intermediality, and Literary Visuality -- Concluding Remarks: "Ambiguity as a Philosophical Position" -- 2 SYNESTHETIC PERCEPTION 2.1 "Inter-Acting Senses" in Hustvedt's Early Novels -- 2.1.1 SYNESTHETIC PERCEPTION OF PHOTOGRAPHS IN 'THE BLINDFOLD' -- 2.1.2 THE INTERACTION OF THE VISUAL AND THE TACTILE SENSES IN 'THE ENCHANTMENT OF LILY DAHL' AND 'WHAT I LOVEd' -- 2.2 Synesthesia and Memory in 'Memories of the Future' -- 2.2.1 SYNESTHESIA AND CARNAL AFFECTIVITY -- 2.2.2 NARRATIVIZING MEMORY -- Concluding Remarks -- 3. EMBODIED INTERSUBJECTIVITY -- 3.1 Towards a Theory of Embodied Intersubjectivity -- 3.2 Embodied Intersubjective Practices -- 3.2.1 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE AUTHOR, THE TEXT, AND THE READER 3.2.2 EMBODIED INTERSUBJECTIVE 'MIXING' OF THE ARTIST, THE ARTWORK, AND THE VIEWER -- Concluding Remarks -- 4. GENDER MASQUERADE -- 4.1 Seeing (through) Gender: Feminist Discourse and the Motif of Masquerade -- 4.1.1 GENDER, MASQUERADE, AND PERFORMATIVITY: IRIS MASQUERADING AS KLAUS -- 4.1.2 MASQUERADE INVERSIONS: HARRY AND RUNE'S MASKED IMPROVISATION -- 4.1.3 'THE SUMMER WITHOUT MEN AND THE BLAZING WORLD': 'HAPPY HOUSEWIVES' VS. ARTISTS -- 4.2 Gender and/or Genius: The Mask as a "Mingled Reality" between Self and Other 4.2.1 MONSTERS AT HOME: ABIGAIL'S "PRIVATE AMUSEMENTS" AND HARRY'S THE BLAZING WOMAN -- 4.2.2 'MASKINGS' -- Concluding Remarks -- CONCLUSION -- WORKS CITED -- LIST OF ILLUSTRATIONS -- Backcover Hustvedt, Siri Criticism and interpretation. Hustvedt, Siri fast https://id.oclc.org/worldcat/entity/E39PBJfcPwG7tFpFvdBjRPwcT3 |
| title | Seeing and Perceiving Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| title_auth | Seeing and Perceiving Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| title_exact_search | Seeing and Perceiving Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| title_full | Seeing and Perceiving [electronic resource] : Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| title_fullStr | Seeing and Perceiving [electronic resource] : Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| title_full_unstemmed | Seeing and Perceiving [electronic resource] : Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| title_short | Seeing and Perceiving |
| title_sort | seeing and perceiving synesthetic perception embodied intersubjectivity and gender masquerade in siri hustvedt s works |
| title_sub | Synesthetic Perception, Embodied Intersubjectivity, and Gender Masquerade in Siri Hustvedt's Works. |
| topic | Hustvedt, Siri Criticism and interpretation. Hustvedt, Siri fast https://id.oclc.org/worldcat/entity/E39PBJfcPwG7tFpFvdBjRPwcT3 |
| topic_facet | Hustvedt, Siri Criticism and interpretation. Hustvedt, Siri Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3134317 |
| work_keys_str_mv | AT wagnerdiana seeingandperceivingsynestheticperceptionembodiedintersubjectivityandgendermasqueradeinsirihustvedtsworks |