Arab music :: a survey of its history and its modern practice /
Is primarily meant for the general Western reader with some basic knowledge of music and music notation. It aims at correcting the still prevalent romantic image of Arab music, spread in the 19th century, as exotic and typified by long, plaintive and erotic sounding melodic lines and inciting rhythm...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Summertown, Oxford :
Archaeopress Publishing Ltd,
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Is primarily meant for the general Western reader with some basic knowledge of music and music notation. It aims at correcting the still prevalent romantic image of Arab music, spread in the 19th century, as exotic and typified by long, plaintive and erotic sounding melodic lines and inciting rhythms. It offers the reader a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian rai and Palestinian hip hop. Other topics touched upon are musical instruments and folk music. The analysis of each genre is accompanied by a complete musical notation of an exemplary composition or improvisation, including lyrics and translation. |
| Beschreibung: | 1 online resource (viii, 200 pages) : illustrations (some color), music |
| Bibliographie: | Includes bibliographical references (pages 180-185), discography (pages 186-187), and index. |
| ISBN: | 9781789699333 1789699339 |
Internformat
MARC
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| 100 | 1 | |a Plenckers, Leo J., |e author. |0 http://id.loc.gov/authorities/names/no99058751 | |
| 245 | 1 | 0 | |a Arab music : |b a survey of its history and its modern practice / |c Leo Plenckers. |
| 264 | 1 | |a Summertown, Oxford : |b Archaeopress Publishing Ltd, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (viii, 200 pages) : |b illustrations (some color), music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 180-185), discography (pages 186-187), and index. | ||
| 505 | 0 | 0 | |g Part 1: |t Historical background -- |t Introduction -- |t The legacy of past centuries -- |t Egypt and Mesopotamia -- |t From the third century BCE to the seventh century CE -- |t Arab music before the arrival of the Islam -- |t The Bedouins -- |t Mecca and Medina -- |t Musical instruments -- |t The early Islamic period and the Umayyad Caliphate (600-750) -- |t The muḳannaṯ -- |t Damascus -- |t The Golden Age of the Abbasids (eighth and ninth centuries) -- |t Music at the court of Harun ar-Rasid -- |t The emergence of Andalusia -- |t The beginning of the Andalusian music tradition: Ziryāb -- |t Music theory -- |t The tenth to the thirteenth century -- |t Music theory in the Mashriq -- |t Al-Fārābī -- |t Al-Ḥasan ibn Aḥmad -- |t Ibn Sīnā -- |t Developments since the tenth century in the Maghreb -- |t From circa 1250 to 1600 -- |t Musical life -- |t Music theory -- |t The basic tone range -- |t The basic scales jins and šadd -- |t Transposition of modes -- |t Rhythm -- |t Forms of compositions -- |t The organization of the modes and cosmology -- |t Musical instruments -- |t From the late fifteenth to the mid-nineteenth century -- |t From 1850 to the end of the twentieth century -- |t The period of the Arab renaissance, the nahḍa -- |t The twentieth century -- |t The lyric theatre -- |t The music film and Muḥammad ʿAbdū-l-Wahhāb -- |t The radio and Umm Kulthūm -- |t The turāṯ or musical heritage -- |t The seventies, a change of generations -- |g Part 2: |t The modern time -- |t Introduction -- |t The tone system -- |t Temperament -- |t The jins -- |t The maqām -- |t The number of maqāmāt -- |t The tonal structure of a maqām -- |t The main maqāmāt -- |t Rāst -- |t Bayātī -- |t Sabā -- |t Sīkā -- |t Huzām -- |t ʿAjām -- |t Nahāwand -- |t Nawā aṯar -- |t Ḥijāz -- |t Modulations -- |t Meter and rhythm -- |t Simple binary awzān -- |t Simple ternary awzān -- |t Some compound awzān -- |t dawr hindi -- |t nawakt -- |t aqsāq -- |t aqsāq ṯaqīl -- |t samāʿī ṯaqīl -- |t ʿawīs -- |t dawr kabīr turki -- |t The classical urban music -- |t The tradition of Iraq: al-maqām al-ʿirāqī -- |t The classical tradition of Syria and Egypt, the waṣla -- |t The instrumental forms of the Syrian and Egyptian tradition -- |t The taqsīm -- |t The samāʿī -- |t The bašraf -- |t The lūnga -- |t The dūlāb -- |t The taḥmīla -- |t The vocal forms of the Syrian and Egyptian tradition -- |t The mawwāl -- |t The layālī -- |t The dawr -- |t The uġniya -- |t The muwaššaḥ -- |t Classical traditions in North Africa: the nawba -- |t The Moroccan nawba tadition -- |t The Algerian nawba tradition -- |t The Tunisian nawba tradition -- |t Popular music -- |t Firqa songs -- |t The Egyptian šaʿbī -- |t The Egyptian gīl -- |t The Algerian raï -- |t The Moroccan šaʿbī (chaâbi) -- |t The Arab hiphop -- |t Folk Music -- |t The Middle East -- |t The Bedouins -- |t The sedentary population -- |t Non-metrical songs of the sedentary population -- |t Metrical songs of the sedentary population -- |t The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- |t The Maghreb -- |t Vocal music -- |t Instrumental music. |
| 520 | 8 | |a Is primarily meant for the general Western reader with some basic knowledge of music and music notation. It aims at correcting the still prevalent romantic image of Arab music, spread in the 19th century, as exotic and typified by long, plaintive and erotic sounding melodic lines and inciting rhythms. It offers the reader a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian rai and Palestinian hip hop. Other topics touched upon are musical instruments and folk music. The analysis of each genre is accompanied by a complete musical notation of an exemplary composition or improvisation, including lyrics and translation. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Arabs |x Music |x History and criticism. | |
| 650 | 0 | |a Songs, Arabic |x History and criticism. | |
| 650 | 6 | |a Arabes |x Musique |x Histoire et critique. | |
| 650 | 6 | |a Chansons arabes |x Histoire et critique. | |
| 650 | 7 | |a Arabs |x Music |2 fast | |
| 650 | 7 | |a Songs, Arabic |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Plenckers, Leo J. |t Arab music. |d Oxford : Archaeopress, 2021 |z 1789699320 |w (OCoLC)1286314024 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1289609049 |
|---|---|
| _version_ | 1816882554291093504 |
| adam_text | |
| any_adam_object | |
| author | Plenckers, Leo J. |
| author_GND | http://id.loc.gov/authorities/names/no99058751 |
| author_facet | Plenckers, Leo J. |
| author_role | aut |
| author_sort | Plenckers, Leo J. |
| author_variant | l j p lj ljp |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML348 |
| callnumber-raw | ML348 .P54 2021eb |
| callnumber-search | ML348 .P54 2021eb |
| callnumber-sort | ML 3348 P54 42021EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE -- Arab music before the arrival of the Islam -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600-750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- The beginning of the Andalusian music tradition: Ziryāb -- Music theory -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- The modern time -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- Rāst -- Bayātī -- Sabā -- Sīkā -- Huzām -- ʿAjām -- Nahāwand -- Nawā aṯar -- Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- dawr hindi -- nawakt -- aqsāq -- aqsāq ṯaqīl -- samāʿī ṯaqīl -- ʿawīs -- dawr kabīr turki -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The samāʿī -- The bašraf -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The layālī -- The dawr -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The sedentary population -- Non-metrical songs of the sedentary population -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal music -- Instrumental music. |
| ctrlnum | (OCoLC)1289609049 |
| dewey-full | 780.9174927 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9174927 |
| dewey-search | 780.9174927 |
| dewey-sort | 3780.9174927 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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the nawba --</subfield><subfield code="t">The Moroccan nawba tadition --</subfield><subfield code="t">The Algerian nawba tradition --</subfield><subfield code="t">The Tunisian nawba tradition --</subfield><subfield code="t">Popular music --</subfield><subfield code="t">Firqa songs --</subfield><subfield code="t">The Egyptian šaʿbī --</subfield><subfield code="t">The Egyptian gīl --</subfield><subfield code="t">The Algerian raï --</subfield><subfield code="t">The Moroccan šaʿbī (chaâbi) --</subfield><subfield code="t">The Arab hiphop --</subfield><subfield code="t">Folk Music --</subfield><subfield code="t">The Middle East --</subfield><subfield code="t">The Bedouins --</subfield><subfield code="t">The sedentary population --</subfield><subfield code="t">Non-metrical songs of the sedentary population --</subfield><subfield code="t">Metrical songs of the sedentary population --</subfield><subfield code="t">The music of the inhabitants of the eastern and southern coast of the Arabian 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It aims at correcting the still prevalent romantic image of Arab music, spread in the 19th century, as exotic and typified by long, plaintive and erotic sounding melodic lines and inciting rhythms. It offers the reader a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian rai and Palestinian hip hop. Other topics touched upon are musical instruments and folk music. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-on1289609049 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:27Z |
| institution | BVB |
| isbn | 9781789699333 1789699339 |
| language | English |
| oclc_num | 1289609049 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 200 pages) : illustrations (some color), music |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Archaeopress Publishing Ltd, |
| record_format | marc |
| spelling | Plenckers, Leo J., author. http://id.loc.gov/authorities/names/no99058751 Arab music : a survey of its history and its modern practice / Leo Plenckers. Summertown, Oxford : Archaeopress Publishing Ltd, [2021] ©2021 1 online resource (viii, 200 pages) : illustrations (some color), music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 180-185), discography (pages 186-187), and index. Part 1: Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE -- Arab music before the arrival of the Islam -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600-750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- The beginning of the Andalusian music tradition: Ziryāb -- Music theory -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- Music theory -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- Musical instruments -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- Part 2: The modern time -- Introduction -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- Rāst -- Bayātī -- Sabā -- Sīkā -- Huzām -- ʿAjām -- Nahāwand -- Nawā aṯar -- Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- dawr hindi -- nawakt -- aqsāq -- aqsāq ṯaqīl -- samāʿī ṯaqīl -- ʿawīs -- dawr kabīr turki -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The samāʿī -- The bašraf -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The layālī -- The dawr -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The Bedouins -- The sedentary population -- Non-metrical songs of the sedentary population -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal music -- Instrumental music. Is primarily meant for the general Western reader with some basic knowledge of music and music notation. It aims at correcting the still prevalent romantic image of Arab music, spread in the 19th century, as exotic and typified by long, plaintive and erotic sounding melodic lines and inciting rhythms. It offers the reader a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian rai and Palestinian hip hop. Other topics touched upon are musical instruments and folk music. The analysis of each genre is accompanied by a complete musical notation of an exemplary composition or improvisation, including lyrics and translation. Print version record. Arabs Music History and criticism. Songs, Arabic History and criticism. Arabes Musique Histoire et critique. Chansons arabes Histoire et critique. Arabs Music fast Songs, Arabic fast Criticism, interpretation, etc. fast Print version: Plenckers, Leo J. Arab music. Oxford : Archaeopress, 2021 1789699320 (OCoLC)1286314024 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3123242 Volltext |
| spellingShingle | Plenckers, Leo J. Arab music : a survey of its history and its modern practice / Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE -- Arab music before the arrival of the Islam -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600-750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- The beginning of the Andalusian music tradition: Ziryāb -- Music theory -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- The modern time -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- Rāst -- Bayātī -- Sabā -- Sīkā -- Huzām -- ʿAjām -- Nahāwand -- Nawā aṯar -- Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- dawr hindi -- nawakt -- aqsāq -- aqsāq ṯaqīl -- samāʿī ṯaqīl -- ʿawīs -- dawr kabīr turki -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The samāʿī -- The bašraf -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The layālī -- The dawr -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The sedentary population -- Non-metrical songs of the sedentary population -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal music -- Instrumental music. Arabs Music History and criticism. Songs, Arabic History and criticism. Arabes Musique Histoire et critique. Chansons arabes Histoire et critique. Arabs Music fast Songs, Arabic fast |
| title | Arab music : a survey of its history and its modern practice / |
| title_alt | Historical background -- Introduction -- The legacy of past centuries -- Egypt and Mesopotamia -- From the third century BCE to the seventh century CE -- Arab music before the arrival of the Islam -- The Bedouins -- Mecca and Medina -- Musical instruments -- The early Islamic period and the Umayyad Caliphate (600-750) -- The muḳannaṯ -- Damascus -- The Golden Age of the Abbasids (eighth and ninth centuries) -- Music at the court of Harun ar-Rasid -- The emergence of Andalusia -- The beginning of the Andalusian music tradition: Ziryāb -- Music theory -- The tenth to the thirteenth century -- Music theory in the Mashriq -- Al-Fārābī -- Al-Ḥasan ibn Aḥmad -- Ibn Sīnā -- Developments since the tenth century in the Maghreb -- From circa 1250 to 1600 -- Musical life -- The basic tone range -- The basic scales jins and šadd -- Transposition of modes -- Rhythm -- Forms of compositions -- The organization of the modes and cosmology -- From the late fifteenth to the mid-nineteenth century -- From 1850 to the end of the twentieth century -- The period of the Arab renaissance, the nahḍa -- The twentieth century -- The lyric theatre -- The music film and Muḥammad ʿAbdū-l-Wahhāb -- The radio and Umm Kulthūm -- The turāṯ or musical heritage -- The seventies, a change of generations -- The modern time -- The tone system -- Temperament -- The jins -- The maqām -- The number of maqāmāt -- The tonal structure of a maqām -- The main maqāmāt -- Rāst -- Bayātī -- Sabā -- Sīkā -- Huzām -- ʿAjām -- Nahāwand -- Nawā aṯar -- Ḥijāz -- Modulations -- Meter and rhythm -- Simple binary awzān -- Simple ternary awzān -- Some compound awzān -- dawr hindi -- nawakt -- aqsāq -- aqsāq ṯaqīl -- samāʿī ṯaqīl -- ʿawīs -- dawr kabīr turki -- The classical urban music -- The tradition of Iraq: al-maqām al-ʿirāqī -- The classical tradition of Syria and Egypt, the waṣla -- The instrumental forms of the Syrian and Egyptian tradition -- The taqsīm -- The samāʿī -- The bašraf -- The lūnga -- The dūlāb -- The taḥmīla -- The vocal forms of the Syrian and Egyptian tradition -- The mawwāl -- The layālī -- The dawr -- The uġniya -- The muwaššaḥ -- Classical traditions in North Africa: the nawba -- The Moroccan nawba tadition -- The Algerian nawba tradition -- The Tunisian nawba tradition -- Popular music -- Firqa songs -- The Egyptian šaʿbī -- The Egyptian gīl -- The Algerian raï -- The Moroccan šaʿbī (chaâbi) -- The Arab hiphop -- Folk Music -- The Middle East -- The sedentary population -- Non-metrical songs of the sedentary population -- Metrical songs of the sedentary population -- The music of the inhabitants of the eastern and southern coast of the Arabian Peninsula -- The Maghreb -- Vocal music -- Instrumental music. |
| title_auth | Arab music : a survey of its history and its modern practice / |
| title_exact_search | Arab music : a survey of its history and its modern practice / |
| title_full | Arab music : a survey of its history and its modern practice / Leo Plenckers. |
| title_fullStr | Arab music : a survey of its history and its modern practice / Leo Plenckers. |
| title_full_unstemmed | Arab music : a survey of its history and its modern practice / Leo Plenckers. |
| title_short | Arab music : |
| title_sort | arab music a survey of its history and its modern practice |
| title_sub | a survey of its history and its modern practice / |
| topic | Arabs Music History and criticism. Songs, Arabic History and criticism. Arabes Musique Histoire et critique. Chansons arabes Histoire et critique. Arabs Music fast Songs, Arabic fast |
| topic_facet | Arabs Music History and criticism. Songs, Arabic History and criticism. Arabes Musique Histoire et critique. Chansons arabes Histoire et critique. Arabs Music Songs, Arabic Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3123242 |
| work_keys_str_mv | AT plenckersleoj arabmusicasurveyofitshistoryanditsmodernpractice |