This volume considers how ideas were made visible through the making of art and visual experience occasioned by reception during the long eighteenth century. The event that gave rise to the collection was the 15th David Nochol Smith Seminar in Eighteenth-Century Studies, which launched a new Austral...

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Weitere Verfasser:	Milam, Jennifer, Parsons, Nicola, Maskill, David, Priebe, Jessica, Martin, Matthew J., Fripp, Jessica, Windorf, Wiebke, Cooper, Melanie, Ferng, Jennifer
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Newark, Delaware : University of Delaware Press, 2022.
Schriftenreihe:	University of Delaware Press studies in 17th- and 18th- century art and culture.
Schlagworte:	1700-1799 Art, Modern > 18th century. Art objects > Psychological aspects. Art > 18e siècle. Objets d'art > Aspect psychologique. ART > General. Art, Modern David Nichol Smith, New Zealand Society of Eighteenth-Century Studies, eighteenth-century studies, cultural studies, eighteenth-century biography, the Enlightenment, intellectual Enlightenment history, Enlightenment art and architecture, art history, material formation, material culture, materiality, visual experience, garden design, still lifes, portraiture, sculptures, porcelain, monuments, naval architecture, the sense of self, selfhood, collectors, collecting. Electronic books. Electronic book.
Online-Zugang:	DE-862 DE-863
Zusammenfassung:	This volume considers how ideas were made visible through the making of art and visual experience occasioned by reception during the long eighteenth century. The event that gave rise to the collection was the 15th David Nochol Smith Seminar in Eighteenth-Century Studies, which launched a new Australian and New Zealand Society of Eighteenth-Century Studies. Two strands of interest are explored by the individual authors. The first four essays work with ideas about material objects and identity formation, suggesting how the artist's physical environment contributes to the sense of self, as a practicing artist or artisan, as an individual patron or collector, or as a woman or religious outsider. The last four essays address the intellectual work that can be expressed through or performed by objects. Through a consideration of the material formation of concepts, this book explores questions that are implicated by the need to see ideas in painted, sculpted, illustrated, and designed forms. In doing so, it introduces new visual materials and novel conceptual models into traditional accounts of the intellectual history of the Enlightenment.
Beschreibung:	1 online resource (241 pages).
ISBN:	1644532352 9781644532355 1644532344 9781644532348