Unsettling Canadian art history /:
"Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colon...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
[2022]
|
| Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, Unsettling Canadian Art History imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture."-- |
| Beschreibung: | 1 online resource (xviii, 340 pages) : illustrations (chiefly color). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780228013280 0228013283 |
Internformat
MARC
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|---|---|---|---|
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| 245 | 0 | 0 | |a Unsettling Canadian art history / |c edited by Erin Morton. |
| 264 | 1 | |a Montreal ; |a Kingston ; |a London ; |a Chicago : |b McGill-Queen's University Press, |c [2022] | |
| 300 | |a 1 online resource (xviii, 340 pages) : |b illustrations (chiefly color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, Unsettling Canadian Art History imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture."-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on May 16, 2022). | ||
| 505 | 0 | 0 | |t Front Matter -- |t Contents -- |t Preface -- |t Acknowledgments -- |t Unsettling Canadian Art History -- |t Unsettling Settler Methodologies, Re-centring Decolonial Knowledge -- |t White Settler Tautologies and Pioneer Lies in Mi'kma'ki -- |t Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau -- |t Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector -- |t Silence as Resistance: When Silence Is the Only Weapon You Have Left -- |t Excavating and Creating Decolonial Archives -- |t Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Häussler´s He Named Her Amber, Camille Turner´s BlackGrange, and Robert Houle´s Garrison Creek Project -- |t "Ran away from her Master ... a Negroe Girl named Thursday": Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements -- |t "Miner with a Heart of Gold": Native North America, Vol. 1 and the Colonial Excavation of Authenticity -- |t Excavation: Memory Work -- |t Reclaiming Sexualities, Tracing Complicities -- |t Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger's Embodied 2Spirit Arts Praxis -- |t Coming Out a l'Oriental: Diasporic Art and Colonial Wounds -- |t Indian Americans Engulfing "American Indian": Marking the "Dot Indians'" Indianness through Genocide and Casteism in Diaspora -- |t Figures -- |t Bibliography -- |t Contributors -- |t Index |
| 650 | 0 | |a Art and society |z Canada. | |
| 650 | 0 | |a Colonization in art. |0 http://id.loc.gov/authorities/subjects/sh2012004517 | |
| 650 | 0 | |a Art and race. |0 http://id.loc.gov/authorities/subjects/sh85007971 | |
| 650 | 0 | |a Art |z Canada |x History. | |
| 650 | 0 | |a Art, Canadian. |0 http://id.loc.gov/authorities/subjects/sh85007592 | |
| 650 | 6 | |a Art et société |z Canada. | |
| 650 | 6 | |a Colonisation dans l'art. | |
| 650 | 6 | |a Art et race. | |
| 650 | 6 | |a Art |z Canada |x Histoire. | |
| 650 | 7 | |a ART / Canadian. |2 bisacsh | |
| 650 | 7 | |a Art |2 fast | |
| 650 | 7 | |a Art and race |2 fast | |
| 650 | 7 | |a Art and society |2 fast | |
| 650 | 7 | |a Art, Canadian |2 fast | |
| 650 | 7 | |a Colonization in art |2 fast | |
| 651 | 7 | |a Canada |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Morton, Erin, |d 1981- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjwJPK3cM8vBPDKxtpVqcd |0 http://id.loc.gov/authorities/names/no2014147414 | |
| 758 | |i has work: |a Unsettling Canadian art history (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFPVx83pMC8g9PqkrmTm3P |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Unsettling Canadian art history. |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022 |z 0228010977 |z 9780228010975 |w (OCoLC)1280274616 |
| 830 | 0 | |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |0 http://id.loc.gov/authorities/names/no2009036808 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3259210 |3 Volltext |
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| 938 | |a EBSCOhost |b EBSC |n 3259210 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1286620754 |
|---|---|
| _version_ | 1816882553020219392 |
| adam_text | |
| any_adam_object | |
| author2 | Morton, Erin, 1981- |
| author2_role | edt |
| author2_variant | e m em |
| author_GND | http://id.loc.gov/authorities/names/no2014147414 |
| author_facet | Morton, Erin, 1981- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N72 |
| callnumber-raw | N72.S6 U57 2022 |
| callnumber-search | N72.S6 U57 2022 |
| callnumber-sort | N 272 S6 U57 42022 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Front Matter -- Contents -- Preface -- Acknowledgments -- Unsettling Canadian Art History -- Unsettling Settler Methodologies, Re-centring Decolonial Knowledge -- White Settler Tautologies and Pioneer Lies in Mi'kma'ki -- Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau -- Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector -- Silence as Resistance: When Silence Is the Only Weapon You Have Left -- Excavating and Creating Decolonial Archives -- Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Häussler´s He Named Her Amber, Camille Turner´s BlackGrange, and Robert Houle´s Garrison Creek Project -- "Ran away from her Master ... a Negroe Girl named Thursday": Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements -- "Miner with a Heart of Gold": Native North America, Vol. 1 and the Colonial Excavation of Authenticity -- Excavation: Memory Work -- Reclaiming Sexualities, Tracing Complicities -- Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger's Embodied 2Spirit Arts Praxis -- Coming Out a l'Oriental: Diasporic Art and Colonial Wounds -- Indian Americans Engulfing "American Indian": Marking the "Dot Indians'" Indianness through Genocide and Casteism in Diaspora -- Figures -- Bibliography -- Contributors -- Index |
| ctrlnum | (OCoLC)1286620754 |
| dewey-full | 701/.030971 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.030971 |
| dewey-search | 701/.030971 |
| dewey-sort | 3701 530971 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 |
| geographic_facet | Canada |
| id | ZDB-4-EBA-on1286620754 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:26Z |
| institution | BVB |
| isbn | 9780228013280 0228013283 |
| language | English |
| oclc_num | 1286620754 |
| open_access_boolean | |
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| physical | 1 online resource (xviii, 340 pages) : illustrations (chiefly color). |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| series | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |
| series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| spelling | Unsettling Canadian art history / edited by Erin Morton. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2022] 1 online resource (xviii, 340 pages) : illustrations (chiefly color). text txt rdacontent computer c rdamedia online resource cr rdacarrier McGill-Queen's/Beaverbrook Canadian Foundation studies in art history Includes bibliographical references and index. "Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, Unsettling Canadian Art History imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture."-- Provided by publisher. Description based on online resource; title from digital title page (viewed on May 16, 2022). Front Matter -- Contents -- Preface -- Acknowledgments -- Unsettling Canadian Art History -- Unsettling Settler Methodologies, Re-centring Decolonial Knowledge -- White Settler Tautologies and Pioneer Lies in Mi'kma'ki -- Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau -- Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector -- Silence as Resistance: When Silence Is the Only Weapon You Have Left -- Excavating and Creating Decolonial Archives -- Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Häussler´s He Named Her Amber, Camille Turner´s BlackGrange, and Robert Houle´s Garrison Creek Project -- "Ran away from her Master ... a Negroe Girl named Thursday": Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements -- "Miner with a Heart of Gold": Native North America, Vol. 1 and the Colonial Excavation of Authenticity -- Excavation: Memory Work -- Reclaiming Sexualities, Tracing Complicities -- Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger's Embodied 2Spirit Arts Praxis -- Coming Out a l'Oriental: Diasporic Art and Colonial Wounds -- Indian Americans Engulfing "American Indian": Marking the "Dot Indians'" Indianness through Genocide and Casteism in Diaspora -- Figures -- Bibliography -- Contributors -- Index Art and society Canada. Colonization in art. http://id.loc.gov/authorities/subjects/sh2012004517 Art and race. http://id.loc.gov/authorities/subjects/sh85007971 Art Canada History. Art, Canadian. http://id.loc.gov/authorities/subjects/sh85007592 Art et société Canada. Colonisation dans l'art. Art et race. Art Canada Histoire. ART / Canadian. bisacsh Art fast Art and race fast Art and society fast Art, Canadian fast Colonization in art fast Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 History fast Morton, Erin, 1981- editor. https://id.oclc.org/worldcat/entity/E39PCjwJPK3cM8vBPDKxtpVqcd http://id.loc.gov/authorities/names/no2014147414 has work: Unsettling Canadian art history (Text) https://id.oclc.org/worldcat/entity/E39PCFPVx83pMC8g9PqkrmTm3P https://id.oclc.org/worldcat/ontology/hasWork Print version: Unsettling Canadian art history. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022 0228010977 9780228010975 (OCoLC)1280274616 McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. http://id.loc.gov/authorities/names/no2009036808 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3259210 Volltext |
| spellingShingle | Unsettling Canadian art history / McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. Front Matter -- Contents -- Preface -- Acknowledgments -- Unsettling Canadian Art History -- Unsettling Settler Methodologies, Re-centring Decolonial Knowledge -- White Settler Tautologies and Pioneer Lies in Mi'kma'ki -- Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau -- Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector -- Silence as Resistance: When Silence Is the Only Weapon You Have Left -- Excavating and Creating Decolonial Archives -- Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Häussler´s He Named Her Amber, Camille Turner´s BlackGrange, and Robert Houle´s Garrison Creek Project -- "Ran away from her Master ... a Negroe Girl named Thursday": Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements -- "Miner with a Heart of Gold": Native North America, Vol. 1 and the Colonial Excavation of Authenticity -- Excavation: Memory Work -- Reclaiming Sexualities, Tracing Complicities -- Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger's Embodied 2Spirit Arts Praxis -- Coming Out a l'Oriental: Diasporic Art and Colonial Wounds -- Indian Americans Engulfing "American Indian": Marking the "Dot Indians'" Indianness through Genocide and Casteism in Diaspora -- Figures -- Bibliography -- Contributors -- Index Art and society Canada. Colonization in art. http://id.loc.gov/authorities/subjects/sh2012004517 Art and race. http://id.loc.gov/authorities/subjects/sh85007971 Art Canada History. Art, Canadian. http://id.loc.gov/authorities/subjects/sh85007592 Art et société Canada. Colonisation dans l'art. Art et race. Art Canada Histoire. ART / Canadian. bisacsh Art fast Art and race fast Art and society fast Art, Canadian fast Colonization in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2012004517 http://id.loc.gov/authorities/subjects/sh85007971 http://id.loc.gov/authorities/subjects/sh85007592 |
| title | Unsettling Canadian art history / |
| title_alt | Front Matter -- Contents -- Preface -- Acknowledgments -- Unsettling Canadian Art History -- Unsettling Settler Methodologies, Re-centring Decolonial Knowledge -- White Settler Tautologies and Pioneer Lies in Mi'kma'ki -- Notes to a Nation: Teachings on Land through the Art of Norval Morrisseau -- Embodying Decolonial Methodology: Building and Sustaining Critical Relationality in the Cultural Sector -- Silence as Resistance: When Silence Is the Only Weapon You Have Left -- Excavating and Creating Decolonial Archives -- Truth Is No Stranger to (Para)fiction: Settlers, Arrivants, and Place in Iris Häussler´s He Named Her Amber, Camille Turner´s BlackGrange, and Robert Houle´s Garrison Creek Project -- "Ran away from her Master ... a Negroe Girl named Thursday": Examining Evidence of Punishment, Isolation, Trauma, and Illness in Nova Scotia and Quebec Fugitive Slave Advertisements -- "Miner with a Heart of Gold": Native North America, Vol. 1 and the Colonial Excavation of Authenticity -- Excavation: Memory Work -- Reclaiming Sexualities, Tracing Complicities -- Bear Grease, Whips, Bodies, and Beads: Community Building and Refusing Trauma Porn in Dayna Danger's Embodied 2Spirit Arts Praxis -- Coming Out a l'Oriental: Diasporic Art and Colonial Wounds -- Indian Americans Engulfing "American Indian": Marking the "Dot Indians'" Indianness through Genocide and Casteism in Diaspora -- Figures -- Bibliography -- Contributors -- Index |
| title_auth | Unsettling Canadian art history / |
| title_exact_search | Unsettling Canadian art history / |
| title_full | Unsettling Canadian art history / edited by Erin Morton. |
| title_fullStr | Unsettling Canadian art history / edited by Erin Morton. |
| title_full_unstemmed | Unsettling Canadian art history / edited by Erin Morton. |
| title_short | Unsettling Canadian art history / |
| title_sort | unsettling canadian art history |
| topic | Art and society Canada. Colonization in art. http://id.loc.gov/authorities/subjects/sh2012004517 Art and race. http://id.loc.gov/authorities/subjects/sh85007971 Art Canada History. Art, Canadian. http://id.loc.gov/authorities/subjects/sh85007592 Art et société Canada. Colonisation dans l'art. Art et race. Art Canada Histoire. ART / Canadian. bisacsh Art fast Art and race fast Art and society fast Art, Canadian fast Colonization in art fast |
| topic_facet | Art and society Canada. Colonization in art. Art and race. Art Canada History. Art, Canadian. Art et société Canada. Colonisation dans l'art. Art et race. Art Canada Histoire. ART / Canadian. Art Art and race Art and society Art, Canadian Colonization in art Canada History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3259210 |
| work_keys_str_mv | AT mortonerin unsettlingcanadianarthistory |