Giving the Devil His Due :: Satan and Cinema.
"The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , , , , , , , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Fordham University Press,
2021.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock"-- |
| Beschreibung: | 1 online resource (180 pages) |
| ISBN: | 0823297918 9780823297917 9780823297924 0823297926 |
Internformat
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1265461212 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 210828s2021 nyu o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |c EBLCP |d YDX |d OCLCQ |d N$T |d JSTOR |d OCLCF |d P@U |d OCLCO |d UKAHL |d OCLCO |d OKU |d EBLCP |d OCLCQ |d SFB |d OCLCO |d OCLCQ |d OCLCL |d OCLCQ | ||
| 019 | |a 1264717593 |a 1272998087 | ||
| 020 | |a 0823297918 |q (electronic bk.) | ||
| 020 | |a 9780823297917 |q (electronic bk.) | ||
| 020 | |a 9780823297924 | ||
| 020 | |a 0823297926 | ||
| 035 | |a (OCoLC)1265461212 |z (OCoLC)1264717593 |z (OCoLC)1272998087 | ||
| 037 | |a 22573/ctv1zjm2r7 |b JSTOR | ||
| 050 | 4 | |a PN1995.9.D46 | |
| 082 | 7 | |a 791.43/651 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Weinstock, Jeffrey Andrew. | |
| 245 | 1 | 0 | |a Giving the Devil His Due : |b Satan and Cinema. |
| 260 | |a New York : |b Fordham University Press, |c 2021. | ||
| 300 | |a 1 online resource (180 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover -- Title Page -- Copyright -- Contents -- Introduction: Giving the Devil His Due -- The Sign of the Cross: Georges Méliès and Early Satanic Cinema -- Murnau's Faust and the Weimar Moment -- Disney's Devils -- What's the Deal with the Devil? The Comedic Devil in Four Films -- His Father's Eyes: Rosemary's Baby -- From the Eternal Sea He Rises, Creating Armies on Either Shore: The Antichristology of the Omen Franchise -- The Weird Devil: Lovecraftian Horror in John Carpenter's Prince of Darkness -- Narration and Damnation in Angel Heart | |
| 505 | 8 | |a The Devil's in the Details: Devilish Desire and Roman Polanski's The Ninth Gate -- Agency or Allowance: The Satanic Complications of Female Autonomy in The Witches of Eastwick and The Witch -- "Roaming the Earth": Satan in The Last Temptation of Christ and The Passion of the Christ -- Lucifer, Gabriel, and the Angelic Will in The Prophecy and Constantine -- Advocating for Satan: The Parousia-Inspired Horror Genre -- List of Contributors -- Index | |
| 520 | |a "The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock"-- |c Provided by publisher. | ||
| 650 | 0 | |a Devil in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2002003798 | |
| 650 | 0 | |a Good and evil in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2013002286 | |
| 650 | 0 | |a Motion pictures |x Social aspects. |0 http://id.loc.gov/authorities/subjects/sh85088108 | |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 6 | |a Démon au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect social. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 7 | |a Devil in motion pictures |2 fast | |
| 650 | 7 | |a Good and evil in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 653 | |a Angel. | ||
| 653 | |a Bible. | ||
| 653 | |a Christianity. | ||
| 653 | |a Cinema. | ||
| 653 | |a Devil. | ||
| 653 | |a Film. | ||
| 653 | |a Lucifer. | ||
| 653 | |a Movies. | ||
| 653 | |a Popular Culture. | ||
| 653 | |a Religion. | ||
| 653 | |a Satan. | ||
| 700 | 1 | |a Hansen, Regina M. | |
| 700 | 1 | |a Bacon, Simon. | |
| 700 | 1 | |a Fowkes, Katherine A. | |
| 700 | 1 | |a Hauka, David. | |
| 700 | 1 | |a Hunter, Russ. | |
| 700 | 1 | |a Knowlton, Barry C. | |
| 700 | 1 | |a Knowlton, Eloise R. | |
| 700 | 1 | |a Leeder, Murray. | |
| 700 | 1 | |a O'Brien, Catherine, |d 1962- |1 https://id.oclc.org/worldcat/entity/E39PBJkxPkMpCMhVfjw3gYmDbd |0 http://id.loc.gov/authorities/names/n96003756 | |
| 776 | 0 | 8 | |i Print version: |a Weinstock, Jeffrey Andrew. |t Giving the Devil His Due. |d New York : Fordham University Press, ©2021 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2730851 |3 Volltext |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL30235030 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH39716475 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_94771 | ||
| 938 | |a YBP Library Services |b YANK |n 17608420 | ||
| 938 | |a EBSCOhost |b EBSC |n 2730851 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6733899 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1265461212 |
|---|---|
| _version_ | 1816882549165654016 |
| adam_text | |
| any_adam_object | |
| author | Weinstock, Jeffrey Andrew |
| author2 | Hansen, Regina M. Bacon, Simon Fowkes, Katherine A. Hauka, David Hunter, Russ Knowlton, Barry C. Knowlton, Eloise R. Leeder, Murray O'Brien, Catherine, 1962- |
| author2_role | |
| author2_variant | r m h rm rmh s b sb k a f ka kaf d h dh r h rh b c k bc bck e r k er erk m l ml c o co |
| author_GND | http://id.loc.gov/authorities/names/n96003756 |
| author_facet | Weinstock, Jeffrey Andrew Hansen, Regina M. Bacon, Simon Fowkes, Katherine A. Hauka, David Hunter, Russ Knowlton, Barry C. Knowlton, Eloise R. Leeder, Murray O'Brien, Catherine, 1962- |
| author_role | |
| author_sort | Weinstock, Jeffrey Andrew |
| author_variant | j a w ja jaw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.D46 |
| callnumber-search | PN1995.9.D46 |
| callnumber-sort | PN 41995.9 D46 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Cover -- Title Page -- Copyright -- Contents -- Introduction: Giving the Devil His Due -- The Sign of the Cross: Georges Méliès and Early Satanic Cinema -- Murnau's Faust and the Weimar Moment -- Disney's Devils -- What's the Deal with the Devil? The Comedic Devil in Four Films -- His Father's Eyes: Rosemary's Baby -- From the Eternal Sea He Rises, Creating Armies on Either Shore: The Antichristology of the Omen Franchise -- The Weird Devil: Lovecraftian Horror in John Carpenter's Prince of Darkness -- Narration and Damnation in Angel Heart The Devil's in the Details: Devilish Desire and Roman Polanski's The Ninth Gate -- Agency or Allowance: The Satanic Complications of Female Autonomy in The Witches of Eastwick and The Witch -- "Roaming the Earth": Satan in The Last Temptation of Christ and The Passion of the Christ -- Lucifer, Gabriel, and the Angelic Will in The Prophecy and Constantine -- Advocating for Satan: The Parousia-Inspired Horror Genre -- List of Contributors -- Index |
| ctrlnum | (OCoLC)1265461212 |
| dewey-full | 791.43/651 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/651 |
| dewey-search | 791.43/651 |
| dewey-sort | 3791.43 3651 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06280cam a2200841Mi 4500</leader><controlfield tag="001">ZDB-4-EBA-on1265461212</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">210828s2021 nyu o 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">EBLCP</subfield><subfield code="b">eng</subfield><subfield code="c">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">N$T</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCF</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OKU</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1264717593</subfield><subfield code="a">1272998087</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0823297918</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823297917</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823297924</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0823297926</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1265461212</subfield><subfield code="z">(OCoLC)1264717593</subfield><subfield code="z">(OCoLC)1272998087</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv1zjm2r7</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.D46</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43/651</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Weinstock, Jeffrey Andrew.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Giving the Devil His Due :</subfield><subfield code="b">Satan and Cinema.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">New York :</subfield><subfield code="b">Fordham University Press,</subfield><subfield code="c">2021.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (180 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Title Page -- Copyright -- Contents -- Introduction: Giving the Devil His Due -- The Sign of the Cross: Georges Méliès and Early Satanic Cinema -- Murnau's Faust and the Weimar Moment -- Disney's Devils -- What's the Deal with the Devil? The Comedic Devil in Four Films -- His Father's Eyes: Rosemary's Baby -- From the Eternal Sea He Rises, Creating Armies on Either Shore: The Antichristology of the Omen Franchise -- The Weird Devil: Lovecraftian Horror in John Carpenter's Prince of Darkness -- Narration and Damnation in Angel Heart</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Devil's in the Details: Devilish Desire and Roman Polanski's The Ninth Gate -- Agency or Allowance: The Satanic Complications of Female Autonomy in The Witches of Eastwick and The Witch -- "Roaming the Earth": Satan in The Last Temptation of Christ and The Passion of the Christ -- Lucifer, Gabriel, and the Angelic Will in The Prophecy and Constantine -- Advocating for Satan: The Parousia-Inspired Horror Genre -- List of Contributors -- Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock"--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Devil in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2002003798</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Good and evil in motion pictures.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2013002286</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088108</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Psychological aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Démon au cinéma.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Aspect social.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Aspect psychologique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Devil in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Good and evil in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Psychological aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Angel.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bible.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Christianity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cinema.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Devil.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Film.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Lucifer.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Movies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Popular Culture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Religion.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Satan.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hansen, Regina M.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bacon, Simon.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fowkes, Katherine A.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hauka, David.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hunter, Russ.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Knowlton, Barry C.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Knowlton, Eloise R.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Leeder, Murray.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">O'Brien, Catherine,</subfield><subfield code="d">1962-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJkxPkMpCMhVfjw3gYmDbd</subfield><subfield code="0">http://id.loc.gov/authorities/names/n96003756</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Weinstock, Jeffrey Andrew.</subfield><subfield code="t">Giving the Devil His Due.</subfield><subfield code="d">New York : Fordham University Press, ©2021</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2730851</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL30235030</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH39716475</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">musev2_94771</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">17608420</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2730851</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6733899</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-on1265461212 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:30:22Z |
| institution | BVB |
| isbn | 0823297918 9780823297917 9780823297924 0823297926 |
| language | English |
| oclc_num | 1265461212 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (180 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Fordham University Press, |
| record_format | marc |
| spelling | Weinstock, Jeffrey Andrew. Giving the Devil His Due : Satan and Cinema. New York : Fordham University Press, 2021. 1 online resource (180 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Cover -- Title Page -- Copyright -- Contents -- Introduction: Giving the Devil His Due -- The Sign of the Cross: Georges Méliès and Early Satanic Cinema -- Murnau's Faust and the Weimar Moment -- Disney's Devils -- What's the Deal with the Devil? The Comedic Devil in Four Films -- His Father's Eyes: Rosemary's Baby -- From the Eternal Sea He Rises, Creating Armies on Either Shore: The Antichristology of the Omen Franchise -- The Weird Devil: Lovecraftian Horror in John Carpenter's Prince of Darkness -- Narration and Damnation in Angel Heart The Devil's in the Details: Devilish Desire and Roman Polanski's The Ninth Gate -- Agency or Allowance: The Satanic Complications of Female Autonomy in The Witches of Eastwick and The Witch -- "Roaming the Earth": Satan in The Last Temptation of Christ and The Passion of the Christ -- Lucifer, Gabriel, and the Angelic Will in The Prophecy and Constantine -- Advocating for Satan: The Parousia-Inspired Horror Genre -- List of Contributors -- Index "The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock"-- Provided by publisher. Devil in motion pictures. http://id.loc.gov/authorities/subjects/sh2002003798 Good and evil in motion pictures. http://id.loc.gov/authorities/subjects/sh2013002286 Motion pictures Social aspects. http://id.loc.gov/authorities/subjects/sh85088108 Motion pictures Psychological aspects. Démon au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Devil in motion pictures fast Good and evil in motion pictures fast Motion pictures Psychological aspects fast Motion pictures Social aspects fast Angel. Bible. Christianity. Cinema. Devil. Film. Lucifer. Movies. Popular Culture. Religion. Satan. Hansen, Regina M. Bacon, Simon. Fowkes, Katherine A. Hauka, David. Hunter, Russ. Knowlton, Barry C. Knowlton, Eloise R. Leeder, Murray. O'Brien, Catherine, 1962- https://id.oclc.org/worldcat/entity/E39PBJkxPkMpCMhVfjw3gYmDbd http://id.loc.gov/authorities/names/n96003756 Print version: Weinstock, Jeffrey Andrew. Giving the Devil His Due. New York : Fordham University Press, ©2021 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2730851 Volltext |
| spellingShingle | Weinstock, Jeffrey Andrew Giving the Devil His Due : Satan and Cinema. Cover -- Title Page -- Copyright -- Contents -- Introduction: Giving the Devil His Due -- The Sign of the Cross: Georges Méliès and Early Satanic Cinema -- Murnau's Faust and the Weimar Moment -- Disney's Devils -- What's the Deal with the Devil? The Comedic Devil in Four Films -- His Father's Eyes: Rosemary's Baby -- From the Eternal Sea He Rises, Creating Armies on Either Shore: The Antichristology of the Omen Franchise -- The Weird Devil: Lovecraftian Horror in John Carpenter's Prince of Darkness -- Narration and Damnation in Angel Heart The Devil's in the Details: Devilish Desire and Roman Polanski's The Ninth Gate -- Agency or Allowance: The Satanic Complications of Female Autonomy in The Witches of Eastwick and The Witch -- "Roaming the Earth": Satan in The Last Temptation of Christ and The Passion of the Christ -- Lucifer, Gabriel, and the Angelic Will in The Prophecy and Constantine -- Advocating for Satan: The Parousia-Inspired Horror Genre -- List of Contributors -- Index Devil in motion pictures. http://id.loc.gov/authorities/subjects/sh2002003798 Good and evil in motion pictures. http://id.loc.gov/authorities/subjects/sh2013002286 Motion pictures Social aspects. http://id.loc.gov/authorities/subjects/sh85088108 Motion pictures Psychological aspects. Démon au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Devil in motion pictures fast Good and evil in motion pictures fast Motion pictures Psychological aspects fast Motion pictures Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2002003798 http://id.loc.gov/authorities/subjects/sh2013002286 http://id.loc.gov/authorities/subjects/sh85088108 |
| title | Giving the Devil His Due : Satan and Cinema. |
| title_auth | Giving the Devil His Due : Satan and Cinema. |
| title_exact_search | Giving the Devil His Due : Satan and Cinema. |
| title_full | Giving the Devil His Due : Satan and Cinema. |
| title_fullStr | Giving the Devil His Due : Satan and Cinema. |
| title_full_unstemmed | Giving the Devil His Due : Satan and Cinema. |
| title_short | Giving the Devil His Due : |
| title_sort | giving the devil his due satan and cinema |
| title_sub | Satan and Cinema. |
| topic | Devil in motion pictures. http://id.loc.gov/authorities/subjects/sh2002003798 Good and evil in motion pictures. http://id.loc.gov/authorities/subjects/sh2013002286 Motion pictures Social aspects. http://id.loc.gov/authorities/subjects/sh85088108 Motion pictures Psychological aspects. Démon au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Devil in motion pictures fast Good and evil in motion pictures fast Motion pictures Psychological aspects fast Motion pictures Social aspects fast |
| topic_facet | Devil in motion pictures. Good and evil in motion pictures. Motion pictures Social aspects. Motion pictures Psychological aspects. Démon au cinéma. Cinéma Aspect social. Cinéma Aspect psychologique. Devil in motion pictures Good and evil in motion pictures Motion pictures Psychological aspects Motion pictures Social aspects |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2730851 |
| work_keys_str_mv | AT weinstockjeffreyandrew givingthedevilhisduesatanandcinema AT hansenreginam givingthedevilhisduesatanandcinema AT baconsimon givingthedevilhisduesatanandcinema AT fowkeskatherinea givingthedevilhisduesatanandcinema AT haukadavid givingthedevilhisduesatanandcinema AT hunterruss givingthedevilhisduesatanandcinema AT knowltonbarryc givingthedevilhisduesatanandcinema AT knowltoneloiser givingthedevilhisduesatanandcinema AT leedermurray givingthedevilhisduesatanandcinema AT obriencatherine givingthedevilhisduesatanandcinema |